8 853 résultats
1969147241N.p.: N.p. 1969. Revised draft script for an unproduced film carbon typescript on onionskin unbound housed in an envelope with a "Winkast Programming Limited" label with "Hadrian VII Screenplay Stage play" scratched out and "'THE TRUMPH' BY JOHN KENNETH GALBRAITH" written in in green manuscript marker.<br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> Canadian economist diplomat and noted author John Kenneth Galbraith's adaptation of his 1968 novel "The Triumph" a political satire of a myopic and inept US foreign policy response to a revolution by a moderate liberal in a small Central American country.<br /> <br /> Title page present dated 29 May 1969 noted as Revised Draft with credits for author and screenwriter John Kenneth Galbraith. 168 leaves with last page of text numbered 167. Carbon typescript on onionskin rectos only. Pages Near Fine envelope Very Good plus with some small closed tears unbound. N.p. unknown
1972147866Beverly Hills CA: United Artists 1972. Vintage studio still photograph of Glenda Jackson from the 1972 film. <br/><br/>Based on the 1970 H.E. Bates novella. Set during WWII Alice Jackson runs a farm in the English countryside and helps a young deserter Barton Oliver Reed hide from the army. A remarkable performance from Reed.<br/><br/>Set in and shot on location in Wiltshire England. <br/><br/>8 x 10 inches. Very Good plus with some light soiling and edgewear at top. <br/><br/>Complete collation details available on request. United Artists unknown books
1963158196N.p.: N.p. 1963. Three vintage borderless reference photographs from the 1963 French- Italian film. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo lightly faded. N.p. unknown
1963158194N.p.: N.p. 1963. Eight vintage borderless reference photographs from the 1963 French- Italian film. Features a photograph of a camera crew on the set shooting a driving scene. Numerical annotations in manuscript pencil on the verso.<br /> <br /> Based on the 1936 play by Jean Sarment. A country stationmaster dreams of vacationing in the famous resort town of Biarritz with his family especially hoping to repair his relationship with his son. The final film appearance of Arletty. <br /> <br /> Shot in Biarritz. <br /> <br /> 3.5 x 4.75 inches. Very Good plus one photo with a bruise and dampstaining at a corner. N.p. unknown
1967149898London: American International Pictures AIP 1967. Vintage reference photograph of director Roger Corman filming on location for the 1967 film. With a printed mimeo snipe affixed to the verso.<br/><br/>A television commercial director falls into a tailspin of LSD and free love after being left by his wife. One of Corman's most idiosyncratic directorial efforts frequently referred to as his most personal one a time capsule of hippie life and the Sunset Strip in the swinging 1960s. <br/><br/>Set and shot on location in Los Angeles and Malibu California and Yuma Arizona. <br/><br/>10 x 8 inches. Near Fine.<br/><br/>Olive Films 1177. American International Pictures [AIP] unknown books
1967134693Los Angeles: American International Pictures AIP 1967. Vintage black-and-white still photograph from the 1967 exploitation film White margin with a single credit and copyright date for American International Pictures at the bottom margin. <br/><br/>In the photograph Peter Fonda and Salli Sachse exchange admiring glances during a rare scene where people aren't tripping. <br/><br/>One of the iconoclastic Corman's most idiosyncratic directorial efforts and frequently referred to as his most personal one a time capsule of hippie life and the Sunset Strip back in the swinging 60s. <br/><br/>8 x 10 inches. Single pinholes at the corners some residue on the verso from an old theater window mounting. Very Good plus overall. American International Pictures [AIP] unknown books
1960145469London: Warwick Film Productions 1960. First Draft script for the 1960 UK film. File copy belonging to the film's director Ken Hughes with a typescript note tipped on to the title page requesting its return to the director and noting it is the only script in existence for the film. <br/><br/>Peter Finch delivers a strong performance as the inimitable author Oscar Wilde in this film about Wilde's sodomy trial after his affair with Lord Alfred Douglas lifted in large part from the historical court records. One of two films about Wilde released in May of 1960 the other being director Gregory Ratoff's "Oscar Wilde." In order to compete with the other Wilde film production on "The Trials of Oscar Wilde" was made in only nine weeks from start to finish with filming wrapping a mere two weeks before the London opening. Composer Ron Goodwin was recording music before scenes were filmed most scenes were filmed in one take and four editing rooms were set up working in parallel during principal photography in order to deal with the rushed timeline. <br/><br/>Shot on location in England. <br/><br/>Green wrappers with a typescript title label. Title page present dated 28th January 1960 noted in holograph ink as First Screenplay. 210 leaves with last page of text numbered 208. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good bound internally with two spring binder clips. Warwick Film Productions unknown books
1960150624UK: Warwick Film Productions 1960. Collection of 35 vintage double weight reference photographs from the 1960 film. One photograph showing actors Yvonne Mitchell and Peter Finch relaxing on the set a second photograph with holograph annotations regarding layout on the verso. <br/><br/>A dramatization of the libel and criminal cases involving Oscar Wilde and the Marquess of Queensberry based on both the 1948 nonfiction book by Montgomery Hyde and the 1955 play "The Stringed Lute" by John Furnell. <br/><br/>10x 8 inches. Generally Near Fine. <br/><br/>Complete collation details available on request. Warwick Film Productions unknown books
1962151672N.p.: Agnes Delahaie Productions 1962. Three vintage photographs from the 1962 French film including two studio still photographs from the US release of the film and one borderless reference photograph.<br /> <br /> A dramatization of the imprisonment and killing of Jeanne a French peasant girl claiming to receive visions from God. Bresson's sixth release filmed in his typically spare style using non-professional performers and a screenplay drawn from transcriptions of Jeanne's trial at Rouen.<br /> <br /> Two photographs 10 x 8 inches one photograph 9.25 x 7 inches. Near Fine. Agnes Delahaie Productions unknown
1950135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br/><br/>Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br/><br/>Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br/><br/>Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown books
1950135620Paris: B.M.P. Films 1950. Draft script for the 1950 French film "The Treasure of Cantenac" here under its title of origin "Le Tresor de Cantenac" on the title page with the film's working title "Un miracle" also on the title page. French copy company rubber stamp and faint pencil annotations on the front wrapper. Pre-New Wave items are scarce this being a completely original example with text in French throughout. <br /> <br /> Set in a rundown French village the film is a series of vignettes illustrating the human condition. The Baron de Cantenac on the verge of suicide after losing his fortune goes on one last walk through his dying town. On the way he meets the town's oldest citizen who reveals a royal treasure that he has been jealously guarding for years. <br /> <br /> Director-screenwriter-actor Guitry was a prominent French filmmaker during the post-WWI years of French cinema following in the footsteps of his father silent film actor Lucien Guitry. His notable film credits include English titles "The Lover of Camille" 1924 "The Story of a Cheat" 1936 "Nine Bachelors" 1939 "Royal Affairs in Versailles" 1954 a film notable for its appearance of a young Brigitte Bardot and "Napoleon" 1955. <br /> <br /> Blue titled wrappers. Title page present undated with a credit for Guitry and B.M.P. Films in Paris the US branch is in California. 102 leaves with last page of text numbered 100. Mimeograph duplication. Pages Near Fine wrapper Very Good perfect-bound and side-stiched. B.M.P. Films unknown
1974168123N.p.: Golden Films 1974. Seven vintage studio still photographs from the 1974 film seen here under the working title "Evil in the Deep." <br /> <br /> A crew of maritime adventurers search for a long-lost sunken Spanish Galleon carrying a massive amount of treasure. <br /> <br /> 10 x 8 inches. Very Good plus. Golden Films unknown
1970132049Beverly Hills CA: Metro-Goldwyn-Mayer MGM / EMI 1970. Vintage black-and-white still photograph from the UK release of the 1970 US film. Features Stacey Keach. <br/><br/>Keach is a traveling executioner with a portable electric chair and receives one-hundred dollars for each execution. Arguably one of the actor's best performances. <br/><br/>8 x 10 inches. Light creasing to the corners else Near Fine. Metro-Goldwyn-Mayer [MGM] / EMI unknown books
1961162511N.p.: Phaeton Productions 1961. Vintage studio still photograph of Doris Gohlke from the 1961 film. <br /> <br /> A Prohibition-era bookkeeper attempts to hide from gangsters at a health farm teeming with beautiful scantily-clad women. <br /> <br /> 8 x 10 inches. Near Fine. Phaeton Productions unknown
1971147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. <br/><br/>Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. <br/><br/>Set and shot on location in Sweden and England.<br/><br/>Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown books
1971150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. <br/><br/>From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. <br/><br/>Set and shot on location in Sweden and England.<br/><br/>12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown books
1971150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. <br/><br/>From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. <br/><br/>Set and shot on location in Sweden and England.<br/><br/>10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown books
1971162501N.p.: Futurama International 1971. Vintage studio still photograph from the 1971 film here under the working title "The Touch of Melissa." Photograph with provenance stamps on the verso. <br /> <br /> On the road from San Francisco to Austin Jodie makes a brief stop at a farm where he meets and falls in love with Melissa the lovely farmer's daughter. Unfortunately Melissa's insane great-grandmother is in the mix unaware Melissa is in fact a 127-year old witch and that Melissa is actually her sister. <br /> <br /> Shot on location in Santa Ynez California. <br /> <br /> 8 x 10 inches. Near Fine. <br /> <br /> Nightmare USA. Code Red. Futurama International unknown
1971147252N.p.: N.p. 1971. Draft script for the 1971 film. With what we assume to be translator Alan Blair's handwritten ink annotations throughout the script mostly in English but occasionally in Swedish noting many substantive revisions and deletions. Text in English. <br /> <br /> Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Elliott Gould working alongside Bergman regulars Max von Sydow and Bibi Andersson. A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> Blue untitled wrappers. Title page present with credits for director Ingmar Bergman and English translator Alan Blair. 57 leaves with last page of text numbered 56. Xerographic duplication rectos only. Pages Very Good wrapper Very Good plus with a black comb binding. N.p. unknown
1971150335N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman setting up a shot with actors Elliott Gould Bibi Andersson and Max Von Sydow. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of PIX Inc. and Camera Press Ltd. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Sydow and Andersson. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> 12 x 8.5 inches. Very Good plus faintly toned along the top edge. N.p. unknown
1971150229N.p.: N.p. 1971. Vintage photograph of director Ingmar Bergman and a camera crew preparing to film a scene between actors Elliott Gould and Bibi Andersson. With a printed mimeo snipe affixed to the verso along with a stamp noting No. 11620 and the stamps of Pix Inc and Camera Press Ltd. <br /> <br /> From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br /> <br /> A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home an emotionally scarred survivor of the Holocaust. Bergman's first English language film shot in England and Sweden and his first film to involve a major American actor Gould working alongside Bergman regulars Andersson and Max von Sydow. <br /> <br /> Set and shot on location in Sweden and England.<br /> <br /> 10 x 7.75 inches. Very Good plus lightly creased. N.p. unknown
1968162499N.p.: Joseph Brenner Associates 1968. Two vintage studio still photographs from the US release of the 1967 British film. Photographs with provenance stamps on the versos one with a label obscuring a previous provenance stamp. <br /> <br /> Released in the UK as "Mini Weekend" wherein Anthony Trent stars as Tom a horny man lost in fantasies desperate for some fun in "Swinging London." <br /> <br /> Shot on location in London. <br /> <br /> 8 x 10 inches. Near Fine. Joseph Brenner Associates unknown
1979158003N.p.: N.p. 1979. Vintage matte-finish reference photograph of writer Günter Grass child actor David Bennent and director Volker Schlöndorff on the set of the 1979 film. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Grass' 1959 novel about a young child with magical abilities who witnesses the rise to power of the Nazi party. Winner of the Palme d'Or and winner of an Academy Award for Best Foreign Film.<br /> <br /> Set in Danzig and shot on location in West Germany. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow Films. Criterion Collection 234. N.p. unknown
1964149498Los Angeles: American International Pictures AIP 1964. Vintage reference photograph from the 1964 film showing noted science fiction author Forrest J. Ackerman who makes a cameo appearance in the film in costume as a space technician. With the stamps of Israel Film Archive on the verso.<br/><br/>A team of scientists create a time traveling device which teleports them to Earth in the year 2071 where mutated humans are the norm as a result of nuclear war.<br/><br/>Shot on location in Barstow California with some scenes at the University of Southern California's Doheny Library and Mudd Hall.<br/><br/>10 x 8 inches. Very Good plus lightly edgeworn. American International Pictures [AIP] unknown books
1964167585N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing a futuristic fight sequence. <br /> <br /> A team of scientists create a teleportation device and travel forward in time to the year 2071 where mutated humans are the norm as a result of nuclear war. Basis for the 1966-1967 television series "The Time Tunnel" as well as the 1967 remake "Journey to the Center of Time." <br /> <br /> Shot on location in Barstow California with some scenes at the University of Southern California's Doheny Library and Mudd Hall. <br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
