CAUNTER, Reverend John HobartBiblio.com
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183421190881834. London: Edward Bull. 1834. 8vo. Original pictorial full olive morocco gilt edges; pp. viii 254 2 advertisements 25 steel-engraved plates on mounted India after William Daniell; a little wear to extremities front cover with old repair to scratch light marginal browning to plates; otherwise very good. First edition extremely rare large paper copy of the first annual in this series which was to be continued up to 1840. The fashionable preacher and writer William Caunter was fascinated by India and wrote this mix of information and entertainment probably for the family members who had remained in Britain and where not over in India. Daniell's contributions make this a very handsome publication on India under the Raj. The normal format measures just over 20 by 14 cm wereas this issue measures over 24 by 16 cm. This issue is on better velin paper and the engravings - not foxed as often - are on mounted India paper with tissue guards. This annual appeared between 1834 and 1840 8 volumes with two volumes dated 1839 as a gift book for British people who had members of their family serving in India. unknown
1641ABC_49539Barcelona Pedro Lacavalleria; Lisbon 1641. 4to 19 x 14 cm. Antonio Alvarez Blueish-green paper wrappers with the hand-written title author and year of publication added in black marker on the front wrapper. With 2 woodcut decorated initials and a large woodcut vignette on the title page of ad 2. Further with one headpiece. 4; 76 pp. Contemporary account of the major events and conflicts occurred in the first two years year of the Guerra de los Segadores also known as the Catalan Revolt or the Reapers War 1640-1652. The work accounts other principal events occurred at Tortosa Barcelona Terragona Martorell Lérida Martorell Perpiñan and so on.Included is the narration of the important Battle of Montjuic 1641 which marked the official start of the lengthy Guerra de los Segadores that lasted approximately 9 years. This long war which affected almost the entire Principality of Catalonia started with the discontentment of the Catalans by the presence of the Castilian troops in the region during the wars between France and Spain. The first edition published in Barcelona is regarded as Palau as muy estimada. The present copy is probably the second Catalan edition with the preliminaries of the Portuguese translation of the same year. It is unclear if the head margin at some point contained page numbers that were lost when the margin was cut short or that there were not any page numbers. See Palau 285725 second Catalan ed. and 285276 Portuguese ed.The head margin is cut short without affecting the text. The corners of the blank margins of the leaves are occasionally very slightly stained. Otherwise in very good condition.l Palau 285725 and 285726; USTC 5036258 3 copies; WorldCat 23775406 433609675 1045841604 68682055 224501317 10 copies incl. 1 incomplete; cf. USTC 5018526 unclear if first or second Catalan ed. unknown
18496425New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
19631475<p><strong>n. 1 7 Anno 2</strong>.: dicembre 1963.</p><p>Quarto 96 pages illustrated throughout. Printed red wrappers. Lightly soiled and edgewear towards spine.</p><p>summary: collazione - S. Bussotti - " Mi travolse una remota esistenza " da " Torso "; F. Evangelisti: e i da " Random or not Random " ; verifica - Paolo Emilio Carapezza; - Domenico Guaccero : Una conclusione provvisoria; Heinz-Klaus Metzger - Ueber Schallquellen / Le sorgenti sonore; letture - R. Kayn: Schwingungen N. Sgro; D. Schnebel: Glossolalie D. Schnebel; E. Macchi: Parabola E. Macchi; asterisco 1 - La nuova musica dopo la " 4 Settimana " di Palermo P. E. Carapezza; Notizie; confronto - F. Bacon e J. Johrn M. Calvesi; Lawrence Alloway - Six painters and the object / Sei pittori e loggetto; Maurizio Calvesi - Ricognizione e reportage / Recognition and reportage; Scheda - Mimmo Rotella a cura di Vittorio Rubiu; asterisco 2 Aforismi sulla maniera di dipingere Franco Nonnis. " Aspetti dellarte contemporanea " all Aquila; Christo alla Salita di Roma; Millares all' Odyssia di Roma; il " Teodelapio " di Calder. V. Rubiu. Notizie.</p><p><strong>n. 2 8 Anno 3</strong>.: marzo 1964.</p><p>Quarto 95 pages illustrated throughout. Printed red wrappers. Edgewear towards spine.</p><p>summary: <br />arti visive collazione - Inghilterra - U.S.A.: pitture di Kitaj. RauschenbergFahlstrom Johns; Verifica - Vittorio Rubiu; Jean-Jacques Lebel - Un regard neuf; Nello Ponente - Ideologia e pseudo-ideologia/ Ideology and pseudo-ideology; john coplans - American painting and Pop Art / Pittura americana e Pop Art; Cesare Vivaldi - Commento a Coplans / Comment to Coplans; Letture - Cesare Brandi Burri Filiberto Menna; Ballardini e Quattrini Ceramica italiana moderna Benedetto Patera: Cultura del vino e cultura del Coca-cola Maurizio Calvesi; Asterisco 1° Tre mostre alla Tartaruga di Roma Cesare Vivaldi / Retrospettive di Rauschenberg a Londra; " Nuove Tendenze " a Venezia / Dine Oldenburg Rosenquist e Segal alla Sidney Janis di New York Maurizio Calvesi. Segal e Pistoletto alla Sonnabend di Parigi Anna Nosei. Hoeme all'Attico di Roma: Novelli all' Arco dell'Alibert di Roma Vittorio Rubiu;</p><p>musica <br />Confronto - La nuova musica di 2500 anni fa e quella dei giorni nostri Paolo Emilio Carapezza / New music 2500 years ago and in modern times Paolo Emilio Carapezza; Heinz-Klaus Metzger - Das Altern der jüngsten Musik / L'invecchiamento della musica nuovissima; Giuseppe Chiari – Appunti / Notes; Domenico Guaccero - A provisory conclusion; 2 - Sylvano Bussotti a cura di Antonino Titone; Asterisco 2' - Notizie</p><p>ILLUSTRAZIONI; pitture di Kitaj. Rauschenberg Fahlstrom Johns Angeli Warhol Lichtenstein Festa Morris Samaras Segal Oldenburg Pistoletto Mondino Saul Lombardo fotografie di<br />Scianna. musiche di Bussotti Chiari La Monte Young. papiri " Arciduca<br />Ranieri " Cairense 59533 Osloense 1413.</p><p><strong>n. 3-4 11 Anno 3</strong>.: dicembre 1964.</p><p>Quarto 118 pages illustrated throughout. Printed red wrappers. Slightly bumped towards the top right of this issue.</p><p>summary: <br />musica <br />collazione Karl-Heinz Stockhausen - Plus-Minus; verifica Domenico Guaccero - Materiali per per verifica sociologica; Christian Wolff - Duct For violins. Questions. Domando; Mauricio Kagel - I. Komposition Decomposition II. Notation heute III. Analyse des Analysierens.<br />1. Composizione Scomposizione II. La notazione oggi III. Analisi dell'analizzare; Luis De Pablo - Control del material: la cantidad sonora como nocion eje de una perceptiva musical; Dieter Schnebel - Das musikalische Material: Verhältnisse und Aktionen. Kommentar zur neuer Musik.<br />Il materiale musicale: rapporti e azioni. Commento alla nuova musica; scheda 3. — Mauricio Kagel; letture Paolo Castaldi - Anfrage. Luciano Berio – Traces; asterisco • Domenico Guaccero - I concerti di Nuova Consonanza e le manifestazioni per gli universitari a Roma. Luciano Alberte - Vita musicale contemporanca IV ciclo a Firenze; Paolo Emilio Carapezza - Arte e tecnologia il convegno del " gruppo 70" a Firenze; Gertrud Meyer-Denkmann - Darmstadt al bivio.<br />NOTIZIE</p><p>arti visive<br />collazione Spazio E Movimento; verifica Maurizio Calvesi - Un pensiero concreto I; George Brecht - Chance Imagery. Immagini casuali; Sandra Pinto - Intervista a Brett Whiteley; M. C. - A proposito di Whiteley e della situazione inglese; Vittorio Rubiu - La materia dell'informale è esplosa nell'oggetto / The material of the informel burst into the object; confront Mario Diacono – " Parole e disegni " di Frank O' Hara e Mario Schifano / " Word and Drawings " of Frank O' Hara and Mario Schifano; G. Robert Swenson - The darker Ariel: Random notes on Andly Warhol / Annotazioni casuali su Andy Warhol; Jolanda Brunetti - Appunti sulla danza fino a Merce Cunningham / Notes on the dance up to Merce Cunningham; asterisco James Brodey - The George Segal exhibit Green Gallery New York; Maurizio Calvesi - Mario Ceroli alla " Tartaruga " Roma; Cesare Vivaldi - Piero Dorazio alla " Malborough " Roma; Vittorio Rubiu - Antologia di Capogrossi alla " Medusa " Roma. Il premio Marzotto - Comunità Europea; Antonio Bandera - il XVIII premio Michetti.<br />NOTIZIE</p><p>ILLUSTRAZIONI:<br />musiche di Stockhausen Wolf Kagel Castaldi / pitture di Whiteley Schifano Lichtenstein Capogrossi Warhol Titone Dorazio / sculture di Segal Ceroli / fotografie di azioni corcografiche di Merce Cunningham / servizio fotografico su Warhol.TRADUZIONI: dal tedesco di Laura Valdes Schnebel Anna Maria Rubino: Kagel Meyer-Denkmann Liborio Mario Rubino Kagel: dall'inglese e in inglese di Rende Plaja-Levine.</p><p><strong>numero 5 12</strong>: settembre 1965.</p><p>Quarto 97 pages illustrated throughout. Printed red wrappers.</p><p>arti visive<br />verifica. Maurizio Calvesi - A concrete thought; scheda 4. - Ettore Colla a cura di Augusta Monferini; letture Maurizio Calvesi - Cinque sintesi radiofoniche di F. T. Marinetti e il manifesto del teatro radiofonico.<br />REVORT 1 - PALERMO SETTEMBRE 1965. Mario Diacono - Una prefazione invettiva / An invective preface; Cesare Vivaldi - Una mostra di giovanissimi / An exhibition of the very young/ Lawrence Alloway - Order and reference / Ordine e riferimento; Jasia Reichardt - Now and Here / Ora e qui; Manfred de La Motte - Neue malerei in Deutschland / La nuova pittura in Germania.</p><p>musica<br />collazione. Franco Donatoni - Black and White; Heinz-Klaus Metzger - Ueber die<br />Verantwortung des Komponisten / Sulla responsabilità del compositore; Paolo Emilio Carapezza - Atti e fatti di rilievo costituzionale nella nuova musica d'oggi / Acts and facts of constitutional impor-tance in the new music of to day; scheda 5. - Francesco Agnello a cura di Paolo Emilio Carapezza; asterisco . Eric Salzmann - New Music 1964 Lettere E Notizie; letture<br />Francesco Pennisi - Hymn Paolo Emilio Carapezza.</p><p>ILLUSTRAZIONI:<br />pitture e sculture di Colla Barni Ceroli Lombardo Pascali Tacchi Titone Chow Green Furnival Whitfield Fischer-Lueg Kriwet Richter.<br />musiche di Donatoni e Carapezza.<br />TRADUZIONI: dall'inglese e in inglese: Juliet<br />Siragusa Arning; dal tedesco: Liborio<br />Mario Rubino.</p><p><br /><strong>n. 6 13</strong>: settembre 1966.</p><p>Quarto 98 pages illustrated throughout. Illustrated wrappers. Wrappers with light foxing. summary:</p><p>musica <br />collazione. Juliusz Luciuk : Pacem In Terris ; Domenico Guaccero : Klaviatura. verifica. Paolo Emilio Carapezza : verifica pratica ; Dieter Schnebel : Das Formproblem in der Neuen Musik ; Dieter Schnebel : Mahlers Spätwerk als Neue Musik ; Henri Pousseur : Elementi Realistici della Musica Elettronica ; Jacobo Romano : La Nueva Musica Argentina ; Norbert Weiss : Film in der Oper ; Giuseppe Chiari : alcune opere alcuni scritti. scheda 6. Frederic Rzewski ; letture ; Jean Barraque : Sequence Paolo Renlmosto ; Gilbert Amy : Epigramme Pour Piano Paolo Renosto ; Vittorio Gelmetti : Nous Irons à Tahiti Giuseppe Chiari ; Svenskt Musik 60-Tal Paolo Emilio Carapezza ; Domenico Guaccero : Negativo Domenico Guaccero.asterisco . Gabriella MulachiÈ : Inattualit‡ della Danza ; Paolo Emilio Carapezza : Premio Italia 65. lettere e notizie.</p><p>arti visive <br />verifica. Otto Hahn: Critique = compréhension compréhension = action; Mario Diacono : Antimetaphisica ; William S. Wilson : Ray Johnson: Vibration and Reverberation ; Ann Wilson : . from a patchwork history: 1958 ; Maurizio Fagiolo : La Ragion Purapratica di Lichtenstein ; Martial Raysse : Jai mille choses à classer. ; Heinz Ohff : Gernot Bobenik ; Cesare Vivaldi : La Scuola di Pistoia ; Henry Martin : Flowers facades and IBM machines ; Peter Bruning und Manfred de la Mott : Là gendes ; Vittorio Rubiu : I falsi giocattoli di Pino Pascali. letture. Dick Higgins : Jeffersons Birthday and Postface Juliet Arning Siragusa ; asterisco . Daniel Spoerri : Una topografia aneddotica del caso ; Emilio Vedova : Interventi ; Seiichi Niikuni - Pierre Garnier : TroisiËme manifeste du spatialisme pour une poesie supranationale. illustrazioni: musiche di Luciuk Guaccero Chiari Rzewski ; pitture disegni e sculture di Lichtenstein. Tilson Brecht Kounellis Johnson Raysse Bobenik Barni Buscioni Natalini Ruffi Nesbitt Bruning Pascali Topor Vedova Innocente I. e P. Garnier Kolà r ; in copertina: J. Kounellis Paint 1966; F. Rzewski dal Requiem.</p><p><br />- First editions. Collage used to be a spoken periodical. With nr. 1 7 the printed version of this magazine came into existence. Da una rivista parlata a una stampata: Collage costituisce un raro esempio di esoeditoria di una pubblicistica cio‡ gestita direttamente da artisti al fine di promuovere unalternattiva alla cultura dominante nata a Palermo nel corso degli anni Sessanta.</p><p><strong>collage 8</strong>. dicembre 1968. Direttore Antonino Titone.</p><p>Folio 132 pages illustrated throughout. Illustrated wrappers by Gianni Maniscalco Basile. Bumped at lower part that affects the first 40 pages.</p><p>summary: 2 "verifica" 3 Christian Wolf - Electricity and music; 5. Peter P. Várnai - I mille anni dell'alea; 8. Dieter Schnebel - Sichtbare music; 19. Paolo Castaldi - Take care; 27. " scheda 9 " - Franco Donatoni; 34. Mario Diacono - La struttura negativa di Robert Morris; 40. Joe Tilson - The porcelain factory - questionnaire III; 43. Gianni Maniscalco Basile - Living Theatre<br />Palermo 1968; 51. " asterisco "
William Wilson - Five ways of looking at
the medium. Mario Diacono - Intervista a Kitaj. Ben Vautier - Art = pas art. Tullio Catalano - Sergio Lombardo; una ricerca per una poetica 1961-1968. Daniela Palazzoli - Di un ex.hibition in/pro.gress. Achille Bonito Oliva - Un'arte del positive; 61. " letture "
Claes Oldenburg - Store days Juliet Arning
Siragusa; 73. " revort 2 "
Gillo Dorfles - Revort 2.
Buren Mosset Parmentier Toroni - Sept manifestations a cura di Otto Hahn. Daniela Palazzoli - La pittura multiversa di Fahlström e Simonetti. Cesare Vivaldi - Nuovo astrattismo romano. C. V. - Quattro presenze a Revort 2. Adriano Spatola - Due scritti per Parmiggiani. Francesco Carbone - Progetto e invenzione. 89. "VI Settimana Internazionale nuova musica"
Gioacchino Lanza Tomasi - Le musiche della sesta "Settimana"; Edoardo Sanguineti - La descrittione del gran paese. Domenico Gudccero - Scene del potere. Gli esecutori.<br />123. " asterisco " direct-drawn filmakers painters Mario Diacono - Per un nuovo cineMANIfesto. cinema indipendente Gregorio Napoli – La cinepresa a pendolo.<br />I films; i registi. Roberto Levdi - Musica popolare e nuova cultura. I testi; gli esecutori. Diego Carpitella - Musica contemporanea e musica etnica.</p><p>illustrazioni: <br />musiche di Stockhausen Cage Kagel Evangelisti Ligeti Riedl Schnebel Castaldi Donatoni Brecht Denisov Sciarrino Cardew Carraro.</p><p>Pitture e sculture di Morris Tilson Wilson Kienholz Kitaj Buren Mosset Parmentier Toroni Olden Fioroni Lorenzetti Kounellis Paolini Tolve Nojiri Simonetti Fahlström Simonetti Nespolo Scheggi Bonalumi Cecchini Ruffi<br />Grisi Alfano Carbone Parmiggiani Volpini Reina Bignardi." illustrazioni "</p><p>" tavole a colori "</p><p>1. Pitture e sculture di Kitaj e Lombardo;<br />II. Pitture e sculture di Verna Lecci e Manпо.</p><p>Fotografie e copertina die Gianni Maniscalco Basile. Text in Italian German French and English.</p><p><br />collage 9. dicembre 1970. annuario di nuova musica e arti visive contemporanee. Direttore Antonino Titone.</p><p>Palermo: S.F. Flaccovio Editore. 1970</p><p>Folio 98 pages illustrated throughout. Illustrated wrappers.</p><p>Summary: <br />" verifica ": Achille Bonito Oliva Le circostanze magiche; Mario Diacono Materia-destruttura.; Robert Smithson Incidents of mirror; Robert C. Kenedy Notes; " asterisco " Cunningham Higgins Rot Something else. Jan Donia Art behind the dikes; " verifica " Paolo Emilio Carapezza De modis musicandi; ÐдиÑон ДениÑов " Вариации " op. 27 Ð. Веберна Edison Denisov Le variazioni op. 27 di Webern; Michal Bristiger Sonorismo e strutturalismo; " scheda 10 " Aldo Clementi; " letture " Miroslaw Kondracki W. Szalonek 1 1 1 1. " asterisco " Roland Kayn Kybernetische Prozesse. Richard Toop Musical notation.</p><p>Illustrations: Richard Serra Bruce Nauman Joseph Kosuth Robert Smithson Jan van Munster; Cunningham-Higgins-Rot</p><p>Anton Webern Aldo Clementi Witold Szalonek Roland Kayn Boguslaw Schäffer John Cage François Bayle Karlheinz Stockhausen Gerd Zacher Morton Feldman Luis Andressen Franco Donatoni Anestis Logo-thetis Cornelius Cardew Toshi Ichiyanagi Cristian Wolft Frank Ashley Tom Phillips Michael von Biel Gordon Mumma</p><p>" tavole a colori "<br />Notazioni coreografiche di Merce Cunningham ; Manifesto di Jan Mirò ;<br />Cybernetics II di Roland Kayn</p><p>" copertina "<br />Particolare della vetrata d'ingresso di Villa Belforte in Palermo fotografia di Giuseppe Cappellani. Text in Italian German French and English.</p><p><br />- First editions. Collage used to be a 'spoken periodical'. With nr. 1 7 the printed version of this magazine came into existence. 'Da una rivista 'parlata' a una stampata: "Collage" costituisce un raro esempio di 'esoeditoria' di una pubblicistica cioà gestita direttamente da artisti al fine di promuovere un'alternativa alla cultura dominante nata a Palermo nel corso degli anni Sessanta. Se "Collage. Dialoghi di cultura" 1962-64 fondata da Paolo Emilio Carapezza Antonino Titone e Gaetano Testa affrontà un'ampia panoramica di argomenti riguardanti la cultura palermitana basandosi su veri e proprio indici che fungevano da scaletta per gli interventi orali dei partecipanti la versione stampata 1963-70 fu sviluppata secondo un doppio binario quello della nuova musica e delle arti visive con due redazioni parallele e una fitta rete di prestigiosi collaboratori internazionali. L'esperienza di "Collage" rimasta un unicum in Sicilia per l'ampiezza di respiro che la caratterizzà e per la capacità di cogliere con prontezza fenomeni cardine dell'arte contemporanea dalla Pop Art all'Arte Povera dall'happening alla danza/teatro/azione offre un interessante spaccato della Palermo degli anni Sessanta al centro di un momento d'oro di risveglio culturale che non si à pià ripetuto.' Marina Giordano in 'teCLa'.</p> G. Denaro
18033374London: Captain Henry Wilson. Very Good. 1803. Fifth Edition. Later binding of half gilt ruled faux blue morocco over marbled boards. Gilt particulars and decoration to spine. Top and bottom of front hinge cracked top of rear hinge beginning. Blue endpapers. Enlarged edition with supplement by Reverend John Pearce Hockin. "William Taylor 1813" delicately inked to top right of title page. Foldout "Chart of the Pelew Islands and Adjacent Seas" to front of book suffers foxing and some creasing as well as a small closed tear to the bottom margin of a fold line not affecting text. Contains eighteen steel plates with two additional plates included in supplement along with vocabulary of Pelew language. A nice clean copy without further markings. ; 4to 11" - 13" tall; xvii i 244; ii 72 pages; All shipments through USPS insured Priority Mail. . Captain Henry Wilson hardcover
1877124005Montreal: Eusebe Senecal Imprimeur-Editeur 1877. Hardcover. ex library-very good. 13 plates with pasted-in b&w composite photographs of churchmen with 20 p. of text. 98 portraits of Rimouski clergymen photo of Pope Pius IX. Pages opposite plates have brief biographies. 29.5 cm. Rebound in burgundy cloth with new endpapers. Library ink deaccession stamp at top of title page. Repairs throughout. Plate V has one empty frame plate VI has two empty and plate X has one empty. <br/><br/>The inspiration for this album would appear to be a work entitled: "Album Photo-Biographique du Clerge Catholique du Diocese de St. Hyacinthe" by Alphonse Denis published around 1873. Charles Guay 1845-1922 may be best remembered as the author of the Chronique de Rimouski the first history of the city and its region published in two volumes in 1873 and 1874. He was vicar at the cathedral of Rimouski. Eusebe Senecal, Imprimeur-Editeur hardcover
1962L3 box811 b1<p>Soeren Kierkegaard: Diario - Diario di Kierkegaard. I 1834-1849; II 1849-1885. Seconda edizione riveduta. a cura di Cornelio Fabro. Morcelliana 1962 I 1963 II. Hardcover two volumes total 2012 pp: 1040 pp I 972 pp II.</p> Morcelliana hardcover
187481902Adelaide: J.T. Shawyer Printer 1874. First Edition. Hardcover. Very Good. Adelaide J.T. Shawyer Printer 1874. Octavo iv ii 107 pages plus an original albumen paper photographic frontispiece 184 × 113 mm. Flush-cut black cloth marked and a little rubbed at the extremities with slight loss at the head and foot of the spine; cloth on the front joint split but the joint is firm with minor conservation to one early opening; large printed paper title-label on the front cover has some loss to the bottom half mainly marginal but with the loss of one word and some letters of a few others in the bottom right-hand corner; minimal foxing; a very good copy internally excellent. The frontispiece a Townsend Duryea photograph is a composite of five numbered oval portraits; the identification key is printed on the verso of the title page. Ferguson 16706 not identifying the photographer and not indicating that the five photographic portraits are in fact one composite photograph. The revised second edition of this work Ferguson 16707 does not retain the photograph; it contains six tinted lithographs as does the version published in the 1879 collection of reprints 'The Native Tribes of South Australia' Ferguson 13095. <p>Loosely inserted is a lengthy cutting from the South Australian 'Register' of 24 April 1889: 'An Australian Native Fifty Years Ago' By the Late Mr F.W. Taplin' introduced thus: 'Subjoined is the lecture which was delivered by Mr Taplin before the Australian Natives' Association three nights before the author's tragic death in the Coffee Palace fire'. Frederick William Taplin 1853-1889 a son of George Taplin had succeeded him as superintendent of the mission 'Australian Dictionary of Biography'. J.T. Shawyer, Printer hardcover
1886142541Adelaide: E. Spiller Government Printer 1886. Very Good. Adelaide E. Spiller Government Printer 1886. Foolscap folio 16 pages plus a large folding chromolithographic geological map printed surface 560 × 840 mm - and very attractive at that. Drop-title; a few pinholes and notches in the left-hand margin where sewn when bound now disbound; tiny closed tear to the map near the stub; in excellent condition. South Australian Parliamentary Paper Number 122 of 1886; one of 800 copies. Not in McLaren but see 15901 an octavo edition without the map published in the Northern Territory undated by McLaren but dated 1886 in Ferguson 18823. <p>Setting out from Burrundie Tenison-Woods 'examined all the places where mining has been or was actually being carried out. In the course of these journeys most of the intervening country was prospected and the geology was noted'. He then undertook 'an exploration in the less known portions of the interior. Our course was from Mount Wells to Mount Douglas and thence south-eastward across the ranges to the Eveleen mine. From thence we traced the River Mary to its sources and then having crossed a small patch of tableland reached the upper waters of the Katherine which we followed down to the telegraph station; from thence we proceeded along the line to Pine Creek. I returned to Palmerston by the overland route from Southport'. E. Spiller, Government Printer unknown
1989236445Parma: Franco Maria Ricci 1989. Rilegato seta silk. Ottimo Fine. Volumi pubblicati in anni diversi dal 1989 al 2002 e conservati in cofanetto editoriale. Ogni volume è"; corredato da splendide immagini a colori su tavole applicate. Contiene: <em>-<strong>Argovia a Brisgovia viaggio di qua e di là dal Reno in compagnia di due esimii scrittori</strong>. Testi di Victor Hugo Alfred Michiels. 1989</em> <em>-<strong>Eteria ovvero gioie e dolori di viaggiatori aerostatici</strong>. Testi di Cavaliere d'Arlande signor Charles Pasquale Andreoli Gaston Tissandier Auguste Piccard Società Svedese di Antropologia e Geografia. 1992</em> <em>-<strong>Vulcania ovvero su e giù per il Vesuvio</strong>. Testi di Enrico Cossovich Charles de Brosses Johann Gottfried Seume François-René de Chateaubriand Alexandre Dumas Charles Dickens Plinio il Giovane e Edward Bulwer-Lytton Girolamo Brusoni Sir William Hamilton. 1993</em> <em>-<strong>Quivera e le Sette Città di Cìbola ovvero Laggiù nell'Arizona</strong>. Testi di: Fra Marco da Nizza Francisco Vázquez de Coronado Monsieur Rondé Baldwin Möllhausen David Herbert Lawrence. 1994</em> <em>-<strong>Huasteca ovvero Messico imperiale</strong>. Testi di Paula Kolonitz Emmanuel Domenech. 1994</em> <em><strong>-Anahuac ovvero la Conquista del Messico</strong>. Testi di Hernán Cortés un anonimo conquistador. 1994</em><br /><br /><em><strong>-Malta d'Oro ovvero piraterie cristiane</strong>. Testi di Alonso de Contreras 2001</em><br /><br /><em><strong>-Magiaristan ovvero il Turco in Ungheria</strong>. Testi di Kemàl Pascià Zadé" Ferenc Herczeg Evliya Celebi. 2002</em>. Cm 26x16. pp. circa 240 a volume. Ottimo Fine. . Franco Maria Ricci, unknown
1955228433Milano: EPI Editoriale Periodici Italiani 1955. Quaderno n. 2 del Bollettino Internazionale d'Informazione del Bauhaus Immaginista edito in occasione dell'esposizione <strong>IL GESTO</strong> alla Galleria Schettini Milano giugno-luglio 1955. Con due l<strong>itografie originali</strong> di <strong>Joe Colombo </strong>e <strong>Lucio Fontana </strong>firmate e datate su lastra '55 stampate in nero su fogli sottili gialli sciolti fuori testo. Testi di Beniamino Dal Fabbro Edouard Jaguer Roberto Sanesi Sergio Dangelo Tsutomu Izima. pp. . . Edizione originale. <em>La litografia di Lucio Fontana verrà"; pubblicata in Documenti d'arte d'oggi 1955-1956 dalla Libreria Salto di Milano nel 1956. In seguito la stessa litografia sarà" acclusa ai due volumi "Arte nucleare. Documenti originali" pubblicati dalla Galleria Schwarz Milano 1962. Rif. Harry Ruhé"; e Camillo Rigo Lucio Fontana. Graphics Multiples and more. Tuja Books Amsterdam 2006;" Giorgio Maffei "Movimento Arte Concreta. Opera editoriale". Edizioni Sylvestre Bonnard Milano 2004</em> EPI Editoriale Periodici Italiani, unknown
2309MA191<p>In Duas Partes Distributus. AUTHORE P. Francisco Pinheiro Lusitano Govveensi Societatis Jesu Doctore Theologo In Eborensi Academia Olim Primario Sacrae Theologiae professore atque ejusdem Academiae Cancellario. EBORAE Cum Superiorum permissu. Ex Typographia Academiae Anno Domini. M. DCC. LXXXI. 1681</p>_x000d_<p>In fólio de 288x207 cm. Com xvi 618 l ii em br. págs. Encadernação da época inteira de pele com nervos e ferros a ouro na lombada.</p>_x000d_<p>Exemplar com desgaste em toda a encadernação em especial na coifa e nos cantos com perdas de pele com furos de traça perda do rótulo assim como extensas faltas superficiais de pele nas pastas. Manchas no interior das pastas folhas de guarda anterior com as seguintes anotações em letra coeva: arabesco seguido do número 1200 preço e o número 480 preço em 1804. Folha de rosto com assinatura de posse de Carvalho e rubrica em tinta coeva rasurada. Mancha no canto inferior das primeiras páginas e pequena mancha à cabeça desde a folha de rosto até página 150. Com alguns sublinhados no texto e notas marginais em letra coeva. </p>_x000d_<p>Impressão com caracteres redondos e alguns itálicos no prólogo e no início de cada uma das partes. Texto ornamentado com cabeções com motivos vegetalistas e animalistas enquadrando o trigrama sagrado característico da Companhia de Jesus com iniciais decoradas e com um belo florão de remate cesto com flores no fim do índice de assuntos.</p>_x000d_<p>As folhas preliminares contêm: extensa dedicatória do autor a Manuel de Faria Severim Prólogo do autor Licenças de 22 de Junho a 2 de Julho de 1651 da primeira edição com aprovações de Francisco Távora Provincial da Companhia de Jesus; Frei António Veloso e Frei Valério de São Raimundo e de 22 de Julho de 1678 a 24 de Setembro de 1682 com aprovação desta 2.ª edição por Gaspar de Lemos Galvão. Incluem também o índice dos títulos das partes da obra e das disputas em que estão divididas. As folhas finais contêm o índice de assuntos e duas páginas em branco.</p>_x000d_<p>A 1.ª edição foi publicada em Coimbra pelo impressor Manuel Dias em 1655. Esta 2.ª Edição é bastante rara pois não consta dos principais catálogos de leilões e de livreiros. Existe uma variante em que os cabeções e iniciais são todos diferentes incluindo o florão de remate no final do índice.</p>_x000d_<p>Obra muito importante para o estudo da história do direito em especial porque os contratos enfitêuticos mantiveram-se em uso em Portugal até cerca da segunda metade do século XX e no Brasil até 2003. Importante também para o estudo do instituto dos morgadios em Portugal.</p>_x000d_<p>O autor trata com grande pormenor de dois tipos de contratos: 1.º - O Censo que podia ter pelo menos duas formas - censo consignativo e censo reservativo. No primeiro uma das partes entrega à outra uma determinada quantia em dinheiro ficando a segunda obrigada a pagar-lhe uma renda. O segundo consiste na cedência do domínio de um bem a uma parte ficando esta na obrigação de pagar uma pensão anual pelos rendimentos do bem cedido.</p>_x000d_<p>2.º - A enfiteuse é um instituto jurídico oriundo do Direito Romano e consiste Segundo J. M. de Carvalho Santo a enfiteuse também dita de emprazamento e de aforamento designa o contrato pelo qual o proprietário de terreno alodial cede a outrem o direito de percepção de toda utilidade do mesmo terreno seja temporária ou perpetuamente com o encargo de lhe pagar uma pensão ou foro anual e a condição de conservar para si o domínio direto.</p>_x000d_<p>Francisco Pinheiro Gouveia 1596 - Coimbra 1661. Ingressou na Companhia de Jesus no Colégio de Coimbra em 14 de Março de 1611. Estudou Filosofia no Colégio das Artes 1613-1617 Teologia no Colégio de Jesus 1619-1923 e doutorou-se em Teologia na Universidade de Évora em 21 de Julho de 1633. Foi professor de Teologia Especulativa e de Teologia Moral. Regeu Filosofia na Universidade de Évora 1626-1630 onde foi cancelário 1651. Em Coimbra foi Reitor do Colégio das Artes 1654-1657. Foi preso pela Inquisição de Évora por contestar a actuação dos Inquisidores na prisão do almotacé Roque Cortez tendo sido libertado em 1643.</p>_x000d_<p>Foi professor de Teologia Escolástica durante dezasseis anos de Teologia Moral durante três anos. Reitor dos Colégios de Coimbra e Évora da Companhia. É autor das seguintes obras: Tractatus de Testamentis Tomus Primus Conimbricae; apud Josephum Ferreyra Universitatis Typographus 1681. Tomus Secundus 1684. Teve segunda edição em 1715. Existem diversos manuscritos com os textos que ensinava nas suas aulas e o manuscrito do Tractatus de Testamentis com data de 1645.</p>_x000d_<p>EN In folio. 28.8x20.7 cm. xvi 618 xlviii pp. Contemporary full leather binding with raised bands and gilt tools on spine.</p>_x000d_<p>Copy showing signs of wear on the binding especially at the head of the spine with a small moth hole on the folders with superficial flaws of leather and at the corners. A note with the cost of this book in 1724 and a handwritten ownership title by Inácio Monteiro de Faria; a second handwritten ownership title and a rubric all on the front flyleaf. Coeval rubric at the foot of the title page; some underlining in the text and marginal notes in coeval ink; small stain at the head of the first leaves up to page 150; stain at the bottom corner of the first pages.</p>_x000d_<p>Printing with round characters and some italics in the prologue and at the beginning of each part. Text decorated with headpieces depicting plant and animal motifs framing the sacred trigram characteristic of the Society of Jesus with decorated initials and with a beautiful finishing <em>fleuron</em> a basket with flowers at the end of the subject index.</p>_x000d_<p>The preliminary leaves contain: the author's extensive dedication to Manuel de Faria Severim the author's Prologue Licences from 22 June to 2 July 1651 of the first edition with approvals from Francisco Távora Provincial of the Society of Jesus; Friar António Veloso and Friar Valério de São Raimundo and from 22 July 1678 to 24 September 1682 with approval of this 2nd edition by Gaspar de Lemos Galvão. They also include an index of the titles of the parts of the work and the disputes into which they are divided. The final pages contain the subject index and two blank pages.</p>_x000d_<p>The 1st edition was published in Coimbra by the printer Manuel Dias in 1655. This 2nd Edition is quite rare as it doesn't appear in the main auction and bookseller catalogues. There is a variant in which the headpieces and initials are all different including the finishing <em>fleuron</em> at the end of the table of contents.</p>_x000d_<p>Very important book for the study of the history of law especially as emphyteutical contracts remained in use in Portugal until around the second half of the 20th century and in Brazil until 2003. It is also important for studying the institute of <em>morgadios</em> <em>Majorats</em> in Portugal.</p>_x000d_<p>The author deals in great detail with two types of contracts: 1st - The Census which could take at least two forms - consignative census and reservative census. In the former one of the parties gives the other a certain amount of money and the latter is obliged to pay rent. The second consists of one party transferring control of an asset to the other who is obliged to pay an annual pension for the income from the asset.</p>_x000d_<p>2nd. - The emphyteusis is a legal institute that originated in Roman Law and consists according to J. M. de Carvalho Santo of an emphyteusis also known as an <em>emprazamento</em> or <em>aforamento</em> which is the contract by which the owner of allodial land assigns to another the right to perceive all the usefulness of the same land either temporarily or in perpetuity with the burden of paying an annual pension or rent and the condition of retaining the direct domain for himself.</p>_x000d_<p>Francisco Pinheiro Gouveia 1596 - Coimbra 1661. Joined the Society of Jesus at the College of Coimbra on 14 March 1611. He studied philosophy at the College of Arts 1613-1617 theology at the College of Jesus 1619-1923 and obtained his doctorate in theology at the University of Évora on 21 July 1633. He was a professor of Speculative Theology and Moral Theology. He taught philosophy at the University of Évora 1626-1630 where he was cancellor 1651. In Coimbra he was Rector of the College of Arts 1654-1657. He was imprisoned by the Évora Inquisition for contesting the Inquisitors' actions in the imprisonment of the almotacé municipal officer Roque Cortez and was released in 1643.</p>_x000d_<p>He taught scholastic theology for sixteen years and moral theology for three years. Rector of the Society's Coimbra and Évora Colleges. He is the author of the following works: <em>Tractatus de Testamentis Tomus Primus Conimbricae; apud Josephum Ferreyra Universitatis Typographus 1681 Tomus Secundus 1684</em>. It had a second edition in 1715. There are several manuscripts of the texts he taught in his classes and the manuscript of the <em>Tractatus de Testamentis</em> dated 1645.</p>_x000d_<p>Referências/References:</p>_x000d_<p>SBN IT/ICCU/BVEE/069045</p>_x000d_<p>Iberian Books C19196 119071</p>_x000d_<p>USTC n.º 5060700.</p>_x000d_<p>Arouca n.º P173.</p>_x000d_<p>Catálogo da Biblioteca da Ordem dos Advogados. I Lisboa 1956 p. 68. </p>_x000d_<p>Barbosa Machado II 223.</p> M-6-A-22 hardcover
2305PG010<p>Na Qual se Tratam as Cousas Mais notaveis que succederaõ naquelle Reyno tocantes à nossa Santa Religiaõ desde que principiou até à morte da Rainha da Escocia Tirada de graves autores Pelo Padre Pedro de Ribadeneyra da Companhia de Jesus Agora novamente traduzida no Idioma Portuguez e offerecida ao gloriosissimo SANTO THOMAS Arcebispo de Cantuária por PEDRO NICOLAO DE ANDRADE. Lisboa Occidental. Na Officina de Pedro Ferreira Impressor da Serenissima Rainha N.S. Anno de M. DCCXXXII. 1732.</p>_x000d_<p>In 8.º de 216x156 cm. Com xxviii 373 iii em br. págs. Encadernação da época inteira de pele com rótulo vermelho nervos e ferros a ouro. Cortes das folhas levemente carminados.</p>_x000d_<p>Impressão em caracteres redondos e alguns itálicos com pequeno florão na folha de rosto cabeção com as armas da Rainha no início da dedicatória cabeções constituídos por vinhetas tipográficas iniciais decoradas pequenos cabeções de remate e dois belos cabeções de remate um anjo tocando trombeta na página 192 e uma cesta com flores na página 373.</p>_x000d_<p>Exemplar com vestígios de trabalho de traça nas folhas de guarda e no canto inferior das primeiras seis folhas com carimbo oleográfico do Dr. Lopes Praça Lente da Universidade na folha de rosto e rubrica coeva no verso da folha de anterrosto.</p>_x000d_<p>Muito raro. Não consta dos principais leilões e catálogos de livreiros. Primeira tradução portuguesa de uma obra muito célebre publicada pela primeira vez em 1588 e que conheceu depois numerosas edições até aos nossos dias incluindo em Lisboa logo no século XVI.</p>_x000d_<p>Nela é pormenorizadamente descrito o conflito entre o Rei Henrique VIII e o Papado acerca da anulação do seu casamento com a primeira mulher a Rainha D. Catarina que levou à instituição de uma Igreja nacional em Inglaterra chefiada pelo Rei. A obra cobre o período de 1500 ano em que foi acordado o casamento de Catarina com o rei Artur irmão de Henrique VIII até ao ano de 1587 quando foi executada a Rainha da Escócia Maria Stuart. A obra contém a descrição dos martírios de Tomás Moro do Bispo João Fisher dos frades franciscanos de Edmund Campion Jesuíta e de outros Jesuítas que evangelizaram em Inglaterra e transcreve cartas de Campion e da Rainha Maria Stuart.</p>_x000d_<p>Pedro de Ribadeneira Toledo 1526 - Madrid 1611 Foi admitido na Companhia de Jesus por Inácio de Loiola em Roma a 18 de Setembro de 1540 oito dias antes da aprovação da Companhia pelo Papa Paulo III. Estudou filosofia e teologia nas universidades de Paris Lovaina e Pádua e foi ordenado presbítero em 1553. De fins de 1558 a meados de 1559 esteve em Londres a dar apoio espiritual à Rainha Maria que faleceu desse ano. Ribadeneira é uma dos mais importantes historiadores jesuítas da primeira fase da Companhia. As suas obras tiveram uma grande divulgação em todo o mundo com numerosas edições e traduções.</p>_x000d_<p>EN In octavo. 216x156 cm. xxviii 373 iii in br. pp. Contemporary full leather binding with red label raised bands and gilt tools on spine. Slightly red mottled edges.</p>_x000d_<p>Printed in round characters and some italics with a small <em>fleuron</em> on the title page a headpiece with the Queen's arms at the beginning of the dedication headpieces consisting of typographical vignettes decorated initials small finishing fleurons and two beautiful finishing <em>fleurons</em> an angel playing a trumpet on page 192 and a basket with flowers on page 373.</p>_x000d_<p>Copy with traces of moth work on the endpapers and flyleaves and in the lower corner of the first six leaves. Oleographic stamp from Dr Lopes Praça Lente da Universidade on the title page and coeval handwritten short signature on the verse of the half title page .</p>_x000d_<p>Very rare. Not included in the main auctions and booksellers' catalogues. First Portuguese translation of a very famous work first published in 1588 and which has seen numerous editions up to the present day including in Lisbon as early as the 16th century.</p>_x000d_<p>It details the conflict between King Henry VIII and the Papacy over the annulment of his marriage to his first wife Queen Catherine which led to the establishment of a national Church in England headed by the King. The work covers the period from 1500 when Catherine's marriage to Henry VIII's brother King Arthur was agreed to 1587 when the Queen of Scots Mary Stuart was executed. The work describes the martyrdoms of Thomas Moro Bishop John Fisher the Franciscan friars Edmund Campion a Jesuit and other Jesuits who evangelised in England and transcribes letters from Campion and Queen Mary Stuart.</p>_x000d_<p>Pedro de Ribadeneira Toledo 1526 - Madrid 1611 was admitted to the Society of Jesus by Ignatius of Loyola in Rome on 18 September 1540 eight days before Pope Paul III approved the Society. He studied philosophy and theology at the universities of Paris Louvain and Padua and was ordained priest in 1553. From late 1558 to mid-1559 he was in London giving spiritual support to Queen Mary who died that year. Ribadeneira is one of the most important Jesuit historians of the first phase of the Society. His works have been widely disseminated throughout the world with numerous editions and translations.</p>_x000d_<p>Referências/References:</p>_x000d_<p>Gonçalves Rodrigues I 609.</p>_x000d_<p>Palau 266286; Palau 1990 VI 270.</p>_x000d_<p>Monteverde 4523.</p>_x000d_<p>Inocêncio VI 436.</p> M-6-E-10 hardcover
1870030898LONDON: George Bell & Sons 1870 A nice set of the second edition of Morris's History of British Birds. In 6 volumes with original decorative cloth bindings and 365 hand coloured plates as called for. The bindings are all clean with bright gilt pictures of birds to each front board and gilt titles and decoration to spine. There is some wear: volume I has some cloth splitting at the hinges and splitting at the rear endpaper with rubbing to corners; volumes II III and IV have very slight pulling to top and bottom of spine and a little rubbing at corners; volume V has very small splits at the top and bottom of the spine; and volume VI has a 1 inch tear at the top of the spine with no loss and scuffing at the corners. Internally all have the original endpapers; the first section including the frontispiece is becoming loose on volumes I II and III; volume IV is sound but the stitching is looser than on the others. There is a little spotting to some plates and text pages but in general the contents are very clean looking unread and the plates are bright and well coloured. A few plates in volume III lack tissue guards and the plate of the Whitethroat is present but detached. Volume 5 has 4 plates present but detached: the Little Stint Schinz's Sandpiper Pochard and Polish Swan - and pages 131-134 the same. A few pages have been roughly opened and a few have darkening to edges. Overall the set is complete with bright bindings and well coloured plates. George Bell & Sons hardcover
20021-0375815511Heinemann Young Books 2002. Hardcover. New. 4.75x6.25x0.50 inches. Heinemann Young Books hardcover
194926752AB1949. Skibbereen Southern Star 1949. 8°. 427 VII pages. With numerous illustrations. Hardcover / Original cloth with lettering on spine and cover. The binding as usual slightly shaky but in unusually excellent condition. No splitting of Spine which is often the case with this book. Interior excellent. Name of preowner on front and rear pastedown. Now an extremely rare book it is hard to find this publication at auction in bookshops or anyone who lets it go from any private collection. The loosely inserted original Letter by the Southern Star in the year 1959 confirms how rare the book already was after its publication. The presence of the letter and the original advertising pamphlet 2 pages make this ultimately the rarest copy of the book we ever handled. Includes: St.Kieran St.Fachna The Corcalaidhe Monasticism in the Celtic Church The Sea of Ross Episcopal Succession in Celtic Ross Ross and the Danish Invaders From Clontarf 1014 to Kells 1152 The Coming of the Normans Completing the Conquest Mediaeval Times Native and Norman Families and Planter Families of West Cork and Ross The O'Mahonys and the Planter Families The Clash of Two Civilisations The McCarthys of Kilbrittain and the Town of Clonakilty The McCarthys of Glenachroim and the Town of Dunmanway The Mccarthys of Skibbereen and the Town of Skibbereen The O'Sullivans and the Town of Bantry The Reformation in the Reigns of Henry VIII Edward VI and Elizabeth The House of Desmond and the Battle of Kinsale The O'Donovans The O'Driscolls The O'Crowleys The Hurleys and the O'Heas The Barrys The de Courceys Ancient Parochial Ruins of Ross Diocese and Modern Parishes and Priests ancient and modern Ross Monastic Ruins Bishops of Ross from Norman Times to the present Day A - From the coming of the Normans to Bishop Boetius McEgan B - From Bishop McEgan to the present Day - a The general history of the Union b The Ecclesiastical History during the same period c The Bishops who ruled over Ross during the same period d The General and Local History during the 19th century and our own times e The Bishops who ruled over Ross during the 19th century and our own times. hardcover
19370001743BRONX NEW YORK. Good. 1937. On offer is a super original 1930s photo album compiled by Reverend Alex D. Riccio. While this is not specifically stated a related photo album listed separately bears his name. The photo album has 35 black and white snapshots detailing important moments and memories of his life at Fordham University in the year 1930-31. Photos include shots of classmates Fordham institutions a large band on campus a baseball game. These photos measure about 2 ¾" x 4 ½" and all are pasted to the black pages. The album's cover has fallen off but is accounted for. This album is in fair condition. Please note: this is one of two photo albums compiled by Riccio. The related album is specific to a trip to Europe and the Middle East in 1930 - 1934 133 pictures and then several dozen related to the Great New England Flood.SELLER ID 0001744; Manuscript; 8vo - over 7¾" - 9¾" tall; KEYWORDS: HISTORY OF FORDHAM UNIVERSITY REVEREND ALEX D. RICCIO BRONX NEW YORK AMERICANA RELIGIOUS STUDIES PERSONAL MEMOIR HANDWRITTEN HAND WRITTEN AUTOGRAPH AUTOGRAPHS SIGNED LETTERS DOCUMENT DOCUMENTS MANUSCRIPT MANUSCRIPTS WRITERS WRITER AUTHOR HOLOGRAPH PERSONAL ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL JESUIT JESUIT UNIVERSITY OF NEW YORK . unknown
BT211110052Z61Outskirts Press 2014-02-28. Paperback. Very Good. 8x6x1. Paperback--excellent condition Outskirts Press paperback
019890Madrid 1647.: La Imprenta Real. 1ª Edição . Inteira de Pergaminho. Bom / Good / Bon. In-fólio 230x220. 1 Vol. de 10-514-18-216-4 p. Entre as páginas 288/289 apresenta uma folha com o rosto da segunda parte reto datado de Madrid 1674 . Contudo a censura de Juan Ponce de Leon data de 10 de abril de 1647 e a licença superior de Juan de Peña de 16 de fevereiro de 1647. Apresenta vários erros de paginação mas encontra-se completo. Encadernação da época inteira de pergaminho com vestígios de atilhos e título escrito na lombada em letra da época. Rosto impresso a negro e vermelho com gravura de madeira a qual se repete no segundo rosto. Texto impresso a duas colunas apresentando no final dos capítulos gravuras em madeira e florões. Ligeira e antiga mancha muito esbatida atinge as primeiras folhas. Muito bom exemplar. Palau 11.969. Não em Salvá. <br/> <br/> La Imprenta Real unknown
1970203062Firenze: Téchne 1970. Fogli sciolti con graffetta loose pages with clip. Molto buono Very Good. <em><strong>Quaderni di Tè";chne: Teatro marzo 1970</strong></em>. A cura di Eugenio Miccini. Importante numero speciale monografico della rivista che raccoglie articoli interventi o testi teatrali di Patrizia Bonifazi Achille Bonito Oliva Jean François Bory Giusi Coppini Guerrieri William Boni Angelo Damini Bruno Galligani Renzo Timm Ulrichs Tomaso Kemeny Ketty La Rocca Giuseppe Manigrasso Lucia Marcucci Eugenio Miccini Jean-Claude Moineau Arturo Morfino Luciano Ori Michele Perfetti Lamberto Pignotti Franco Ravedone Fride Rosenstock Gianni Rossi Cesare Ruffato Sarenco Gregorio Scalise Gruppo S/ESSERE Mauro Bonciani Mario Conti Manbert Carlo A. Sitta SPAZIO 7 Maurizio Copedé Nicola Hoffmann Walter Sarfatti Christian Tobas Gianni Toti Franco Vaccari e Ben Vautier. Con tavole e fotografie in bianco e nero. Cm 32x22. pp. circa 140. Molto buono Very Good. Fioriture leggere ad alcune pagine Some light yellowing. Prima edizione First Edition. <em>La<strong> rivista Techne</strong> nasce contro l'editoria industriale considerata pigra e schiacciata da interessi mercantili nella necessità di costruire uno strumento agile e di immediata distribuzione. In un clima di democratizzazione del pensiero artistico e insieme politico diffuso anche grazie all'utilizzo del ciclostile elabora contenuti e forme estetiche sovversive. Con una particolare attenzione al contemporaneo mette in circolo le idee vincendo le difficolta economiche e le altre barriere che si pongono alla comunicazione. Rivista fatta in casa nata dall'assemblaggio dei contributi di vari poeti corrispondenti da tutto il mondo Techne è" assieme a Lotta Poetica <strong>l'organo piu importante del movimento internazionale di Poesia Visiva</strong>. da: Giorgio Maffei e Patrizio Peterlini Riviste d Arte d Avanguardia Edizioni Sylvestre Bonnard 2005 pag.146.</em> Téchne, unknown
20030914<p>Resta Codex. Milan Veneranda Biblioteca Ambrosiana MS F 261 inf. Vallecchi 2003. Father Sebastiano Resta's Portable Gallery is a collection of 289 drawings miniatures and sketches by artists of his time. An anthology of the "Leaders of the four schools: ancient Florentine ancient and modern Roman ancient Lombard ancient and modern Venetian". The Vallecchi publication offers a selection of one hundred plates by artists including Leonardo da Vinci Giotto Masaccio Piero della Francesca Perugino Ghirlandaio Michelangelo Buonarroti Botticelli Titian etc. The volume is housed in a canvas slipcase. Dimensions: case 43.5x58 cm; volume 38.5x53.5 cm. Numbered edition of 1000 copies. Excellent condition.</p> Vallecchi hardcover
0012241Brookfield New York. Fair with no dust jacket. Hardcover. On offer is a very detailed ledger listing and accounting for a mid-19th century church congregation being the Second Brookfield Seventh-Day Baptist Church and kept by the Reverend Julius Maxson Todd 1819-1901 SEE BIO NOTES AT END OF LISTING. This incredible piece of history covers 13 years of the churchs history while Todd was pastor. The ledger is a detailed listing of member of this religious community for the years 1859 through 1872. It records the names of each congregant and the amount of money they donated to the parish. The importance and value of this ledger is the listing of the families. For a genealogist or anyone interested in the history of upstate New York in the mid 19th century this is a solid reference work that clearly locates individuals in a specific place and time. It also adds to the community history of the wider society in that rural part of New York state and contributes to the existing body of knowledge related to the Seventh Day Baptist religion. The book measures 7.5 inches by 6.0 inches and contains 120 pages. The cover is a hard paper covered with a marbled pattern. The cover is in reasonably good condition. The binding is sewn. It is loose but intact. The spin has lost its cover. The lined pages are in good condition. The handwriting is legible. BIO NOTES: Reverend Elder Julius Maxson Todd 1819-1901 was born in Kingsville Ohio. Todd was a Seventh-Day Baptist minister. He began his clerical career when he was ordained a minister in Milton WI. He was assigned to the church in Berlin WI where he ministered for nine years. Subsequently he moved to Brookfield NY where he ministered for the next 30 years as pastor at the Second Brookfield Seventh-day Baptist church. In 1842 he married Sophronia Baumhauer who died soon after in 1847. During that marriage he lived in Lexington and southern Wisconsin. After his wifes death Todd then married Emma Langworthy in 1849 and helped organize a church in Dakota Wisconsin while acting as pastor of the Berlin Wisconsin church. In 1858 Todd was called to be pastor of the Second Brookfield New York Seventh Day Baptists where he served for 30 years. He was a well-loved and respected pastor and figure in his community. Todd had one son named Willie who died at age 15 and he fostered two children Lewis and Rose. After his second wife died in 1891 Todd was called to be pastor in Nortonville where he married Mary Elizabeth Clark in 1895. He ended his life and career back in Brookfield. ; Manuscripts; 16mo 6" - 7" tall; 120 pages; Signed by Author . hardcover
18494387New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
172256<p>Officina de Pascoal da Sylva 1722. It has a stamp from the Barão de Muritiba's private library time marks it has discreet insect bites.</p> Officina de Pascoal da Sylva
19370001744ITALY EGYPT THE HOLY LAND. Good. 1937. On offer is an interesting original photo journal created and compiled by Reverend Alex D. Riccio as he states on the first page wherein he has drawn the words "1930-1934 Remembrances of my stay in Europe Rev. Alex D. Riccio." In all there are approximately 184 photos all original save for a handful of real photo postcards all dated between 1930 - 1934. The first 133 photos are exactly that and one sees immediately the trip was a religious 'Grand Tour' as there are many photos of Catholic priests and students at a particular seminary in what is most certainly Italy. The names Cascine and Cortile Cortale are written on some of the photos. He also visits Jerusalem and Egypt with photos from those places also. Some other inscriptions include: "Avro from window; waiters at Council dinner taken in Cortile; Church of St. Claire Assisi; Feast of St. Magdalene; St. Paul's Rome; Facade of Holy Sepulcher; Mount Tabor; Unity of cars before entering into Jerusalem; Inside view of Mosque; Valley of Jehoshaphat; Mosque of Omar; Pyramids of Cairo; Garden of Olives; On board ship Palestine; Bethlehem" and many many more. In a later part of the album are 51 more photos: a number of wedding photos but 17 of them show the results of the great flood of 1936. I believe most of them are taken of the state of Maine possibly Portland Middletown and Cromwell. Some of these are also marked on the back. Many are rather incredible photos too. Most of the photos in this particular album are NOT glued in but placed in the album using the four corner mounts. Most of the photos are black and white and in good shape. The album itself as far as the pages and binding is in great shape but the cover is in bad shape. It is very worn around the edges and has fallen away from the binding. The leather cover features a super art deco design. It measures about 8" x 10 ¾". Please note: this is one of two photo albums compiled by Riccio. The related album is specific to his time at Fordham University. SELLER ID 0001743; Manuscript; 4to - over 9¾" - 12" tall; KEYWORDS: HISTORY OF GREAT NEW ENGLAND FLOOD ALEX D. RICCIO EUROPEAN GRAND TOUR MIDDLE EAST GRAND TOUR RELIGION RELIGIOUS STUDIES CATHOLIC THE VATICAN RELIGIOUS STUDIES HAND WRITTEN PERSONAL AMERICANA MEMOIR HANDWRITTEN HAND WRITTEN AUTOGRAPH AUTOGRAPHS SIGNED LETTERS DOCUMENT DOCUMENTS MANUSCRIPT MANUSCRIPTS WRITERS WRITER AUTHOR HOLOGRAPH PERSONAL ANTIQUITÉ CONTRAT VÉLIN DOCUMENT MANUSCRIT PAPIER ANTIKE BRIEF PERGAMENT DOKUMENT MANUSKRIPT PAPIER OGGETTO D'ANTIQUARIATO ATTO VELINA DOCUMENTO MANOSCRITTO CARTA ANTIGÜEDAD HECHO VITELA DOCUMENTO MANUSCRITO PAPEL JESUIT JESUIT UNIVERSITY OF NEW YORK . hardcover
