4 408 résultats
192712560Milano: Edizioni Mondadori Stabilimento A. Rizzoli & C. 7 dicembre 1927. Buono stato. Brossura editoriale illustrata cm 21x15 pp 8 262 2 2 57-97 1 XVII 3 12 tavole in tricromia numerose figure in nero pagine pubblicitarie in velina gialla. Quarta istanza del più celebre e longevo almanacco letterario italiano compilato da Valentino Bompiani che ne diventò presto anche editore qui coadiuvato da Enrico Piceni. La copertina è di Bruno Angoletta e le dodici tavole con allegorie dello Zodiaco di Mario e Emanuele Cito di Filomarino; numerose altre illustrazioni ornano il testo tra queste segnaliamo un ritratto di Ardengo Soffici dovuto a Ivo Pannaggi xilografie di Servolini Morbiducci e Cisari le caricature di Guasta i disegni di Mario Vellani Marchi. Molto interessante il «Dizionarietto Rompitascabile degli Editori Italiani compilato da uno dei suddetti» ossia Antonio Formiggini che definisce la sua casa editrice «piccina piccina picciò». Tra gli autori Anton Giulio Bragaglia L’eterna polemica sul teatro degli indipendenti; in calce prosegue l’antologia iniziata nell’Almanacco 1927 con scritti di Filippo Tommaso Marinetti Sibilla Aleramo Corrado Alvaro Ada Negri Massimo Bontempelli Annie Vivanti Giuseppe Prezzolini Amalia Guglielminetti Bruno Corra e altri. Edizioni Mondadori (Stabilimento A. Rizzoli & C., 7 dicembre) unknown
192612561Milano: Edizioni Mondadori Off. Grafiche dell’An. Edit. IL SECOLO 21 dicembre 1926. Discreto-buono stato qualche brunitura delle pagine. Brossura editoriale illustrata cm 21x15 pp 308 55 1 XXXII 2 con numerose figure in nero pagine pubblicitarie in velina verde. Discreto-buono stato qualche brunitura sulle pagine. Terza istanza del celebre almanacco letterario compilato e poi edito da Valentino Bompiani; alla redazione dell'edizione 1927 parteciparono con Bompiani: Achille Campanile Alberto Cecchi Ettore de Zuani Ettore Lo Gatto Filippo Tommaso Marinetti Lavinia Mazzucchetti Fernando PalazziEnrico Piceni Giacomo Prampolini Mario Praz C. Titta Rosa. Copertina tavole dei mesi e zodiaci di Bruno Angoletta inoltre una caricatura di Marinetti di Onorato e illustrazioni di Marussig Cocteau Mateldi e molti altri. Intervista a Marinetti suo «viaggio di propaganda futurista nell'America del Sud» un resoconto sulla «Tipografia moderna» e uno su «Il Futurismo mondiale» una pagina pubblicitaria per la mostra delle arti decorative di Monza illustrata da Santambrogio notizie su «Quel che si fa.» nelle varie case editrici italiane; in fine un'antologia proseguita nell'Almanacco 1928 con scritti di Marinetti Aleramo Papini Bontempelli Novaro Palazzeschi e altri. Edizioni Mondadori (Off. Grafiche dell’An. Edit. IL SECOLO, 21 dicembre) unknown
193410651Milano: Bompiani Stampa Pizzi & Pizio 1934. Piccole abrasioni visibili in fotografia sul piatto anteriore lievi aloni sul dorso ma complessivamente ben conservato. Cartonato editoriale illustrato lievi difetti cm21x29 pp 127 1 CIV pubblicitarie tra inizio e fine volume con errori di numerazione; illustrazioni in nero alcune pubblicità a colori. Interessante numero dell’Almanacco di Bompiani curato da Valentino con Cesare Zavattini con la collaborazione di artisti fotografi e scrittori tra i più importanti dell’epoca. Citiamo tra gli altri: Corrado Alvaro Massimo Bontempelli Giuseppe Bottai Raffaele Carrieri Emilio Cecchi Emilia Formiggini Santamaria Carlo Emilio Gadda Già Ponti Lucio Ridenti Trilussa Giuseppe Ungaretti Orio Vergani poi Libero de Libero Alberto Mondadori Leonardo Sinisgalli Tabet Vellani Marchi C. Munari Angoletta ecc. La copertina è di Erberto Carboni. Uno dei più raffinati prodotti dell’editoria italiana degli anni ’30. Bompiani (Stampa Pizzi & Pizio) unknown
1976228703Milano: Feltrinelli 1976. Rilegato sovracoperta custodia hard cover dust jacket slip-case. Ottimo Fine. Antologia letteraria. Cronologia. Repertorio riviste. Con 16 tavole a colori e oltre 600 illustrazioni in bianco e nero facsimili e fotografie. 8vo cm 225x22. pp. 744. Ottimo Fine. Prima edizione First Edition. <em>"Così";" come non esistono razze pure non esiste un Dada puro. Vi sono altrettante forme di Dada quanto vi sono dadaisti. Tzara ricorda: 'Dada ha 391 atteggiamenti e colori diversi a seconda del sesso del presidente'" dall'introduzione.</em> Feltrinelli, hardcover
1959365181Honolulu: University of Hawaii Press 1959. Softcover. Fine. First edition. Foreword by Thomas Nickerson. Oblong 12mo. 12pp. Stapled decorated wrappers. Fine. Attractive printing of this sermon preached upon Hawaii's induction into statehood. OCLC locates five copies; four in Hawaii the other in California. University of Hawaii Press unknown
1959220007Roma: Banco di Roma 1959. Rilegato tela sovracoperta custodia cloth dust jacket slip-case. Molto buono Very Good. Testi di Emilio Lavagnino Giulio R. Ansaldi Luigi Salerno.Numerose illustrazioni a colori tavole applicate. Bibliografia. 4to cm 35 x 25. pp. 258. Molto buono Very Good. Sovracoperta leggermente sciupata con piccola mancanza sul retro Lightly worn dust jacket small lack at the back of it. . Banco di Roma, hardcover
185070047London: Chapman and Hall 1850. First Edition. Hardcover. Very good. In this novel Kingsley set out to expose the social injustice suffered by workers in the clothing trade and the trials and tribulations of agricultural laborers. It also gives an insight into the Chartist campaign with which Kingsley was involved in the 1840s. From the library of Scottish lawyer university administrator and bibliophile Dr. Alexander Bennett McGrigor of Cairnoch LLD 1827-1891 with his gilt-stamped leather bookplate to each front pastedown. Octavo two volumes. In three-quarter brown morocco over marbled paper bindings by Maclehose of Glasgow with gilt titles five raised bands and matching marbled endpapers. The original cloth has been laid down on blank leaves and bound in at the rear. The spines are a touch sun faded; otherwise very good and quite lovely. Chapman and Hall hardcover
191945031N. P. Most Likely Cleveland: Written by Reverend Orville Ernest Watson 1919-1941. 1919-1941. First & only edition. 8vo. Decorated cloth with leather corners two leather spine labels and raised bands 300 pp. with every entry dated and printed in ink. All 300 pages are full to completion as Reverend Watson recounts his dreams. The 300 page diary covers the years 1919 to 1941 and provides a unique and sometimes disturbing glimpse into his thoughts and mind. The dreams as described range from typical dreams that any person may have although a number are about his brother and others are horrific nightmares and the surrealistic. On July 4 1919 he vividly describes a nightmare; on July 23 1919 he recounts a horrible dream about a jealous husband; on March 29 1921 a political dream; on March 21 1923 a sea dream; on Feb. 4 1924 he visits his old home town in his dream; on January 22 1927 a dream that with his brother they visit a cemetery in Cincinnati; and much much more. Orville Ernest Watson was born in Westfield Center Ohio on December 1 1857 the son of Joseph Watson a physician and his wife Eliza or Ella Jane Mills. Orville's three siblings were Clarence Minnie and Jessie. The Watson family moved to Cardington Ohio before 1870 and Orville Watson graduated from Ohio Wesleyan University in 1882. After working as a businessman in Cardington he entered Kenyon College in Gambier Ohio as a theology student in 1889. Following his graduation in 1892 he moved to Cleveland Ohio where he was assistant rector for Trinity Episcopal Church. He eventually returned to Gambier Ohio where he died on May 17 1951. Bookplate of Orville Ernest Watson on front pastedown sheet leather corners lightly rubbed and covers lightly soiled else interior clean neat and solid. Overall a very good tight copy. Written by Reverend Orville Ernest Watson, 1919-1941. hardcover
0365929581.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0548564655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1163915165.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1241117942.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1275843328.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2008225913New York - Gottingen: ICP - Steidl 2008. Rilegato hardback. Perfetto Mint. Volume pubblicato in occasione della mostra presso l'ICP di New York. Testi di Geoffrey Batchen Karen Halttunen Steven Kasher. Numerose illustrazioni a colori e in bianco e nero. Bibliografia. Cm 26x21. pp. 268. Perfetto Mint. . <em>Una delle forme più"; intriganti e poco studiate della fotografia del XIX secolo è il <strong>tintype</strong>. Introdotto nel <strong>1856 </strong>come alternativa a basso costo al dagherrotipo e alla stampa all'albumina il tintype fu ampiamente commercializzato dal 1860 fino ai primi decenni del XX secolo come il mezzo fotografico più" popolare. Sorprendentemente il <strong>tintype </strong>fu quasi esclusivamente un fenomeno americano raramente usato in altri paesi e questo libro dimostra come questa forma di fotografia fornisca una straordinaria comprensione dello sviluppo di atteggiamenti e caratteristiche nazionali negli anni formativi della prima era moderna.<br /><br />La mostra organizzata dal capo curatore dell'ICP Brian Wallis e dal curatore ospite Steven Kasher comprendeva oltre 150 notevoli esempi di tintypes tratti dalla Collezione Permanente.<br /></em> ICP - Steidl, hardcover
1999Q-1886296170Arrow Publications 1999-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Arrow Publications paperback
199220238Rome: Istituto Poligrafico E Zecca Dello Stato. 1992. Hardcover. Near Fine in Very Good- dust jacket. Spine slant else book is fine. DJ has a couple of small tears and chipping with light soiling. Sticker damage to near top of DJ spine.; 511pp illustrated. Scritti di: a. Argueta G. Bamonte M. Biscione M. Canevacci S. M. S. Carvalho M. Curatola A. F. Galindo N. Gasbarro S. Gatta M. R. Innico V. Lattanzi G. Mazzoleni M. Menendez L. Paderni J. Rappaport D. Saviola.; 511 pages . 8824002544 . Istituto Poligrafico E Zecca Dello Stato hardcover
184942915New York: John James Audubon 1849. First edition hand-colored lithograph by John T. Bowen of Philadelphia after John James Audubon. An iconic image of Western Americana from the folio first edition of Audubon's "Quadrupeds of North America" the greatest work of natural history illustration produced in America during the nineteenth century: "As long as our civilization lasts America will be in debt to this genius." Peterson<br/> <br/> This fine plate is from the folio edition of Audubon's The Viviparous Quadrupeds of North America which was produced entirely in the United States. The work was Audubon's last and by 1846 he had to hand over the drawing of the final fifty plates to his sons John Woodhouse and Victor Audubon. The production of the Quadrupeds was begun by Audubon and his sons at about the same time as the commercially-successful octavo edition of The Birds of America. Unlike the double-elephant folio the Quadrupeds was produced entirely in the United States. Reese notes that "By 1843 the Audubon family business was a well-oiled machine involving John James his two sons and various in-laws and friends. The octavo Birds was still in production when Bowen began to produce the plates for the folio edition of the Quadrupeds the largest successful color-plate book project of 19th-century America. It took the family five years to publish 150 plates in thirty parts. The massive project was a commercial success thanks to the close management of Victor. There were about three hundred subscribers." Reese Like Birds of America the Viviparous Quadrupeds was intended to be a comprehensive visual catalog of North America animalia with Audubon's focus here shifting from birds to four-legged land mammals. Accompanying each image was correlating didactic text written primarily by Bachman that informed the reader of the animal's habits diet habitat and gestational period. Totaling 150 prints the project was rushed to completion as Audubon's health declined. Emerging in the shadow of its acclaimed predecessor Birds of America the Viviparous Quadrupeds has not received the adequate attention nor recognition it so richly deserves. This image is of a family of American buffalo the most iconic animal indigenous to North America whose presence was integral for Native American life and whose near-extinction spurred on the conservation movement in the US. The buffalo is today the state animal of Kansas Oklahoma and Wyoming.<br/> <br/> Bennett p.5. Peterson Birds of America passim. Reese Stamped with a National Character 36. Sabin 2367. Wood p.209. John James Audubon unknown
280693Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280692Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280690Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
280691Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1980014470Lecce: Milella 1980. Un volume 24 cm di 695 pagine. Brossura editoriale nella collana Poeti e prosatori salentini tra Otto e Novecento. Ottime condizioni. Milella unknown
1972214847New York: Edizione a cura del Museo 1972. Brossura custodia wrappers slip-case. Molto buono Very Good. Catalogo di mostra The Solomon R. Guggenheim Museum New York 1972. Introduzione di Thomas M. Messer direttore del Museo. Elenco delle 158 opere esposte. Il catalogo è";" composto da 4 fascicoli indipendentemente spillati tre dei quali contenuti in una tasca in terza di copertina. <strong>"Amsterdam"</strong>: testo di Cor Blok riproduzioni di opere e notizie bio-bibliografiche su Ad Dekkers Jeroen Henneman Reinier Lucassen Jan Roeland Jan Schoonhoven Carel Visser - <strong>"Paris"</strong>: testo di Blaise Gautier riproduzioni di opere e notizie bio-bibliografiche su Christian Boltanski Joel Kermarrec Jean Le Gac Jean-Pierre Raynaud Jean-Michel Sanejouand Gerard Titus-Carmel Ben Vautier Claude Viallat - <strong>"Dusseldorf"</strong>: testo di Jurgen Harten riproduzioni di opere e notizie bio-bibliografiche su Bernd and Hilla Becher Joseph Beuys Marcel Broodthaers Gotthard Graubner Konrad Klapheck Sigmar Polke Dieter Rot Klaus Rinke Andre Thomkins Gunther Uecker. 8vo cm 215x19. pp. 20202028. Molto buono Very Good. . Edizione a cura del Museo, unknown
18033374London: Captain Henry Wilson. Very Good. 1803. Fifth Edition. Later binding of half gilt ruled faux blue morocco over marbled boards. Gilt particulars and decoration to spine. Top and bottom of front hinge cracked top of rear hinge beginning. Blue endpapers. Enlarged edition with supplement by Reverend John Pearce Hockin. "William Taylor 1813" delicately inked to top right of title page. Foldout "Chart of the Pelew Islands and Adjacent Seas" to front of book suffers foxing and some creasing as well as a small closed tear to the bottom margin of a fold line not affecting text. Contains eighteen steel plates with two additional plates included in supplement along with vocabulary of Pelew language. A nice clean copy without further markings. ; 4to 11" - 13" tall; xvii i 244; ii 72 pages; All shipments through USPS insured Priority Mail. . Captain Henry Wilson hardcover
1162765968.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
