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Edizione del 1817 di questo Officio della Beata Vergine Maria. All'interno: Tavola temporale delle feste mobili, Uffizio dello spirito Santo, Salmo Graduale, Pianto della B. Vergine, Inno per la festa del Corpus Domini, Litanie della B. V. Maria, Risposte della Santa Messa ecc.. Alla fine Esercizio di pietà utili ad ogni fedelcristiano con alcune orazioni per la confessione e comunione. Firma datata 1829 alla prima carta bianca. In discrete condizioni. Copertina in piena pergamena coeva con titolo manoscritto al dorso in discrete condizioni generali con lievi usure e mancanze. Legatura in discrete condizioni con lievi rotture. All'interno le pagine si presentano in buone condizioni con fioriture. In 16. Dim. 15,5x9,5 cm. Pp. XI+(1)+225+(1)+24+(2). Peso Kg. 0,160 Edition of 1817 of this Officio della Beata Vergine Maria. Inside: Mobile chart of mobile feasts, Offe of Holy Spirit, Salmo Graduale, Pianto della B. Vergine, Hymn for the Feast of Corpus Domini, Litanies of B. V. Maria, Answers of Holy Mass ecc.. At the end Exercise of Pity with some orations for confession and communion. Signature dated 1829 in the first endpage. In fair conditions. Parchment coeval cover with handwritten title in the spine in fair general conditions lightly worn in the extremities with lackings. Binding in fair conditions with light cracks. Inside pages are in good conditions with foxing. In 16. Dim. 15,5x9,5 cm. Pp. XI+(1)+225+(1)+24+(2). Weight Kg. 0,160
Prato, Tip.Contrucci e CC. nell'Orfan. della Pietà, 1859, in-24, piena pelle marmorizzata coeva, filettature impresse a secco al dorso, tagli spruzzati di azzurro, pp. 480. Piccolo fregio xilografico al dorso. Buone condizioni, salvo fioriture.
21.5x15 cm. VIII+588 pages. Gilt hardcover. Cover corners and spine edges slightly worn. Pages yellowing. Else in good condition.
Roma, Società di S.Giovanni - Desclée, Lefebure et Cie, Editori Pontifici, s.d. (inizio secolo XX), in-24, pelle editoriale con monogrammi oro al centro di ambedue i piatti, sguardie in carta decorata, tagli dorati, pp. (4), 123, (1). Antiporta figurata, e vignette in forma di testate. Asportata la pagina 27-28 (all'interno del capitoletto dedicato alla preparazione alla Prima Comunione). Piatti un po' erosi.
96751Genève - Paris, H. Trembley - Victor Palmé 1891, 180x120mm, 672 + 11 + 12pages, reliure chagrin. reliure à bradel veau-marbré de l’époque. Manque un bout de cuir sur le plat inférieur.
brossura Partecipare alla Via Crucis vuol dire avere una parte nella croce di Cristo, vuol dire sperimentare nello Spirito Santo l'amore che la croce nasconde in sé e riconoscere, alla luce di questo amore, la propria croce, prenderla sulle proprie spalle e camminare con la ferma certezza che al di là della sofferenza e della morte c'è la vita senza fine, che scaturisce dal costato trafitto e dal sepolcro vuoto. Santa Veronica ci guiderà in questo cammino, proprio lei che fu in modo davvero speciale associata alla passione di Cristo, fino al momento più sublime dell'impressione delle stimmate. Ma il messaggio che ci trasmette è soprattutto un messaggio di amore. Ella vuole testimoniare a tutti l'immensità, la potenza, la grandezza dell'amore appassionato di Dio verso ognuno di noi, un amore che lo ha portato a morire in croce per noi e a donarci così la vera vita in lui. In questo libro troverai tre schemi della Via Crucis con testi tratti dagli scritti della Santa, accompagnati nel primo dalla Parola di Dio; nel secondo dalle parole dei santi e dei padri della Chiesa e nel terzo dalla Santa stessa nella sua relazione con Maria santissima.
br. In questa Via Crucis, secondo lo schema tradizionale, le "meditazioni" sono affidate a testi tratti dal Nuovo Testamento che hanno per tema la speranza.
br. Questa Via Crucis si distingue dalle altre perché raccoglie - conservando la freschezza del parlato - quattordici meditazioni di sette Autori diversi. Le meditazioni sono capaci di entrare nel mistero del dolore e dell'amore che attraversa la via del Calvario con immediatezza e profondità.
brossura La Via Crucis è il segno più grande dell'amore di Dio per ogni uomo. Gesù si è sacrificato per noi, perché ci vuole bene. Chi ci ama così? "Nessuno ha un amore più grande di questo: dare la vita per i propri amici". Ha sopportato una così grande prova perché la nostra vita possa essere piena di gioia. L'amicizia di Gesù è la cosa più bella che si possa scoprire. Ma non solo duemila anni fa, anche oggi! Perché Gesù è risorto, ed ogni giorno è al nostro fianco! Come ci ricorda sempre Benedetto XVI "Gesù non è un ricordo del passato, ma una persona che vive con noi, per noi e i noi, e con lui possiamo fare nuove tutte le cose". In questo libretto illustrato, scopriamo insieme le 14 stazioni della Via Crucis, secondo la formula utilizzata da Benedetto XVI nell'ultima Via Crucis in vaticano, per vivere insieme a Gesù il racconto della passione e arrivare alla grande gioia della risurrezione.
69685Fribourg, Imprimerie Canisienne 1906 - 1907, 255x180mm, 223 + 237pages, broché. Déchirures au dos de la couverture de la 2e année.
195131800London : SCM Pr., 1951. 362 pp. 8°. Orig. cloth with gold-stamping on spine, and DJ.
380Paris Chez Capelle et Renand s. d. ( c. 1802 ) 1 vol. petit in-8 ( 10 x 6,5 cm ) ( poids = 80 g ) Frontisp. , t. , 255 (1) pp. . Texte en latin et en français . 7 gravures HT sous serpente dont le frontispice . Avec Table , in fine . Plein maroquin rouge de l' époque . Dos lisse orné du titre , de filets et de vasques dorés . Plats encadrés de roulettes dorées . Toutes tranches dorées . Gardes papier marbré . Deux très petits accrocs à la coiffe de tête ; coins légèrement émoussés ; qqs ff. décalés . Qqs rousseurs ; f. 79-80 sali .
644Bvrdigalae G. de La Court , Typographum Regium & Vniuersitatis Burdigalensis 1662 1 vol. in-4 T. , 188 pp. . En latin . Notation carrée en noir sur portée de quatre lignes en rouge . Texte en noir avec des initiales et des titres en rouge . Contient : Proprium de tempore en suivant l' année liturgique , Proprivm Sanctorvm , Commvne Sanctorvm Apostolorvm et Evangelistarvm . Titre en rouge et noir avec ornement typographique .Une lettrine en rouge et noir . Plein veau brun de l' époque . Dos muet à cinq nerfs , caissons dorés . Toutes tranches rouges . Au titre , ex-libris à l' encre " Desbats " . Qqs mots à l 'encre , plus ou moins raturés à la dernière contre-garde . Reliure solide , mais manque la coiffe sup. . Des manques à la coiffe inf. . Une éraflure au second plat . P. 184 ch. 174 . Déchirure sans manque pp. 3-4 . ( Collat. complet ) .
1538ST19567-018Venetiis Venice: in officina heredum Luceantonii Junte hiers of Lucantonio Giunta 1538. 149 x 104 mm. 5 7/8 x 4". 8 143 of 144 leaves lacking leaf p6. <br/> Contemporary Venetian morocco rebacked preserving original blind-ruled spine and corners rounded off and renewed covers each with blind-ruled borders and a gilt- and blind-ruled panel with gilt fleurons in each inner and outer corner central gilt IHS monogram raised bands brass clasps renewed all edges gilt and gauffered lacking final endleaf. Printer's device on title numerous historiated woodcut initials first page of text with woodcut border two full-page woodcut illustrations. Printed in red and black. Essling 181; Sander 5970 under "autres éditions"; EDIT 16 CNCE 11880. Original spine somewhat crackled bottom compartment with slight surface loss perhaps from removal of a label covers with several but insignificant small dings very minor dampstain at extreme top edge of a few leaves other trivial imperfections but a clean fresh and bright copy in an attractive early binding.<br/> <br/> Offered in what is probably its original binding this is a very rare edition of a Psalter done by one of the leading Venetian printing families of the 15th and 16th centuries. A major figure in the Italian book trade Lucantonio Giunta 1457-1538 began his career as a bookseller in Venice in 1477 and became a printer there in 1489. Together with family members and carefully arranged partnerships Giunta expanded his printing empire into numerous cities in Europe including Lyon Lisbon Antwerp Frankfurt and Salamanca. The present book was printed just after the death of Lucantonio whose heirs would continue to run the family business which grew prosperous in part because of its specialty in producing liturgical works such as this. The contents here are routine but the well-preserved decorative period binding makes the volume definitely worth having. in officina heredum Luceantonii Junte [hiers of Lucantonio Giunta] unknown
1963LFA-126735745Un ouvrage de 127 pages, format 115 x 175 mm, broché, publié en 1963, Editions du Centurion, collection "Concile Œcuménique Vatican II" (avec des parties du texte soulignées)
1963LFA-126748321Un ouvrage de 127 pages, format 115 x 175 mm, broché, publié en 1963, Editions du Centurion, collection "Concile Œcuménique Vatican II" (avec référence de bibliothèque)
1969LFA-126748227Un ouvrage de 215 pages, format 135 x 180 mm, broché, publié en 1969, Editions du Centurion, Collection "Références", bon état
1966LFA-126717778Un ouvrage de 252 pages, format 135 x 180 mm, broché, publié en 1966, Editions du Centurion, Collection "Documents Conciliaires" n° 5, bon état
1969LFA-126748112Un ouvrage de 592 pages, format 100 x 190 mm, broché, publié en 1969, Desclée de Brouwer / Labergerie / Mame
262664Egypt late 19th century. Lithographic text in Coptic and Arabic. Pp. 2 3-160. 1 vols. 12mo. Nineteenth century red leather. Rubbed recased. Collector's ink stamp dated 1898 on front free endpaper; manuscript note on leaf preceding title. Good. Lithographic text in Coptic and Arabic. Pp. 2 3-160. 1 vols. 12mo. OCLC: 560963678 for an edition of 1603 unknown
71823aafParis, Léon Curmer, 1864, in-4to. Première partie: 6 p. + 171 planches chromolithographiques d’après les enluminures du Moyen-Age / Deuxième partie: 6 p. + 200 planches d’après les enluminures du M-A. / le 3ème volume: Appendice: XXXI + 172 p. + 154 p. + 258 p. richement ill. avec 80 photographies originales contrecollées au milieu des bordures typographiques, reproduisant les peintures. Quelques piqûres et rousseurs, une vignette gravée est appliquée à la page de titre du 3è volume, gravée par Ch. Colin sculp. d’après A. D. Aligny del. avec devise ‘l’or rien ne me cure’. Cette gravure semble être insérée dans tous les livres hors commerce de Curmer. Somptueuses reliures en plein maroquin rouge avec riche décoration en or sur le dos ainsi que sur les plats, dos à 5 nerfs, décoration florale sur fond noir sur les plats, nombreux filets et encadrements, gardes richement ornées en or, tranches dorées, emboîtages quelque peu abîmés.
1725106854BBohne Ort und Jahr (Rastatt ?, um 1725). Imperial-Folio (44 x 30 cm.). [183] S., davon 58 Doppelseiten mit Quadratnoten beschrieben mit lateinischen Stimmen. Schweinslederband der Zeit über Holzdeckeln mit dekorativer Rollen-Kartusche. [10 Warenabbildungen]
176749301Amsterdam: Ha-Ahim Yosef Ya‘akov and Avraham bene Shlomoh Props 1767. Hardcover. Good. Three parts octavo. 1 title 32; 81; 1 title 51ff. Printers device at titles. Text complete and foliation continuous throughout first part despite apparent irregularities; third part with separate full title identical to that of the first. Vocalized Hebrew text in square characters; Yiddish in German rabbinical faces. Contemporary sheep gilt-tooled border faded; gilt lettering piece at spine; marbled endleaves. Light wear at extremities rear board rubbed dry. Occasional soiling but a good copy in an intact contemporary binding.<br /> <br /> Collation: unsigned leaf aleph-gimel8 he6 vav2; aleph-yud8 yud aleph1; unsigned leaf aleph-vav8 zayin3. Chronogram date: 5528 = 1767.<br /> <br /> Eighteenth-century Jewish festival prayerbook mahazor for Sukkot according to the Ashkenazi tradition accompanied by the Yiddish Judaeo-German commentary Kavanat ha-Paitan. The typography of this prayerbook is notable; according to Fuks/Fuks-Mansfeld "in 1761 the greater part of the Athias printing material came into the possession of Joseph Jacob and Abraham Proops. In their Yiddish Almanac for the year 5523 1762-63 the brothers printed the following notice: . On Wednesday 21 Adar 5521 25th February 1761 we acquired what had long been hidden away as a most precious treasure that is to say the matrices moulds etc. made by those famous printers Joseph Immanuel and Abraham Athias. They are for all manner of square hebrew letters for use with or without vowels and accents and for a number or Rashi and German rabbinical faces large and small" p. 303. References: Vinograd Amsterdam no. 1953 noting nine parts in the complete series of festival prayerbooks. Ha-Ahim Yosef, Ya‘akov, [and] Avraham, bene Shlomoh Props hardcover
Original wraps. 4to. 31 pages. 27 cm. First edition. Music and libretto by Abraham Wolf Binder, Musical Director of the Y. M. H. A. , and Jewish Center, New York City. Judas Maccabeus, An Oratorio in Two Parts. Judas Maccabeus was successfully produced three months after it was composed. It was enthusiastically received by all who heard it. The children comprised the chorus and soloists, and a special orchestral arrangement was played by the Y. M. H. A. Symphony Club. This work can be given as an opera (with action accompanying the music) , or as an oratorio without action. (Preface) Abraham Wolf Binder (18951966) was an American Jewish composer and scholar active in the intellectual and artistic Jewish music circles of early 20th-century New York. Revered alike as a composer, pedagogue, and writer, Binder also founded the Jewish Music Forum. ...As a composer, Binder is remembered chiefly for his numerous liturgical choral settings, which include many individual prayers as well as entire services. Some of his once-popular earlier works, such as his childrens oratorio Judas Maccabeus (1919) , are long forgotten, but many of his later prayer settings became part of the standard repertoire in Reform congregations and are sung to this day. He also wrote several classically oriented Hebrew and Yiddish art songs, which may be considered worthy components of the aggregate American Jewish lieder repertoire. (Milken Archive) Subjects: Oratorios - Juvenile - Vocal scores with piano. Hanukkah - Songs and music. OCLC lists 2 copies (HUC, Jtsa) . Light soiling and edge wear to wrap, otherwise clean. Good condition. Scarce (MUSIC-3-52)
Original wraps. 4to. 31 pages. 26 cm. Third edition. Music and libretto by Abraham Wolf Binder, Judas Maccabeus, An Oratorio in Two Parts. Preface to Third Edition: When this oratorio was first performed by a group of young people at the Y. M. H. A. In 1917, music had just begin to play a part in Jewish education in this country. Since that time, it has found a definite place in the curricula of religious schools and other Jewish educational centers. The usefulness of this oratorio has grown from year to year, for it has been performed innumerable times from coast to coast in this country in a variety of ways, first as an oratorio, second, as an opereretta with costumes and scenery. A few years ago, it was presented as a 'Maccabean Pageant' in Los Angeles, with interspersed spoken dialogue. It has also been done in Hebrew. (Preface) Abraham Wolf Binder (18951966) was an American Jewish composer and scholar active in the intellectual and artistic Jewish music circles of early 20th-century New York. Revered alike as a composer, pedagogue, and writer, Binder also founded the Jewish Music Forum. ...As a composer, Binder is remembered chiefly for his numerous liturgical choral settings, which include many individual prayers as well as entire services. Some of his once-popular earlier works, such as his childrens oratorio Judas Maccabeus (1919) , are long forgotten, but many of his later prayer settings became part of the standard repertoire in Reform congregations and are sung to this day. He also wrote several classically oriented Hebrew and Yiddish art songs, which may be considered worthy components of the aggregate American Jewish lieder repertoire. (Milken Archive) Subjects: Oratorios. Hanukkah - Songs and music. OCLC lists 5 copies (HUC, Jtsa, Univ Arkansas, Carnegie Libr, Natl Libr Israel) . Light edge wear to wraps, faint institutional stamp on top wraps, otherwise fresh. Very good condition. (MUSIC-3-53) Xxxx
