Abraham

26 503 résultats

Trier parPrix décroissant

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Rattner, Abraham; Susan J BandesBiblio.com

Abraham Rattner: the Tampa Museum of Art Collection

PERRENOT, AbrahamBiblio.com

Bedenkingen over de beoeffening der rechtsgeleerdheid benevens vier verhandelingen over wysgeerige stoffen.

17816457Dordrecht 1781. 8vo. Abraham Blussé and son colophon: printed by Johan Joseph Besseling Utrecht Contemporary red morocco richly gold-tooled spine gold-tooled boards triple fillets with floral ornaments in each corner board edges and turn-ins gilt edges. Bound by the Dutch court bookbinder Abraham van Rossum active in Amsterdam 1812-1854 one of the major binders Storm van Leeuwen of that period with his letterpress ticket on paste-down A.v. Rossum hof-boekbinder. 2 works in 1 volume. 5 1 339 5; 68 pp. Rare first and only edition of the much expanded Dutch translation of a philosophical treatise for law students on natural morality as the basis for all law together with the second edition of the same treatise in the original French. The Monthly review vol. LII 1775 p. 596 praises the author's "penetration wit and erudition" but on the other hand the original treatise "is one of those productions which even an attentive reader totally forgets the very moment he has done perusing it". The Dutch translation is followed by four other philosophical treatises by the author also concerning natural law discussing the problems of divine law moral obligations moral sense and the question whether the existence of God can be proved by reason.Abraham de Perrenot 1726-1784 was a Swiss lawyer of Huguenot-descent who worked as councillor for the Prince of Orange in the Netherlands.With the bookplate of Thomas Otho Travers 1785-1844 friend of Stamford Raffles. With some minor waterstain at the foot of the French treatise and the corners slightly bumped otherwise in very good condition and well bound.l Dekkers Bibl. Belg. juridica p. 133 no. 5; STCN 4 copies; WorldCat 6 copies incl. 3 the same; ad 2: cf. Dekkers p. 133 no. 4 1779 ed.; Quérard VII p. 63 1775 ed.; for Perrenot: V.d. Aa XV p. 205; for the binder: J. Storm van Leeuwen 1725-1830 Bookbinding on www.bibliopolis.nl. hardcover

Asher Rare Books · Pays-Bas1 650,00 €

ABRAHAM LINCOLNABAA

Lincoln Reads the Emancipation Proclamation to His Cabinet

186625617.02An engraving by Alexander Hay Ritchie commemorates the moment Lincoln first presented the Emancipation Proclamation to his Cabinet. ABRAHAM LINCOLN.Print. The First Reading of the Emancipation Proclamation Before the Cabinet. Engraved by Alexander Hay Ritchie after 1864 painting of Francis Bicknell Carpenter. New York: Alexander H. Ritchie 1866. 36 x 24 in. Francis Bicknell Carpenter 1830-1900 a New York artist was so impressed with Lincoln's bold act that he recruited Illinois Congressman and abolitionist Owen Lovejoy to arrange a White House sitting. Carpenter met Lincoln on February 6 1864 and was allowed to set up a studio in the State Dining Room. Carpenter set his painting in Lincoln's office which also served as the Cabinet Room. Lincoln reportedly told Carpenter where each person was seated on the day he read them the preliminary Emancipation Proclamation. The artist was delighted that their placement was "entirely consistent with my purpose." To the left of Lincoln were Secretary of War Edwin M. Stanton and Secretary of the Treasury Salmon P. Chase the most radical members of his cabinet. A portrait of former Secretary of War Simon Cameron is also on the left of the painting. To the right of Lincoln around the table are Secretary of the Navy Gideon Welles Secretary of the Interior Caleb Smith Secretary of State William H. Seward Postmaster General Montgomery Blair and Attorney General Edward Bates the more conservative members of Lincoln's advisers. Lincoln sat at the head of the table between the two groups "but the uniting point of both" according to Carpenter.After a temporary exhibit in the White House and Capitol in 1864 the fifteen-foot wide painting toured the country. Carpenter offered the painting to Congress which refused to make an appropriation for it. In 1877 Elizabeth Thompson of New York purchased the painting for $25000 and offered it to the nation. Congress formally accepted the gift on the sixty-ninth anniversary of Lincoln's birth. It hangs in the U.S. Senate. In 1866 book Carpenter also published a book Six Months at the White House with Abraham Lincoln.This lithographic print by Scottish-born Alexander H. Ritchie1822-1895 captured and popularized Carpenter's painting before Carpenter made a series of alterations to the original most significantly in revising Lincoln's head and moving the quill pen from near Seward to in Lincoln's hand.The National Portrait Gallery has a ledger page signed by Lincoln Stanton Chase Seward Wells and other members of Lincoln's administration ordering proof copies of Ritchie's print.Historical BackgroundOn July 22 Lincoln read a draft of his preliminary Emancipation Proclamation to his entire cabinet. In contrast to the Confiscation Acts of 1861 and 1862 the Emancipation Proclamation addressed only property in slaves and liberated all slaves in areas in rebellion not only those of rebellious masters. At Seward's urging Lincoln agreed to withhold announcing it until the Union forces had achieved a victory so that it did not appear especially to European observers to be the desperate act of a losing war effort.Two months later when Union troops stopped Confederate General Robert E. Lee's invasion of Maryland at Antietam Creek Lincoln finally had his opportunity. On September 22 1862 Lincoln issued his Preliminary Emancipation Proclamation giving the South 100 days to end the rebellion or face losing their slaves. On both sides of the Mason-Dixon Line Lincoln's order was condemned as a usurpation of property rights and an effort to start racial warfare.When the South failed to acquiesce Lincoln as promised issued the final Emancipation Proclamation on January 1 1863. With this Executive Order he took a decisive stand on the most contentious issue in American history redefined the Union's goals and strategy and sounded the death knell for slavery. The full text of his proclamation reveals the major issues of the Civil War: slave labor as a Confederate resource; slavery as a central war issue; the status of African Americans who escaped to Union lines; courting border states; Constitutional and popular constraints on emancipation; hopes of reunion; questions of Northern acceptance of black soldiers; and America's place in a world moving toward abolition. The President took the action "sincerely believed to be an act of justice" knowing that it might cost Republicans in the fall 1862 elections.The final Proclamation showed Lincoln's own progression on the issue of slavery and eliminated earlier references to colonizing freed blacks and compensating slave owners for voluntary emancipation. It also added provisions for black military enlistment. Pausing before he signed the final Proclamation Lincoln reportedly said: "I never in my life felt more certain that I was doing right than I do in signing this paper."ConditionToned and slightly cropped. books

Seth Kaller, Inc. · États-Unis1 950,00 $US≈ 1 649,90 €

Michelson, Albert Abraham and Morley, Edward WilliamsBiblio.com

On the relative motion of the earth and the luminiferous ether in London Edinburgh and Dublin Philosophical Magazine and Journal of Science 5th Series Vol. 24 1887 pp. 449-463

18874021887. 1st Edition. FIRST EDITION FIRST BRITISH PRINTING of a work haled both as the greatest failed experiment of all time AND as 'one of the greatest achievements in physics of all time' Lightman 130. 'What Michelson and Morley did. was undermine a longstanding belief in something called the luminiferous ether; a stable invisible weightless frictionless. medium that was thought to permeate the universe. Conceived by Descartes embraced by Newton and venerated by nearly everyone ever since the ether held a position of absolute centrality in nineteenth-century physics as a way of explaining how light traveled across the emptiness of space Bryson 117. Prevailing theories held that ether formed an absolute reference with respect to which the rest of the universe was stationary and that ether was a medium for the propagation of light as water waves must have a medium to move across: water. Given the speed of light designing an experiment to detect the presence of ether and its drift or hypothetical motion relative to earth was challenging. To do so Michelson designed an interferometer -- essentially a massive stone block with mirrors and crisscrossing light beams -- capable of measuring the velocity of light with great precision. The device enabled Michelson and Morley to measure the speed of light in different directions enabling them in theory to measure the speed or drift of the ether relative to Earth thus establishing its existence. Michelson and Morley expected to see their light beams shifted by the swift motion of the earth in space thus giving measure to different speeds of light in each direction but "none was observed showing that the earth's motion did not affect the light's speed" Dibner 161. "The failure of this experiment was a serious blow to classical scientific theories because it cast doubts on the existence of the universal ether which had been a basic principle of for example the Newtonian theories of the universe" PMM 401. The result discredited the ether theories "and opened the door to "new standards of reference of time and space from geometry and cosmometry" ultimately leading to Einstein's 1905 proposal that the speed of light is a universal constant" Dibner; Lightman 130. The history of science records the 1887 ether-drift experiment of Albert Michelson and Edward Morley as the turning point at which the energetic "ether of space" was discarded by mainstream physics thereafter replaced with the postulate of "empty space." Michelson and Morley's work sounded the death knell of classical physics' beautifully simple belief in the idea of ether. CONDITION & DETAILS: London: Taylor & Francis. 8.5 x 5.5 inches; 213 x 138mm. Complete. viii 524 9 plates. Michelson & Morley paper: pp. 449-463. Ex-libris bearing a discreet stamp on the title page. Solidly and tightly bound in three quarter brown calf over marbled paper boards. Some scuffing and rubbing at the edge tips and along the spine. Five gilt-ruled raised bands at the spine; gilt armorial devices in the compartments. Gilt-lettered red and black morocco spine labels. Very slight age toning within; largely clean and bright. Very good condition. hardcover

Atticus Rare Books · États-Unis1 900,00 $US≈ 1 607,59 €

(BINDINGS - SANGORSKI & SUTCLIFFE). (LINCOLN, ABRAHAM). THOMAS LOWRYBiblio.com

PERSONAL REMINISCENCES OF ABRAHAM LINCOLN

1910ST17022London: Privately printed by the Chiswick Press for Beatrice Lowry and Her Friends Minneapolis 1910. ONE OF 100 COPIES according to Howes. 215 x 147 mm. 8 1/2 x 5 7/8". 31 1 pp. 1 leaf colophon. With a foreword by Mrs. Lowry. PLEASING EMERALD GREEN CRUSHED MOROCCO GILT IN AN ARTS & CRAFTS STYLE BY SANGORSKI & SUTCLIFFE stamp-signed on rear turn-in upper cover framed by multiple rules entwined heart and trefoil tooling at corners gilt lettering accented with floral tool above and below the central panel which has three dots at each corner raised bands spine in gilt-ruled compartments gilt titling gilt-ruled turn-ins pale green endpapers top edge gilt. In contemporary green cloth drop-front box lined with felt. With a frontispiece portrait of Lowry. Howes L-541. Trivial offsetting to free endleaves from turn-ins a couple of tiny spots of foxing otherwise in nearly pristine condition with no signs of use inside or out. This is an exceptionally well-preserved copy of a work that was specially compiled printed and bound to honor the memory of both the author and the subject. Prominent Minneapolis attorney businessman and philanthropist Thomas Lowry 1843-1909 grew up in Illinois and Lincoln had assisted his father with several legal matters when he was practicing law. Young Lowry attended all of the Lincoln-Douglas debates and became a devoted admirer of the man who would go on to preserve the Union. After a successful career that included establishing the street car system in Minneapolis Lowry contracted tuberculosis and spent the last four years of his life as an invalid. With excess time on his hands he began writing down his memories of Lincoln in a "fragmentary manner" as Mrs. Lowry explains in the preface. After her husband's death Beatrice Goodrich Lowry 1854-1915 compiled these memories and some Lincoln letters in her husband's effects into the present volume which she had printed and bound to distribute to her husband's friends. Edmund Brooks a Minneapolis bookseller who specialized in fine bindings helped her to arrange for printing by the esteemed Chiswick Press and binding by the one of the most eminent English workshops of the day Sangorski & Sutcliffe. Francis Sangorski and George Sutcliffe met as boys attending Douglas Cockerell's bookbinding classes at the L. C. C. Central School. Cockerell was so impressed by their skill that he hired Sutcliffe as a finisher and Sangorski as a forwarder. In 1901 Francis and George went into business for themselves and before long they had become two of the most renowned English binders of the 20th century. Preserved over the years in its clamshell box our binding looks virtually the same as it did the day it left the bindery. Copies of this work do appear on the market but their condition is seldom as good as seen here. Privately printed [by the Chiswick Press] for Beatrice Lowry and Her Friends, Minneapolis unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis1 820,00 $US≈ 1 539,90 €

Abraham

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues