42 895 résultats
SLIVCN-9781613248577NOVA SCIENCE PUBLISHERS INC (2/2012)
177517124London 1775. Engraving by Joshua Record. In excellent condition with the exception of some minor foxing across the sheet and some waterstaining along the upper margin. A decorative engraving by the celebrated architect Robert Adam depicting an elegant room in Lord Derby's house in Grosvenor Square London.<br/> <br/>Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/>Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown books
1873100070Folio original cloth with leather spine and corners hinges reinforcedgilt title on front cover 49 maps. Binding in poor condition covers almost detached spine loose with two large pieces missing from top and bottom extremities very worn some aging to preliminaries but maps are very bright and clean overall. Previous owner laid down a few additional maps. One is glued to margin of Australia. Colorful general atlas with double page maps of Australia various countries in Europe South America India China and Africa.There is a very attractive general double page map of the United States. Assitionally there is a second map of the United Sates featuring the southern states. Adam & Charles Black, books
1873100070Folio original cloth with leather spine and corners hinges reinforcedgilt title on front cover 49 maps. Binding in poor condition covers almost detached spine loose with two large pieces missing from top and bottom extremities very worn some aging to preliminaries but maps are very bright and clean overall. Previous owner laid down a few additional maps. One is glued to margin of Australia. Colorful general atlas with double page maps of Australia various countries in Europe South America India China and Africa.There is a very attractive general double page map of the United States. Assitionally there is a second map of the United Sates featuring the southern states. Adam & Charles Black,
1894008930New York: J. Selwin Tait & Sons 1894. Book. Very Good Plus. Decorative Cloth. First Edition. 8vo - over 7¾" - 9¾" tall. "the Marvel of Anatomists Sculptors and Artists in the Nude; embracing the great Athlete's simple method of Physical Education for the Home the Gymnasium and the Army Training School; preceded by a Biography dealing with the chief incidents in Mr. Sandow's Professional Career his Phenomenal Prowess and Gladiatorial Skill in Competitive Matches Contests and Exhibitions; with Mr. Sandow's Scheme of Dumb-bell and Bar-bell Exercises and his Views on the Physiology of Gymnastics the Function of the Muscles etc. Richly illustrated from photographs expressly taken for the work by Sarony of New York Morrison of Chicago and White of Birmingham and of Drawings by A. Casarin." Very Good Plus bound in red cloth decorated and lettered in gilt black and white front hinge cracked yet holding well light rubbing to cloth at the tips the stamp of "The Tarr System Library" front paste down which would seem to be a prior owner's obvious reference to Edgar Allen Poe's 1850 story THE SYSTEM OF DR. TARR AND PROF. FETHER. Eugen Sandow was a German bodybuilder and showman who in 1901 organized the world's first major bodybuilding competition. Considered the "Father of modern bodybuilding" he was one of the first to model his physique to predetermined dimensions so as to resemble classic Greek and Roman sculptures. J. Selwin Tait & Sons Hardcover
1961537001Lima Peru: Libreria-Editorial Juan Mecia Baca 1961. Softcover. Near Fine/Good. First edition. Introduction by Juan Mejia Baca. Slim octavo. 29pp. Illustrated from photographs. French-folded wrappers with unprinted glassine dust jacket that appears to be attached at the flaps. Top corner of cover bumped tiny stain on lower wrap near fine in good only glassine dust jacket torn vertically at the upper shoulder along with some edgewear and a tiny chip. Copy 264 of only 300 copies printed. Contains portions of poems by Neruda Hidalgo and Adan. Scarce. Libreria-Editorial Juan Mecia Baca unknown
63-7772Leipzig Lipsiae Germany: Impensis Martini Theodori HeyBey 1699. 8vo. Three Quarter Vellum on Light Brown Boards Former Owner's Bookplate Affixed inside cover. 1434 252 pp. Good with repairs & staining to title page. Letterpress on laid paper. A few illustrations. Text in Latin.This is the actual 17th century printing not a modern reprint.Heavy Volume 5 lbs will cost extra for shipping. Leipzig (Lipsiae), Germany: Impensis Martini Theodori HeyBey, 1699. hardcover
18171335432Boston: Wells and Lilly 1817. Early American Edition. Hardcover. Octavo xii 262 2 250 2; VG-; bound in publisher's blue-gray boards paper spine; some wear and rubbing to boards some chipping and cracking to spine most of the titling has worn off; text block uncut; mild foxing primarily to extremities; ownership name in ink to the title page; with half-title two title pages; two volumes in one; scarce; shelved case 10. Mizuta: TMS25;<br /> <br><br /> <br><br /> The first American edition was published in 1817 by Anthony Finley in Philadelphia. This edition came out later that year.;. 1335432. Shelved Dupont Bookstore. Wells and Lilly hardcover books
4429763Short description: In Russian. Birkgolts Adam Mikhailovich. Universal handbook and pocket book or General Physics for Amateurs and Nature Testers. Type A. Semenov with Imp. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU4429763 unknown
4429763Short description: In Russian. Birkgolts, Adam Mikhailovich. Universal handbook and pocket book, or General Physics for Amateurs and Nature Testers. Type A. Semenov, with Imp. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU4429763
2017x-3319686186Springer Verlag 2017. Hardcover. New. 965 pages. 9.25x6.25x2.00 inches. Springer Verlag hardcover
2007932712<p>Glasgow: Magnum Opus Hermetic Sourceworks 2007. "The alchemical manuscript of Honoratus Marinier issued as number 33 in the Magnum Opus Hermetic Sourceworks series has been produced in a limited edition of only 100 copies printed and bound by hand by Adam McLean of which this is number out of series This hand made book has been printed and bound by Adam McLean at his workshop in Glasgow" with this copy additionally Hand Coloured by McLean. From the Publisher : "This series of limited edition hand-bound books by Adam McLean were initially produced between 1979 and 1986. They were never sold through book dealers but only by direct mail order. Consequently these books became collectors items often fetching high prices on the second-hand market. This late Eighteenth Century work is preserved in two manuscripts. It is almost completely unknown. It consists of a series of seven 'keys' presenting the alchemical work in a sequence of twenty two emblematic figures. These are provided with explanatory texts providing practical explanations of the allegorical imagery. The allegorical images present a kind of alchemical drama featuring as its main characters Vulcan Apollo Diana Mercury Saturn and the alchemical adept. It follows the conventional alchemical idea of the sequence of colour changes - black through white to red. It uses the idea of the hermaphrodite and bird symbols. This work could well be the last alchemical emblematic sequence ever to have been created.". First Edition Limited. Hardcover/Hand Made by McLean. As New. Illus. by Hand Coloured Frontispiece / Hand Coloured Emblems / 24 Full Page Plates - 21 In Full Colour. 4to size - over 11¾" tall. Oversized Safely Securely Packed.</p> Magnum Opus Hermetic Sourceworks hardcover
1980065996Magnum Opus Hermetic Sourceworks 1980. Book. Near Fine. Hardcover. Signed by Authors. Limited Edition. This Edition limited to 250 hand bound copies signed and numbered by the author this being No. 238. 130pp black and white illustrations. Magnum Opus Hermetic Sourceworks Hardcover
172251685BBKassel, Johann Bertram Cramer 1722. Folio. 6 n.n. Bl., 51 S., 1 n.n. S., 19 S. Mit 2 gestochenen Tafeln mit geometrischen Figuren und 6 zum Teil mehrfach gefalteten gestochenen Tafeln. Halbleinwandband um 1840.
SLIVCN-9781633215153NOVA SCIENCE PUBLISHERS INC (9/2014)
SLIVCN-9781634836036NOVA SCIENCE PUBLISHERS INC (12/2015)
1990Q-0824783204CRC Press 1990-11-29. Hardcover. New. In shrink wrap. Looks like an interesting title! CRC Press hardcover
2018Adhya-9780415791489T&F/ROUTLEDGE 2018. Hardcover. New. T&F/ROUTLEDGE hardcover
2018Adhya-9780415791489T&F/ROUTLEDGE 2018. Hardcover. New. T&F/ROUTLEDGE hardcover
013990Adolphe Adam (1803-1856), compositeur. L.A.S., jeudi 3 avril [1856], 2p 1/2 in-12. A Hector Berlioz (1803-1869). « mon cher Berlioz, je n'ai guère l'habitude de remercier mes confrères en critiques, bien qu'ils veulent bien m'être favorables. Mais au milieu de cette réprobation générale, contre un homme à qui l'on ne reproche cependant que de trop travailler, je suis heureux d'entendre une voix s'élever en ma faveur. On reconnait alors ceux qui se disent vos amis et ceux qui le sont réellement : je vous compte dans cette dernière catégorie et je vous prie de compte sur moi en tout tems et pour toute chose et de me regarder comme un de vos plus sincèrement dévoués. Ad. Adam ». La lettre ne porte pas d'année mais l'écriture et la mention « jeudi 3 avril » nous permettent de la daté précisément. Belle lettre amicale, après une critique de Berlioz sur Mam'zelle Geneviève (créé le 24 mars 1856). [109-2]
1835ST19567-046Edinburgh 1835. Second Printing. ONE OF ONLY 45 COPIES though not stated thus. 212 x 164 mm. 8 3/8 x 6 3/8". 2 p.l. iii 9 136 pp. <br/> Period brown crushed morocco raised bands compartments with gilt floral motif black morocco label with gilt lettering gilt turn-ins all edges gilt. With frontispiece of a gentleman bowing courteously to a lady. A Large Paper Copy. Front pastedown with bookplate of Philip Shirley. Heltzel Newbury Library Courtesy Books 1135; Lowndes III 1842. A little wear to joints and extremities well hidden by refurbishment a few superficial marks to covers otherwise a perfectly sound and not unattractive binding. Offsetting from frontispiece onto title a few other imperfections in the text small spots short tear to one leaf otherwise a nearly fine copy internally with thick paper that is fresh and clean with deep impressions of the type and with vast margins.<br/> <br/> This is a very pleasing copy of a work consisting of 15 chapters containing a great many admonitions relating to what is proper with regard to clothing walking and travelling visits gratitude salutations speech writing eating and drinking "marriage and uncleanness" plays and recreations acts of justice observation of the Lord's Day "carriage in the Church" gift giving and commerce. As the 1835 preface tells us "Petrie who has been facetiously called the Scottish Chesterfield is generally understood to have begun life as a domestic tutor in the family of Sinclair of Stevenstoun and to have ended it as a parish schoolmaster in East Lothian. His 'Rules of Good Deportment' may be taken as the result of his artless observations upon the manners of a class of society to which he was probably admitted only as a humble spectator. From the manifest sincerity however of his delineations of 'Good Breeding' and the graphic character of many of his scenes it may fairly be presumed that they were painted from nature--and they present probably less of a caricature of Scottish manners early in the 18th century than might at first be imagined." It is known that Scott had begun but did not finish the project of reprinting this work for the Bannatyne Club and the frontispiece prepared for that edition is used here. Both the first edition of 1720 and this 1835 reprint are infrequently encountered on the market. unknown
55471London & Paris 1827. Original hand-coloured lithograph. Overall sheet size 40 x 27 cm. "There is some confusion as to Friedel's origins. He is supposed to be a Danish philhellene and was apparently passing himself off as a baron. St. Clair tells us that Friedel carried a lithographic press on his back though Greece that he was at Missolonghi for a while with Byron and that he married the sister of John Hodges one of Byron's artificers. A letter from Byron introducing Friedel to the notice of the London Greek Committee is known. Whatever the actual facts Friedel seems to have been in Greece from about 1821 to mid-1824. He settled in England and his first lithograph Mavrocordato appears with the date September 1824" Navari. London & Paris, 1827 unknown
55470London & Paris 1827. Original hand-coloured lithograph. Overall sheet size 40 x 27 cm. "There is some confusion as to Friedel's origins. He is supposed to be a Danish philhellene and was apparently passing himself off as a baron. St. Clair tells us that Friedel carried a lithographic press on his back though Greece that he was at Missolonghi for a while with Byron and that he married the sister of John Hodges one of Byron's artificers. A letter from Byron introducing Friedel to the notice of the London Greek Committee is known. Whatever the actual facts Friedel seems to have been in Greece from about 1821 to mid-1824. He settled in England and his first lithograph Mavrocordato appears with the date September 1824" Navari. London & Paris, 1827. unknown
55472London & Paris 1827. Original hand-coloured lithograph. Overall sheet size 40 x 27 cm. "There is some confusion as to Friedel's origins. He is supposed to be a Danish philhellene and was apparently passing himself off as a baron. St. Clair tells us that Friedel carried a lithographic press on his back though Greece that he was at Missolonghi for a while with Byron and that he married the sister of John Hodges one of Byron's artificers. A letter from Byron introducing Friedel to the notice of the London Greek Committee is known. Whatever the actual facts Friedel seems to have been in Greece from about 1821 to mid-1824. He settled in England and his first lithograph Mavrocordato appears with the date September 1824" Navari. London & Paris, 1827. unknown
18219777<p>G. & W. B. Whittaker. London. 1821. THIRD EDITION. 12mo. 7.8 x 4.7 inches. xii 395pp. A very good clean copy in the original publishers paper covered boards. Pages untrimmed. Chipping to the edges of the original printed paper label on spine. Previous owner has covered the spine and board edges with white paper which is chipped and showing loss which allows the original printed label to be seen. Board edges a bit rubbed and bumped. An uncommon survivor in any condition but in the original publishers boards even more so.</p> G. & W. B. Whittaker. London. 1821 hardcover