SwarteLivre Rare Book
10 958 résultats
53282Paris, 59/43 cm. Rousseurs en pied. Bon état.
In 16 (cm 12 x 15,5), pp. 30 con ill. in b/nero nel testo che riproducono i manifesti. Brossura editoriale. Catalogo della mostra di manifesti italiani svoltasi ad Amsterdam nel 1927 (cataloghi di Maga, Nizzoli, Pozzato, Dudovich, Venna Innocenti...). Testo in olandese.
2447Editions Chantelune. ca.1960. Impression en lithographie. Pliures d'origine, petits défauts, sinon bon état. Dimensions : 1200 x 1600 mm.
2447Editions Chantelune. ca.1960. Impression en lithographie. Pliures d'origine, petits défauts, sinon bon état. Dimensions : 1200 x 1600 mm.
500297375Sans date.
19774454Paris ARC 2, Musée d'art moderne de la ville de Paris 1977 aucune reliure Paris, ARC 2, Musée d'art moderne de la ville de Paris, 1977 (imp. SMI, Paris). 83 x 63 cm, affiche en noir et blanc tirée en offset.
(Codice ME/1361) In folio (cm 43x32) 8 pp. e 78 tavole a colori. Prima edizione. Grande volume, cartone originale, sovraccoperta lievemente usata/scolorita. Volume ottimo. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
19913197Sérigraphie Humbert-Droz, 1991. Affiche sérigraphiée grand format, faisant partie d'une série réalisée par des dessinateurs du cru (toutes au format d'environ 70 x 100 cm.) célébrant à leur manière le 700e anniversaire de la Confédération suisse (1991, vous en souvient-il?).
- s.d. (1924), 93x78mm, autre. - Tehura. Original proof engraved after the painting "Merahi Metua no Tehamana". Intermediate state for Noa Noa [between 1904 & 1924] | 9,3 x 7,8 cm | one sheet Original proof, likely unique, of this intermediate state of "Tehura", wood drawn and engraved after Paul Gaughin's painting "Merahi Metua no Tehamana" by George-Daniel de Monfreid. Print on fine cream laid paper, annotation by the artist in the left-hand margin. The definitive wood served as the head of chapter VI, "Le Conteur parle", page 81 of the true first edition of Noa Noa published by Crès in 1924, the first illustrated work from Paul Gauguin and a majestic tribute to one of the precursors of modern art. A most important and very first woodcut of Gauguin's masterpiece, engraved by his closest friend and executor, artist George-Daniel de Monfreid, to whom Gauguin offered the painting after two unsuccessful exhibitions. Likely unique proof, part of 17 known test prints from the project to publish prematurely Noa Noa, all made on various fine papers and annotated by the artist. Precious woodcut after Gauguin's masterpiece Merahi metua no Tehamana, showing the painter's wife, his main tahitian model. It is from the original illustrated manuscript of Noa Noa, brought back from Tahiti by Segalen on the artist's death in 1903, that Monfreid began producing this fundamental work from as early as 1904. This is the second version of this "to read and look at" notebook. The first manuscript, written on the return of his first voyage and entrusted by Gauguin to Charles Morice in 1893, responded to a different project. Gauguin had composed only the text, interspersed with blank pages for Morice's poems. But after several years without news, Morice preferred to publish a version entirely rewritten by himself in 1901. Gauguin, therefore, copied his manuscript and illustrated it during his second stay in Polynesia, with sketches, watercolors and collages. This album, that the artist enriched and safely preserved until his death, is preserved today at the Musée d'Orsay. It is, therefore, from this manuscript, the only one illustrated, that Monfreid composed the edition of Gauguin's Noa Noa. However, although Monfreid's publication was forward, it took more than twenty years to complete, in part due to a copyright dispute with Charles Morice who wanted to be co-author of the forthcoming edition and whose poems would eventually be preserved. The result of several years of reflection and work, the 1924 edition is both faithful to the watercolors and woodcut engravings illustrating the precious manuscript, and to the whole of Gauguin's Tahitian work, who died in indifference. Monfreid thus engraves several drawings from the original notebook and enriches it with woodcuts made from other works of which he is the custodian. Some of these compositions combine several paintings, while scrupulously respecting the artist's line, transforming the work into a true journey through the painter's works. The very choice of using wood engraving is a tribute to this technique prized by Gauguin, who, in Pont-Aven, produced 10 woodcuts to illustrate his manuscript between his two Polynesian stays. The intermediate woodcuts, until then unknown, testify to the slow work of composition to restore the artistic richness of Gauguin's work by his most faithful artistic companion and first champion: "When I saw Gauguin for the first time, I was greatly disconcerted by the details of art that radiated from his works as well as from the conversations of this extraordinary man... You immediately felt that he was the Master" (in L'Hermitage, 1903). [FRENCH VERSION FOLLOWS] Epreuve originale probablement unique de cet état intermédiaire de "Tehura", bois dessiné et gravé d'après le tableau Merahi metua no tehamana de Paul Gauguin par Georges-Daniel de Monfreid. Tirage sur vergé crème fin, annotation de l'artiste au crayon en marge gauche. Le bois définitif servira
1977R300328060CRDP. 1977. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 69 pages - nombreuses illustrations en noir et blanc hors texte.. . . . Classification Dewey : 741.67-Illustrations des affiches
Due belle riproduzioni (1970) a colori di famosi manifesti d'epoca, cm. 45 x 63 cad.
3121Affiche au format 65 x 100 cm., à l'état de neuf.
264981000 Editions. Poster au format 40 x 30, flambant neuf, sous plastique d'origine (d'où les reflets sur l'image), renforcé par un carton.
20651000 Editions. Poster au format 40 x 30, flambant neuf, sous plastique d'origine (d'où les reflets sur l'image), renforcé par un carton.
20661000 Editions. Poster au format 40 x 30, flambant neuf, sous plastique d'origine (d'où les reflets sur l'image), renforcé par un carton.
3632Affiche au foramt69 x 76 cm., à l'état de neuf.
6806Avignon, imp. Gros, 1884, 1 affiche de 24 x 31 cm, petites coupures en marge, sans gravité ;
1234Christian Desbois éditions. Affiche au format 60 x 80, à l'état de neuf.
1127Christian Desbois éditions. Affiche au format 40 x 50, à l'état de neuf.
62713BBo.J. (Horst Janssen, geboren am 14. November 1929 in Wandsbek bei Hamburg, gestorben am 31. August 1995 in Hamburg. Zeichner, Grafiker, Autor, Plakatkünstler, Illustrator und Fotograf, einer der herausragendsten und produktivsten Zeichner und Grafiker des 20. Jahrhunderts). [2 Warenabbildungen]
3139Christian Desbois. Affiche au format 35 x 50 cm., à l'état de neuf.
2869Galerie Escale, Paris / Christian Desbois. Affiche au format 40 x 60 cm., à l'état de neuf.
4314Affiche originale. New image Releasing. 1984. Impression en offset. Dim: 1004 x 690 mm. Pliures d'origine. Parfait état.
4314Affiche originale. New image Releasing. 1984. Impression en offset. Dim: 1004 x 690 mm. Pliures d'origine. Parfait état.
1958LCI-6537Paris Martin 1958 LA MÉMOIRE DU CŒUR : Affiche originale (1958) du film Tant d'amour perdu. Le graphisme épuré et sensible de Bassarte capture toute la mélancolie de cette œuvre de Léo Joannon. Une pièce d'une grande élégance visuelle, préservée dans un état exceptionnel, rendant hommage à l'âge d'or du mélodrame psychologique français. Pour les collectionneurs de cinéma d'auteur et de beauté subtile.
