258 résultats
197671911976. Softcover. VG Exlib w/minimal markings label on cover. Wraps. 118 pp. 9 color 48 bw plates. Chronological listing of exhibitions. Detailed selected bibliography. Very detailed chronology. Essays on the artist by Paul Weaver Gibson Danes Edmund Burke Feldman Clinton Adams and Lamer Dodd. paperback books
19749016735New Haven: Yale University Press 1974. 1st. Hardcover. Fine/near fine. <br/><br/> Yale University Press hardcover books
1917WRCLIT55957Atlanta: Johnson-Dallis Co. 1917. 16pp. Sewn decorated wrappers. Marginal decorations. A gift anthology of works by Georgia poets including Stanton Lanier Harris et al. 1917 gift inscription on final blank page else very good. Johnson-Dallis Co. unknown books
198351161NY: Delacorte/ Lawrence 1983. First Edition. 8vo pp. xiv 337. Index. Paper over boards with cloth spine. Cover and edges spotted o/w a VG tight copy in scuffed and slightly chipped dj. Delacorte/ Lawrence unknown books
19061310880Chicago: The Saalfield Publishing Company 1906. Hardcover. Octavo; VG-/Hardcover with no dust jacket; tanned spine with no inscription; front and back spines are broken at the joints and are slightly frayed at the head and tail; boards have severe shelf- wear with rubbings bumps and scratches but are in tact; front and rear paste downs and front free end-paper have severe stains; text block is discolored at the edges and pages are moderately age-toned but clean; 116p. 1310880. FP New Rockville Stock. The Saalfield Publishing Company hardcover books
2013125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
194869605New York: The Exposition Press. Very Good-. 1948. Hardcover. Inscribed by the author on the front free endpaper. 64 pages dark green boards with gilt stamping. The spine and edges are rubbed. Contents slightly toned but complete. Near Very Good. . The Exposition Press hardcover books
196669604Charleston Illinois: Prairie Press. Very Good. 1966. Hardcover. Signed by the author on the dedication page. 62 pages blue pictorial boards gilt stamping. The covers are a bit soiled and rubbed pencil notes in table of contents former owner gift inscription on the front free endpaper. Good. . Prairie Press hardcover books
199071354Santa Fe: Gerald Peters Gallery. Very Good. 1990. Paperback. 093503739x . Pictorial wrappers exhibition catalogue Very Good condition. ; 0.2 x 10.6 x 9.8 Inches . Gerald Peters Gallery paperback books
192245177Cincinatti: The John Church Co. Very Good. 1922. Hardcover. Cincinatti: The John Church Co. 1922. 92 pages hardbound. Contents are clean with illustrations and music by the author. The red cloth binding is tight with light soil and warping to the boards. Overall VG. . The John Church Co hardcover books
197041891970. Softbound. VG but binding glue is dried so pages are apt to come loose with use. Wraps. appx. 72 pp. 43 bw plates. Short statement by the artist short essay by Frank Getlein. Catalogue lists 43 works. Chronology collections selected bibliography. paperback books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
1988108523Washington D.C. & Boston MA: National Gallery of Art Washington in association with New York Graphic Society 1988. Second printing. Hardcover. 306 pages. A collection of her letters selected and annotated by Sarah Greenough together with 120 color and 11 black and white photographs. A fine and tight copy in a fine price clipped dust jacket. National Gallery of Art, Washington in association with New York Graphic Society unknown books
19982309652Nashville: Celebrity Books 1998. Reprint. Reprint. Near Fine/Near Fine. Signed by author. Reprint. Inscribed and signed by author on front flyleaf 'To Carrie So happy you enjoyed the book Georgia Durante'. Ink name on front jacket flap. 1998 Hard Cover. 456 pp. Memoirs of a 'Kodak Girl' who married a businessman linked to the mob and was a victim of domestic abuse. "Georgia Durante's beginnings were in Upstate New York when at the age of twelve the radiant little girl began her national modeling career. At seventeen Georgia Durante became the 'Kodak Girl' immortalized with her life-size image displayed in more than 80000 retail stores throughout the world. Georgia is also the author of the best-selling book The Company She Keeps. It's a book that has been recognized by domestic violence prevention and recovery groups for the inspiration and motivation it provides abused women who are looking to reclaim and rebuild their lives. Celebrity Books unknown books
2008Embry 146773Tulsa Ballet 2008. First edition first printing. Fine in fine dust jacket in mylar cover. Inscribed by the authors. Tulsa Ballet, 2008. First edition, first printing. unknown books
194088507Augusta: Georgia Hardwood Lumber Co 1940. Hardcover. Near Fine. numerous photos and illustrations 124p. Original woven burlap boards. Small illustration mounted on upper right portion of front cover. 24cm. Laid in is an undated 1944 or later 1-page Addendum on company letterheard. A mostly pictorial history of Georgia Hardwood Lumber Co. <br/><br/> Georgia Hardwood Lumber Co hardcover books
184011957Washington D.C.: Blair & Rives 1840. Small 8vo. 15 1 pp. <br><br>A desperate attempt to extend judicial authority. Senate document 273 26th congress 1st session. Removed from a nonce volume. Blair & Rives unknown books
182818795Washington: Pr. by Duff Green 1828. 8vo. 15 pp. <br><br>February 9 1828. Referred to the Committees on Manufactures and Roads and Canals and ordered to be printed." Letter signed in type: "John Forsyth." Report on pp. 5-15 signed in type: "Read and agreed to. Thomas Stocks president. . In the House of Representatives December 24 1827. Read and concurred in. Irby Hudson speaker ." Government document: 20th Congress 1st Session. 90. <br>Â Â Â Â <br>Â Â Â Â Shoemaker 36496. Removed from a nonce volume; stitch holes in inner margin not touching text. Three small holes on center of title-page and two small holes on pp. 3/4 5/6 7/8 costing a portion of two or three words on pp. 58 and touching one letter of p. 3. Ink numeral in top margin of title-page. Heavily foxed. Several leaves detached. Toned copy. Good. Pr. by Duff Green unknown books
19627405baAnn Arbor MI 1962. Book. Paperback. Books about books; bibliography; 35p.; 19cm; green patterned paper wrapper; 1 of 750; Randolph Greenfield Adams 1892-1951; owner marks. Paperback books
197679329Amherst:: University of Massachusetts Press. Very Good in Very Good dust jacket. 1976. Hardcover. 0870232088 . Black and white illustrations. First edition. Very good in a very good a bit faded along the spine dust jacket. . University of Massachusetts Press, hardcover books
196556903High Wycomb: University Microfilms Limited 1965. stiff paper wrappers with a paper cover label. Rogers Bruce. large 8vo. stiff paper wrappers with a paper cover label. vii 101 pages. A dissertation reproduced from microfilm by Georgia Mansbridge friend of Bruce Rogers. She writes about his career and personal life from the eighteen hundreds till his death in 1957. University Microfilms Limited unknown books
1971WRCLIT39807London: Secker & Warburg 1971. Boards. First U.K. edition of the author's award-winning first novel second book. Price sticker ghost on front pastedown top edge slightly dusty else very good or better in a lightly rubbed and soiled dust jacket with a touch of fading to the spine and a few nicks to the spine ends. Secker & Warburg hardcover books
1992Embry 195260HarperCollins 1992. First edition first printing. Inked phone number to front free endpaper else fine in very good dust jacket with some light wear to spine tips in mylar cover. Full page color and black & white reproductions. HarperCollins, 1992. First edition, first printing. unknown books
199259233NY:: HarperCollins. Fine in Near Fine dust jacket. 1992. Hardcover. 0060168951 . Edited by Alexandra Arrowsmith and Thomas West. Color and black and white illustrations throughout. First edition. Fine in a near fine one short closed edge tear dust jacket. . HarperCollins, hardcover books
2012163522New York: Bruce Silverstein Gallery 2012. First edition. Softcover. Exhibition catalog for a show that ran September 6 through October 20 2012. Essay by Carol Troyen. Includes illustrations of works by Charles Demuth Arthur Dove Marsden Hartley John Marin Georgia O'Keeffe Alfred Stieglitz and Paul Strand. A near fine copy in French style wrappers. A nicely printed catalog. Bruce Silverstein Gallery unknown books
