5 588 résultats
1997103117Worcester: American Antiquarian Society 1997. cloth dust jacket. 8vo. cloth dust jacket. 212 pages. The study of art history and artist education includes examining how historical and environmental factors affect the way artists receive their training. This collection of essays published by the American Antiquarian Society AAS brings the role of history back into exploring how young people began and developed as artists in the nineteenth century. The contributors' work reveals the relationship between art education in public schools and training opportunities in the trade. Because many middle and lower-class students could not afford to go to Europe for training and study many took on employment in the shops of commercial pictorial printmakers and publishers during this time. This provided an alternative entry to art education. Some of these essays examine how various 19th-century businesses offered training opportunities to those wanting to pursue art. The essays here cover topics including engraving lithography drawing sheet music chromolithography wood engraving alternatives to art school educating designers for industry and art museum schools. Ownership inscription in ink on free endpaper. American Antiquarian Society unknown books
20131309517Worcester MA: American Antiquarian Society 2013. Softcover. Octavo: VG-/no-DJ paperback: Tan spine with black text: Covers are clean with some curling/fraying to corners bumping along front tail edge binding solid: Textblock is clean: 128 pp. 1309517. FP New Rockville Stock. American Antiquarian Society unknown books
2013125059Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century. The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860. The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. Corners bumped. American Antiquarian Society unknown books
2013118846Worcester Massachusetts: American Antiquarian Society 2013. paperback. 8.5 x 10 inches. paperback. 128 pages. À la Mode Française: La Lithographie aux Estats-Unis 1820-1860 from the American Antiquarian Society features five essays from Georgia B. Barnhill Lauren B. Hewes Catherine Wilcox-Titus Marie-Stéphanie Delamaire and Helena E. Wright that explore several topics of interest to scholars of American print publishing. Together the essays examine the impact of French lithographic practice on the American lithographic industry and American visual culture; the circulation of French imagery in the United States with a case study on portraits of Napoleon and Lafayette; Goupil's French lithographs after American genre and history paintings; and the use of French lithographs in didactic displays at the Smithsonian Institution in the late nineteenth century.<BR><br /> <BR><br /> The book explores the variations in quality among early American lithographs. The first essay by Georgia Barnhill closely looks at this phenomenon and examines the work of several academically-trained French lithographic artists who worked in New Orleans New York Philadelphia and Boston from the mid-1830s to 1860.<BR><br /> <BR><br /> The essay by Lauren Hewes looks at the circulation of French imagery in the United States. Some lithographs in the American Antiquarian Society collection were published in France for an American market and there is a selection of sentimental prints and portraits that were printed in the United States but were French in derivation. The book provides reasoning for why prints of Napoleon and Lafayette were moved into the American culture. Using the paintings and prints of these two political leaders as a case study Catherine Wilcox-Titus reveals the importance of lithography to the dissemination of fine art to a large mass audience. <BR><br /> <BR><br /> Next the essay by Marie-Stéphanie Delamaire considers how the American paintings reproduced by Goupil Vibert and Company led to the transatlantic cultural understanding and exchange. Because Goupil published so many lithographs for American and European audiences he is an important part of the link between French and American lithography. The last essay by Helena Wright provides thoughts on the afterlife of French lithographs in American culture and the collecting and use of French lithographs in the United States National Museum. <BR><br /> <BR><br /> Illustrated with black-and-white and color prints this publication will be an excellent resource for the study of American prints and the French influence on the development of early lithography in the United States. American Antiquarian Society unknown books
200628580New Castle DE: Oak Knoll Press 2006. First Edition. Hardcover. Fine/fine. First Printing. xviii 210 pp. 4to. Clean crisp copy with the dust jacket in a mylar cover. Oak Knoll Press hardcover books
199139076Worcester: American Antiquarian Society 1991. hardcover dust jacket. 7.5 x 10.75 inches. hardcover dust jacket. 174 pages. These articles focus on the first available studies on James Turner 1722-59 silversmith-engraver by Martha Fales; William Bentley's bequest of an exceptional collection of portraits by Stefanie Winkelbauer; American 18th-century portrait prints by Wendy Reaves; the publishing of illustrations in the Society's first substantial publication in 1820 by Marcus McCorison; New England's political cartoons from 1812-61 by Georgia Barnhill; the maps of Franklin Leavitt by David Tatham and textile printing by Jane Kaufmann. Extensive illustrations and a checklist of the prints in the exhibition are also included. The 1976 Seventh North American print conference at which these articles were presented was co-sponsored by the American Antiquarian Society and the Worcester Art Museum and sought to cover New England printmakers and prints about New England reflecting the diversity of the history of the region its graphic arts and the strengths of the collections of the museum and of the Society. American Antiquarian Society unknown books
20069020551New Castle: Oak Knoll 2006. 1st. Hardcover. Fine/fine. Bound in the publisher's original cloth over boards spine stamped in gilt <br/><br/> Oak Knoll hardcover books
1971272221Barre Mass. : Imprint Society 1971. First Edition. Hardcover. Fine copy in the original gilt-blocked cloth. Corners sharp with an overall tight bright and clean impression. In slip-case. Physical description; 1 v. unpaged : facsims. ; 37 cm. Subjects; Broadsides — United States. United States — History — Sources. Barre, Mass. : Imprint Society hardcover
20069020551New Castle: Oak Knoll 2006. 1st. Hardcover. Fine/fine. Bound in the publisher's original cloth over boards spine stamped in gilt. <br/><br/> Oak Knoll hardcover
2006108158New Castle Delaware: Oak Knoll Press and The American Historical Print Collectors Society 2006. hardcover with dust jacket. 8.5 x 11 inches. hardcover with dust jacket. 232 pages. First Edition. Jacket faded else a near fine copy. Bibliography of print-related publications covering the period from the early seventeenth century through the end of the nineteenth century. This volume with over 1800 entries provides easy access to the literature concerning book and periodical illustration city views works on various graphic processes historical prints landscape prints maritime and military prints political satire religious imagery and social history. Georgia Brady Barnhill is the Andrew Mellon Curator of Graphic Arts at the American Antiquarian Society. This belongs on the shelf of any historian of American illustration and is an excellent reference work for libraries with collections related to colonial and early American art. Jacket torn. Oak Knoll Press and The American Historical Print Collectors Society unknown
200682837Oak Knoll Press; Society; Et Al. New. 2006. Hardcover. 1584561939 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xviii 2 210 pages; 4to. -- with a bonus offer-- . Oak Knoll Press; Society; Et Al hardcover
200612732New Castle DE: Oak Knoll Press. Fine in Fine dust jacket. 2006. First Edition; First Printing. Hardcover. 1584561939 . First edition/first printing copy in unread Fine condition in alike dust-jacket; "This bibliography brings together more than 1800 citations to scholarly and popular books and articles allowing print collectors dealers and scholars in a variety of disciplines easy access to a vast body of literature on early American prints. " from the dustjacket; 4to . Oak Knoll Press hardcover
2025142149Ann Arbor MI: The Legacy Press 2025. hardcover sewn. 10 x 7 inches. hardcover sewn. 248 pages. 66 full-color illustrations. What do today's collectors and scholars know about the conditions that existed in a nineteenth-century commercial lithography shop Most of what we do know comes from the prints themselves - places of publication dates names of publishers and artists/draftsmen appearing below the images. That information is supplemented by bare-bones information found in city directories and occasional advertisements for lithography firms and specific prints. <BR> <br /> <BR> <br /> But there is one very important primary resource that Peter Marzio introduced to print scholars in his book The Democratic Art 1979 namely the unpublished manuscript Lithography: Its Theory and Practice by Charles Hart which is held by the New York Public Library.<BR> <br /> <BR> <br /> Hart worked in the commercial firm established by George Endicott in New York City for twenty years from 1839 to 1859. His manuscript provides personal accounts of many aspects of that firm's business including observations about the lithographic process and commercial printers and artists who worked during this period and later.<BR> <br /> <BR> <br /> Georgia Barnhill edited and annotated Hart's manuscript that the late Jay Last had had transcribed and additionally she has provided images of lithographic prints copies of which are among the pages of Hart's manuscript. The Legacy Press unknown
42847023-nnew. unknown
42847023like new. unknown
2021__1625346204Univ of Massachusetts Pr 2021. Hardcover. New. illustrated edition. 332 pages. 9.25x6.25x1.00 inches. Univ of Massachusetts Pr hardcover
1625346212.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
199139076Worcester: American Antiquarian Society 1991. hardcover dust jacket. 7.5 x 10.75 inches. hardcover dust jacket. 174 pages. These articles focus on the first available studies on James Turner 1722-59 silversmith-engraver by Martha Fales; William Bentley's bequest of an exceptional collection of portraits by Stefanie Winkelbauer; American 18th-century portrait prints by Wendy Reaves; the publishing of illustrations in the Society's first substantial publication in 1820 by Marcus McCorison; New England's political cartoons from 1812-61 by Georgia Barnhill; the maps of Franklin Leavitt by David Tatham and textile printing by Jane Kaufmann. Extensive illustrations and a checklist of the prints in the exhibition are also included. The 1976 Seventh North American print conference at which these articles were presented was co-sponsored by the American Antiquarian Society and the Worcester Art Museum and sought to cover New England printmakers and prints about New England reflecting the diversity of the history of the region its graphic arts and the strengths of the collections of the museum and of the Society. American Antiquarian Society unknown
1995PRNldBAR12Adirondack Park: The Adirondack Museum & Boston: David R. Godine 1995. 1995. oblong 8vo. pp. xix 99. many illus. several colour. biblio. index. quartercloth. dw. First Edition. F. Hardcover. [Adirondack Park]: The Adirondack Museum & Boston: David R. Godine, [1995]. Hardcover
1929545673.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2026x-1032040610Taylor & Francis Ltd 2026. Paperback. New. 292 pages. 6.14x0.62x9.21 inches. Taylor & Francis Ltd paperback
3659801801.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0829902376.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
031493149X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980mon0000287770Cengage Learning 01/01/1980 00:00:01. paperback. Very Good. 1.8486 in x 21.3937 in x 14.8487 in. Cengage Learning paperback
