VIERO, Teodoro (1740-1819).MareMagnum
793 résultats
Venecia, Venetiis, apud Theodorum Viero, s.a. (c. 1788). Grabado al aguafuerte de 280 x 200 mm., con passepartout, enmarcado en madera dorada y con cristal. Tamaño total de la pieza: 510 x 425 mm.
As New German Original bdg. HC. Mint. All edges gilt. 4to. (34 x 25 cm). In German. 179, [2] p., b/w ills. Vom osmanischen Zeitalter zu unserer Zeit. Armenische, griechische und jüdische Klubs und Sportler. From the Ottoman era to our time. Armenian, Greek and Jewish clubs and athletes. Sie waren nicht nur Sportler. Sie waren Menschen, die Vorraussetzungen besaßen um "Mitbürger" zu werden, sich mit unseren gesellschaftlichen Wertevorstellungen identifizierten und Mondsichel mit Stern in ihrem Herzen trugen. Was war also die jahrhundertelange Absicht der Klubs sie zusammenzubringen? Bevor ich diese Frage beantworte, muss man ein "irdischer" unter irdischen Bedingungen sein und auch die Menschen dieses Landes kennen. Die hundertjährige Geschichte, welche vom Sport- bis in den Militärbereich langt, ermöglicht uns Dank dafür zu zollen. Die "Türkische Sportgeschichte" schrieben jene, die mit Zuversicht dafür kämpften und es ermöglichten, jene die den Sichel und Stern nicht nur auf dem Trikot sondern auch in ihrem Herzen trugen, unter einer Flagge zusammenzubringen. Ohne sie wäre es nicht möglich gewesen Sportgeschichte zu schreiben. In diesem Buch werdet ihr hunderte Menschen kennenlernen. Und im selben Maße viele Klubs... Vahram Papazyan, Rober Eryol und der weltbekannte Lefter welcher die Ehre- bete, das Nationaltrikot zu tragen und die türkische Fahne bei den Olympischen Spielen hissen zu lassen. Lefters Nachricht stellte ihn nicht nur als "Sportbegeisterten" dar, sondern trug auch die Aussage "eines friedlichen Miteinanderlebens". Sein Ruf des "Ordinarius" welcher unter dem türkischen Volk gängig war, war nicht nur der Titel dem ihm Ona Manol gab, sondern auch der Ausdruck eines mühsehlig erkämpften Lebens. Ausdruck eines Leben voller Ehre, Stolz und Verantwortung... Mit einer Träne setzen wir den Punkt und erinnern jene, die ohne zwischen Herkunft, Religion und Sprache zu unterscheiden tausenden Sportlern wie Lefter oder Vahram Papazyan ihre Herzen öffneten und dieses Land samt seiner Flagge in ihre Obhut gaben. Dieses ist Ausdruck der Dankbarkeit unseres Volkes.
235pp. + 35 illustrations hors-texte, relié en couv. toile, br.orig. partiellement conservée, extrait des "Nouvelles Archives des Missions scientifiques" t.XXII fasc.5, 25cm., bon état, rare, [Traite sur des manuscrits et des documents arméniens qui se trouvent dans les bibliothèques des dits pays. Texte en français avec amples citations en arménien], X111407
New English Original cloth bdg. Folio. (31 x 26 cm). Edition in English. 352 p., color and b/w ills. Printed to 600 copies. FOREWORD Looking into the Balyan Architecture Archive / Arsen Yarman With Respect to the Balyan Family and Imperial Architects HAYCAR Solidarity Association of Architects and Engineers for the Revitalization and Research of Cultural Assets Remembering the Balyans / Kevork Özkaragöz PROLOGUE Chapter 1 BALYAN ARCHITECTURE ARCHIVE Beyond Function: Balyan Architecture with Myths and Prejudices Balyan Archive: Pile of Memories and Journey of Classification Architect Balyans Chapter 2 BALYAN FAMILY: PERSONAL HISTORIES Balyan Family and Its Origins Krikor Bal(i)yan (1764-1831) and the Birth of a Family Practice Senekerim Balyan (1768-1833) The Last Amira Architect Garabed Balyan (1800-1866) Education of Garabed Balyan's Children A Young Genius: Nigogos Balyan (1826-1858) Architect, Engineer and Versatile Tanzimat Elite Sarkis Balyan (1831-1899) Death of the Great Patron, Stroke of Fate and Final Period of Balyan Practice Sarkis Balyan as an Engineer-Mechanician and Inventor Art Patron and Intellectual Architect: Hagop Balyan (1837-1875) A Drawing Master and Imperial Draughtsman: Simon Balyan (1846-1894) Last Architect of the Balyan Practice: Levon Balyan (1855-1925) Chapter 3 BALYAN ARCHITECTURE AND ITS REPRESENTATIONS Imperial Palaces and Organization of Large Scale Construction Sites: Silence of the Construction Sites A Pledge of Progress and a Visual Negotiation: Photography in the Representation of Sarkis Balyan's Architecture Portrait of the Architect Chapter 4 BALYAN ARCHITECTURE IN THE TANZIMAT [REFORM] ERA Beyond Time and Geography: Multiple Sources of Balyan Eclecticism Balyan Practice as a Pioneer of Neo-Gothic Elements in Tanzimat Architecture History as an Encyclopedic Source An Egalitarian Demand: Influences on Çiragan and Beylerbeyi Palaces New Methodologies in the Search of a National Style and Ottoman Renaissance From Imperial Architect to Imperial Palace Master Builder: The Position of Architect in the Architectural Organization of Tanzimat Period Chapter 5 BALYAN ARCHIVE CATALOGUE Ottoman Palace and Residential Architecture in the Tanzimat Era Imperial Palaces on the Banks of Bosphorus The Çiragan Palace of Sultan Mahmud II Dolmabahçe: The Absolute Model of Tanzimat Palaces The Design Model Integrating the Old Palace into the New Complex: Beylerbeyi Nigogos Balyan's Facade Proposal for the New Çiragan Palace and Horror Vacui Sarkis and Hagop Balyan's Eastern, Polychrome Facade Proposals for the New Çiragan Palace The New Çiragan Palace Monumental Coastal Line from Çiragan to Fer'iye Palaces Sarkis Balyan's Expansion Project for Yildiz Palace Büyük Mabeyn Kiosk The Balyans and Imperial Feasts in the Tanzimat Period A Project by Antoine Bourgeois in the Balyan Archive In the Pursuit of an Ideal Plan: Kiosk and Pavilion Designs Kabatas Esma Sultan Mansion An Exception of Balyan Architecture: Middle Class Housing Designs Decoration for the Empire Decoration of the 19th Century Ottoman Palaces Perspective Drawings by "Serkis Bey" in the Nubar Library, Paris Parisian Furniture, Chandelier and Furniture Designs in the Balyan Archive A Conceptual Spolia: Re-use of Çiragan Palace's Mother-of-Pearl Inlaid Doors in Yildiz Sale Kiosk's Dining Hall New Spaces of the Ottoman Diplomacy Sarkis Balyan's Reorganization for Chamber of Deputies Sarkis Balyan's Bâb-i Âli Building Plan Proposals After the 1878 Fire Religious Buildings Tanzimat Period Mosques and Contributions of the Balyans Sarkis Balyan's Four-Minaret Selâtin Mosque Design: Aziziye Mosque The Second Set of Mosque Drawings in the Balyan Archive Church Designs Between the Imperial Capital and the East New Spaces of the Public Life Sarkis Balyan's Display Plan for the Collection of Antique Weapons at Hagia Irene Education Buildings Sarkis Balyan's Galatasaray Imperial High School Plan The Hospital Project in the Balyan Arc.
New New Turkish Original binding with original dust wrapper. Oblong Folio. (24 x 34 cm). Turkish Edition. 2 volumes set: (400 p.; 400 p.), b/w and color ills. Based on the historical data offered by 750 postcards published in 1900-1914 era, this book illustrates the story of the Armenians who lived in the borders of modern Turkey at the beginning of the 20th century. The cities, towns, villages and districts inhabited by Armenians, their role in the Ottoman economical and social life, their churches, schools and monasteries along with the papers and periodicals published by Armenians are displayed through a research using, for the first time, the Armenian, Turkish and western sources. = "Bu kitap, 20. yüzyil basinda bugünkü Türkiye sinirlari içinde yasayan Ermenileri, çogunlugu 1900-1914 yillari arasinda hazirlanmis 750 kartpostalin sundugu verilere dayanarak anlatiyor. Ermenilerin yasadigi sehir, kasaba ve köyler; bulunduklari yerlesim yerlerinin iktisadi ve sosyal hayatindaki rolleri; Ermenilere ait, kilise, manastir ve okullar; yayimladiklari gazete ve dergiler, Türkiye'de ilk kez Ermeni, Türk ve batili kaynaklara dayanarak yapilmis bir arastirmayla ortaya konuyor. Kitapta yer alan kartpostallardan olusan "Sireli Yegpayris" (Sevgili Kardesim)" adli sergi 8-19 Ocak 2005. tarihlerinde Istanbul'da açilmis ve çok kisa süre açik kalmasina karsin 100'e yakin ziyaretçiyle Türkiye'nin son yillarda en çok gezilen sergisi olmustu.".
Very Good English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Armenian. Many b/w plts. 79 p. Hariwrameay yobelean verashinut'yean Patriark'anist Mayr Yekeghets'woyn Gumgabui 1828 Hokt. I - 1928 Hokt. I. [Anniversary book of Kumkapi Armenian Patriarchate]
New New English Original bdg. Dust wrapper. 4to. (30 x 21 cm). In Turkish. 628 p. Color and b/w ills. A heavy volume. Kilikya-Çukurova: Ilk çaglardan Osmanlilar Dönemi'ne kadar Kilikya'da tarihi cografya, tarih ve arkeoloji.
New Turkish Original bdg. HC. All edges gilt. 4to. (34 x 25 cm). In Turkish. 179, [2] p., b/w ills. Osmanli'dan günümüze Ermeni - Rum - Musevi kulüpleri ve sporculari. From the Ottoman era to our time. Armenian, Greek and Jewish clubs and athletes.
New German Original bdg. HC. All edges gilt. 4to. (34 x 25 cm). In German. 179, [2] p., b/w ills. Vom osmanischen Zeitalter zu unserer Zeit. Armenische, griechische und jüdische Klubs und Sportler. From the Ottoman era to our time. Armenian, Greek and Jewish clubs and athletes. Sie waren nicht nur Sportler. Sie waren Menschen, die Vorraussetzungen besaßen um "Mitbürger" zu werden, sich mit unseren gesellschaftlichen Wertevorstellungen identifizierten und Mondsichel mit Stern in ihrem Herzen trugen. Was war also die jahrhundertelange Absicht der Klubs sie zusammenzubringen? Bevor ich diese Frage beantworte, muss man ein "irdischer" unter irdischen Bedingungen sein und auch die Menschen dieses Landes kennen. Die hundertjährige Geschichte, welche vom Sport- bis in den Militärbereich langt, ermöglicht uns Dank dafür zu zollen. Die "Türkische Sportgeschichte" schrieben jene, die mit Zuversicht dafür kämpften und es ermöglichten, jene die den Sichel und Stern nicht nur auf dem Trikot sondern auch in ihrem Herzen trugen, unter einer Flagge zusammenzubringen. Ohne sie wäre es nicht möglich gewesen Sportgeschichte zu schreiben. In diesem Buch werdet ihr hunderte Menschen kennenlernen. Und im selben Maße viele Klubs... Vahram Papazyan, Rober Eryol und der weltbekannte Lefter welcher die Ehre- bete, das Nationaltrikot zu tragen und die türkische Fahne bei den Olympischen Spielen hissen zu lassen. Lefters Nachricht stellte ihn nicht nur als "Sportbegeisterten" dar, sondern trug auch die Aussage "eines friedlichen Miteinanderlebens". Sein Ruf des "Ordinarius" welcher unter dem türkischen Volk gängig war, war nicht nur der Titel dem ihm Ona Manol gab, sondern auch der Ausdruck eines mühsehlig erkämpften Lebens. Ausdruck eines Leben voller Ehre, Stolz und Verantwortung... Mit einer Träne setzen wir den Punkt und erinnern jene, die ohne zwischen Herkunft, Religion und Sprache zu unterscheiden tausenden Sportlern wie Lefter oder Vahram Papazyan ihre Herzen öffneten und dieses Land samt seiner Flagge in ihre Obhut gaben. Dieses ist Ausdruck der Dankbarkeit unseres Volkes.
Very Good Turkish, Ottoman (1500-1928) Original 1/3 leather bdg. Decorative cloth boards with crescent and star and tughra. Roy. 8vo. (23 x 16 ccm). In Ottoman script. 271 p. AH 1286 = AD 1870. Karakaszâde was born in Bursa and died in Edirne. One sheikhsof the Jalvatiyya order. His works are "Nûru'l-Hüdâ li men Ihtidâ" and "Serh-i Risâle-i Hâce Cihan" and "Mürettebât Divan", which talk about mysticism and morality and are written on the old Ottoman inscription, but were written with some humble and extreme views. This book includes history of the mystic orders and tradition of Islamic and Turkish sufism. According to some claims this work by him is a plagiarist from 'Menâkibnâme-i Hâce Cihan ve Netice-i Can' by Vahidî. One copy in OCLC with mistake of author's name: 39817913.; Özege 15570. First Edition. Rare.
New English Paperback. Folio. (32 x 24 cm). In English. 264 p., color and b/w ills. Armenian painting: From the beginning to the present. Anthology of Armenian painters born in Anatolia. "'Mayda Saris' book helps us to become better acquainted with the generations of Armenian artists, and in the meantime fills a void in the art libraries. Index of the names and the bibliography at the end of the book give this work an even more serious dimension". Kaya Ozsezgin 'Art critic and art historian, Faculty member, Academy of Fine Arts'.".
Very Good English Modern cloth bdg. Demy 8vo. (21 x 14 cm). There's an Ottoman stamp on cover. In Armenian. 14 p. Teghekagr hay entertsatan Smyrna, 1902. Yownvar 1 - Dektember 31. 33rg Shrzan Hastateal 1869rn.
Fine English In original leather bdg. Roy. 8vo. (24 x 17 cm). In Armenian and Arabic. 605, [xx] p. Kur'an-i Kerim ve Bati Ermenice meali. [= The Glorious Qur'an in West Armenian]. Translated by Yavuz Aydin.
21 cm, copertina muta recente; pp. (2), 10, XVII, 115. frontespizio in latino e armeno e testo in armeno con latino a fronte. Alone alla parte superiore che non disturba la leggibilità del testo
448pp., original 1945-edition, 24cm., publisher's hardcover in brown cloth with gilt lettering, text is clean and bright, good condition, rare, X111414
Venezia, Tipografia Armena di San Lazzaro, 1841, in-8, legatura editoriale in mezza pelle, titolo e fregi in oro al dorso, pp. XXII, 403, [17]. Con una tavola incisa in rame f.t. Prima edizione.
25pp. + 5 schedules & 3 maps (of which 2 folding), modern cloth binding with gilt title, text in English, few foxing, good condition, [A memorandum presented officially by the Armenian delegates to the peace conference at Versailles on 26 february 1919], X111502
LITOGRAFIA a COLORI di cm. 41.8x26,6 al centro del fascicolo in 4° (cm. 31x24), brossura editoriale (lieve gualcitura al pur integro dorso) che è completo delle sue 32 pagine (incluse le copp.) e totalmente dedicato al pericoloso imperialismo di Guglielmo II, che rimase sul trono dal 1888 al 1918. Altre due TAVOLE doppie e le due copertine sono a COLORI; inoltre altre 25 grandi VIGNETTE in bianco e nero nel testo. Veber finge che i disegni e una marcia militare in musica siano opera del feroce Imperatore. Negli anni 1894-1897 c'era stata una campagna contro gli ARMENI condotta dal sultano ottomano Abdul-Hamid II (i cosiddetti massacri hamidiani), sinistro prodromo dei GENOCIDI che poi seguirono dal 1909 al 1915 con l'eccidio di 1.800.000 armeni. Nel 1898 il Kaiser partì per la Palestina, territorio dell'Impero ottomano. Il viaggio conseguì aumentò l'interesse dell'Imperatore per la Turchia e sollevò l'inquietudine dei francesi, dei russi e in particolare degli inglesi, che si vedevano minacciati nelle loro linee di navigazione marittime principali. Né i timori si placarono quando, due mesi dopo, i turchi concessero ai tedeschi la costruzione di un porto e di una linea ferroviaria sulla costa orientale del Bosforo. VEBER, illustratore per il mitico "Gil Blas", già nel 1897 aveva suscitato scalpore dipingendo Otto von Bismarck come macellaio del suo stesso popolo. L'intero impressionante e coraggioso fascicolo
Cartonato con legatura in tela sovracoperta illustrata e cofanetto in cartone; Tavole a Colori; pp.33+LXXXIV; Buono
1 46,5x57 cm., ampi margini, confini ben segnati a colori, in inglese, carta ben realiuzzata e ben conservata.
Complete in 4 volumes, xv,213 + vi,248 + 307 + 272pp., 25cm., in the series "Corpus Scriptorum Christianorum Orientalium" vols.353-361-371-379 (Subsidia 42-43-44-51), original softcovers, introduction in French & texts in Latin, very good condition, R99942
2 volumes: xviii,464 + xviii,395 pp., editor's hardcover (green cloth bindings with gilt lettering), dustwrapper, 25cm., in the series "Orientalia Lovaniensia Analecta" volumes 144-145, fine condition (as new), X88926
Very Good Turkish, Ottoman (1500-1928) Original color map. Atlas folio. (65 x 44 cm). In Ottoman script. Scale: 1/400.000. [MAP] Kars, Kutayisi, Tiflis, Batum. [Kars, Kutaisi, Tbilis, Batoum]. Extremely rare. Not in TBMM Library Map collection.
New English Original bdg. HC. Small 4to. (23 x 20 cm). In English, Turkish and Armenian. 200 p., ills. Keghi in ruins.= Virane Kigi.= Averak Kigin. History of the village of Kigi, a village where 3900 Armenians, 1000 Turks and Kurds lived before April 24, 1915 (Armenian deportation).
New New English Original bdg. Dust wrapper. Folio. (41 x 30 cm). In English and Turkish. [22], 189, [18] p., b/w photos. A photographical sketch on lost Istanbul.= Eski Istanbul anilari. [Album of photographs]. A very heavy volume. Contents: The Light of Istanbul: Boatmen of the Golden Horn, old Galata Bridge and the New Mosque, 1956. Midday hours on the old Galata Bridge, 1954. Ferries of the Bosphorus and the Prince Islandsbound to the old Galata Bridge, 1955. "Salep" merchant in early morning lights on the old Galata Bridge, 1957. Traffic on the old Galata Bridge, 1956. Wool hanks hung to dry up in Ortaköy and the sea, 1964. The bridge and the ferry, 1955. Barges and ferries in the Golden Horn, 1958. Süleymaniye Mosque as seen from the old Galata Bridge, 1956 10 Haliç, 1956 - The Golden Horn, 1956. Eminönü Square after the demolishment, 1959. Carters near the Oil Quay, 1957. View from the Oil Quay, 1955. View from the Oil Quay, 1955. Boat maintanance in Ayvansaray, 1969. A barge withdrawn to the coast in Üsküdar and children, 1954. Bargeman fishing at the caulking yard, 1958. Boatmen at the caulking yard, 1956. Boatmen waiting for customers at the caulking yard, 1957. Loading at the Oil Quay, 1957. The caulking yard front of the Golden Horn and rowing-boats, 1957. Boats at Balat, Golden Horn, 1969. Eminönü boatmen, 1958. A leaping boatman in Golden Horn and a cargo ferry, 1960. Children at the local grocer¿s in Vefa disctrict, 1975. The Ottoman Fountain and the childeren at Azapkapi, 1965. Children at the gypsy disctrict in Sishane, 1969. Horse cart passing under an archway near Sehzadebasi, 1958. Inner courtyard of an old wooden house and playing children at Tophane, 1954. Elderly Beyoglu woman taking food to her cats in front of the Flower Arcade at Balikpazari, 1980. A husband and wife heading home in the evening at Zeyrek disctict, 1960. A street in Tarlabasi, 1965. Horse carts and old houses in Unkapani, 1955. Provincials watching the boats from the Galata Bridge, 1956. Card-players at a shore coffee-house in Salacak, 1956. Süleymaniye Mosque and the shore of Unkapani as seen from the old Galata Bridge on a winter's day, 1955. A touristicferryas seen from the old Galata Bridge, 1959. Separation on the Galata Quay, 1955. An old street in Rumelihisari, 1962. A boatpainter on the quay, Karaköy, 1956. Fishermen at the old Galata Bridge, 1968. Vintage outdoor fish restaurants on the shore of Eminönü in the Golden Horn, 1965. A wooden mansion in Kandilli, 1985. Little boys chasing a kittenin Zeyrek, 1968. A chimney and the domes of a Turkish Hamam in Beyoglu, 1957. The evening ferry in Beylerbeyi, Bosphorus, 1960. Ramparts and horses, 1969. Man climbing the hill in Feriköy, 1985. Boat approaching the quay at night, Kandilli, 1965. Massage at the Cagaloglu Hamam, 1965. Boats heading to the Bosphorus, 1975. Salacak ferry pier and the Istanbul silhouette, 1968. A man reading the newspaper on a ferry heading to the Princes Islands, 1955. Children getting out of a rowboat in the old Salacak Bay, 1964. A Bosphorus ferry sailing past Beylerbeyi, 1957. The Mystery of Labour: A boy worker at the caulkingyard, 1972. Porters waiting for work on the caulkingyard, Galata, 1958. Workers at the caulkingyard, 1969. An old worker drinking water in an old "han" in Galata, 1950. Worker looking out of a window in the old Yakut Han at the caulkingyard, 1988. Caulkingyard, 1957. Boy casting iron at the caulkingyard, 1988. Sailors at the caulkingyard, 1957. A blacksmith at the caulkingyard, 1988. Carriers at the caulkingyard, 1969. Porters waiting for work on the Oil Quay, 1954. Porter carrying a barrel at the Oil Quay, 1958. Street vendors at Sishane, 1990. Street restaurants on the shores of the Golden Horn and an old porter, 1965. Young workers at the caulkingyard, 1969. Man carrying a mattress in the Grand Bazaar, 1965. Shopkeeper and his shop at the Grand Bazaar, 1965. Grand Bazaar, 1972. Woman selling antiques in the Inner Bedesten in the Grand Bazaar
