23 938 résultats
18916365London 1891. Wood engraving 31.5 x 47 cms modern hand-colour English text on verso. Print unknown
1st edition. Hardback in a protected dust jacket. Fine/VG (several closed tears). 20407. eng
8vo., First Edition, with 54 plates on 32 and front and rear endpaper maps; brown cloth, gilt back, a near fine copy in price-clipped dustwrapper. A standard reference on Norwood and the Crystal Palace. THE FIRST EDITION OF THIS CLASSIC STUDY IS NOW SCARCE IN ANYTHING LIKE THIS CONDITION.
1916032786Philadelphia: Lea And Febiger 1916. First American Edition 1st Printing. Hardcover. Very Good. 239 Original Illustrations. Xi 698 27 Pp 711 27 Pp Indices At End. Green Cloth Green Endpapers Vol. Ii With Leather Spine Label Gilt. First And Only American Edition. Contents Clean Slight Aging At Edges Of Pages. Light Wear At Corners And On Volume Ii's Spine Label; 1/8" Pull Tear At Top Of Each Spine. Volume I With Tiny Fray Near Bottom Edge Of Spine. Volume Ii With Front Hinge Cracked Through At Endpapers And Front Free Endpaper Detached And Laid In Loosely. No Names Or Marks. Volume Ii With Faint Damp Stain Slightly Darkened Area At Right Half Of Bottom And 2" Up The Lower Part Of The Fore Edge Covers And Pages And Endpapers All Clean. <br/> <br/> Lea And Febiger hardcover
Exhibition catalogue for the show at the Barbican Art Gallery with the title of the same name. Book is in excellent condition in black cloth with gilt print at spine, large oblong format. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 191 pages with large prints in color, some b&w throughout. From the preface: "Over the centuries London has been visited by many artists from abroad and this exhibition is an attempt to illustrate how each visitor has in turn found inspiration from the city. The exhibition interprets this 'image' of London, reveals how the city has changed through four hundred years, and explores the idea of the city in the mind of the visitors and their response to it. Wyngaerde was the earlist artist to attempt to represent the city with relative accuracy. He conceived London as a great Gothic city with many towers and spires. Thomas Wyek may have witnessed the Great Fire, and he certainly painted several views of it. After the Fire, London was rapidly rebuilt and expanded. The subsequent completion of the new cathedral and the City's increasing commercial success attracted many traveller-artists. With its bustling market, Covent Garden was a favourite subject of the 18th-century artists such as Van Aken and Angillis. By contrast the serene Thames views of Canaletto and Joli recall Venice, and their interpretation of London as a city of grace and enlightenment seem more in keeping with the neo-classical order that fashioned the second half of the 18th Century. In the 19th Century artists began to depict the darker side of London. Focusing upon scenes of labour, poverty and suffering in an oppressive industrial environment, G?ricault and Dor? portrayed the Babylonian image of London. Nevertheless, Victorian London was also shown as a city of success and wealth. The river scenes of Whistler, and the busy, yet fashionable Street scenes of Bianche, Tissot and De Nittis represent it as essentially a hive of activity, business and busy-ness. Wistler and Monet were also inspired by the atmosphere of London, the foggy and nocturnal views ...
8vo., First Edition, with a coloured frontispiece, a double-page coloured plate and 16 monochrome plates on 10; pictorial boards lettered in black, backstrip lettered in black, black top, a fine copy. A PRESENTATION COPY FROM THE WORSHIPFUL COMPANY OF TIN PLATE WORKERS ALIAS WIRE WORKERS WITH ITS COLOURED ARMORIAL BOOKPLATE SIGNED BY FREDERICK ERNEST CLEARY, MASTER OF THE COMPANY. Published to commemorate the tercentenary of the Company.
8vo., First Edition, with frontispiece portrait, plates and folding map; green cloth, upper board and backstrip lettered in gilt, a near fine copy.
19382137784London: Sheed & Ward 1934; 1938. XII, 428; XI, (1), 588 Seiten. Mit einigen Portraits auf Tafeln. 8° (17,5-22,5 cm) Orig.-Leinenbände mit goldgeprägtem Rückentitel. [Hardcover / fest gebunden].
19102080502106908968Not Available 1910. Soft Cover. Fine. The book is in fine condition. Not Available paperback
Sm. 8vo., Fifty-Fourth Edition, with plates, and plans in the text; original series binding of red cloth, covers and backstrip printed in black, radial corners, backstrip mildly sunned, upper hinge tender else a very good, bright, clean copy. With front and rear endpaper trade advertisements. Tipped-in is the publisher's printed disclaimer slip 'owing to the Control of Maps Order and other exigencies of the situation, it is not at present possible to include the customary complete set of maps and plan in this Guide'. The COM Order 1940 banned commercial publication of maps and plans on a scale greater than one inch to one mile and therefore of likely use to the enemy. In this edition the omissions include virtually all the folding maps, retaining only the plan of London termini and double-page plan of Hyde Park.
Sm. 8vo., Sixtieth Edition, with large folding map (coloured in outline) as frontispiece, plates, 2 large folding maps (coloured in outline), double-page map and 17 plans in the text; original series binding of red cloth, upper board and backstrip printed and lettered in black, radial corners, a remarkably bright, clean copy. A LONDON UNDERGOUND MAP DATED 1953 IS MOUNTED FACING 57. With front and rear endpaper trade advertisements, 10pp of advertisements at front and 2pp of advertisements at rear. SCARCE IN THIS CONDITION.
4109Trefoil Publications, London, in association with Barbican Art Gallery, 1987. In-4, broché sous couverture illustrée en couleur, 190 pp. The City of the Present, by Malcolm Warner - Topography or Art : Canaletto in London, Brian Allen - The Aesthetics of Change : London as seen by Whistler, Robin Spencer - London in the Art of Monet and Pissarro, ...
199732313Paris RMN , musées nationaux 1997 in-4° à L'italienne Catalogue illustré de 96 reproductions en couleurs et 120 en noir et blanc
19981220311998 Éditions de la Réunion des musées nationaux - 1998 - In-8, broché, couverture souple illustrée - 256 pages - 96 reproductions en couleurs et 120 en N&B in et hors-texte - Publication à l'occasion des exposition à Londres, Tate Galery, 30 septembre 1997 - 15 février 1998, à Blois, château de Blois, 7 mars - 1er juin 1998 et à Nantes, Musée musée du château des ducs de Bretagne, 13 juin - 14 septembre 1998
1928234009Derby : London and Scottish Railway Company 1928. First Edition. Hardcover. Near fine copy in the original title-blocked pictorial cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; ix 184 p. plates : ill maps ; 24 cm. Notes; ""Some authorities"": p. ix. Subjects; Cathedrals - Great Britain. Abbeys - Great Britain. Shrines - Great Britain. Abbeys. Cathedrals. Architecture Medieval. Shrines. Genre; Illustrated. Derby : London and Scottish Railway Company hardcover
1996TH233631Christie's London 1996. 1st Edition. SOFTCOVER. Thick heavy 4to. in colour printed stiff glossy card covers 255pp 396 lots plates in colour and mainly the prints and photos in b/w index at rear __CONDITION : An extremely well preserved AS NEW unmarked copy merest hint of tanning to leaves. An excellent copy. . __We always ship in PROTECTIVE CARD PARCELS Christie's, London paperback
1918159042Calcutta: Association Press & London, New York, Toronto, [u. a.]: Humphrey Milford Oxford University Press 1918. 185 Seiten / Pages. 8° (17,5-22,5 cm). Orig.-Leinenband mit goldgeprägtem Rückentitel. / Gilted Orig.-Cloth. [Hardcover / fest gebunden].
15229Albion Iron Works Westbromwich West Bromwich. 21 June 1844. With 'WEST BROMWICH' postmark. 1p. 4to. Bifolium addressed on the reverse of the second leaf to 'Messrs. Thomson Hankey <& Co> Merchants 7 Mincing Lane London'. The second leaf is also docketed and carries two circular postmarks one from 'WEST BROMWICH'. Williams writes that he has returned to find 'an enquiry about the nails & chains'. He gives a price below which he cannot go adding: 'I must be paid for the Casks: but if a quantity of nails had been wanted I would have given my trouble on the other things as I should have made a profit on the nails'. The 'last Casks were indifferent as the P<> had a bad bargain. I would not send new ones. If I send more I must buy them.' The final paragraph reads: 'I confess the price for Chains seems high but they are very light & would be useless if made with bad iron such as Scotch hot blast but if you will venture that I am of opinion you may get them in London at a lower rate. I will assist you if you wish without making any charge for services.' Albion Iron Works, Westbromwich [West Bromwich]. 21 June 1844. With 'WEST BROMWICH' postmark. unknown
1998x-0787909580Jossey-Bass Inc Pub 1998. Hardcover. New. 1st edition. 291 pages. 9.75x6.75x1.25 inches. Jossey-Bass Inc Pub hardcover
1850c2206270149xbvkLondon, William Pickering (Chiswick, C. Wittingham), 1850. 1 blank sheet; xii pages (incl. foretitle-sheet, title-sheet, printed dedication-sheet, 'Contents' and 'Introduction to Eidolon'), 240 pages; 1 blank sheet. - Richly gilt handbound green chagrin-leather binding over 5 raised bands with gilt title at spine (stamp-signed ''Bound by Hayday'' at inner frontpanel), all edges gilt, silken marker-ribbon; 8vo.(ca. 18 x 11,5 cm).
75-0611London UK: George Bell & Sons 1986. Second Edition limited to 750 copies or the regular edition and 38 copies on tall Japanese vellum. First Edition published in 1892. 12mo. Hard Covers with with blue cloth binding that is starting to wear. 360 pp. Good. Pencil marker and stamp markings on first few and last pages. Ex-Library.One mounted book plate from Detroit Public Library on front inside cover in addition to mostly black and white plates.Walter Hamilton is the Chairman of the Council of the Ex-Libris Society and Vice-President of the Société Françaisedes Collectionneurs d'Ex-Libris. London, UK: George Bell & Sons, 1986. hardcover
2588318 November 1882. On letterhead of the Savile Club 107 Piccadilly W. London. See his father’s entry in the Oxford DNB. 2pp 16mo. On first leaf of bifolium. In good condition lightly aged. Folded for postage. The recipient’s full name is not give. Signed ‘Walter H Pollock’. The ‘Ajax business’ referred to in the letter is the performance of the first of the Cambridge Greek plays organised by the archaeologist Sir Charles Walston formerly Waldstein 1856-1927. Begins: ‘My dear Thomas / My friend Dr Waldstein who has got up the whole Ajax business asks me to send you the enclosed admission and programme.’ He ends by offering to get him ‘any details as to the archaeological part of the business’. 18 November 1882. On letterhead of the Savile Club, 107 Piccadilly, W. [London] unknown
188485468brNew York: P. O'Shea 1884. Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. Original green cloth hard covers restored & rebacked with original spine relaid. Original coated endpapers. Some toning and foxing mostly to edges endpapers & flyleaves. Text block stained and toned. A sound copy. 91pp. P. O'Shea Hardcover
19763125062Berkeley, Los Angeles & London: University of California Press 1976. XXII, 238 Seiten. Gr. 8° (22,5-25 cm). Orig.-Leinenband mit silbergeprägtem Rückentitel. [Hardcover / fest gebunden].
8vo., First Edition, with 27 plates on 16; black cloth, gilt back, a near fine copy in unclipped dustwrapper. Covers both London Fire Brigade and Auxiliary Fire Service. Enser, p.88.