London, JackBiblio.com
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1162773170.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
190558797London: Mills and Boon 1905. Boards rubbed in places sunned along spine and head of rear cover water mark to head of spine corners and head/foot of spine edgeworn foxing to fep/rep edges of pp browned pp clean and clear to read gutters cracked but pp secure in binding. Hard. Fair/No Jacket. 16mo. Mills and Boon Hardcover
301222macmillan first edition . 1905 very good some rubbing bumping small crayon mark inside store stamp on ep macmillan unknown
198226436Oakland CA: Star Rover House 1982. Limited edition #784 of 1000 copies. MM Paperback in white wraps. Fine unmarked no spine creases. Contents: The Class Struggle The Tramp The Scab The Question of the Maximum A Review Wanted-A New Law of Development How I Became a Socialist. <br/><br/>278 pp Star Rover House paperback
2007DADAX0548014396Kessinger Publishing 2007-07-25. hardcover. New. 6.00x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1910001982New York & London: Macmillan and Co LTD 1910. Jock London pseudonym for John Griffith Chaney 1876-1916 grew up in poverty raised by a foster mother who was an ex-slave; his view of the world was relentlessly working-class and socialist. This manifesto was originally published in 1905 and reprinted several times. This is a Very Good Plus to Near Fine copy of the eighth printing. The title page has a cancellation: "Advance Copy For Review Not For Sale." Maroon ribbed cloth binding ruled with gilt titles on the spine. Clean text; 278 pages with 3 pages of publisher's adverts in the rear. The corners are mildly bumped; some faint "ghost" spots on the cover that may be from wax. Some offset on the endpapers perhaps due to the missing dustjacket. In an archival plastic protector. Altogether an attractive copy. Size: 8vo - over 7¾" - 9¾" tall. Later Printing. Hard Cover. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. Macmillan and Co LTD Hardcover
190512408WAR OF THE CLASSES Macmillan 1905 first edition a tight vg copy. Decidedly uncommon. 1/2530 copies. As new facsimile dust-wrapper is available for a modest fee. Please inquire if interested. Thank you. Macmillan unknown
190752311New York:: The Macmillan Company 1907. Sixth printing. publisher's printed wrappers. Small areas of insect damage to the spine about half a square inch with a short tear extending into the front wrapper; a few minor spots; otherwise a very nice copy in this rare format. . 12mo. A check signed by Jack London is laid in. The Macmillan Company, unknown
199839692London England: Sotheby's. New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE - 382 lots with many striking black and white illustrations. -- with a bonus offer-- . Sotheby's paperback
19829010789New York: HarperCollins 1982. 1st. Hardcover. Book fine Dust jacket fine. The dust jacket is price clipped. <br/><br/> HarperCollins hardcover books
198228751HARPER & ROW, 1982, in-8°, New York, Harper & Row 1982, XI-294p., 1 cahier iconographique, index, grand in-8, reliure d'éditeur & jaquette (bon état).
1982Q-0060150823Harper Collins 1982-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Harper Collins hardcover
ria9780190053635_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; The War Beat Pacific is the first book to use a wealth of previously untapped documents to provide a comprehensive account of the reporting of the war against Japan from Pearl Harbor and Bataan through Midway and Guadalcanal Tarawa a hardcover
1982G0531090590I4N10Franklin Watts 1982. Unknown. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Franklin Watts unknown
63-0751London: Dean & Son ca. 1820. Hand Colored Print. 7.25 x 10.25 inches. Good with staining some creasing. London: Dean & Son, [ca. 1820]. unknown
1964024361Heidelberg, Darmstadt., Verlag Lambert Schneider., 1964. Mit einem Nachwort von Wilhelm Willige. 266S. Eine Veröffentlichung der Deutschen Akademie für Sprache und Dichtung, Darmstadt. Guter Zustand. 8°. OLeinen.
196459666BBHeidelberg/Darmstadt:, L. Schneider, 1964. Gr.-8°. 266 S., Leinen (Schutzumschlag mit Randläsuren; sonst gut erhalten) (=Veröffentlichungen der Deutschen Akademie für Sprache und Dichtung, Darmstadt ; 32)
19990183131999 Uitgeverij Elmar Soft cover
2588318 November 1882. On letterhead of the Savile Club 107 Piccadilly W. London. See his father’s entry in the Oxford DNB. 2pp 16mo. On first leaf of bifolium. In good condition lightly aged. Folded for postage. The recipient’s full name is not give. Signed ‘Walter H Pollock’. The ‘Ajax business’ referred to in the letter is the performance of the first of the Cambridge Greek plays organised by the archaeologist Sir Charles Walston formerly Waldstein 1856-1927. Begins: ‘My dear Thomas / My friend Dr Waldstein who has got up the whole Ajax business asks me to send you the enclosed admission and programme.’ He ends by offering to get him ‘any details as to the archaeological part of the business’. 18 November 1882. On letterhead of the Savile Club, 107 Piccadilly, W. [London] unknown
6055Undated; on three letterheads of 'Frognall End Hampstead N.W.' London. The notes on three 12mo bifoliums cover three pages with a few lines on a couple of others. In excess of eighty lines. Very good. Brief chronology and list of notable residents presumably an outline for the description of the district in Besant's 'London' 1892 or another of his many writings on the city. Undated; on three letterheads of 'Frognall End, Hampstead, N.W.' [London]. unknown
717213 February 1897; on Adam and Charles Black 'Survey of London' letterhead. 12mo 2 pp. Seventeen lines of text. On lightly aged and creased paper. Attractive arts and crafts letterhead. Sending his 'mosts profound sympathy in the danger which threatens Chelsea'. He will sign 'the paper . with the greatest of pleasure' although he anticipates 'very little good as a possible result'. Suggests a time at which the paper can be sent to him. He doubts whether it will be 'any consolation' but 'the London County Council are at this moment allowing the most beautiful suburb in London namely Frognal to be ruined by the erection of hideous barracks that they call flats. Their architect says that he can do nothing in the matter.' Besant's signature has a diagonal line through it apparently in the same ink and it is not clear whether this is a stylistic flourish or a cancellation by Besant possibly on the letter being returned to him with the papers referred to in the letter. Alice Westlake daughter of Thomas Hare and advocate of proportional representation was the wife of the jurist John Westlake 1828-1913; DNB of River House Chelsea Embankment. 13 February 1897; on Adam and Charles Black 'Survey of London' letterhead. unknown
0518R434892Hardcover. Good. Religious Tract Society of London American Tract Society printing 16mo. publisher's colophon reads 1814 could be as late as 1860 no date. Purple decor. cloth blindstamped edgewear scuffs foxing esp. to first and last few pages. Illus. steel engraving frontis of Walter and his prize tissue guard 7/8ths present one other steel engraving full-page illus. of "The Farmer's Carpet." Other stories include "Arthur Selkirk"; "The Cousins"; and "What Do You Get for Nothing" 126 pps. hardcover
8vo., First Edition, on laid paper, preface in red and black; original printed wrappers, covers lightly dust-soiled else a near fine copy of a scarce work. The catalogue lists 118 notable exhibits, based largely on the renowned collection of Charles E. Feinberg. 'This exhibition is in a sense the visit that Walt Whitman had always wanted to make. The letters and presentation copies of his books shown here are intimately connected with his literary friendships in the British Isles. Noteworthy acquaintances through correspondence were Tennyson, Swinburne, Ruskin, Dowden, Symonds and others'. Foreword
19771212051Thames and Hudson; London, 1977. XVI; 142 Seiten; durchgehend illustr. (auch farbig); 28 cm; kart.
Gutes Exemplar; der farb. illustr. Einband stw. minimal berieben. - Vorwort von Herb Lubalin. - Englisch. - Deidi von Schaewen (* 1941 in Berlin) ist eine deutsche Architekturfotografin und Kamerafrau ... (wiki) // INHALT / Städte: ... Paris and suburb, 1974-1975 ---- Berlin-Neukölln, 1965 ---- Barcelona, calle de Pelayo, 1967 ---- Belgium, near Liege, 1974 ---- Berlin-Charlottenburg, Spreekanal, 1965 ---- Berlin-Charlottenburg, Augsburgerstrasse, 1968 ---- Berlin-Reinickendorf, 1965 ---- Berlin-Pankow, 1964 ---- Berlin-Schöneberg, Langenscheidstrasse, 1962 (my first photograph of a wall) ---- France, Montelimar, 1965 ---- Paris, Rueil-Malmaison, 1973 ---- London, West Hampstead, 1975 ---- France, Dole, 1975 Spain, 1964 ---- South of France, near Nimes, 1964 ---- London, 1975 ---- Paris, Les Halles, 1972 ---- New York, Soho, Prince Street, 1970 ---- New York, Chelsea, 1969 ---- New York, Chinatown, 1970 ---- New York, Chelsea, 1971 ---- New York, Soho, 1970 -71 ---- Barcelona, Barrio Chino, 1968 ---- Jamaica, near Port Antonio, 1971 ---- Paris, rue de Toqueville, 1976 ---- France, Verdun, 1973 ---- Paris and suburbs, 1973-1975 ---- Paris and suburbs, 1972-1975 ---- Paris, rue du Depart, 1974 ---- Paris, Belleville, detail of photograph 1972 ---- Paris, Kremlin Bicetre, 15 avenue de Fontainebleau, 1973 -- (u.v.a.) // Famous buildings are most people's landmarks. Mine are walls: they are my inner map. Any wall interests me for its intrinsic quality: be it traces, different materials, lettering, advertising, people's idiosyncrasies, decoration, destruction. I always know where the walls are, or where they stood whenever they have been destroyed or painted over. The early publicity was gigantic in scale and gave color to the streets; the inscriptions made dull facades come alive. The walls in the book are all houses' walls-not enclosing walls, not separating walls, like those of prisons or the Berlin Wall. My interest lies in architecture, environment, painting, graphic design, as well as photography. Memory: I don't remember Berlin from my childhood. I left it at the age of two, during the war, and grew up in the country. But my favorite pastime was drawing "cuts" of houses with the life going on inside exposed. Maybe I did remember. First picture of a wall: 1962. While a student at the Hochschule fur Bildende Künste and painting in Berlin, I was watching a friend in the darkroom, and the growth of a photographic print out of nothing fascinated me so much that I decided then and there to start photography. … (VII) ISBN 050027102X
