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B0026NERI0New. Brand new and still unused unknown
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0470620072New. Brand new and still unused unknown
0520059549New. Brand new and still unused unknown
1955139429New York: Library Publishers 1955. First American Edition originally published in the UK by Derek Verschoyle the previous year. Photo illustrated throughout with different images than the UK edition. <br/><br/>An early examination of the negative influence of pop culture on the American public with sections on film pin ups pulp novels television and most importantly comic books which Wagner referred to as "the marijuana of the nursery." A companion piece to Fredric Wertham's infamous "Seduction of the Innocent" just as influential in the creation of the Comics Code Authority and far more scarce. <br/><br/>Near Fine in a Very Good example of the rare dust jacket. Front board slightly bowed. Jacket chipped affecting the "P" in "Parade" on the front panel and publisher's name on the heel with a few short closed tears repaired with cello tape on the verso and faint creasing. A presentable copy overall. Library Publishers unknown books
1966140947464Cleveland: Renegade Press 1966. First Edition. Near Fine. First edition. One of 200 copies. 27 pp mostly printed on rectos only. Bound in publisher's side-stapled illustrated wrappers. Illustrated with an unsigned original "collage" which appears to mostly be a single page cut from a magazine article on American artist Stuart Davis. 34 pp. Near Fine faint toning to wraps and some oxidation to staples. Slight musty odor to contents. <p>A rare journal from Levy's Renegade Press with contributions by rjs Allen Ginsberg D.R. Wagner and many others. Quotations on the first page state "FUCK YOU PEOPLE OF CLEVELAND" and "There will not be another issue MQ until back issues are sold. The asphodel bookshop is beginin to look like a warehouse for 7 flowers & renegade press publications." Taylor & Horvath P-86. Renegade Press unknown
1966140947516Cleveland OH: 7 Flowers Press 1966. First Edition. Good. First edition. One of 108 copies. With an additional fragment from the work being two mimeographed sheets signed by D.A. Levy and D.R. Wagner on the second sheet. Wagner signed the first blank and inscribed to the former owner and fellow poet E. R. Baxter "Bax: 'where it's at' is not necessarily here in this book; but by sweeping up all the pieces you may find some poms of me that you haven't known. love yr buddy Don '66." Bound in publisher's stapled illustrated wraps with silkscreen of a green scarab on the front cover by Grady Jones. Good with heavy soiling to wraps some edgewear. Chip with loss to top edge of additional sheets. Included is a mysterious brown file folder with "used cars" written on the tab in pencil. Rare complete copy of this collaborative work with the phrase "Savannah Sheep Leaper" appearing in the text a nickname Levy called himself in notes to E. R. Baxter; a nice association copy. Rare; only 2 holdings found in OCLC at Kent State and UC Santa Barbara. Taylor & Horvath P-110. 7 Flowers Press unknown
1911341146William Heinemann 1911. Limited. Oversized Hardcover . Good/No Jacket. Limited hand numbered 939 of 1150 copies; Signed by illustrator Arthur Rackham at limitation page; 30 color plates present bright and clear; Original silk ties detached but present; Sound binding; Clean sturdy boards in white vellum w/ gilt stamped accents at front and spine - mild spotting/rubbing present mild toning at spine; Moderate toning at end-papers; Mild foxing at paste-downs; Pages completely free of markings; Boards wrapped in archival mylar to ensure further preservation; Housed in blue cloth slipcase w/ mild edge-wear/rubbing present; An excellent copy considering age. William Heinemann hardcover
1958161391N.p.: N.p. 1958. Shooting Final script for the 1958 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Twelve reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on Anton Myrer's 1957 novel "The Big War" about three Marines on shore leave in San Francisco each faced with their own relationships and heartaches. <br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated June 16 1958 noted as Shooting Final with credits for screenwriter Edward Anhalt and novelist Anton Myrer. 157 leaves with last page of text numbered 115. Mimeograph duplication on eye-rest green stock rectos only with blue revision pages throughout dated variously between 6/18/58 and 7/31/58 with twelve additional pink and blue revision pages bound in at the rear of the text. Faint foxing on the photograph edges else pages Near Fine binding Near Fine. N.p. unknown
1926295638Anonymous 1926. First Edition. Hardcover. Good copy finely bound in full blind-boardered anilne calf with a gilt title to the front boards. Some staining to the edges. Front board starting. Remains well preserved overall; bright clean and sharp-cornered. Physical description; unnumbered pages. Notes; Includes Letter from April to Alfred with The University of Liverpool Letter Header which discusses a search for the scribe of this manuscript. Subjects; Lohengrin. Wagner. Manuscripts. Anonymous hardcover
1911221006London: Heinemann 1911. Limited. hardcover. very good. Rackham Arthur. Translated by Margaret Armour. Illustrated by Arthur Rackham with 30 mounted color plates protected with lettered tissue and numerous b/w drawings in the text. 181pp of text. Thick 4to original gilt-stamped pictorial vellum slightly discolored & lacking cloth ties; uncut edges t.e.g. London and New York: Heinemann and Doubleday 1911. A very good copy.<br/><br/> Edition de Luxe. Number 102 of 1150 copies signed by the artist on the limitation page.<br/><br/> Heinemann unknown books
1927600716<p>in black fountain pen ink. Portrait shot from chest up attired in overcoat with raised collar and hamburg hat his eyes looking to the right by Max Schneider Vienna with photographer's blindstamp in the lower right corner. Photo image 12" x 9 1/4" on photographer’s mount 13 1/4" x 9 3/4". A handsome portrait signed in 1927 the year he won the Nobel Prize for Medicine. Professor Julius Wagner Ritter von Jauregg 1857-1940 Austrian Scientist Director of the Psychiatric University Clinic in Vienna between 1893 and 1928. In 1927 he was awarded the Nobel Prize for Medicine for his discovery of Malaria treatment for progressive paralysis. Although he had no direct connection with Freud and psychoanalysis he allowed his assistants for example Otto Potzl Paul Schilder Heinz Hartmann Helene Deutsch to work as psychoanalysts.</p> unknown books
190740333Berlin: Paul Parey 1907. First Spanish-language edition. Hardcover. g to vg. Folio 15 x 19 1/4". 12 loose plates as issued. Original gilt-stamped burgundy cloth portfolio with gold lettering to front cover. <br /> <br /> This complete set of 12 colored photographic reproductions documents Professor Dr. Paul Wagner's field experiments with nitrogen fertilizer at the Darmstadt Agricultural Experiment Station in the years 1901 to 1906. The goal of Dr. Wagner was to show that plants need nitrogen to grow healthy stems and leaves. Although nitrogen is the most abundant element in the air we breathe that form of nitrogen cannot be used by plants. Nitrogen contained in fertilizer on the other hand is readily taken up by plants. The photographs featured in this portfolio compare plants and vegetables grown with and without nitrogen fertilizer. Each print measures 11 1/2 x 10 1/8" and is pasted onto a captioned heavy cardstock size: 14 5/8 x 18 5/8". <br /> <br /> Spine rubbed and slightly frayed along edges. Lower left corner of plate 11 chipped not affecting lettering or the image. Captions in Spanish. Portfolio in overall good- to good plates in good to very good condition. Paul Parey hardcover
191124558London: G. G. Harrap & Co 1911. Limited edition. Hardcover. Very good. 4to. Full calf embossed on the spine and upper board. Top edge gilt. Illustrated throughout by Pogány in black and white and tipped-in full color plates. Leather rubbed at hinges and edges with some light soiling else this is a very good copy.<br /> <p><br /> One of 525 numbered copies signed by Pogány. This is number166.<br /> <p>. G. G. Harrap & Co hardcover
191324584London: G. G. Harrap & Co 1913. First edition. Very good. Hardcover. Three volumes. 4to. Quarter green calf spine blocked in gilt; Cloth sides with gilt title and design on the upper boards. Top edges gilt. Illustrated throughout by Pogány in black and white and 40 mounted full color plates Spines sunned to a pleasing tan color else this is a very good set. In the publisher's slipcase which has some light wear.<br /> <p>. G. G. Harrap & Co unknown
1910031676New York: William Heinemann 1910. Limited Edition. Quarto. Limited to 1150 copies signed by Rackham. The present copy is #1137 of 150 copies reserved for the United States. ix 1591 pages translated by Margaret Armour with 34 tipped in colored plates by Arthur Rackham. Each color plate is tipped onto a stiff brown paper and accompanied by a tissue guard with descriptive letterpress textual illustrations in black and white. C.S. Lewis who called these lovely images "the very music made visible." Bound in three-quarter vellum over brown paper covered boards brown spine labels gilt but rubbed. A very nice copy internally clean and lacking the usual foxing to the images. Early bookseller's catalog description mounted to front pastedown. William Heinemann unknown
19111988London: William Heinemann. G : in good condition without dust jacket. Vellum cover slightly bowed and lightly marked. 1911. Limited Edition 716/1150. Vellum hardback boards with gilt illustration. 300mm x 240mm 12" x 9". 182pp. Thirty mounted colour plates with captioned tissue-guards. Signed by Rackham on the limitation page. Heavy item - shipping supplement may apply for overseas. . William Heinemann hardcover
1929151068N.p.: N.p. 1929. Seven vintage oversize double weight reference photographs four of William Dieterle and Lien Deyers two of Dieterle and one of Dieterle and Nikolai Malikoff from the 1929 German silent film-made prior to Dieterle fleeing Germany.<br /> <br /> Viola von Birkenfeld Deyers falls madly in love with the young Friedrich von Bornim Dieterle while he cares for her grandfather after an accident. Upon finding out Friedrich is married her grandfather seeks retribution for breaking his granddaughter's heart. <br /> <br /> 15.5 x 12 inches. Near Fine. N.p. unknown
1929151068N.p.: N.p. 1929. Collection of seven vintage oversize double weight reference photographs four of William Dieterle and Lien Deyers two of Dieterle and one of Dieterle and Nikolai Malikoff from the 1929 German silent film. <br/><br/>Viola von Birkenfeld Deyers falls madly in love with the young Friedrich von Bornim Dieterle while he cares for her grandfather after an accident. Upon finding out Friedrich is married her grandfather seeks retribution for breaking his granddaughter's heart. <br/><br/>15.5 x 12 inches. Near Fine. N.p. unknown books
39920Three of the designs are in pen and wash and are identified by the artist as being for Acts I II and III. Sheet size 305 x 388 mm. <br /> <br /> The remaining designs are in pencil and are also identified by the artist as being for Acts I II and III although for different scenes. Sheet size 268 x 355 mm.<br /> <br /> Minor wear. In very good condition overall. "The ancient Tristan legend probably of Celtic origin achieved its first literary form in the 12th century. The version used by Wagner as the basis for his drama was that of Gottfried von Strassburg fl1200-20. Wagner conceived the idea of writing an opera on the Tristan subject in the autumn of 1854 but the earliest dated surviving sketch an elaboration of two fragments is from 19 December 1856 at which point he was still engaged on Act 1 of Siegfried.<br /> <br /> Tristan und Isolde is regarded as a milestone in the history of music largely on account of its pervasive emancipation of the dissonance. The far-reaching influence of the work in technical terms is matched by the overwhelming effect the extremity of its emotional expression has had on generations of artists in all media. On one level Tristan is the ultimate glorification of love: 'a monument to this loveliest of all dreams' as Wagner put it. But on another level the work goes beyond emotional experience and enters a metaphysical realm. Human existence and the outer material world of phenomena are ultimately transcended and salvation found in the embrace of the noumena the ultimate reality." Barry Millington in Grove Music Online<br /> <br /> Perdziola an internationally-recognized set and costume designer for theater opera and ballet has worked extensively throughout the United States at such venues as the Metropolitan Opera San Francisco Opera Santa Fe Opera Lyric Theatre of Chicago American Ballet Theater Shakespeare Theater in Washington Boston Ballet and Miami Ballet as well as for various Broadway productions. He has also worked internationally for productions at the Monte Carlo Opera the Niedersächsische Staatsorchester in Hannover the Garsington Opera in the United Kingdom the Finnish National Ballet the Saito Kinen Festival in Japan and the Sydney Opera House. The artist has received three Helen Hayes awards and a Helpmann award; he has also been nominated for numerous additional awards. unknown
24456London, William Heinemann - New York, Doubleday, Page & Co. 1911 (for Siegfried) and 1920 for The Rignegold. 2 forts volumes grands in-8 (19, x 25,7 cm), Plein cartonnage éditeur de percaline brique, titre et décor dorés sur le premier plat et le dos.
183031944AParis, Chez A. Farrenc, ohne Jahr (ca. 1830). Ca. 33 x 26,5 cm. 1 Blatt, 308 Seiten. Leinenband (ca. 1880) mit handgeschriebenem Fronttitel (Der / Wasserträger / Partitur), Kopffarbschnitt und Lesebändchen.
194146400872Paris, Piazza, 1941 ; in-4°, demi-maroquin tabac, tête doré, couverture et dos, suite ajoutées volume et suites à part préservés dans une boîte de percaline grise. (Loutrel) - PREMIER TIRAGE des illustrations. Edition recherchée et cotée en grand papier dit Carteret IV, 408. Vignettes et 21 très belles compositions en couleurs par EDMOND MALASSIS, un aquarelliste qui fut actif entre 1903 et 1943. On a très peu de renseignements biographiques sur cet artiste talentueux qui fut l'élève de Gustave Moreau. UN DES 25 EXEMPLAIRES DE TETE SUR JAPON SUPER NACRE contenant une suite en noir, une suite en couleurs et une AQUARELLE ORIGINALE signée par l'artiste. Cette aquarelle est inédite. Elle n'a pas servi pour l'illustration du volume. Bel exemplaire, bien présenté.
171853025Wien, Ignaz Dominik Voigt, (1718). Fol. Mit gest. Frontispiz von J. A. Pfeffel, 2 Kupfertafeln, 29 Textkupfern (darunter ein Portrait Montecuccolis) u. einigen Holzschn.-Initialen u. -Vignetten. 5 Bll., 218 (falsch 216) S., 1 Bl., Ldr. d. Zt. m. blindgepr. Rücken u. dreiseitig gespränkeltem Farbschnitt.
186071165Fritz Luckhardt | Wien s. d. [circa 1860] | 6.40 x 10.50 cm | une photographie
