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1868L977Mainz: B. Scott's Sohne 1868. 1st Vocal edition . Hardback. Vg. Folio. ND 1867.i4 570pp. Lithographed throughout Cast and dedication page to King Ludwig II both present. FULL ORCHESTRAL SCORE. Contemporary half-calf marbled boards. Corners bumped and lacks one calf corner. Fore-edge light stain not affecting margins of text. Plate no 18469.Scribners New York Cat 112 Item 179 issued 1937. The Orchestral score despite having an earlier plate number 18469 was published in 1868 a year after the vocal score. PLEASE EMAIL FOR PHOTOS <br/> <br/> B. Scott's Sohne hardcover
1867L972Mainz: B. Scott's Sohne 1867. 1st Vocal edition . Hardback. Vg. Folio. ND 1867. 402pp. Lithographed throughout No dedication page. Piano and Vocal Score. Contemporary half-calf marbled boards. Corners bumped. Plate no 18975. Ex-libris stamp of the reknowned nineteenth century pianist Benno Schoenberger 1863-1930 an Austrian who studied under Liszt. 'Liszt thought highly of Schonberger's playing particularly the beauty and elegance of his touch. The artistic sensitivity of his playing was cultivated by the Master over many years study at Leipzig'.Scribners New York Cat 112 Item 178 issued 1937. The Orchestral score despite having an earlier plate number 18469 was published in 1868 a year after this vocal score. PLEASE EMAIL FOR PHOTOS <br/> <br/> B. Scott's Sohne hardcover
1910202663William Heinemann 1910. 1st Edition. Full Vellum Fine Binding Hardcover. VG. Signed Limited edition No 79 of 1150 copies. Vellum binding with gilt stamped titles to the front and spine. Top edge gilt uncut edges ixi 159 1pp with 34 tipped in colour plates and Arthur Rackham's signature to the limitation page. Laid in there is an exhibition leaflet for an exhibition of the original water-colours of the plates. The book comes with its original white cloth covered slip case. There is a little light marking to the boards and more to the spine. There are repaired closed tears of around 2cm to the fore edge of the last 2 pages. There is also a small crease to bottom corner of the final plate. There is toning to the pages facing the illustrations and a little toning to the uncut edges. There is a small bookseller's ticket to the rear pastedown and a touch of cracking to the rear hinge. The book lacks both its ribbon ties. The slip case is firm but with some rubbing to the spine edges and and spotting particularly to the top and bottom edges. Despite the issues mentioned this is a lovely copy which has been well protected by the slipcase. Rainford & Parris Books welcomes enquiries so please do not hesitate to ask if you require further images or have any questions. All books are packaged with great care. William Heinemann hardcover
1998190920009Sky Carrier Press 1998. Paperback. Very Good. Signed. Autographed by author minor shelfwear Sky Carrier Press paperback
18712499291871. unbound. 2 pages front and back 8.5 x 5.25 inches no place September 22 1871. Elegant letter signed "Cosima" by the daughter of Franz Liszt second wife of Richard Wagner and director of the Bayreuth Festival for 31 years. This letter thanks a friend for sending her clothing measurements and giving her carte blanche for both color and make of an item of clothing. She also writes that the children's maid has gone away leaving her to do the washing hairdressing clothing playing teaching running up and down stairs like a rat ".je lave je coiffe j'habille je joue j'enseigne je cours comme un rat a travers les escaliers.". She ends with a request for used foreign stamps for her daughter Loulou's collection. Natural folds; very good condition.<br/><br/> unknown books
191115122903New York: Doubleday Page & Co 1911. 1st and Limited Edition. Hardcover. Near fine. Rackham Arthur. First US limited edition no. 82 of 1150 copies quarto size 184 pp. signed by Arthur Rackham. British illustrator Arthur Rackham 1867-1939 is credited with renewing interest in book illustration at a vital moment of advances in printing technology. The subtle colours and thin lines were unlike anything that had come before as if plucked from the fog of a wild imagination breathing new life into the whole of children's book illustration. Part of Rackham's genius was his ability to convey both menace in his grotesque humanoid trees and trolls as well as delicate and almost ethereal beauty in his fairies princesses and heroines.<br/><br/>This work "Siegfried & The Twilight of the Gods" is considered by many to be Rackham's most magnificent work; based on the "Götterdämmerung" by Richard Wagner the last in his cycle of four musical dramas collectively called "Der Ring des Nibelungen" "The Ring of the Nibelung" it is loosely based on Old Norse mythologies. <br/><br/>Rackham created thirty full-colour illustrations for this work which are breathtaking in presenting the passions of the "Ring" and its many characters: the ethereal beauty of Brünnhilde the venomous evil of the dragon Fafner the cunning of the dwarves the ecstasy of love found and the subsequent despair of love betrayed and lost. Later reprints do not do these illustrations justice and Rackham justifiably oversaw the first edition reproduction processes to ensure the illustrations were to his exacting standards.<br/><br/>___DESCRIPTION: Rebound in brown laid paper boards with an ivory cloth spine original publisher's paper label laid down on the spine grey-green laid paper endpapers limitation statement with Arthur Rackham's signature on the verso of the page preceding the frontispiece title page with green lettering and a small illustration by Rackham in black the thirty colour illustrations are tipped onto heavy brown paper each with a lettered tissue guard nine drawings total including title page in black and white many signatures unopened; quarto size approximately 11.5" tall pagination: i-x 1-182 blank printer's statement printed by Ballantyne & Company Ltd London count excludes pages with tipped-in illustrations and tissue guards; limited edition of 1150 copies all signed by Rackham with 150 being reserved for America of which this is no. 82. <br/><br/>___CONDITION: Near fine overall with a strong square text block hinges a bit tender but holding well the interior bright and clean obviously unread as many signatures are unopened free of prior owner markings and all the illustrations with their tissue guards are present as called for each of the illustrations being in fine condition save one pg. 108 which has a very small rubbed spot; the binding with some rubbing to the corners particularly the bottom corners overall light soiling with some small tears to the cloth spine; even with its few exterior faults and having been rebound a lovely example of this Rackham tour de force. <br/><br/>___CITATION: Latimore & Haskell pg. 37; Riall pg. 109. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details. <br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Doubleday Page & Co hardcover books
2003x-0750309423Inst of Physics Pub Inc 2003. Hardcover. New. 1st edition. 492 pages. 9.25x6.25x1.25 inches. Inst of Physics Pub Inc hardcover
3049757Short description: In Russian. Wagner Nikolai Petrovich. Invertebrates of the White Sea: St. Petersburg: Type. M. M. Stasyulevich 1885. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU3049757 unknown
3049757Short description: In Russian. Wagner, Nikolai Petrovich. Invertebrates of the White Sea: St. Petersburg: Type. M. M. Stasyulevich, 1885. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU3049757
1911000002<p>London/New York: Heinemann/Doubleday 1911. Illustrated Edition. Hardcover. Near Fine/No Jacket. 4to - over 9¾ - 12" tall. Rackham Arthur. Signed by Illustrators. 1st Printing An outstanding and near fine copy bound in full vellum with gold decorations. Illustrated by Rackham with thirty mounted color plates on heavy brown paper each with a titled tissue-guards. Published in 1911 by William Heinemann and Doubleday-Page London and New York and printed by Ballantyne & Co. Ltd. London. Condition: 4to 182 pages - 11 1/2" x 9 1/2" gilt-pictorial vellum top-edge gilt silk ties. Numbered One Hundred Seventy Nine Of 1150 Copies translated by Margaret Armour and SIGNED BY ARTHUR RACKHAM as called for on the Limitation page. Publishers' Cream-colored vellum binding gilt stamped decorations on front cover and spine still bright. A bit of toning and soiling to the edges a small tear to the front silk tie foxing to the endpapers preliminary and a few interior pages. A small gold bookseller's label on the lower rear endpaper. Overall one of the nicer examples of this sought after Rackham title available on the market today.</p> Heinemann/Doubleday hardcover
193573283Paris: Grasset 1935. Fine. Grasset Paris 1935 13.50 x 21 cm broché First edition one of 15 numbered copies on pure wove vellum the only copies printed on deluxe paper. Frontispiece with a reproduction of a portrait of the composer. Endpapers lightly toned two offsets on the colophon and its facing page caused by the justification ribbon. A handsome and rare copy of this collection of letters presented by Julien Tiersot. Grasset hardcover
18884956CB1888. Mannheim K. Ferd. Heckel 1888. 4°. 2 359 S. Etwas späterer Halbleinenband mit verg. Rückentitel ohne Orig.-Umschlag. Klein S. 6f. - MGG dtv XIV 106. - Pl.-Nr. 2216. - Erste Ausgabe des Klavierauszuges Flachdruck dieses frühen Bühnenwerkes von Richard Wagner komponiert 1833/34. 1835 dirigierte Wagner die Ouverture. Die ganze Oper wurde nicht mehr zu Lebzeiten Wagners aufgeführt. Uraufführung war 1888 in München am Hof- und Nationaltheater unter der Leitung von Hermann Levi der den Klavierauszug als Weihnachstgabe für "Wahnfried" erstellte. Die Ouvertüre ist für Klavier zu vier Händen gesetzt. unknown
18884956CBMannheim, K. Ferd. Heckel, (1888). 4°. (2), 359 S. Etwas späterer Halbleinenband mit verg. Rückentitel ohne Orig.-Umschlag.
1992253321992 Michel Aveline Éditeur, 1992. grand in-4, toile titrée, sous jaquette illustrée, 190 pages.
BN44804Hardcover. <br/><br/> hardcover
104807Lakewood Colorado: Centipede Press. 2015. 1st edition Centipede Press Complete set of five volumes. First editions thus original cloth boards dustjacket b&w plates colour illus double-page title page and preliminary page b&w author portrait illus endpapers. Night Winds illus. Grant Griffin; Death Angel's Shadow illus. Les Edwards; Darkness Weaves illus. Boco; Bloodstone illus. Patrick J. Jones; Dark Crusade illus. Tom Kidd. White label to each rear endpaper beneath inner flap possibly bookshop security tag and original Centipede price sticker rear of dustjacket otherwise all volumes near fine condition in like dust-jackets. Complete set of heroic fantasy stories about Kane the Swordsman a lavishly illustrated sword and sorcery collection. The first Centipede Press edition all published in September 2015 all first printings. 1st thus. Boards in d.j. Centipede Press hardcover
18882180Bloomsburg PA 1888. Very Good . Manuscript notebook composed by Ida Sylva Wagner a young woman training to become a teacher at the Bloomsburg State Normal School now Bloomsburg University of Pennsylvania between 1888-1889. Comprised of 88 pages in ink and pencil blending lecture and reading notes with what appear to be Ida's own drafts of analytic essays practice lesson plans and examination questions. Quarter cloth over marbled boards measuring 5.5 x 8.5 inches. Shelf-wear to extremities and hinges tender but holding. Text block overall tight with mild toning not affecting text. Wagner's ownership signature and school information on front paste-down; second ownership signature along with Wagner's later teaching location on rear paste-down. In Very Good condition overall considering its daily class use and apparent usage as a reference guide during Ida's later teaching career.<br/><br/>Established in 1869 the Bloomsburg State Normal School aimed to provide rigorous teacher training to ensure that regional educators could "teach the youth elements of classical education" Bloomsburg University. State census records show that she would have been 22 at the time of this class and that she later moved to Luzerne County to work as a teacher after graduation. This notebook rigorously documents her work in an advanced Practical Teaching course which provided pedagogical methodology as well as requiring students to put methods into practice by designing usable teaching materials. Ida's notebook is roughly divided into sections with blanks separating each; and they include practical notes including Introductory Consideration Foundations and Principles Length of Recitation Object Lessons and Plan of Lessons as well as sample content for lessons such as Primary Reading Primary Numbers and Rules of Grammar. In her hand Ida reflects on the importance of theory and practice noting "The powers of the child which demand the teacher's attention are the physical the intellectual the moral and the spiritual.before knowing can take place there must be something to know and the thing to be known must affect its appropriate sense." This guiding principle clearly shapes the class and Ida's notes show that she is being trained in the "something to know" for example the 15 pages of vocabulary pronunciations and definitions as well as the "affecting its appropriate sense" for example the 46 initial pages on methods for shaping appropriate lessons. <br/><br/>A dense resource with research possibilities including but not limited to the fields of history of pedagogy history of American higher education women's education and employment and gender studies. Very Good . unknown books
18761160Bayreuth: C. Geissel’s Officin 1876. First edition. Unbound as published. Folded once. Somewhat dusted. A small tear at folding with no effect on legibility. A trace of old restoration at the inner joint. Overall in very good condition. First edition. Unbound as published. 4 p. <p><br /> Extremely scarce report of the Board of the “Richard Wagner-Theaters†Bayreuth Festspielhaus with Wagner’s invitation to the upcoming rehearsals.<br /> <p><p><br /> In this brochure the Board announces the dates of the three weeks of the four-evening rehearsals of Wagner’s “The Ring of the Nibelung†which could be attended only by the patrons; shows a sample of the Patron-card; quotes Wagner’s invitation for the rehearsals; and announces the budget statement of the year of 1875.<br /> <p><p><br /> The Richard Wagner-Theater or the Bayreuth Festspielhaus Wagner’s opera house’s was built between 1872 and 1876. The funding of the construction was difficult thus Wagner gave concerts sold shares and set up Wagner Societies all over the world to promote his music and ideas and the Verwaltungs-Rathes des Richard Wagner-Theaters was in charge to manage all these actions. The open rehearsals announced in this Report were also part of the effort to finalize the building and fund its later operation. The Festspielhaus eventually opened in the summer of 1876 with the public premier of the four-opera cycle the Ring.<br /> <p><p><br /> Extremely scarce document. We could trace only one copy in institutional holding at the Friedrich Nietzsche Collection of the Klassik Stiftung Weimar Germany GSA 71/3781. <br /> <p>. C. Geissel’s Officin unknown
2026CBS-9781032811895Taylor & Francis Np ExclusiveCbs 2026. New. Taylor & Francis Np Exclusive(Cbs) unknown
2026CBS-9781032811895Taylor & Francis Np ExclusiveCbs 2026. New. Taylor & Francis Np Exclusive(Cbs) unknown
2022BN43651BirdGraphics Kemper Verlag 2022. 2022. Hardcover. 217 x 305 mm. Biographie und Dokumentation Die ganze Geschichte Dieses Buch schildert eine vielfältige Erfolgskarriere: Die eines eigenwilligen Jünglings zum Mechaniker jene eines unverbesserlichen Autofans zum Eigenbaukonstrukteur und die eines zielgerichteten Träumers zum Rennfahrer. Und mit der gleichen Konsequenz die ihn auf die erste Stufe der Formel 1 gebracht hatte führte er nach «dem Unfall» seine Ambitionen als Autobauer fort. bis hin zum international anerkannten Hersteller exklusiver Hochleistungs-Luxuswagen. Doch wie vermochte Peter Monteverdi der in einem Basler Vorort ansässige Garagist und Sportwagenspezialist innerhalb weniger Jahre in die Phalanx der von berühmten Namen dominierten Sportwagenmarken einzubrechen Welche Talente und welche Energien welche Schicksalsfügungen hatten zur einzigartigen Monteverdi-Karriere geführt Diese Fragen faszinierten die Automobiljournalisten Carl L. Wagner und Roger Gloor. Sie vereinbarten mit Peter Monteverdi eine Story über dessen Laufbahn zu schreiben. Aus ihr wurde das 1980 veröffentlichte erste Monteverdi-Buch. Der in Basel lebende Amerikaner Wagner erfasste aufgrund zahlreicher Gespräche Peter Monteverdis bereits ungewöhnliche Jugendzeit bis hin zur Rennfahrerlaufbahn und Karriere als Konstrukteur der MBM-Rennwagen sowie der Planung eines GT-Luxuscoupés. Der in Bern ansässige Basler Gloor übersetzte diesen Textteil und fügte den Bericht über den von der Eigenmarke geprägten Fortgang von Monteverdis Lebenswerk hinzu. Wenngleich Monteverdi im Jahr 1980 erst 46 Jahre alt wurde so hatte er doch in der Autogeschichte bereits Eingang gefunden. Eine erstaunliche Leistung! Doch die Monteverdi-Geschichte nahm ihren Fortgang; sie war weiterhin mit dem Rennsport sowie Hochleistungs- und Luxuswagen eng verknüpft. Im Jahre 1998 erlag Peter Monteverdi erst 64-jährig einem Krebsleiden. Paul Berger sein Lebensgefährte Geschäftsleiter und Erbe hat es den Autoren ermöglicht auch den weiteren Verlauf des spannenden Lebenswerks dieses grossen Schweizer Autokonstrukteurs aufzuzeichnen und so der Nachwelt zugänglich zu machen. An die chronologischen Schilderungen schliessen sich Auszüge aus fünf aufschlussreichen späteren Pressebeiträgen der beiden Autoren an. Gleichzeitig hat nach 40 Jahren der Buchtext von 1980 ein stilistisches «Face-lift» einige Korrekturen sowie zahlreiche Ergänzungen erfahren. Den beiden Autoren bleiben die Begegnungen mit Peter Monteverdi und seinen Wagen als Highlights in Erinnerung. Autor: Carl L. Wagner seit 1971 in der Schweiz als Automobil- und Aviatikjournalist tätiger US-Amerikaner war von 1968 bis 1971 freier PR-Berater von Peter Monteverdi; Autor u. a. des Technikromans über die Autorennsport-Pionierzeit «An Pferden kein Mangel». Roger Gloor war während 39 Jahren Redaktor bei der «Automobil Revue» und wirkt seither als freier Journalist; er verfasste u. a. die Buchserie «Alle Autos der 50er/60er/70er/80er Jahre» und «Vergessene Autos: 300 untergegangene Marken». Zusatzinfo: Neu aufbereitet aus den Original-Aufnahmen qualitativ hochwertiger Druck. Verlagsort: Basel Sprache: deutsch Maße: 217 x 305 mm Literatur Romane Erzählungen Automobile Monteverdi Monteverdi hai Peter Monteverdi ISBN-10: 3-033-09246-2 / 3033092462 ISBN-13: 978-3-033-09246-4 / 9783033092464 MONTEVERDI Geschichte einer Schweizer Automarke Carl L. Wagner Roger Gloor Autoren <br/><br/>Literatur Romane Erzählungen Automobile Monteverdi Monteverdi hai Peter Monteverdi Geschichte einer Schweizer Automarke Carl L. Wagner Roger Gloor Biographie und Dokumentation Die ganze Geschichte Dieses Buch schildert eine vielfältige Erfolgskarriere: Die eines eigenwilligen Jünglings zum Mechaniker jene eines unverbesserlichen Autofans zum Eigenbaukonstrukteur und die eines zielgerichteten Träumers zum Rennfahrer. Und mit der gleichen Konsequenz die ihn auf die erste Stufe der Formel 1 gebracht hatte führte er nach «dem Unfall» seine Ambitionen als Autobauer fort. bis hin zum international anerkannten Hersteller exklusiver Hochleistungs-Luxuswagen. Doch wie vermochte Peter Monteverdi der in einem Basler Vorort ansässige Garagist und Sportwagenspezialist innerhalb weniger Jahre in die Phalanx der von berühmten Namen dominierten Sportwagenmarken einzubrechen Welche Talente und welche Energien welche Schicksalsfügungen hatten zur einzigartigen Monteverdi-Karriere geführt Diese Fragen faszinierten die Automobiljournalisten Carl L. Wagner und Roger Gloor. Sie vereinbarten mit Peter Monteverdi eine Story über dessen Laufbahn zu schreiben. Aus ihr wurde das 1980 veröffentlichte erste Monteverdi-Buch. Der in Basel lebende Amerikaner Wagner erfasste aufgrund zahlreicher Gespräche Peter Monteverdis bereits ungewöhnliche Jugendzeit bis hin zur Rennfahrerlaufbahn und Karriere als Konstrukteur der MBM-Rennwagen sowie der Planung eines GT-Luxuscoupés. Der in Bern ansässige Basler Gloor übersetzte diesen Textteil und fügte den Bericht über den von der Eigenmarke geprägten Fortgang von Monteverdis Lebenswerk hinzu. Wenngleich Monteverdi im Jahr 1980 erst 46 Jahre alt wurde so hatte er doch in der Autogeschichte bereits Eingang gefunden. Eine erstaunliche Leistung! Doch die Monteverdi-Geschichte nahm ihren Fortgang; sie war weiterhin mit dem Rennsport sowie Hochleistungs- und Luxuswagen eng verknüpft. Im Jahre 1998 erlag Peter Monteverdi erst 64-jährig einem Krebsleiden. Paul Berger sein Lebensgefährte Geschäftsleiter und Erbe hat es den Autoren ermöglicht auch den weiteren Verlauf des spannenden Lebenswerks dieses grossen Schweizer Autokonstrukteurs aufzuzeichnen und so der Nachwelt zugänglich zu machen. An die chronologischen Schilderungen schliessen sich Auszüge aus fünf aufschlussreichen späteren Pressebeiträgen der beiden Autoren an. Gleichzeitig hat nach 40 Jahren der Buchtext von 1980 ein stilistisches «Face-lift» einige Korrekturen sowie zahlreiche Ergänzungen erfahren. Den beiden Autoren bleiben die Begegnungen mit Peter Monteverdi und seinen Wagen als Highlights in Erinnerung. Autor: Carl L. Wagner seit 1971 in der Schweiz als Automobil- und Aviatikjournalist tätiger US-Amerikaner war von 1968 bis 1971 freier PR-Berater von Peter Monteverdi; Autor u. a. des Technikromans über die Autorennsport-Pionierzeit «An Pferden kein Mangel». Roger Gloor war während 39 Jahren Redaktor bei der «Automobil Revue» und wirkt seither als freier Journalist; er verfasste u. a. die Buchserie «Alle Autos der 50er/60er/70er/80er Jahre» und «Vergessene Autos: 300 untergegangene Marken». Zusatzinfo: Neu aufbereitet aus den Original-Aufnahmen qualitativ hochwertiger Druck. Verlagsort: Basel Sprache: deutsch Maße: 217 x 305 mm ISBN-10: 3-033-09246-2 / 3033092462 ISBN-13: 978-3-033-09246-4 / 9783033092464 MONTEVERDI BirdGraphics Kemper Verlag hardcover
1888L971Mannheim: K. Ferd. Heckel 1888. 1st Vocal edition . Hardback. Vg. 4to. 359pp. Lithographed throughout. Fine contemporary half-calf green binding with marbled boards and end-papers. Wear to corners and marbled papers boards. First published edition of the Vocal and Piano score 1888. Plate number 2216 Lithographed by C.G. Roder Leipzig. Attractive title-page. Publishers stamp Scott & Co 159 Regent Street London W. to foot of tile-page below text. Singers list to p1. Fine contemporary half-calf green binding with marbled boards and end-papers. Wear to corners and marbled papers boards. Raised band gilt. Internally fine with no marks or wear. Die Feen was composed in 1833 orig. manuscripts sold at Christies 27th October 1978 and the overture was performed for the first time in 1835 conducted by the composer. The opera was never performed in Wagner's lifetime with the first performance in 1888. The full score was printed in 1872. This vocal score has been ascribed to 1888 the year of the first performance. Scribners New York Cat 112 Item 187 issued 1937. PLEASE EMAIL FOR PHOTOS <br/> <br/> K. Ferd. Heckel hardcover
1875L981Mainz: B. Scott's Sohne 1875. 1st Vocal edition . Hardback. Vg. Folio. ND 1875. pp. vi 357pp. 34x27 cms. Preliminary lithographed title 'Der Ring des Nibelungen' with dedication to Ludwig II. Plate no. 21500 .Lithographed throughout. Piano and Vocal Score. Contemporary half-calf marbled boards. Corners bumped and boards worn. Ex-libris stamp of the reknowned nineteenth century pianist Benno Schoenberger 1863-1930 an Austrian who studied under Liszt. 'Liszt thought highly of Schonberger's playing particularly the beauty and elegance of his touch. The artistic sensitivity of his playing was cultivated by the Master over many years study at Leipzig'. PLEASE EMAIL FOR PHOTOS <br/> <br/> B. Scott's Sohne hardcover
1871L983Mainz: B. Scott's Sohne 1871. 1st Vocal edition . Hardback. Vg. Folio. ND 1875.1 299pp. 34x27 cms. Plate no. 20326. Lithographed throughout. Piano and Vocal Score. Contemporary half-calf marbled boards. Corners bumped and boards worn. Ex-libris stamp of the reknowned nineteenth century pianist Benno Schoenberger 1863-1930 an Austrian who studied under Liszt. 'Liszt thought highly of Schonberger's playing particularly the beauty and elegance of his touch. The artistic sensitivity of his playing was cultivated by the Master over many years study at Leipzig'. PLEASE EMAIL FOR PHOTOS Scribners New York Cat 112 Item 180 issued 1937. <br/> <br/> B. Scott's Sohne hardcover
2002Q-3540437118Springer 2002-11-27. Hardcover. New. In shrink wrap. Looks like an interesting title! Springer hardcover