2 122 résultats
1995LFA0158dN° 193 - Mars 1995 : une revue de 144 pages, format 270 x 215 mm, illustrée, brochée + dépliant de Venise vue du ciel en 186 photos
2004LFA015962004 : une revue de 136 pages, format 215 x 270 mm, illustrée, brochée couverture couleurs, bon état
2002LFA-126723563N° 26 - Février 2002 : Revue de 100 pages, format 210 x 300 mm, illustrée, brochée couverture couleurs, bon état
15577715Aldus in Venetia, 1557 ; in-8 ; plein vélin ivoire, pièce de titre bordeaux (reliure ancienne) ; 255 ff., le dernier marque d'imprimeur des Alde.
149325186Nuremberg: Anton Koberger for Sebald Screyer and Sebastian Kammermeister 1493. First Edition with the Latin text the bifolium with fine hand-colouring to the Venice view. This is one of the large double-page city-view woodcuts from the workshop of Mighael Wolgemut and Wilhelm Pleydenwurff beneith 24 lines of text. The view of Venice was adapted from the 1486 woodcut by Erhard Reuwich in the Sanctae Perigrinationes. It is handsomely and finely handcoloured in blues greens yellows reds grays etc. Double-page folio ca. 540 x 364 mm handsomely mounted framed and glazed. Leaves XLIII and XLIIII. In fine condition and very well preserved and presented. FROM THE FIRST EDITION OF THE NUREMBERG CHRONICLE ARGUABLY THE GREATEST ILLUSTRATED BOOK OF THE 15TH CENTURY. The artists Michael Wolgemut the well-known teacher of Albrecht Dürer and his stepson Wilhelm Pleydenwurff have been praised and admired for over five-hundred years for their contributions to one of the monuments of early printing. David Bland calls it "a marvelous book and a landmark in the history of illustration" and through the ages it has more than fulfilled Koberger's prophecy that it would be "the delight of the men of learning and of everyone who had any education at all."<br> HIGHLY IMPORTANT INCUNABLE the “Nuremberg Chronicle†is the most extensively illustrated book of the fifteenth century and after the Gutenberg Bible the most celebrated book printed in the fifteenth century. Its 1809 woodcut illustrations 1164 excluding repeats depict popes saints and other religious figures kings and emperors historical and biblical genealogies mythological and fanciful creatures natural phenomena and views of all the major cities of the known world as well as a brilliant creation sequence. In addition to the full-sheet maps of the world and of Europe twenty-nine city views such as this one span two pages and eight other cuts excluding the xylographic title page are full-page. The colophon explicitly acknowledges the contributions of the artists Michael Wolgemut and Wilhelm Pleydenwurff. Albrecht Dürer was at that time a pupil in Wolgemut's workshop and there is good evidence that he did many of the preliminary drawings for woodcuts and may even have cut some of them see Adrian Wilson THE MAKING OF THE NUREMBERG CHRONICLE. Anton Koberger, for Sebald Screyer and Sebastian Kammermeister unknown
202501868Paris, Autrement - série mémoires, 1993 ; in-8, 251 pp., br.
1927332041927 Paris, Alpina, 1927, in 4° broché, 110 pages ; couverture illustrée en couleurs (très légèrement ternie).
56904Milan, Lampugnani, 1907, petit in 8° étroit, relié pleine percaline bleue décorée de l'éditeur, 159 pages de texte et 88 pages de publicités.
49721Venezia, Electa editrice, 1974, in 4° broché, 223 pages ; couverture illustrée.
49794P., Albin Michel, 1956, in 8° broché, 228 pages ; portrait en frontispice.
69556P., Furne, 1856, petit in 4° relié demi-chagrin bleu nuit, dos à nerfs orné, 599 pages ; des rousseurs.
18404550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
2002LFA-126746752N° 61 (Août-Septembre 2002) : revue de 66 pages, format 215 x 285 mm, illustrée, brochée couverture couleurs, bon état
99730A Paris, chez Vincent, Imprimeur-Libraire, 1771, 2 volumes in-12 de 170x105 mm environ, Tome I : viij-288-298-218 pages, Tome II : 322-116-154-208 pages, plein marbré brun, dos à 5 nerfs portant titres et tomaisons dorés, ornés de caissons à fleurons et motifs dorés. Petits trous et galeries de ver sur le cuir, une coiffe arasée, frottements sur les coins coiffes et mors, manque de papier sur un coin p. 253-54 (tome I), sinon bon état. Edition originale complète en 2 volumes.
1771DEZ-8104Paris, Vincent, 1771. 2 volumes in-12, plein veau, dos à nerfs ornés, titre doré, toutes tranches rouges, coupes filetées. VIII, 288 pp, 298 pp, 218 pp; titre, 322 pp, 116 pp, 154 pp, 208 pp. Edition originale. Plats du tome II un peu frottés, 2 petits trous de ver au mors inférieur du tome II (sans gravité), quelques feuillets roussis.
2001LFA-126744121Revue hebdomadaire des ventes publiques : 154 pages, format 230 x 300 mm, illustrée, brochée couverture couleurs, bon état
17402185A Londres, Aux dépens de la compagnie, 1740. Deux tomes reliés en 1 volume in-8 de [12]-218; 216 pages, plein veau marron, dos à nerfs orné.
2000LFA-126747493Un ouvrage de 96 pages, format 120 x 205 mm, illustré, broché couverture couleurs, publié en 2000, Le Petit Futé, bon état
2012LFA-126745687Un guide de 304 pages, format 130 x 195 mm, illustré, broché couverture couleurs, publié en 2012, Editions Lonely Planet, bon état
1998LFA-126733797Revue de 21 pages, format 210 x 300 mm, illustrée, brochée couverture couleurs, publiée en 1998, Editions de Saxe, bon état
17175670<p>4to manuscript on vellum 23.5 x 17.1 cm 7 ff. 4 ff. vellum blanks including a full-page frontispiece illumination of Venetian Lion of St. Mark each text page with foliate borders in gold ink headings and initials in gold ink. Bound in contemporary Venetian morocco elaborately gold tooled gold block-printed foliate pastedowns. Edge wear and minor rubbing to spine and boards manuscript loose in binding oxidizing to edges of pastedowns. Marginal flaws to frontispiece illumination just touching border in places a few small wormholes elsewhere minor handsoiling.<br /></p><p>Finely illuminated early 18th-century Venetian manuscript issued by the city's Magistrato alla Sanità Health Department as a license to certify the physician Antonio Damugliano d. 1747 to practice medicine in the Venetian Republic using his propriety formula for topical salves <i>balsami</i> to treat "wounds and ulcers" f. 3v-3r. The manuscript ornately written out and decorated in gold and colored ink opens with a full-page image of the winged Lion of San Marco in the Venetian landscape which serves as an official seal of the document's authenticity and is inscribed by five <i>Provveditori</i> of the Magistrato and one notary who witnessed the certification.</p><p>This pharmaceutical license represents a rare material survival of how Venice's Magistrato alla Sanità regulated the practice of medicine in its territories even down to the level of controlling how individual practitioners could work with specific drugs. Damugliano presumably was required to keep the document on his person while plying his trade and to present it to the relevant authorities or even to his patients should his practice be called into question. The text of the document is written out twice – first in Italian and then in Latin – to suit the linguistic preferences of both the common Venetian citizen and the professional medical class.</p><p>Damugliano also known as Antimo Damulianos is noted in the document dated April 1717 as being a native of the Ionian island of Zante or Zakynthos at the time a Venetian colony and having recently returned from Moscow "where with good success and for a long time he practiced medicine with full official permission of many noteworthy people" f. 2v. Damugliano is said to have studied medicine in Europe likely in Italy specializing in contagious diseases and eventually practicing in Asia Minor Persia India China Egypt Constantinople and Trieste and to have been ordered by Emperor Charles VI 1685-1740 to treat the sick of a plague outbreak in Corinth see L. Zoes passim. Damugliano's name is also associated with a 1725 treatise entitled 'Medicina' which circulated in manuscript form in Venice and dealt with the use of salves pills and stones to treat hydrophobia see L. Zoes; we have been unable to locate a copy of this treatise. Damugliano is also recorded as having worked in Vienna where an April 1746 news magazine comments that the "very famous" Damugliano having traveled through numerous kingdoms has arrived to demonstrate the curative powers of "the wondrous Chinese stone called Bezoar" which is effective against fevers snake bites fatigue colic etc. <i>Nachtrag</i> p. 64. The bezoar stone an indigestible mass formed in the digestive tract of ruminants was lauded from the middle ages as a universal antidote to poison.</p><p> R. Palmer "Pharmacy in the Republic of Venice in the Sixteenth Century" in A. Wear et al. eds. <i>The Medical Renaissance of the Sixteenth Century</i> pp. 100-17; <i>Epeteris: Hetaireia Byzantinon Spoudon</i> vol. 43-44 1977 p. 417; H. Schmuck <i>Grieschischer Biographischer Index</i> vol. 1 p. 247; L. Zoes <i>Lexikon historikon kai laographikon Zakynthou</i> vol. 1; S. Carbone <i>Provveditori e sopraprovveditori alla Santità della Repubblica di Venezia</i>; P. Selmi "Il Magistrato all Sanità" in <i>Difesa della Sanità a Venezia Secoli XIII-XIX</i> pp. 28-50; <i>Nachtrag zu denen wöchentlich-kurtzgefaßter historischer Nachrichten Der neuern Europäischen Begebenheiten auf das Jahr 1746</i> p. 64.</p>
196028184nantes 1960 Une Gouache Originale en couleurs, Format : 50 centimètres de haut par 64,5 centimètres de large, sur papier marron clair, non signé, sans date (1960), réalisé pour un projet de décor : "EN GONDOLE A VENISE" (PROJET POUR UN DÉCOR DE PIZZERIA - NANTES 1960),
1986LFA-126717377Revue de Littérature, Peinture, Photographie, Cinéma : 111 pages, format 170 x 240 mm, illustrée, brochée, bon état
1994LFA-126739899N° 114 (Septembre 1994) : 66 pages, format 220 x 295 mm, illustré, broché couverture couleurs, bon état
2005LFA-126740005N° 230 (Mars 2005): 84 pages, format 220 x 295 mm, illustré, broché couverture couleurs, bon état
