[Venice Panorama]Biblio.com
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18191120London: J. and C. Adlard 1819. 8vo. 220 x 140 mm. 8 3/4 x 5 1/2 inches. 12 pp. Illustrated with a folding plate depicting the Piazza San Marco Venice. Original blank wrappers separated at the spine folded plate loose in binding. Stamp of the Minnesota Historical Society withdrawn. Tiny tears at the folds of the plate but sound. J. and C. Adlard unknown
1989IENal[VE93<p>New York: Rizzoli 1989. 1989. 4to. pp. 772 2 leaves. profusely illus. many colour. biblio. index. cloth. dw. some minor shelf wear. Exhib. Cat. First American Edition. F. Hardcover.</p> New York: Rizzoli, [1989]. hardcover
1830D7073Venice: Eugenio Testolini n.d. c. 1830. Hardcover. Very Good. Publisher's half brown cloth and printed boards; oblong folio 240 x 343 mm; contains lithographed title-page with inset view of a gondolier and 11 beautifully hand-colored lithographed plates many with the embossed stamp of the publisher in the lower margin. Boards soiled and scuffed; spine tips corners and edge of boards lightly bumped. Nice and bright on the inside! Aside from some faint marginal foxing plates are simply lovely. <br/><br/> Eugenio Testolini hardcover
18254504048Probably Venice 1825. A few spots but generally in fine condition the watercolours well preserved and bright. Oblong small quarto album 185 x 275mm containing forty-six watercolours of various sizes and shapes ranging from delicate circular vignettes to larger scenes of urban and theatrical life elegantly bound in nineteenth-century ochre morocco with ornate gilt decoration. <p><p>A beautiful suite of watercolours including a superb series of scenes of a contemporary Venetian commedia dell'arte troupe by the Venetian painter and engraver Novelli. Featuring images from both the stage and street-performance including acrobatics and conjuring each of the 46 deftly drawn images of which 11 are signed is of considerable quality. </p> <p>Francesco Novelli 1764-1836 vividly and imaginatively illustrated Algarotti's Opere 1791-94 assisting his father Don Quixote 1819 and Gil Blas 1820. He is also known for illustrating works such as the Fasti Veneziani 1794 hinting at his abiding interest in the theatre and the performing arts. </p> <p>One of Novelli's most important teachers was the French artist Vivant Denon who visited Venice in the 1790s. Denon seems to have had a formative influence on Novelli's career not least because he introduced his pupil to the engravings of Rembrandt. This rare and exceptional collection provides a wonderful insight into Italian theatre in its golden age. The album includes an incomparable collection of Novelli's watercolours with the greatest number being piquant images of a Venetian troupe of the commedia dell'arte with especially fine depictions of Pierrot himself as well as other key figures such as Columbine and Harlequin. It includes a remarkable series of scenes from a stage play as well as studies of the individual performers. Indeed many of these images are so precisely rendered that it is likely that Novelli depicts a well-known troupe perhaps one with which he was personally connected.</p> <p>The remaining images cover all aspects of contemporary life including several military vignettes perhaps scenes from the diorama as well as charming rural scenes. Several show Novelli's work at its most sympathetic especially in his animated studies of street vendors and town squares. It is also likely that many of these scenes derive from a period when the troupe was on the road especially as some of the liveliest show street performers conjurors and Punch and Judy shows. These scenes reveal Novelli at the height of his powers especially his skill in capturing the energy and fascination of the crowds that gathered to watch the impromptu performances.</p> <p>Unpublished although the compilation of the album suggests that publication might originally have been Novelli's intention. This is a superb collection of images by one of the pre-eminent artists of his generation providing an insight into Novelli's involvement with the Venetian theatre as well as giving a unique opportunity to study the daily life of a travelling group of European artists and musicians at the turn of the nineteenth century.</p> <p>Make-up of the album:-</p> <p>• three portraits of peasants:</p> <p>• a fishmonger with his left sleeve hanging loose</p> <p>• a peasant women with a cob of corn</p> <p>• a profile of a woman in an elaborate scarf</p> <p>• a uniformed cuirassier rejects the entreaty of a woman</p> <p>• a lively scene at the market with a grenadier a Pierrot and a harlequin</p> <p>• a crowd gathers around a conjuror in the town square</p> <p>• children animatedly watch a Punch and Judy show</p> <p>• a street performer shows a dancing bear while an urchin shows a monkey</p> <p>• two small round scenes:</p> <p>• the first of a cavalry charge</p> <p>• the second a peaceful domestic scene around the hearth</p> <p>• an infantry charge perhaps a real scene or a diorama</p> <p>• three generations of women interior</p> <p>• a lively outdoors scene of the stables</p> <p>• two women work inside a darkened barn</p> <p>• four liveried horses with a cart full of hay</p> <p>• two small round scenes:</p> <p>• a scene in the yard of a hostelry</p> <p>• cooking in a well-provisioned kitchen</p> <p>• two small square scenes:</p> <p>• infants and burghers at a Punch and Judy show</p> <p>• small children crowd around an itinerant projectionist</p> <p>• two small square scenes:</p> <p>• dancing a lively jig</p> <p>• the children of the house at lessons</p> <p>• two small square scenes:</p> <p>• a muzzled bear is made to dance</p> <p>• masked members of a commedia dell'arte troupe enjoy a repast</p> <p>• two small square scenes:</p> <p>• a corpulent gent mounts his horse</p> <p>• a befrocked gentleman loses his hat in an impromptu swing</p> <p>• two small square scenes:</p> <p>• a mother with swaddled child and infant greets some friends</p> <p>• a game of cards</p> <p>• two small square scenes:</p> <p>• Pierrot chased by a 'dog'</p> <p>• Pierrot discovers Harlequin and Columbine with stylized cartouche but no caption</p> <p>• three medium square scenes:</p> <p>• the 'dog' seems to have caught Pierrot</p> <p>• Pierrot greets Columbine</p> <p>• Pierrot astride the 'dog'</p> <p>• two small square scenes:</p> <p>• a strongman lifts four children on a table by his teeth</p> <p>• Columbine's lover hides by pretending to be a sofa</p> <p>• two small square scenes:</p> <p>• Pierrot performs a balancing act</p> <p>• Pierrot discovers Harelquin and Columbine asleep</p> <p>• two small square scenes:</p> <p>• Pierrot accosted by a Satyr</p> <p>• Pierrot offers his hat to the 'dog'</p> <p>• two small square scenes:</p> <p>• an acrobat assumes a pose</p> <p>• a different acrobat stands on his hands</p> <p>• two small square scenes:</p> <p>• a female contortionist performs a trick with four glasses and a hoop</p> <p>• a female acrobat balances on the low-wire</p> <p>• two small square scenes:</p> <p>• one of the troupe strikes a pose</p> <p>• Pierrot discovers a skeleton in his closet</p> <p>• two small square scenes:</p> <p>• the skeleton torments Pierrot at table</p> <p>• Pierrot poses</p> </p> . unknown
64620Venice: Gio. Brizeghel c.1855. Oblong folio 27 x 40 cm. 19 leaves. Original half cloth over printed boards. Vignette title and 18 lithographed plates with hand-colouring some heightened with gum arabic. Front free endpaper creased and slightly torn some light foxing and browning boards a bit soiled and worn generally a very good example. The plates include: Place St. Marc Petite Place de St. Marc Basilique de St. Marc Intérieur de l'Église de S. Marc Pont des Soupires Porte Principalle du Palais Ducal Cour du Palais Ducal l'Arsenal Quai des Esclavons Pont de Rialto Palais Foscari Eglise de Notre Dame la Laitiere de Venise Porteuse d'Eau à Venise Porteur d'Eau à Venise Gondolier de Venise Môle de la Place St. Marc à Venise Eglise de N.D. de la Salute sur le Grand Canal. Venice: Gio. Brizeghel, [c.1855]. hardcover
198980245np: Comune di Venezia/Marsilio Editori 1989. Second printing issued one month after the first. Square 4to. 420 pp. Very near fine in fine dust jacket. Near fine publisher’s decorated slipcase with one short split to the cloth on one edge. Maps and a complete visual record via birds-eye color photographs of the entire city of Venice. Texts in Italian and English. (np): Comune di Venezia/Marsilio Editori hardcover
191238943London: Adam & Charles Black 1912. Thick tall 8vo. x 222 2 pp. Colour frntsp. 74 colour plates. Decrtd blue cloth gilt lettrng & decrnt white decrtn t.e.g. slght shlfwr vry mnr foxing still a VG copy w/ frmr ownrshp inscrptn on ffep. First edition early printing of this lavishly illustrated travelogue through Edwardian Venice. Adam & Charles Black, hardcover
201101780Schwetzingen, K.F. Schimper verlag, 1980 ; in-4, 96 pp., cartonnage d'éditeur. En très bon état - TEXTE BILINGUE ANGLAIS ALLEMAND - EDITION ORIGINALE avec jaquette.
201502325Paris, Editions Place des Victoires, 1998 ; in-4, 919 pp., cartonnage de l'éditeur. Les 2 volumes. En superbe état sous étuis volumes -.
201502329Paris, France loisirs, 1997 ; in-4, 323 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
202003675Paris, Solar, 1997 ; in-4, cartonnage de l'éditeur.
201207567Venezia, Edizioni storti, 1985 ; petit in-4, 64 pp., br. Broché très bon état.
201502332Paris, EDDL, 1997 ; in-4, 32 pp., cartonnage de l'éditeur. Très bon état avec sa jaquette.
201002211Paris, Albin Michel - guide culturel du monde, 1971 ; grand in-8, 288 pp., cartonnage d'éditeur avec jaquette. Bon état 189 illustrons en noir et en couleurs.
585828Venezia, Istituto Coletti, 1881. In-12, rel. souple de l'époque, demi-chagrin vert, dos titré, 76 pp. Texte en italien.
1995LFA-126737499Un ouvrage de 64 pages, format 195 x 255 mm, illustré, broché couverture couleurs, publié en 1995, Storti Edizioni, bon état
196951062Paris Les Heures Claires 1969 In-4, en feuilles, couverture imprime (embotage de l'diteur).Cette dition runit des extraits de textes consacrs Venise, crits par Henri de Rgnier, Arsne Houssaye, George Sand et Alfred de Musset, Thophile Gautier, Lord Byron, le prsident de Brosses, Campanella, J.-M. de Heredia, Maurice Barrs, Andr Chnier, Marcel Proust, Stopford Brooke, Arthur Symons, Jean-Jacques Rousseau, madame de Stal, Jean Ruskin, Chateaubriand, Gabriele D'Annunzio, Casimir Delavigne, etc. Elle est illustre par R. W. Thomas de 14 pointes sches originales hors texte en noir, dont 5 sur double page. Tirage limit 290 exemplaires numrots. Un des 9 exemplaires sur japon nacr, comprenant un dessin original d'une illustration hors texte (ayant servi ici pour l'illustration de la page 65), une suite sur papier de Rives de toutes les pointes sches et une suite sur satin des illustrations sur double page (sous chemise toile). Exemplaire enrichi de 2 croquis originaux l'encre indits, signs par l'artiste et monts ensemble sous marie-louise.
1847EYL-239Munich, J. Poppel et M. Kurz, 1847. In 4 (160 x 235) de 1 f. (titre), 24 planches sur papier fort sous serpentes, 128 p., 1 f. (Table). Percaline brune de l’éditeur, plats ornés d’un encadrement d’un triple filet à froid, grand fleuron doré au centre du plat sup. (Lion de Venise avec titre sur phylactère), qq. rousseurs sur les planches.
66623P., Fayard (Grandes Etudes Historiques), in 12 cartonnage bordeaux de l'éditeur, 442 pages.
201112160Paris, Edition alpina , 1939 ; in-8, 155 pp., br. Broché très bon état.
200900687Paris, Edition alpina , 1939 ; in-8, 155 pp., demi basane rouge a coin .
44419P., Grenoble, Arthaud (Collection "Les beaux pays"), 1950, in 8° broché, 197 pages ; complet de la carte volante.
201016323Paris, Lucien laveur editeur , 1911 ; in-8, 353 pp., broché. Quelque tache de rousseur sur la couverture.
201107698Grenoble, Arthaud , 1935 ; in-8, 144 pp., broché.
201107697Grenoble, Arthaud , 1926 ; in-8, 144 pp., broché.
