2 122 résultats
20604In Venezia, stamperia Graziosi, 1784. Demi velin, dos orné, au chiffre "V.B", pièce de titre maroquinée, tranches jaspées. in-8 de 1 feuillet blanc, gravure en frontispice: portraits des frères Montgolfier d'aprés le bas-relief du sculpteur Jean-Antoine Houdon, dans un médaillon avec texte, posé sur un socle légendé., XXXII-320 pages, 1 tableau dépliant, opéra corredata di IX. Tavole in rame, rappresentanti le diverse macchine, che sono state fino a questo giorno fabbricate, particolarmente quella di versaglies, e quella, in cui furano sollevati uomini fino all' altezza di 324. piedi, ec. ec. ( 9 planches gravées dont 1 par Pierre Gabriel Berthault et 3 par François Noël Sellier ).
In-folio, 32x44, con titolo, edizione di difficile collazione, stampata dall’autore. La nostra copia presenta10 titoli intermedi, 7 tavole litografiche (manca la tav. G) e 83 tavole incise (di cui 11 colorate a mano). Fogli sciolti con fogli di separazione in carta velina, in cartella originale, lacci. In-folio, 32x44, with title, difficult-to-collate edition, printed by the author. Our copy has 10 intermediate titles, 7 lithographic tables (table G is missing) and 83 engraved tables (11 of which are hand-colored). Loose sheets with tissue paper separator sheets, in original folder, laces.
1718PHO-2042Rouen & Amsterdam, chez Machuel & au dépend de la compagnie, 1718-1724, 3 volumes in-12 (165x95mm), 258pp.-3ff., titre-278pp.-5ff., titre-276pp.-2ff., illustré de 29 planches dont plusieurs dépliantes dont une carte, manque le frontispice (tome 1), reliure d’époque, dos à nerfs ornés avec titre et tomaison, frottements, coiffes arasées tome 2 & 3, début de fentes tome 2 & 3, reliure tome 1 avec différences.
157019800Venetiis, apud Aldum, 1570, portrait de Aldus Pius Manutius gravé sur bois en médaillon au titre, (au dos de la p. de titre : Armes des Alde marque N°6) ; Editio Aldi Manutii Paulli F. Aldi N. In 8, vélin rigide, dos à faux nerfs dorés décoratifs, pièce rouge (reliure ancienne) ; [24], 45, [1 bl.], [1] f. bl., 352, 94 pp. (signatures : ?-??-??? ; (-((-((( ; A-Y ; a-e 8 ; f. 6).
Very Good Turkish, Ottoman (1500-1928) Modern cloth bdg. Small 4to. (26 x 19 cm). In Ottoman script (Old Turkish with Arabic letters). 24 p. First edition of this epic and historically important account, describing the siege and fall of the Byzantine Empire and Constantinople by Ottoman Sultan Mehmet II in 1453. This is one of the finest literary examples of sixteenth-century Ottoman prose. "This description of the conquest of Istanbul in 1453 is mentioned only by Ismail Pasha in his "Hediyyetü'l Arifîn". The text, which was published as a supplement to TOEM (parts 20 and 21, Istanbul 1331) is said to be taken from a manuscript owned by Halis Efendi. The introduction to Ca'fer Çelebi's life was also written by Halis Efendi. The work is written in a very elegant style, with ayets, hadith, and beyts in Arabic, Persian, and Turkish scattered throughout the text and may be considered one of the finest examples of sixteenth-century Ottoman prose writing. [.] Ca'fer's work is in some aspects a reliable source for the conquest of Istanbul. The preparation for the siege is given in this work. The council of war which was held before the siege and in particular Mehmed II's speech to the council is very detailed and the chain placed across the entrance to the Golden Horn and its history is very well described in this work as well. During the siege, the Byzantines received help from the outside. Ca'fer is specific about this and states that "four huge vessels full of provisions, soldiers and ammunition came to help of the Byzantines". After the last attack, Constantinople fell into the hands of the Ottoman army. The date given for this is 857 Cem. I. 20 Seshenbe in Ca'fer's work. The plundering and looting which occurred during the first three days of the conquest are vividly described by Ca'fer Çelebi, but the withdrawal of Justinian and his men which preceded the conquest and the death of the Byzantine Emperor during the capture of the city are omitted in this work. Ca'fer's closing lines are devoted to the conversion of St. Sophia (Ayasofya) into a mosque by Mehmed II. Ca'fer Çelebi used eyewitness accounts as well as written works. It is certain that he did not rely exclusively on any source which is not extant, for the departs from Ruhi, Enverî, Tursun Beg, Neshrî, and Asikpasha-zâde either by adding new information or giving a conflicting account." (Erünsal). Özege 11953; TBTK 7066.
12095Paris, Chez le Normant, 1831-1833 ; 5 tomes in-8, demi-veau glacé bronze, dos lisse, faux-nerfs noirs et dorés, fleurons décoratifs, titre et tomaison dorés, tranches mouchetées de rouge (reliure de l'époque) ; (4), IV, 487, (1) pp. ; (4), 307, (1) pp. ; (4), 443, (1) pp. ; (4), 359, (1) pp ; (4), 315, (1) pp.
1800PHO-2106Paris, Tavernier, An VIII (1800), 3 vol. in-8°, XVI, 407 ; 358 ; 383 pp., Demi veau rouge, dos lisse à décor de rocaille avec auteur,titre et tomaison au dos, rousseurs et petits frottements aux plats, cachet répété. De la bibliothèque de sa SAR le Duc de Gènes avec son étiquette en page de garde et son cachet
c6710Paris, L' Edition d'Art H. Piazza , 1930 ; In-8°, plein maroquin grenat, dos à multiples nerfs cernés de filets gras à froid avec au milieu du dos un cercle plein doré et nom d'auteur et titre dorés, tête dorée, couverture conservée ; le centre du 1er plat est orné d'une petite plaque d'ivoire incrustée, peinte d'un dessin original de Venise ( Andréas relieur).147pp. Illustré de dessins dans le texte par Henri Cassiers reproduits en couleurs.
13103Il Crociato in Egitto. Opéra seria in du Alti Ridotta per il cembalo. Composta da G. MEYERBEER. Nuova edizione. Parigi Maurice SCHLESINGER éditeur. 1825. (Le croisé en Egypte) In 4 demi-cuir noir, initiales dorées sur le premier plat. Titre t filets dorés. Titre gravé, portait lithographié de l’auteur, 275 pages. Ouvrage entièrement gravé. Création à la FENICE de Venise le 7 mai 1824. , présenté au théâtre Italien à Paris le 25 septembre 1825.Livret de Gaétano ROSSI.
191224346BERNHEIM JEUNE 1912 1 Préface par Octave Mirbeau. Paris, Bernheim-Jeune et Cie, 1912, in-8, broché, couverture beige, titre marron.
160123709Venice: Ducal Palace 1601. Leaf. Fine. Single page of vellum 12 by 16 inches folded and with cuts along two margins to seal the page. Five lines of manuscript the first two in Latin then two in Italian and the last in Latin identifying Marino di Carvallo as the Venetian Ambassador appointed by the Doge of Venice to the King of France Henry IV of Navarre. Signed at the end in Latin "Leonardus Octobonus" for the Council of Ten. He later held the post of Grand Chancellor of Venice.<br /> <p><br /> "Marino Gramani Doge of Venice sends greetings and affection to the Most Christian King through our noble and wise faithful and beloved Ambassador Marino di Cavallo." It then references the decision of the Council of Ten the Venetian Governing Body and finishes with "Dated in the Ducal Palace this 4th day of April.1601."<br /> <p><br /> The Doge Marino Gremani antagonized Pope Paul IV by trying two priests under Venetian not canon law to which the Pope responded by placing Venice under Interdict. The Ottoboni were an aristocratic Venetian family which provided Venice with more than one Chancellor and ultimately produced Pope Alexander VIII. Marino de Caballo was also from an aristocratic Venetian family and was a noted physician as well as an Ambassador who believed that the most important aspect of his job was to provide an excellent chef and fine food. Finally Henry IV of Navarre a Huguenot ruler of Navarre as Henry III secured the throne of France by converting to Catholicism: "Paris is worth a Mass." Five years later he signed the Edict of Nantes the landmark drecree granting religious tolerance to Protestants and which helped end the Wars of Religion.<br /> <p>. Ducal Palace unknown
elala5189Venice: 1737. Letter regarding penalties associated with tax arrears accumulated by the community of Asolo. one-page oblong folio. with the doge's lead seal attached with hemp. horizontal & vertical folds. postal marking 'Cito Cito Cito' haste on panel Venice: 1737 unknown
1631222651Lugd. Batavorum Leiden: ex officina Elzeviriana 1631. First Elzevir edition. 2 leaves including engraved title showing the Venetian lion by Claude Duysend 506 pp. 9 leaves Index. With 7 engraved plates most are folding some split at folds. 1 vols. 24mo. Contemporary vellum. Very good. First Elzevir edition. 2 leaves including engraved title showing the Venetian lion by Claude Duysend 506 pp. 9 leaves Index. With 7 engraved plates most are folding some split at folds. 1 vols. 24mo. A Defense of Republicanism. An in-depth study of the institutions of the Venetian republic by this Florentine author first published in 1540 written with the hope of establishing a similar representative form of government in Florence. The "Notes" second part pp. 289-416 are by Niccolò Crasso as well as the final section De forma reipublicae venetae pp. 416-506. Cicogna 1072; Willems 353 with no mention of plates ex officina Elzeviriana unknown books
226458Sur la copie à Paris [Utrecht], Frédéric Léonard [Gijsbert Van Zijll], 1677 2 vol. in-12, [12] ff. n. ch. (titre-frontispice gravé, titre, dédicace à Louvois, préface, privilège), 550 pp. ; 237 pp., [3] pp. n. ch. de table, typographie en petit corps, veau fauve marbré, dos lisses cloisonnés et fleuronnés, armes au centre des premiers plats, pièces de titre et de tomaison cerise et blondes, tranches rouges (rel. du XVIIIe siècle). Mouillures claires au début du volume I.
1991222031991 Photographie, tirage pigmentaire, signée, justifiée EA, 1991, 40 x 30 cm, encadrée.
103766A Paris, chez Firmin Didot, Imprimeur du Roi, 1819, complet en 7 volumes in-8 de 210x130 mm environ, 640, 560, 710, 678, 684, vij-720, 671 pages, demi reliure veau bistre, dos à nerfs portant titres et tomaisons dorés, sur pièces de titre rouge et tomaisons noires, gardes marbrées. Avec 8 planches dépliantes. Quelques erreurs de pagination, coiffes supérieures ébréchées avec début de fentes sur la plupart des volumes, galeries sur certains mors-peaux (tome 3), épidermures, petites rousseurs et pages brunies, déchirure restaurée sur une coiffe (tome 1), sinon bon état. Edition originale.
In-4°grande; cc. (40), mancante antiporta calcografice Nel verso del front. ritr. xilogr. di Lodovico Manin, recante: Ludovico Maninus divi Marci procurator anno MDCCLXIIII. Sul front. calcogr. stemma della famiglia Manin.Testo entro cornici calcografiche iniziali e fregi xilografate. Legatura originale con stemma Maninus
1900235211900 Encre de Chine et lavis sur papier signé en bas à droite, titré en bas à gauche, (1900), 24 x 21 cm.
1985233021985 Pastel, signé en bas à droite et titré "Venezia Monteverdi", 1985, 49,5 x 44,5 cm.
1894233031894 Paris, Editions L.Conquet, 1894, in-8, reliure à la bradel, maroquin rouge à coins, dos à 5 nerfs titré au décor floral, 287 pages, joint catalogue 8 pages in fine, (Baraton Relieur).
1533Ant66441533. Giovani Paulo. The books measure 6"x4" and have 16 pages 415 leaves 680 leaves 38 pages and 618 30 pages they are complete. The books are bound in full calf they are rubbed and there is a loss to the top of the spine of the first volume the hinges are strong and everything is well bound in. The first volume has an owner's bookplate some staining to the title page a little light staining in a few places and a few missing corners but no loss to the text the final leaf has a larger loss but again no loss of text. The second volume title page has marginal losses the first leaf of prelims has a loss; the rest of the text has some marginal worming a few marginal losses and slight yellowing to the outer edges. The final volume has slig unknown
1588100065Couverture rigide. Reliure demi-toile du dix-neuvième siècle. 21 x 15cm.
5244partie méridionale et en Italie partie Septentrionale-Sicile. Deux volumes grand in 8 demi-chagrin rouge à nerfs,titre et caissons dorés,plats percaline rouge,chagrinée.Quadruple filet à froid en encadrement.Premier volume:Faux-titre, frontispice illustré,château Saint Ange,titre avec vignette,524 pages,tranches dorées 23 illustrations hors-texte de ROUARGUES Frères,sous serpentes,dont 5 en couleurs Morizot libraire éditeur 1865,rousseurs plus ou moins fortes habituelles.Deuxième volume mention de nouvelle édition.Faux-titre,VIII,frontispice,titre avec vignette, 535 pages,tranches dorées 23 illustrations hors-texte de ROUARGUES Frères,sous serpentes,dont 6 en couleurs Morizot libraire éditeur sans date,rousseurs plus ou moins fortes habituelles
1682164997La Haye: Moetjens 1682. hardcover. very good. Trad. de l"Italien. Avec un Supplement touchant les Sectes des Caraaites & Samaritains de notre temps. Engraved pictorial half-title cropped close at the bottom edge. 24mo old boards; worn lacks front flyleaf internally near fine. A La Haye: Adrian Moetjens 1682. Very good. Scarce.<br/><br/> Third edition revised & augmented with a second part separately titled: Comparaison des Ceremonies des Juifs et de la discipline de L'Eglise par le Sieur De Simonville 1682.<br/><br/> Moetjens unknown books