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A very attractive copy of the first edition of one of the most important 17th-century French novels. Complete with the final blank Ee2. 12mo. Contemporary calf, spine gilt. Wear to extremities of binding and gilding on spine somewhat abraded, but structurally solid and still attractive. Large margins. Internally bright and fine except for a couple minor spots. Barbier I, 691c; Brunet V, 59; Graesse VI (1), 226; Rothschild III, 2451. Very rare, especially in a contemporary binding.
In-4°; pp. (4), 144, bianca F12; al frontespizio incisione su legno con il leone veneziano; con frontespizio proprio con il medesimo legno seguono da p. 117: “Terminazione degl’illustrissimi ed eccell. deputati ed aggionti alla regolazione del commercio e cinqe savi della mercanzia in proposito delle bollette d’uscida”, p. 131: “Obblighi ed incombenze del ragionato appuntadore nella dogana da mar volgarmente detta nuovo stallaggio; approvati dall’eccell. Senato 1761” dove l’ultimo decreto è datato 1780. Bell’esemplare in cartonato rustico coevo. Ex libris papadopoli. Interessante per la grande quantità di merci elencate tra cui anche “libri a a stampa e vecchi usati”, quadri di pittura antica e nuova”, e le mercanzie provenienti dal Levante, ma anche da Bosnia, Erzegovina, Albania.
18374Recueil de photographies de tableaux, oeuvres d'art, monuments et vues de villes d'Italie en un volume in-quarto (340x265 mm), plein velin ivoire rigide, dos arrondi décoré et doré d'entrelacs de feuilles et fleurs, plats bisautés décorés d'un large encadrement d'entrelacs dorés sur fond rouge vif de style renaissance, lui-même entouré en extérieur et intérieur d'une large roulette décorative dorée et filets rouges et or, titre "Italia" en lettres peintes et décorées en rouge et or, tranches rouges (étiquette du relieur Giulio Giannini. Firenze). 40 feuilles de carton montées sur onglets avec de nombreuses photographies (fin XIXe - début XXe siècle) de tableaux (41), sculptures (12), vues de Venise (16), de Florence (2), Milan et Bellagio. Les 8 derniers feuillets sont occupés par des cartes postales anciennes.
192723697Paris GEORGES BRIFFAUT ÉDITEUR 1927 1 Édition illustrée d'aquarelles originales de Gerda Wegener, gravées sur bois par G. AUBERT et à l'eau-forte en couleurs par André LAMBERT. Paris, Georges Briffaut Éditeur, collection Le Livre du Bibliophile, 1927, broché, couverture rempliée titrée, sous-chemise et étui cartonnés, 164 pages.
Paris, Les Heures Claires, 1969. Grand volume in-folio (28 x 38 cm), en feuilles, sous chemise rempliée et imprimée dans un coffret-emboîtage de toile saumonée. 179 pp-[14 ff n.p] table des chapitres et des illustrations, justification du tirage. Dos de l'emboîtage légèrement effiloché. Recueil de textes d'extraits, en vers ou en prose, de H. de Régnier, Arsène Houssaye, Lord Byron, Tommaso Campanella, Maurice Barrès, J. M de Hérédia, Théophile Gautier, Alfred de Musset, André Chénier, Augut Van Platen, Goethe, Président de Brosses, George Sand, Marcel Proust, Ruskin, François-René de Chateaubriand, Annunzio, Shelley, Delavigne, Mme de Staël, August Brizeux, Serge Bettini, Alfredo Panzini, Stopford Brooke, Arthur Symons, J. J. Rousseau, Ed et Jules de Goncourt, François Vinchant.TIRAGE A 290 A 290 EX N°. Celui-ci un des 55 sur grand vélin de Rives (n° 69) comportant UNE suite sur Rives et accompagné d'une autre suite de 5 double-planches sous portefeuille dans un étui en pleine toile saumonée format in-plano. BEL EXEMPLAIRE.
In-4; antiporta allegorica di Piazzetta incisa su rame+ pp. (8), 87;al frontespizio stemma inciso su rame. perfetta la legatura originale in cartoncino rosa con cornice floreale ai piatti e al centro lo stemma di Antonio Cappello, e al piatto posteriore una “W”. Dedica a Antonio Cappello di Don Iacopo Morelli, custode della pubblica Biblioteca, di cui è anche riportato il saggio “Della cultura della poesia presso li vveneziani. Dissertazione storica” . Ottimo esemplare. Cicogna 2432. Morazzoni p. 266. Lapiccirella 41. Pettoello 482. legatura veneziana venezia venice feste cerimonie ingresso poesia festival book
16054261605 Vinetia [Venise], Domenico Nicolini, 1605. Deux parties en un fort volume petit in-4 plein vélin ivoire, titre manuscrit au dos, [bl.], titre et portrait gravé, (2), 840, (36), 320, (16) pp., [bl.], texte en italien. Petit manque au plat supérieur, quelques feuillets ont été restaurés en marge, infime travail de vers et rousseurs éparses.
1561166501561 Velin monté sur cartons forts, dos à nerfs, titres à l'encre au dos (quelques manques dus à l'usure). 2 vol. in-4, T I : 471ff. (65ff. tables et marque impr.) et TII: (56ff. titre et index), 939pp., Venetiis (Giovanni e Andrea Zenaro) 1561-1566
1970232456Venice 1970. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Fine. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Lovely luminous group of Venetian views lovingly shot and printed by the Russian-born photographer Kessel 1902 - 1995 whose work for LIFE magazine won international acclaim. As he wrote in his book ON ASSIGNMENT: DMITRI KESSEL LIFE PHOTOGRAPHER New York Abrams 1985: "In sun rain fog snow photographing Venice was for me a labor of love "<br /> <br /> The photos include several views of St. Mark's Square including the Basilica a snowy view of the Doge's palace the Campanile vaporettos parked in a canal gondolas floating in the lagoon one of the famous bronze horses undergoing restoration and others. unknown
1970232456Venice 1970. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Fine. Printed circa 1984. Each SIGNED in ink below the image. 1 vols. Each approximately 13 x 9 inches. Venice by Kessel. Lovely luminous group of Venetian views lovingly shot and printed by the Russian-born photographer Kessel 1902 - 1995 whose work for LIFE magazine won international acclaim. As he wrote in his book ON ASSIGNMENT: DMITRI KESSEL LIFE PHOTOGRAPHER New York Abrams 1985: "In sun rain fog snow photographing Venice was for me a labor of love "<br/><br/>The photos include several views of St. Mark's Square including the Basilica a snowy view of the Doge's palace the Campanile vaporettos parked in a canal gondolas floating in the lagoon one of the famous bronze horses undergoing restoration and others. unknown books
In-4, non paginé Edition de luxe au tirage limité à 200 exemplaires numérotés sur vélin de Rives BFK, signés par l'artiste à la justification. Illustré de 30 lithographies originales en 2 tons et en pleine page ainsi que de 15 vignettes d'Yves Brayer. Notre exemplaire est enrichi d'une aquarelle originale signée occupant toute la page de garde. Bel ouvrage.
in-4°. pp. 61 . Cartonato. Bellissimo panegirico del Trevisan al Mocenigo, che ripercorre le imprese navali di Lazzaro Mocenigo, ammiraglio della Repubblica di Venezia, che combattè nella battaglia dei Dardanelli contro i turchi, e a Scio. MarcoTrevisan (1588-1674) viene ricordato anche per il legame omosessuale con Nicolò Barbarigo (1579-1644), l’amicizia “eroica” che fu cantata in diverse opere del tempo.
Quarter leather, 8vo, (12) 244 leaves. Includes dramatic woodcut title border as well as many initial letters. Not in Adams. The last offering of this book at auction was over 10 years ago, when it sold for over 850 Euros. Wear to top of spine, a bit of light foxing, overall a quite nice copy. Very Good Condition (kh-8-8)
162269201622 Giunti, Venetia [Venise], 1622. Un fort volume in-4 relié plein vélin ivoire, dos lisse, auteur manuscrit, tranches mouchetées, [1f.] blanc, page de titre, [38ff.], [1f.] blanc, 376 pages, [1f.] blanc, puis pour la Cronologia ecclesiastica, page de titre, [5ff.], [1f.] blanc, 216 pages et [1f.] blanc. Magnifiques portraits sur bois et lettrines gravées. Réparations anciennes aux premières pages sans manque de texte, mouillures claires, une mouillure plus sombre en tête des premiers feuillets. Bel exemplaire malgré les défauts signalés.
00551327x21 cm non paginé. Belle reliure cartonnée illustrée avec étiquette de titre contrecollée. Couverture conservée. Petit ex-libris armorié sur le premier contre-plat. Très rare ouvrage comportant 9 reproductions de tableaux de Claude Monet (1 fac-similé couleur et 8 phototypies). Les oeuvres reproduites ont été exposées à la Galerie Bernheim-Jeune à Paris du 28 mai au 8 juin 1912. État parfait.
37647Paris, Gonin, 1939. In-4°, non paginé, en feuilles, sous couverture imprimée et étui.
1922143571922 P., Impr. Lapina, 1922, 1 plaquette petit in folio (320 x 210 mm) agrafée et cordon tressé gris, couverture illustrée en couleurs, de (32) pp. Nombreuses illustrations en couleurs.Superbe et en parfait état.
The most beautiful early 21st century evocation of Venice, with 35 ORIGINAL ETCHINGS BY HENRI PAILLARD. Published by Henri BÈraldi's SociÈtÈ des Amis des Livres, among the most exclusive bibliophile societies, in an EDITION LIMITED TO ONLY 100 COPIES, ALL PRINTED ON FINE ARCHES WOVE PAPER. This is copy number 53, printed for AndrÈ Aude. Laid in is a typed note to Aude from Jean Borderel, treasurer-archivist of the SociÈtÈ, signed in ink by Borderel. Large 4to. Loose as issued in original wraps. FINE AND BRIGHT, in the original chemise and (lightly stained) slipcase. Rare.
A SPECTACULAR LIVRE D'ARTISTE FOCUSING LARGELY ON VERSAILLES, with 31 original etchings by Paul Baudier, one of the great book artists of the 20th century. From a total edition of 163 copies, this is ONE OF FIFTEEN COPIES PRINTED ON EXTREMELY FINE ARCHES WOVE PAPER. This copy was PRINTED FOR THE ARTIST and includes two additional suites of the etchings on fine Auvergne laid paper (the first state [with remarque] in black and the final state in bistre), a suite of the four planches refusÈes, and a WONDERFUL PEN AND WATERCOLOR DRAWING, SIGNED AND DATED BY THE ARTIST. Folio. Loose as issued in original wraps, chemise, and slipcase. FINE AND BRIGHT, WITH NO DEFECTS.
18937832Orpington, Allen, 1893. Fifth Edition. 3 Bde. XV, 403; XIV S., 1 Bl., 397 S.; 3 Bll., 352 S., 2 Bll., 135 S. mit einigen Textabb. 53 teils farb. Tafeln. 4°. Lwd. der Zeit mit Rückentitel (bestoßen und berieben).
D14686Ephemera. Very Good. Group of landscape photographs in sepia ca. 19 x 25.2 cm each mounted on black board 23.5 x 30.5 cm all edges gilt showing the Piazza San Marco from various views; the logetta underneath Campanile Sansovino; Basilica di San Marco and the Battisterio; Porta della Carta; Santa Maria della Salute; Santa Barnaba signed O. Nayatot; Scala dei Giganti; the Arsenale; monuments to Titian and Canova; the tombs of Doge Vendramino and Doge Loredano; the Orologio clock; Ponte Rialto; Ponte dei Sospiri; Palazzo Ducale exterior and Sala dei Pregadi Sala del Maggior Consiglio Cortile; Canal Grande with a view of Palazzo Cavalli and Chiesa della Salute numbered 18638 in lower left corner; the Palazzo Reale loggia; Palazzo Vendramin; Palazzo Cavalli/Franchetti; Palazzo Contarini; Palazzo Pesaro; the Palazzo Minelli staircase; the canal between Palazzo Wanaxel and Palazzo Salviati perhaps from a different series; a view of Isola San Lazzaro; and panoramas. <br/><br/> unknown
D14686Ephemera. Very Good. Group of landscape photographs in sepia ca. 19 x 25.2 cm each mounted on black board 23.5 x 30.5 cm all edges gilt showing the Piazza San Marco from various views; the logetta underneath Campanile Sansovino; Basilica di San Marco and the Battisterio; Porta della Carta; Santa Maria della Salute; Santa Barnaba signed O. Nayatot; Scala dei Giganti; the Arsenale; monuments to Titian and Canova; the tombs of Doge Vendramino and Doge Loredano; the Orologio clock; Ponte Rialto; Ponte dei Sospiri; Palazzo Ducale exterior and Sala dei Pregadi Sala del Maggior Consiglio Cortile; Canal Grande with a view of Palazzo Cavalli and Chiesa della Salute numbered 18638 in lower left corner; the Palazzo Reale loggia; Palazzo Vendramin; Palazzo Cavalli/Franchetti; Palazzo Contarini; Palazzo Pesaro; the Palazzo Minelli staircase; the canal between Palazzo Wanaxel and Palazzo Salviati perhaps from a different series; a view of Isola San Lazzaro; and panoramas. <br/><br/> unknown books
15577715Aldus in Venetia, 1557 ; in-8 ; plein vélin ivoire, pièce de titre bordeaux (reliure ancienne) ; 255 ff., le dernier marque d'imprimeur des Alde.
1960219041960 Gouache sur papier canson à grains, signée en bas à gauche, (1960), 45.8 x 32.5 cm.
1920165021920 Pochoir en couleur, signé dans la planche et numéroté, (1920), 34,7 x 44,7 cm.