[Italie]:Livre Rare Book
2 122 résultats
18404550[vers 1840]. In-folio à l'italienne, dos en toile, plats de papier moiré bleu nuit, titre doré au premier plat (coins légèrement frottés).
45x32cm., [26p.] Album de 26 photographies (tirages albuminés) de paysages vénitiens de Carlo Naya, de dimensions 34x26 cm, dont 4 photos en couleurs présentant une forte tonalité bleue, donnant un "effet nuit", et retouchées à l'aquarelle. Tampon de l'atelier sur certaines pages, mais pas sur toutes. Quelque traces d'usure sur la reliure, sinon très bon état.
196951062Paris Les Heures Claires 1969 In-4, en feuilles, couverture imprime (embotage de l'diteur).Cette dition runit des extraits de textes consacrs Venise, crits par Henri de Rgnier, Arsne Houssaye, George Sand et Alfred de Musset, Thophile Gautier, Lord Byron, le prsident de Brosses, Campanella, J.-M. de Heredia, Maurice Barrs, Andr Chnier, Marcel Proust, Stopford Brooke, Arthur Symons, Jean-Jacques Rousseau, madame de Stal, Jean Ruskin, Chateaubriand, Gabriele D'Annunzio, Casimir Delavigne, etc. Elle est illustre par R. W. Thomas de 14 pointes sches originales hors texte en noir, dont 5 sur double page. Tirage limit 290 exemplaires numrots. Un des 9 exemplaires sur japon nacr, comprenant un dessin original d'une illustration hors texte (ayant servi ici pour l'illustration de la page 65), une suite sur papier de Rives de toutes les pointes sches et une suite sur satin des illustrations sur double page (sous chemise toile). Exemplaire enrichi de 2 croquis originaux l'encre indits, signs par l'artiste et monts ensemble sous marie-louise.
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
In-4°, 84pp, frontespizio con marca editoriale e motto In te Domino speravi non confundar in aeternum, capolettera xilografico. Il coinvolgimento del card. Bellarmino nella polemica inerente alla guerra dell’interdetto si evidenzia in questo scritto, in cui il Cardinale confuta le tesi sostenute in due libretti contro il Breve di papa Paolo V sopra la censura. Rari commenti manoscritti al margine della prime carte. In-4°, 84pp, title page with printers mark and motto In te Domino speravi non confundar in aeternum, wood engraved initial. The involvement of card. Bellarmino in the controversy inherent to the guerra dell’interdetto is highlighted in this writing, in which the Cardinal refutes the theses supported in two booklets against the Breve of Pope Paul V on censorship. Rare handwritten comments in the margin of the first leaves.
16470041011647 Venetia [Venise], Presso Antonio Bariletti, 1647. In folio (249 X 355) demi-vélin ivoire, plats de carton souple (reliure de l'époque); (4) ff. (dont titre orné d'une grande vignette gravée), 60 ff.. Ex-libris «DR» [Désiré Ruggieri] dessiné et gravé par Baticle collé sur le premier contreplat.
19476464Paris, Éditions Textes Prétextes, 1947. In-4 de 76-[16]p., en feuilles, couverture illustrée en couleurs, bel étui de papier bleuté, avec le nom de l'éditeur estampé en blanc, formant une composition sur le premier plat du dit étui. Exemplaire très propre.
8380Vista panoramica di Venezia.Gouache sur trait gravé,avec rehauts de gomme.L’auteur serait P. MAJOOCHI,et la gravure de Francesco CITTERIO. Chez Vallardi éditeur à Milan,vers 1850.1075x425mm y compris son cadre doré, d’époque.880x230mm hors marges. Très bon état.Le cadre n’a jamais été démonté,ce qui explique ces quelques traces de poussière sur le verre. Coloris frais. La vue de Venise est centrée sur la piazza San Marco, la tour du Campanile bissectrice de la composition avec le port sur la droite. Antonio VALLARDI est une maison d’édition italienne basée à Milan. Fondée en 1750 par Francesco Cesar VALLARDI
27513petit IN 4 plein veau raciné époque XVIIIe siécle, sd, dos titré,à caissons dorés, MANUSCRIT ancien, pagination par double page, paginé 1 à 136 feuillets ,soit 271 pages manuscrites ,bien lisible,complet, premier plat orné d'un motif géometrique ?; bon etat.Petits manques à la coiffe et queue.
193428296<p>LONDON PRIVATELY PRINTED 1934. Hardback NODJ 1934 1ST LIMITED EDITION 200 COPIES Small Thin PURPLE BURGUNDY CLOTH WITH GOLD CREST MONGRAM ON FRONT Here is a near fine copy of The Enchanted by MDIVANI Barbara née Hutton. . NEAR FINE in burgundy hardback with GOLD gilt edges and a gilt monogram on the front cover. The book is signed "Barbara" and dated August 21 1934 - in Venice. I cannot make out the first two lines of the dedication but it appears to be "To dear Princess Jane 6 words I cannot make out and her signature and date below. - There are two small light spots on the front cover - all inside is like new 100 pgs One of the poems was read by Cliff Robertson at her funeral forty-five years later. The first volume of poetry written by the Woolworth heiress shortly before her twenty-second birthday. At the time she was married to the playboy Alexis Mdivani the first of several failed marriages. The first volume of poetry written by the Woolworth heiress shortly before her twenty-second birthday. At the time she was married to the playboy Alexis Mdivani the first of several failed marriages. Rex Whistler contributed an attractive title page to the volume in which he included small contrasting landscapes of New York Bali Peking and Venice. . Signed by Author. 1st Edition. Hard Cover. Very Good/No Jacket.</p> LONDON PRIVATELY PRINTED hardcover
196759059Venice Italy: Alfieri Edizioni D'Arte. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian with sections on artists in English French and German. 164 pp. With 105 ills. 3 col. . 23 x 24 cm. -- with a bonus offer-- . Alfieri Edizioni D'Arte paperback
196158611Venice Italy: Neri Pozza Editore. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 222 pp. With 128 ills. 22 x 16 cm. -- with a bonus offer-- . Neri Pozza Editore paperback
196858883Venice Italy: Palazzo Della Biennale. As New. 1968. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 400 pp. With 196 ills. 23 x 16 cm. -- with a bonus offer-- . Palazzo Della Biennale paperback
196458610Venice Italy: Neri Pozza Editore. As New. 1964. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 214 pp. With 120 ills. 20 x 15 cm. -- with a bonus offer-- . Neri Pozza Editore paperback
196458477Venice Italy: Neri Pozza Editore. As New. 1964. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Italian. 94 pp. With 127 ills. 22 x 15 cm. -- with a bonus offer-- . Neri Pozza Editore unknown
200529755Venezia / Venice: Sotheby's. New. 2005. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . Sotheby's paperback
26 vols., 8vo., First Edition; cloth, gilt backs, a near fine run in unclipped dustwrapper. The set comprises: Death at La Fenice (SIGNED BY THE AUTHOR ON TITLE) (Chapmans, 1992); Death in a Strange Country (Chapmans, 1993); The Anonymous Venetian (Macmillan, 1994); A Venetian Reckoning (Macmillan, 1995); Acqua Alta (Macmillan, 1996); The Death of Faith (Macmillan, 1997); A Noble Radiance (Heinemann, 1998); Fatal Remedies (Heinemann, 1999); Friends in High Places (Heinemann, 2000); A Sea of Troubles (Heinemann, 2001); Wilful Behaviour (Heinemann, 2002); Uniform Justice (Heinemann, 2003); Doctored Evidence (Heinemann, 2004); Blood from a Stone (Heinemann, 2005); Through a Glass Darkly (Heinemann, 2006); Suffer the Little Children (Heinemann, 2007); The Girl of his Dreams (Heinemann,2008); About Face (Heinemann, 2009); A Question of Belief (Heinemann, 2010); Drawing Conclusions (Heinemann, 2011); Beastly Things (Heinemann, 2012); The Golden Egg (Heinemann, 2013); By its Cover (Heinemann, 2014); Falling in Love (Heinemann, 2015); The Waters of Eternal Youth (Heinemann, 2016; SIGNED BY THE AUTHOR ON TITLE); Earthly Remains (Heinemann, 2017; SIGNED BY THE AUTHOR ON TITLE). A SPLENDID RUN, COMPLETE TO DATE, WITH THE FIRST AND MOST ELUSIVE VOLUME (TOGETHER WITH TWO OTHERS) SIGNED BY LEON ON TITLE.
1729ST16379-042Venezia Venice: Appresso Carlo Buonarrigo 1729. FIRST EDITION. 155 x 105 mm. 6 1/8 x 4 1/8. 1 p.l. extra engraved title 122 pp. <br/> Original cream-colored wrapper of heavy paper silk ribbon stitching remnants of old shelf label at foot of spine. Extra engraved title page depicting the Bucinotoro in all its glory surmounted by the Lion of St. Mark emblem of Venice. Front pastedown with bookplate of the duke of Arenberg Castle Nordkirchen. Cicognara 4369. Binding lightly soiled front pastedown lifting occasional faint yellowing to margins other trivial imperfections but still A VERY FINE COPY--clean bright and especially fresh in its remarkably well-preserved fragile binding.<br/> <br/> This is a detailed account of the magnificent Bucintoro—a ceremonial ship used in the annual ritual in which the Doge of Venice was symbolically wedded to the sea— unveiled in 1729. The city known as La Serenissima had long been a major port for trade between Europe and points East and the people honored the role played by the Mediterranean Sea in the Republic's prosperity. Beginning in 1311 the head of state sailed forth each year on Ascension Day to be "married" to the sea aboard a boat called the Bucintoro. The wooden ship was restored or rebuilt from time to time through the centuries and in 1719 the Venetian Senate commissioned a brand new vessel to be richly ornamented and even bedecked with gold. <br /> <br /> Our volume describes the process by which the finest artists and artisans of the day--from shipbuilders to sculptors and painters--created the largest and most lavish Bucintoro in history. The engraved title page shows the stately craft in full rig banners flying as Doge Alvise Mocenigo is rowed out to meet his marine bride. Cicognara notes the volume's value in preserving for posteriority these memories of Italian greatness--and that greatness lasted only a relatively short time because after the fall of the Venetian Republic in 1797 Napoleon had the Bucintoro stripped of its finery. The denuded and humiliated ship was then used by the Austrian navy until 1824 sailing under the name "Hydra."<br /> <br /> The presence of a binding identical to ours on several copies in sales records suggests that these may have been the publisher's original wrappers which have weathered the years surprisingly well. The text here is deeply impressed on thick paper upholding the fine tradition of Venetian printing. Appresso Carlo Buonarrigo unknown
17971504061797. ZANETTI Anton Maria and Marco BOSCHINI. Della pittura veneziana trattato in cui osservasi l'ordine del Busching e si conserva la dottrina e le definizioni del Zanetti. Two volumes. viii 145 i.e. 245 3 including final blank pp.; 256 i.e. 272 pp. Each volume illustrated with an engraved frontispiece. 8vo. 165 x 110 mm bound alike in contemporary paste paper decorated with red flowers against a striped ground later glassine wrappers. Venice: Presso Francesco Tosi 1797. First Edition based on Boschini's Le Minere della pittura 1664 and Zanetti's Della Pittura Veneziana 1771 with additions by the publisher Tosi. Both Boschini and Zanetti were of fundamental importance to the history of art in Venice. Schlosser-Magnino calls Boschini's guide "the first true artistic guide to Venice" and Zanetti's inventory of Venetian painting "one of the best in its genre" p. 548. This handy set combines their work into a comprehensive practical guide to monuments of Venetian art and architecture including a final section Istoria della Pittura Veniziana sic with biographies of artists; and an addition made in 1797 identifying paintings that were transported out of Venice by military force the same year. Marco Boschini 1613-1678 was a Venetian painter engraver and art dealer whose most important client Cardinal Leopoldo de' Medici commissioned him to purchase Venetian paintings for the Medici collection. Zanetti 1706-1778 was the librarian to the famed Marciana Library in Venice for forty years and his familiarity with the art and artists of his city and his access to library records helped to produce his remarkable books. On Zanetti's guide Cicognara adds: "This is the best of the works which deal with Venetian painting and if every principal city possessed a book so arranged and executed we should have gathered together the materials for the best general history of art". Fossati-Bellani 2339. Cicogna 4661. Schlosser-Magnino pp. 548-549. Cicognara 2412 Zanetti & 4350 Boschini. unknown books
15406505Venetia (Venezia), Marchia Sessa, 1540 ; in-8 ; plein vélin vieil ivoire (reliure de l'époque) ; (32) ff., 224 ff., le dernier verso blanc ; grand bois gravé (88 x 78 mm) en page de titre représentant Sainte Catherine recevant les stigmates et marque d'imprimeur à la suite du collophon, achevé d'imprimer du 29 avril 1540, date anniversaire de la mort de la Sainte (29 avril 1380).
186121393Lyon, Imprimerie de Louis Perrin, 1861 ; in-4° oblong (270 x 360 mm), demie-percaline vert-foncé à coins, dos lisse à faux nerfs dorés, fleurons et titre dorés (reliure de l’époque) ; [3] ff. (Faux-titre, Titre illustré gravé par I. Séon, dédicace à Auguste Caristie), 15 planches gravées par Dubouchet (9), I. Séon (5) et Thomassin (1), comportant chacune une serpente légendée d’un feuillet ; [1] f. de Table.
In-4°, (2cc), Clemens papae V. Monitorium, & declaratio excommunicationis, interdicti, & aliarum poenarum ecclesiasticarum contra Venetos ... 12cc; Sixti papae IV. Declaratio & promulgatio excommunicationis, interdicti, & aliarum censurarum contra Venetos ...(10cc); Iulii papae II. Monitorium, & declaratio excommunicationis, interdicti, & aliarum censurarum ecclesiasticarum contra Venetos ...(10cc) + Mandata Reipub. Venetae ad concordandum cum Iulio II (8cc)+ Absolutio Venetorum ab excommunicatione & anathemate per Iulium II (2cc) La ripresa dell'economia veneziana fu accompagnata, negli anni a cavallo tra Cinquecento e Seicento, dalla ricerca di un'autonomia dalla Spagna e dal papato. La ricerca dell'autonomia – che spinse Venezia a stabilire accordi diplomatici con i principi protestanti, con l'Inghilterra e la Francia di Enrico IV – condusse la Repubblica a crescenti tensioni e poi allo scontro con la chiesa romana, guidata all'epoca da papa Paolo V. La fase più acuta della contrapposizione si verificò con la vicenda dell'"interdetto" (1606-1607). In questa occasione, Venezia non si piegò alle richieste del papa di abrogare alcune leggi che regolavano la proprietà ecclesiastica nel territorio della Repubblica, rifiutandosi anche di consegnare due sacerdoti veneziani, accusati di delitti comuni, che l'autorità religiosa pretendeva di giudicare secondo i propri codici e di sottrarre così alla giurisdizione civile. Di fronte all'"interdetto", cioè alla scomunica comminatale da Roma, la Serenissima reagì con vigore: furono tra l'altro espulsi da Venezia i gesuiti, il potente ordine religioso identificato come strumento delle interferenze papali nella vita della Repubblica. Dopo una fase di tensioni crescenti, in cui Venezia ottenne l'appoggio degli stati protestanti, la vicenda si avviò alla sua conclusione grazie a un compromesso, favorito dal re di Francia. The recovery of the Venetian economy was accompanied, in the years between the sixteenth and seventeenth centuries, by the search for autonomy from Spain and the papacy. The search for autonomy - which led Venice to establish diplomatic agreements with the Protestant princes, with England and the France of Henry IV - led the Republic to growing tensions and then to the clash with the Roman church, led at the time by Pope Paul V. The most acute phase of the opposition occurred with the "interdetto" (1606-1607). On this occasion, Venice did not bow to the pope's requests to repeal some laws that regulated ecclesiastical property in the territory of the Republic, also refusing to hand over two Venetian priests, accused of common crimes, which the religious authority claimed to judge according to their own codes and thus remove from civil jurisdiction. Faced with the "interdict", that is the excommunication imposed by Rome, the Serenissima reacted vigorously: among other things, the Jesuits, the powerful religious order identified as an instrument of papal interference in the life of the Republic, were expelled from Venice. After a phase of growing tensions, in which Venice obtained the support of the Protestant states, the affair was drawn to its conclusion thanks to a compromise, favored by the King of France.
In-4°, 48pp, frontespizio con marca editoriale e motto In te Domino speravi non confundar in aeternum, capolettera xilografico. Lo scritto di Bernardo Giusti si inserisce nella polemica seguita alla cosiddetta ‘guerra dell’interdetto’, in cui Venezia non si piegò alle richieste del papa di abrogare alcune leggi che regolavano la proprietà ecclesiastica nel territorio della Repubblica, rifiutandosi anche di consegnare due sacerdoti veneziani, accusati di delitti comuni, che l'autorità religiosa pretendeva di giudicare secondo i propri codici e di sottrarre così alla giurisdizione civile. Bernardo Giusti condanna i sostenitori dell’indipendenza veneziana equiparandoli a Wycliff e Marsilio da Padova. In-4 °, 48pp, title page with printers mark and motto In te Domino speravi non confundar in aeternum, wood engraved initial. Bernardo Giusti's writing is part of the controversy following the so-called 'guerra dell’interdetto', in which Venice did not bow to the pope's requests to repeal some laws that regulated ecclesiastical property in the territory of the Republic, also refusing to hand over two Venetian priests , accused of common crimes, which the religious authority claimed to judge according to their own codes and thus to remove from civil jurisdiction. Bernardo Giusti condemns the supporters of Venetian independence comparing them with Wycliff and Marsilio of Padua.
In-8°; pp. (8), 312, 11 tavole; pp. 408 (piccoli fori di tarlo alle ultime carte), tavole 7. Piccola marginale integrazione alle prime due carte del tomo primo e alla prima del secondo. LEgature in cartonato coevo, dorso restaurato al secondo volume. Completo delle 18 tavole fuori testo incise su rame, alcune più volte ripiegate.
1540003398Gaetano, in Venetia In-12 (15,5 x 11 cm), 1 bl., titre avec encadrement, 2 ff., 4 ff., 1 bl., 87 ff. numérotés, 1 bl., reliure demi-vélin crème, titre manuscrit au dos (reliure ancienne).
