Johnson, VeniceBiblio.com
287 résultats
G14Q-00381Simon & Schuster. Used - Good. Good condition. Acceptable dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Simon & Schuster unknown
1997Q-0684825422Touchstone 1997-02-05. Paperback. New. New. In shrink wrap. Looks like an interesting title! Touchstone paperback
1995Q-0811811131Chronicle Books 1995-12-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Chronicle Books hardcover
2025SKU1745131Countryman Press 2025-03-25. hardcover. New. 8x0x10. New Book Ships with Tracking Countryman Press hardcover
1997021659Italy: Charta. English text. A beautifully clean crisp hardcover copy in near fine condition; faintly rubbed. No DJ. NOTE: Oversize volume; standard domestic U.S. shipping only. . Near Fine. Hardcover. 1997. Charta hardcover
18-4419Venice California: L.A. Louver 2014. 4to. 52 pp. Soft color pictorial wraps. Near Fine. Color plates. Black and white photographic endpapers. Features works by Ed Kienholz and essays by David Anfam Tom Preiss Rich Post and Nancy Reddin Kienholz. Created on occasion of exhibition at L.A. Louver in Venice CA from March 13 through April 26 2014.From the Collection of the Art Historian Peter Selz. Venice, California: L.A. Louver, 2014. paperback
18-5008Venice CA: L. A. Louver 2016. . 4to. 82 pp. Stiff white and color pictorial wraps with white and silver titling. Good with creasing along corners. Printed vellum front endpaper. Color plates. Silver title page. Includes a foreword by Lisa Jenn and Peter Goulds. Catalogue created on occasion of exhibition “Kienholz: Televisions†at L. A. Louver in Venice CA from 24 February through 2 April 2016. L.A. From the Collection of the Art Historian Peter Selz. Venice, CA: L. A. Louver, 2016. paperback
18-7907Venice CA: L. A. Louver Gallery 1984. . Exhibition brochure. 8vo. Oblong. 6 pp. Single stiff green and color illustrated sheet folded into thirds. Very good with marginal edgewear along crease lines. 1 color plate and 1 black and white plate. Brochure created to announce the exhibition and and its catalogue “Leon Kassof: Recent Work†held from November 15 through December 15 1984 at L.A. Louver in Venice CA. Scarce.From the Collection of the Art Historian Peter Selz. Venice, CA: L. A. Louver Gallery, 1984. unknown
18-4657Venice Italy: Gallerie Michela Rizzo 2006. . Exhibition brochure. Folio. 8 pp. Stiff glossy color illustrated single-sheet folded into fourths. Very good with marginal rubbings along fold creases. Color plates. Includes texts by Barbara Pollack and Martina Cavallarin. Brochure created to announce exhibition at the Gallerie Michael Rizzo in Venice Italy from September 8 through October 31 2006 in association with Thetis SpA Venice. In English ed in Italiano. From the Collection of the Art Historian Peter Selz. Venice, Italy: Gallerie Michela Rizzo, 2006. unknown
19952090502113715935Not Available 1995. Soft Cover. Fine. The book is in fine condition. Not Available paperback
196294621Venezia 1962. Very Good. Narrow folded four-page menus. 35 x 33 cm. when unfolded. Some modest wear including a later horizontal fold and a couple of small food/drink stains. Artist print image covers front and back cover of menu. The printed menu occupies the two interior pages. unknown
1981mon0000574434Roxford Books 1981-11-01. Paperback. Acceptable. 2.5980 in x 27.9787 in x 22.9825 in. Ex-library book usual marking. Clean copy in good condition. Some marking due to age on pages but overall book remains in good condition considering age. With Dust Cover. Roxford Books paperback
198110197Douala: Elf Serepca Cameroun 1981. First Edition; First Printing. Softcover. Book condition is Very Good in wraps. Text is clean and unmarked illustrated throughout. ; 11.02 X 9.06 X 1.02 inches; 192 pages. Elf Serepca Cameroun unknown
0907129013.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
34797Hertingfordbury: Roxford Books 1981 4to. 192pp. 278 plates and illustrations 70 coloured 3 maps biblio. dw. With english and french text. "In this book the various Cameroonian weaving traditions and the cloths which they have produced are examined in detail on the basis both of research in the field and of the examination of museum collections and photographic archives outside Cameroon." A signed presentation copy from the authors a very nice copy of the first edition in the publisher's cloth with the dust-wrapper. We have been selling antiquarian books on Africa Oceania archaeology anthropology travel and the ancient world for over forty years. All our books are carefully catalogued and they are in excellent condition unless stated in the description. All shipments are fully insured at our expense. All books are carefully packaged in new packaging material and despatched by registered or recorded mail or by a courier service; the customer is always able to track their shipment. All sales are accompanied by a VAT invoice. Photographs may be supplied if requested.L hardcover
1980318517Hertingfordbury: Roxford 1980. hardcover. fine/very good. Hundreds of illustrations many in color. 276 pages 4to brown cloth d.w.; minor wear at foot of dust wrapper spine. Hertingfordbury: Roxford 1980. A fine copy in a very good dust wrapper.<br/> <br/> Roxford unknown
198021152181980. Lagos: The Shell Petroleum Development Company of Nigeria Limited. 1980. 4to. Original cloth with illustrated dust-wrapper and with the rare original slip-case; pp. 276 highly illustrated throughout near-fine.Scarce first edition of this well-researched and beautifully illustrated study of traditional textile design and production cultural significance and as tribal marks. Good index and bibliography at the end. hardcover
1973mon0000237471Halifax Museums 1973-01-01. Unknown Binding. Good. in x in x in. NOT an ex-library book. Clean copy in good condition. Halifax Museums unknown
2022x-0253061903Indiana Univ Pr 2022. Hardcover. New. 368 pages. 9.00x6.00x0.94 inches. Indiana Univ Pr hardcover
2022x-0253061911Indiana Univ Pr 2022. Paperback. New. 368 pages. 9.00x6.00x0.77 inches. Indiana Univ Pr paperback
3659467952.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1892041917Chicago: A. C. Mcclurg 1892. 1st Edition 1st Printing. Hardcover. Good. Vii 450 Pp. Blue Cloth Gilt. First Edition With 1892 Date On Title Page. Cover Gilt Bright Spine Gilt With Some Wear. The Binding Is Worn Completely Frayed Across Both Ends Of The Spine Tips With Small Frays Front Hinge Tight; Rear Hinge Cracked With Thin Line Of Exposure Of Webbing. Inscribed "Ariana R W Curtis / Palazzo Barbaro / Venice/ From The Author" And With Latimer's Handwritten Summary Of Her Writings To 1892 Tipped On To The Rear Free Endpaper. The Palazzi Barbaro Are A Pair Of Adjoining Palaces Formerly One Of The Homes Of The Patrician Barbaro Family On The Grand Canal Of Venice. It Is One Of The Least Altered Of The Gothic Palaces Of Venice.The First Of The Two Palaces Is In The Venetian Gothic Style And Was Built In 1425 By Giovanni Bon One Of Venice's Master Stonemasons. While The Palazzo Remained The Barbaro Family'S Property They Did Not Always Live There. In 1499 It Served As The French Embassy To The Republic Of Venice. In 1524 Isabella D'Este Widow Of Francesco Ii Gonzaga Marquess Of Mantua And The Sister Of Alfonso I D'este Was Living At The Palazzo Barbaro. In 1797 The Palazzi Belonged To Senator Zuanne Barbaro. After The Barbaro Family Died Out In The Middle Of The 19Th Century The Palazzo Was Bought By A Series Of Speculators Who Auctioned Off Furniture And Paintings. In 1881 The Older Palazzo Was Rented By Daniel Sargent Curtis 1825-1908 A Relative Of The American Painter John Singer Sargent And His Wife Ariana Randolph Wormeley 1833-1922 Who Purchased It In 1885. The Curtises Begun A Thorough Restoration And Kept The Palace With Love And Dedication Bringing It Back To Social And Cultural Life And Making It The Meeting Place For Some Cosmopolitan Americans And Others With Visits From Sargent Ariana'S Sisters The Translator Katherine Prescott Wormeley And The Prolific Authoress And Translator Elizabeth Wormeley Latimer Their Son The Artist Ralph Wormeley Curtis Henry James Whistler Robert Browning And Claude Monet. Other Members Of The "Barbaro Circle" Included Bernard Berenson William Merritt Chase Isabella Stewart Gardner Edith Wharton And Charles Eliot Norton. Henry James Finished The Aspern Papers At A Desk That Is Still Housed In The Palace Today; James Considered The Barbaro Ballroom The Finest Example Of A Venetian Baroque Interior And Included A Description In His Novel The Wings Of The Dove And A Scene From The Recent Movie Was Filmed There. In 1898 John Singer Sargent Painted A Group Portrait Of The Curtis Family In The Salon Titled "An Interior In Venice". Isabella Stewart Gardner An Art Collector And The Foremost Patron Of The Arts In Her Time Had Her Portrait Painted At The Barbaro By Anders Zorn In 1894; She Fell In Love With It Renting It Several Times From 1890 When The Curtis' Were Traveling And When She Went Back To Boston She Built Her "Venetian Palazzo" An Interpretation Of The Renaissance Palaces Of Venice. <br/> <br/> A. C. Mcclurg hardcover
20221793606706Lexington Books 2022. New/New. <p><strong>Author:</strong> LaToya Jefferson-James Venise Nichole Adjibodou Cynthia Davis Shahara'Tova Dente Ebony Gibson Lana N. Lockhart Carissa McCray Michael C. Montesano Georgene Bess Montgomery Linda Jummai Mustafa Anna Schmidt R. Nicole Smith RaShell R. Smith-Spears Jasmine Wade Nagueyalti Warren Marta Werbanowska</p><p><strong>Publisher:</strong> Lexington Books</p><p><strong>ISBN:</strong> 9781793606709</p><p><strong>Release Date:</strong> 2022</p><p><strong>Languages:</strong> English</p><p><strong>Binding:</strong> Hardcover</p><p><strong>Number Of Pages:</strong> 342</p><p><strong>Details:</strong> New Criticism and Pedagogical Directions for Contemporary Black Women Writers is a collection of critical and pedagogical essays that shed new light on the creative depths of Black women writers. On the one hand some Black women writers have been heavily anthologized they have more often than not been restricted by critical metanarratives. Some of their works have been lionized while others remain neglected. On the other hand some Black women writers have been ignored and understudied. This collection corrects the gaps in our critical thinking about Black women writers by introducing them to a new generation of undergraduate and graduate students and by presenting pedagogical essays to our colleagues currently working in the field. Editorial Reviews Review “New Criticism and Pedagogical Directions for Contemporary Black Women Writers is an excellent collection of essays that aims at increasing awareness of Black womanhood through scholarly analyses and pedagogical practices. It discusses the issues of Black feminism in contemporary societies including Black women’s voices status rights experience exploitation and struggle demonstrated in literary works by such noted writers as Toni Morrison Alice Walker Sonia Sanchez and Chimamanda Ngozi Adichie. It is also a mindful echo of Blackness emphasized in the Black Arts Movement. This book explores the strategies of teaching Black women writers by understanding their literary expressions and their ways of thinking throbbing with the trials and tribulations of their fight for freedom dream and human rights.†―John Zheng editor of Sonia Sanchez's ""Poetic Spirit through Haiku and The Other World of Richard Wright"" About the Author CYNTHIA DAVIS is professor of English at San Jacinto College in Houston Texas where she</p> Lexington Books hardcover
2026x-1009600532Cambridge University Press 2026. Hardcover. New. 282 pages. 6.00x0.69x9.00 inches. Cambridge University Press hardcover
50256733-nnew. unknown
