Berry, Venise TBiblio.com
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2020__1433172895Peter Lang Publishing Inc 2020. Hardcover. New. 159 pages. 9.00x6.00x0.75 inches. Peter Lang Publishing Inc hardcover
E22N-01768Berkley. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Berkley unknown
18-4110New York NY & Venice CA: Louver Gallery New York & L.A. Louver 1991. . 4to. 80 pp. Stiff green wraps with white lettering and French folds. Good with marginal edgewear. Color plates. Includes text by Dan Cameron. Catalogue created on occasion of exhibition “Tony Bevan†at Louver Gallery New York’s exhibition “Tony Bevan: April 27 - May 25 1991.†From the Collection of the Art Historian Peter Selz. New York, NY & Venice, CA: Louver Gallery New York & L.A. Louver, 1991. paperback
0847803562New. paperback. New. Satisfaction Guaranteed or your money back. paperback
0847803562.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1980134026Rizzoli. Very Good. 1980. Soft Cover. 0847803562 M436 . Rizzoli paperback
1018329862.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0875162967New. New. Satisfaction Guaranteed or your money back. unknown
2008Q-9650060243BN Publishing 2008-07-17. Hardcover. New. In shrink wrap. Looks like an interesting title! BN Publishing hardcover
2006Q-1401907989Hay House 2006-03-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Hay House hardcover
2012Q-1612034322Bottom of the Hill Publishing 2012-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Bottom of the Hill Publishing paperback
18-4523Venica CA: L.A. Louver 1986. . Exhibition brochure. 8vo. 6 pp. Single sheet folded into thirds. Very good. 3 color plates. Includes artist chronology. Brochure created to announce exhibition “David Bomberg: A Survey of Paintings and Drawings†at L.A. Louver Gallery in Venice CA from March 4 through March 29 1986. Scarce. From the Collection of the Art Historian Peter Selz. Venica, CA: L.A. Louver, 1986. unknown
1462729118.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004Q-0738520993Arcadia Publishing 2004-07-13. Paperback. New. New. In shrink wrap. Looks like an interesting title! Arcadia Publishing paperback
Abildgaard, Dorthe and SaIn Pristine Condition. unknown
GRAP0315-1691. Radierung Platte: 296 x 483 cm Blattgr.: 37 x 497 cm mit 2 Bugfalten. Noël Cochin 1622-95 schuf den Kupferstich nach Veroneses Gemälde. Eine von 22 Abbildungen gezeichnet und gestochen von N.C. Cochin für das 1691 in Padua erschienene kunsthistorische Galeriewerk von Carola Patina 'Tabellae selectae ac explicatae' .- Graesse V167; Thieme/B. VII140. -1691 unknown
GRAP0314-1691. Radierung Platte: 304 x 542 cm Blattgr.: 332 x 569 cm mit 3 Bugfalten eine davon unterlegt. Noel Cochin 1622-95 schuf die Radierung der reuigen Magdalena nach Veroneses Darstellung. Eine von 22 Abbildungen gezeichnet und gestochen von N.C. Cochin für das 1691 in Padua erschienene kunsthistorische Galeriewerk von Carola Patina 'Tabellae selectae ac explicatae' .- Graesse V167; Thieme/B. VII140. -1691 unknown
1019668970.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
14200123<p>This exquisite miniature is by Cristoforo Cortese the most accomplished Venetian illuminator of the early fifteenth century. Executed during the formative stage of his career it once formed part of a sumptuous Camaldolese Gradual. The bearded prophet set within an initial I is rendered with Cortese's hallmark precision: expressive features painted with delicate strokes highlighted with red-rimmed haloes and radiant yellow tones. These qualities firmly align the work with Cortese's early output before 1420.</p><p>The stylistic vocabulary recalls both Florentine models and Venetian innovations. Cortese clearly drew upon the influence of Don Silvestro dei Gherarducci whose Choir Books for San Michele in Murano 1392–1399 provided prototypes for half-length prophet figures. Yet Cortese's interpretation more vibrant and emotive shows the confident individuality that would earn him recognition as the pioneer of Venetian Renaissance illumination.</p><p>The palette dominated by blues reds and yellows closely parallels related cuttings: a Bust Portrait of a Bearded Man in the Getty's Compendium moralium notabilium MS Ludwig XIV 8 f. 34v; a Saint John the Evangelist in the Victoria and Albert Museum inv. D.637B-1894; and the Entry into Jerusalem at the Fitzwilliam Museum Cambridge Marlay Cutting It. 20. The square notation on the verso written on four-line red staves rastrum 25 mm confirms its liturgical function as part of a choirbook used in monastic chant.</p><p>Provenance:<br />1. USA private collection early 20th Century framing tag S.Schwartz picture frames 128 W 42nd Street New York with a note pasted in the back of the frame "This fragment is old German. The miniature is a perfect work of art. Age no less 500 years.".</p><p>Sister Leaves Known To Exist In:<br />Victoria and Albert Museum Saint Peter initial "C";<br />Free Library of Philadelphia Saints with initials "G" and "S";<br />Additional leaves include the Apostle initial "T" and Standing Saint initial "E" formerly F. G. Zeileis collection sold at Sotheby's;<br />Cambridge Fitzwilliam Museum Entry into Jerusalem initial "D";<br />Museo Civico Medievale Bologna a prophet initial "C";<br />Softer sales—e.g. Prophet initial "V" Sotheby"s; Robert Lehman Collection;<br />Les Enluminures Paris Bearded Bishop initial "S"; Prophet and St. Paul.</p><p>Literature:<br />F. Todini in Una collezione di miniature Italiane vol. II 1994 no. VII;<br />M. Bollati Dalla Bibbia di Corradino a Jacopo della Quercia in Duecento 1997 pp. 128-29;<br />G. Freuler Tendencies of Gothic in Florence: Don Silvestro dei Gherarducci Corpus of Florentine Painting IV.7.2 1997;<br />G. Zeileis Più ridon le carte 2009 no. 11;<br />S. Panayotova "Cristoforo Cortese in Cambridge" in Miniatura. Lo sguardo e la parola 2012 pp. 186-89.</p> Illuminated Gradual on parchment
75-7427Venice: Danish Pavillion The Venice Biennale 1984. 8vo. Oblong Soft Cover ca. 40 pp. B&W and Color Plates Very Good with Creasing Age Toning Sunning Abrasions. Venice: Danish Pavillion, The Venice Biennale 1984 paperback
24797034-nnew. unknown
1023951797.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50644871like new. unknown
18-4126Venice CA: L.A. Louver Gallery 2001. . Exhibition brochure. 12mo. 4 pp. Single glossy color illustrated card stock folded into half. Good with marginal rubbings and creasing. Includes 1 color plate. Announcement created on occasion of exhibition “Mark di Suvero†at L.A Louver in Venice CA from October 19 through November 24 2001.From the Collection of the Art Historian Peter Selz. Venice, CA: L.A. Louver Gallery, 2001. unknown
18-7726Venice CA: L. A. Louver 1985. . Exhibition brochure. 8vo. 4 pp. Soft white and color illustrated sheet folded into half. Good with marginal creasing along bottom of crease. 1 black and white plate and 1 color plate.Brochure created to announce the exhibition “Jim Dine: A Survey of Graphic Work 1969-1984†held from April 9 through May 4 1985 at L. A. Louver in Venice CA. Scarce. From the Collection of the Art Historian Peter Selz. Venice, CA: L. A. Louver, 1985. unknown
