ZucoliAntiquariat.de
744 résultats
1820772CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von A. Angeli. Bildgrösse: 15 x 20,5 cm. Blattgrösse: 18,2 x 24,3 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820770CGMilano, nel Negozio di Stampe Soperto de Figini al No. 4074., (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15,3 x 21 cm. Blattgrösse: 18,4 x 24,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820771CGMilano, nel Negozio di Stampe sotto il Coperto de Figini N. 4074, (um 1820). Altkolorierte Aquatina von Landini. Bildgrösse: 15 x 20,7 cm. Blattgrösse: 18,4 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
1820773CGMilano, nel Negozio di Stampe sotto il Coperto de Figini al N. 4074, (um 1820). Altkolorierte Aquatina von D. Landini. Bildgrösse: 15,2 x 21 cm. Blattgrösse: 19 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Bild
in-16, 626 pp, chronologie, bibliographie, broche, couv. illustree. Tres bel exemplaire, tres frais. [FM-1]
in-4 (33X28 cm), 143 pages, nombreuses illustrations en couleurs, cartonnage + jaquette illustree.- ISBN 2724257472 Bel exemplaire. [P-37]
Udine, Magnus Edizioni - P., Editions Mengès, 1989. Volumineux in-4 relié toile noire sous jaquette illustrée avec etui également illustré, 538 pp. Richement illustré. Etui insolé sur une petite fine bande sinon TB état
17971504061797. ZANETTI Anton Maria and Marco BOSCHINI. Della pittura veneziana trattato in cui osservasi l'ordine del Busching e si conserva la dottrina e le definizioni del Zanetti. Two volumes. viii 145 i.e. 245 3 including final blank pp.; 256 i.e. 272 pp. each volume illustrated with an engraved frontispiece. 8vo 165 x 110 mm. bound alike in contemporary paste paper decorated with red flowers against a striped ground later glassine wrappers. Venice: Presso Francesco Tosi 1797. First edition based on Boschini's Le Minere della pittura 1664 and Zanetti's Della Pittura Veneziana 1771 with additions by the publisher Tosi. Both Boschini and Zanetti were of fundamental importance to the history of art in Venice. Schlosser-Magnino calls Boschini's guide "the first true artistic guide to Venice" and Zanetti's inventory of Venetian painting "one of the best in its genre" p. 548. This handy set combines their work into a comprehensive practical guide to monuments of Venetian art and architecture including a final section Istoria della Pittura Veniziana sic with biographies of artists; and an addition made in 1797 identifying paintings that were transported out of Venice by military force the same year. Marco Boschini 1613-1678 was a Venetian painter engraver and art dealer whose most important client Cardinal Leopoldo de' Medici commissioned him to purchase Venetian paintings for the Medici collection. Zanetti 1706-1778 was the librarian to the famed Marciana Library in Venice for forty years and his familiarity with the art and artists of his city and his access to library records helped to produce his remarkable books. On Zanetti's guide Cicognara adds: "This is the best of the works which deal with Venetian painting and if every principal city possessed a book so arranged and executed we should have gathered together the materials for the best general history of art". Fossati-Bellani 2339. Cicogna 4661. Schlosser-Magnino pp. 548-549. Cicognara 2412 Zanetti & 4350 Boschini. unknown
17971504061797. ZANETTI Anton Maria and Marco BOSCHINI. Della pittura veneziana trattato in cui osservasi l'ordine del Busching e si conserva la dottrina e le definizioni del Zanetti. Two volumes. viii 145 i.e. 245 3 including final blank pp.; 256 i.e. 272 pp. Each volume illustrated with an engraved frontispiece. 8vo. 165 x 110 mm bound alike in contemporary paste paper decorated with red flowers against a striped ground later glassine wrappers. Venice: Presso Francesco Tosi 1797. First Edition based on Boschini's Le Minere della pittura 1664 and Zanetti's Della Pittura Veneziana 1771 with additions by the publisher Tosi. Both Boschini and Zanetti were of fundamental importance to the history of art in Venice. Schlosser-Magnino calls Boschini's guide "the first true artistic guide to Venice" and Zanetti's inventory of Venetian painting "one of the best in its genre" p. 548. This handy set combines their work into a comprehensive practical guide to monuments of Venetian art and architecture including a final section Istoria della Pittura Veniziana sic with biographies of artists; and an addition made in 1797 identifying paintings that were transported out of Venice by military force the same year. Marco Boschini 1613-1678 was a Venetian painter engraver and art dealer whose most important client Cardinal Leopoldo de' Medici commissioned him to purchase Venetian paintings for the Medici collection. Zanetti 1706-1778 was the librarian to the famed Marciana Library in Venice for forty years and his familiarity with the art and artists of his city and his access to library records helped to produce his remarkable books. On Zanetti's guide Cicognara adds: "This is the best of the works which deal with Venetian painting and if every principal city possessed a book so arranged and executed we should have gathered together the materials for the best general history of art". Fossati-Bellani 2339. Cicogna 4661. Schlosser-Magnino pp. 548-549. Cicognara 2412 Zanetti & 4350 Boschini. unknown books
pp.437-499, avec dédicace par l'auteur, br.orig., 24cm., bel état, extrait de "Studi Albanologici, Balcanici, Bizantini e Orientali in onore di Giuseppe Valentini", C79185
423pp + indice + adverts VG/VG 2a edizione, rilegatura tutta tela verde leggermente sbiadita ai margini, sovracc. editoriale illustrata, lievissime bruniture ai margini, nel complesso piu' che buono. Catalogo della mostra del 1965 in Palazzo Grassi a Venezia, riccamente illustrato da foto in b/n. Volume pesante piu' di 1kg.
Venezia Alfieri Edizioni d'Arte, 1967. fort In-8 carré, reliure éditeur pleine toile bleue, LXIV + 400 pages. Nombreuses photos. Très bon état.
1880HIST0195Paris, Rothschild o. J. (um 1880). gr.-8°, XII, 375 S., avec 136 gravures et 8 planches, Reproductions des monuments du temps et des fresques de Paul Veronese, OLdrbd. m. aufwändiger Deckel- u. Rückenprägung, Rückendeckel in Blindprägung, Einband berieben, goldfarb. gemusterte Vorsatzblätter, Exlibris am vord. Spiegel, Schmutzblatt m. Besitzerstemp., Vortit. m. datiertem Namenszug, Vollgoldschnitt, dekoratives Exemplar. In Französisch.
000120602Yaakov Ashkenazi of Venice. Kehilat Yakov. Lvov 1891. Publisher: Uri Zeev Wolf Salat ben Yehezkel. In Hebrew. The listing price is for a single volume of this title. The copy is in fair condition without binding. Some imperfections are among the following common defects: holes damaged pages tears water stains foxing worm holes or tracers age spots frayed margins handwritten notes inscriptions censorship stamps. Please contact us for more details on the condition of the book. SKU000120602 unknown
Catalogue for the exhibition organized by John Wilton-Ely for the British Arts Council and shown at the Hayward Gallery in London, 1978. With notes on 357 exhibits and numerous illustrations. 135 pages. Light wear and marks to covers.
Royal Academy Exhibition, Paperback, large 8vo, xxiv prelims, 245 pp text with numerous illustrations in colour and b/w. Near fine in pictorial card covers. Fine book in light card photographic covers. Internally fine; without inscriptions; lavishly illustrated. A most attractive copy. [QU-5]
"a rich, colorful, and provocative history of the world's most fascinating city in the fifteenth and sixteenth centuries, when it was at the peak of its glory. This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembles in its combination of art and sea empire. The structure of Venetian society was based on its distinctive practice of religion: Venice elected its priests, defied the authority of papal Rome, and organized its liturgy around a lay leader (the doge)" 414p+ 16 pages of colour plates.illus, Remainder mark, else as new Book
Facsimile edition of the original 1559 (2nd) edition by Antonio Gardano in Venice, 4 volumes (introduction, Bassus, Tenor, Cantus), [20] + [32] + [28] + [32] pp. with music scores, in oblong (21x16cm.), softcovers, in publisher's cart. slipcase, good condition, the first volume contains an introduction in English and in Dutch, ISBN 90-6853-013-6, M95236
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 267pp. Detailed study of the paintings of Venetian artists Titian and Bellini from the 15th and 16th centuries with 222 illustrations.
8vo., First Edition, with endpaper maps; original pictorial blue cloth, upper board blocked in gilt, backstrip lettered in gilt and green, a near fine copy in unclipped dustwrapper. Lovely copy of this Roger Brook story, with striking wrap-around dustwrapper artwork by Sax. UNCOMMON IN THIS CONDITION.
1840030-I1840. Aquarell über Bleistift, auf cremefarbenem Aquarellkatron, links signiert, datiert und bezeichnet ?C. Werner f. 1840. Rom.? 24,3:33,1 cm. Provenienz: Galerie Arnoldi Livie, München. Wunderbar farbfrisches, charakteristisches Aquarell von herausragender künstlerischer Qualität! Vergleichsliteratur: Galerie Joseph Fach, Frankfurt am Main, Kat. 75 mit Farbabb. S. 71; Ausst. Katalog: Venedig Bilder in der deutschen Kunst des 19. Jahrhunderts. Karlsruhe/Paderborn, 2011, Seite 208, Farbtaf. 72.
82 pages. Features: Venice - The First Thousand Years (part 1); 1204 - a Norman Legacy?; Gerusalemme Liberata and Jihad - God's Will and Realpolitik; There's No Fool Like a Court Fool (Jester); The Welsh Castles of Edward I - in a weekend; The Blunted Arrowhead - The Defensive Role of the Great Medieval Fortresses of Albania; The 'Kingmaker' - a look at Richard Neville and his magnificent castle at Warwick; and more. Moderate wear. A sound copy. Book
20132616EBKöln., Emons Verlag., 2013. 36 x 27 cm. 229 S. OLeinen mit illustriertem OUmschlag., 2616E 1. Ausgabe. Sehr gutes Exemplar.
A bit of foxing to endpapers and textblock. Else minor shelfwear. Very light shelfwear to DJ. ; Photographs; 10.0 X 10.0 X 0.9 inches; 252 pages
In-4°, 2 voll. parte prima (20), 780 (i.e. 782), (62p), pag 167 e 168 erroneamente ripetute; parte seconda (5), 732pp, (40), 1 di errata. Legatura in piena pelle coeva con decorazione su entrambi i piatti dei due volumi, nervature e titolo in oro al dorso, tagli in rosso, frontespizi illustrati, ritratto calcografico del doge Alvise Contarini alla carta 3v del primo volume e del doge Marc’Antonio Giustiniani alla carta 3v del secondo volume, numerosi ritratti calcografici nel testo con stemma nobiliare, finalini. Alessandro Maria Vianoli fu uno storico e avvocato veneziano. La sua opera principale è Historia veneta, in cui a partire dalla leggendaria storia antica di Venezia nel primo libro, vengono trattati tutti i dogi fino ad Alvise Contarini. Solo Marin Faliero, giustiziato nel 1355 ha la targa vuota (p.435 primo volume) In-4 °, 2 vols. part one (20), 780 (i.e. 782), (62p), pages 167 and 168 erroneously repeated; second part (5), 732pp, (40), 1 of errata. Contemporary full calf binding with decoration on both plates of the two volumes, ribbed back and gilt title on the spine, red edges, illustrated title pages, chalcographic portrait of doge Alvise Contarini on paper 3v of the first volume and of Doge Marc'Antonio Giustiniani on paper 3v of the second volume, numerous chalcographic portraits in the text with coat of arms, tail ornaments. Alessandro Maria Vianoli was a Venetian historian and lawyer. His main work is Historia veneta, in which starting from the legendary ancient history of Venice in the first book, all the doges are examined up to Alvise Contarini. Only Marin Faliero, beheaded in 1355, has no portrait (p.435 first volume)
