2 122 résultats
1729ST16379-042Venezia Venice: Appresso Carlo Buonarrigo 1729. FIRST EDITION. 155 x 105 mm. 6 1/8 x 4 1/8. 1 p.l. extra engraved title 122 pp. <br/> Original cream-colored wrapper of heavy paper silk ribbon stitching remnants of old shelf label at foot of spine. Extra engraved title page depicting the Bucinotoro in all its glory surmounted by the Lion of St. Mark emblem of Venice. Front pastedown with bookplate of the duke of Arenberg Castle Nordkirchen. Cicognara 4369. Binding lightly soiled front pastedown lifting occasional faint yellowing to margins other trivial imperfections but still A VERY FINE COPY--clean bright and especially fresh in its remarkably well-preserved fragile binding.<br/> <br/> This is a detailed account of the magnificent Bucintoro—a ceremonial ship used in the annual ritual in which the Doge of Venice was symbolically wedded to the sea— unveiled in 1729. The city known as La Serenissima had long been a major port for trade between Europe and points East and the people honored the role played by the Mediterranean Sea in the Republic's prosperity. Beginning in 1311 the head of state sailed forth each year on Ascension Day to be "married" to the sea aboard a boat called the Bucintoro. The wooden ship was restored or rebuilt from time to time through the centuries and in 1719 the Venetian Senate commissioned a brand new vessel to be richly ornamented and even bedecked with gold. <br /> <br /> Our volume describes the process by which the finest artists and artisans of the day--from shipbuilders to sculptors and painters--created the largest and most lavish Bucintoro in history. The engraved title page shows the stately craft in full rig banners flying as Doge Alvise Mocenigo is rowed out to meet his marine bride. Cicognara notes the volume's value in preserving for posteriority these memories of Italian greatness--and that greatness lasted only a relatively short time because after the fall of the Venetian Republic in 1797 Napoleon had the Bucintoro stripped of its finery. The denuded and humiliated ship was then used by the Austrian navy until 1824 sailing under the name "Hydra."<br /> <br /> The presence of a binding identical to ours on several copies in sales records suggests that these may have been the publisher's original wrappers which have weathered the years surprisingly well. The text here is deeply impressed on thick paper upholding the fine tradition of Venetian printing. Appresso Carlo Buonarrigo unknown
363pp VG/none Presumably first edition, not dated, ca 1900. Editorial strong red cloth with gilt medal and lettering on front board and spine, spine lightly creased and with tiny label and attractive private ex-libris on pastedown, paper age-browned, overall a VG nice copy. Volume from the series La Peinture en Europe, with a hundred b/w photos and six maps of Venice boroughs. Probabilmente prima edizione, ca 1900, in francese. Copertina editoriale tutta tela rossa con decorazione e scritte dorate al piatto e al dorso, dorso lievemente increspato con minuscola etichetta, ex-libris privato alla sguardia, carta lievemente brunita, nel complesso un buon esemplare. Volume della serie La Pittura in Europa, con cento riproduzioni fotografiche in b/n e sei mappe dei quartieri di Venezia.
3è volume de "Une trilogie de la couleur" (après volumes sur les peintures flamande et belge publiés à La Renaissance du livre, Bruxelles), par l'historien et critique d'art Pierre POIRIER (1889-1974): des prérenaissants du XVè au XVIIIe siècle: primitifs, Jacopo et Gentile Bellini, Mantegna, maitres belliniens et mantegnasques, Antonello de Messine, Carpaccio, Giovanni Bellini, Giorgione, Le Titien, Le Corrège, Giorgionesques et Titianesques, Bassano, Paul Véronèse, Le Tintoret, Giovanni Battista Tiepolo, Les Canaletti, Francesco Guardi; 96 reproductions en héliogravure; index des peintres. Français
In-8°; 297 pages, 96 planches en heliogravure, index, broche, couv., jaquette illustree. Tres bel exemplaire, DEDICACE par l'auteur. [AR-2] L'Ecole de Venise s'impose comme un lien entre l'Orient (avec ses anciennes civilisations) et l'Occident, aisnis que comme centre européen.
P., Librairie nationale d'éducation et de récréation, sans date (env. 1930). Petit in-folio, reliure éditeur toile rouge estampée d'un décor polychrome de Henri Bressler, tranches dorées, 336 pages, illustré de gravures hors texte.
In-4°; pp. (32), con 2 tavole f.t. incise da Francesco Bartolozzi (1727-1815), una vignetta incisa su rame al frontespizio, una testatina e 3 grandi finalini, di cui due da invenzioni di Piazzetta, incise da Fiorenza Marcello e Felicita Sartori. Sonetto introduttivo di Gasparo Gozzi, al termine una poesia di Giovanni MArsili. Legatura in cartonato colorato. Gamba p. 613.
18814006041Antonio Roberti 1881. Hard cover. Fair/No jacket. Cloth 37 cm xxix 161 pages with frontispiece portrait black & white illustrations in the text 71 numbered diagrams and plans. Fair condition but for some foxing in pages ink inscription on front free endpaper and covers with slightly loose binding some fading and abraded areas at edges especially along spine and with corners bumped. Antonio Roberti unknown
New Italian Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Italian and Turkish. 55, [1]; 55, [1] p., color and b/w ills. La squadra pontificia al Dardanelli, 1657. Relazione del viaggio delle galere pontificie in Levante l'anno 1657 sotto il controllo del loro generale Bali Giovanni Bichi priole di capua. Biblioteca Apostolica Vaticana, Chig. O.IV.57.= Ilk Çanakkale zaferi, 1657. Vatikan belgelerinden Kapuali Priore General Bali Giovanni Bichi komutasindaki papalik kadirgalarinin 1657 senesinde Levant'taki seyir defteri. Vatikan Kütüphanesi, Chig. O.IV.57.
1925HIST0339Bergamo, Instituto Italiano d'Arti Grafiche, 1922 u. 1925. 4°, VI(1), 554 S. ; 537 S.; 2zus. 2 farb. Titelbilder, zahlr. Abb. im Text u. auf tlw. gefalt. Taf., rote OLnbde. m. mont. Deckelvignette (Markuslöwe), Kopfgoldschnitt, Parte prima: La Grandezza; Parte seconda: La Splendore.
In-8, 362p. Edition numérotée 1/3500 exemplaires. Illustré de reproductions h-texte de gravures du Canaletto et de prédecesseurs vénitiens.
in-4° 222 pp abondamment illustre de superbes photos en couleurs, biblio, table des recettes, relie pleine toile ed., jaquette illustree plastifiee. Tres bel exemplaire. [QU-4]
1880HIST0195Paris, Rothschild o. J. (um 1880). gr.-8°, XII, 375 S., avec 136 gravures et 8 planches, Reproductions des monuments du temps et des fresques de Paul Veronese, OLdrbd. m. aufwändiger Deckel- u. Rückenprägung, Rückendeckel in Blindprägung, Einband berieben, goldfarb. gemusterte Vorsatzblätter, Exlibris am vord. Spiegel, Schmutzblatt m. Besitzerstemp., Vortit. m. datiertem Namenszug, Vollgoldschnitt, dekoratives Exemplar. In Französisch.
xiv + 389 + [1] pp. + frontispice gravé (portrait), 17cm., reliure plein-veau d'époque (coins abimés, qqs. manques au plat inférieur), feuilles de garde décorées, texte et intérieur sont frais sauf quelques rares rousseurs, R108157
Souvenirs de la "vie vénitienne" de l'écrivain Henri de REGNIER (1864-1936) qui y séjourna à plusieurs reprises de 1899 à 1924. Réédition en un seul volume d'un ouvrage publié en 2 tomes en 1928, sous le titre: "L'Altana ou la Vie vénitienne 1899-1924". Français
in-8°, 539 pages, broche, couverture illustree. Tres bel exemplaire. [CA31-8]
Ex-library book with the usual stamps, stickers, etc. Book has been re-bound by the library into very heavy, strong white covers that are new. Dust jacket has some tears and chipping but in wrapped completely (again, by the library) in a protective cover. Text block is flawless with 158 pages of text plus plates, 400 illustrations, including 16 color plates. Contents include Lacquer in the 17th Century " " in the 18th Century, Lqcquer in England and the North American Colonies, Italian, German, French, Scandinavian, Russian and Lacquer of the Netherlands, the Lacquer Industry. From the reference section, this book was not generally circulated.
191427544Venedig, Ernesto Graziadei, o.J. (handschriftlich datiert April 1914). Doppelbogen mit beigelegtem Textblatt und mehrfach gefaltetem Plan 16 x 11 cm, Broschur [2 Warenabbildungen]
201207315Paris, Éditions Mengès, 1979 ; in-4 oblong, cartonnage de l'éditeur. TRÈS BON ÉTAT sous boitage.
1958148091958 Paris, Société des Cent Une, 1958 In-4, En feuillets sous couverture à rabats illustrée d'une lithographie de Jean Carzou et emboîtage de [5ff.], 167pp, [7ff.] Tirage à 145 exemplaires sur papier vélin d'Arches à la forme. Illustré de 20 lithographies en couleurs, dont 16 hors-texte par Jean CARZOU.. Exemplaire n° 1 a son altesse royale la princesse Georges de Grèce signé par la présidente des cent une, la vice présidente et CARZOU, Bel exemplaire,enrichi d'un envoi de l'artiste a Maurice Hondayer enrichi d'un dessin original de Carzou
197862762Paris, Mengès, 1978, Relié, jaquette éditeur sous coffret. Bon état., Cet ouvrage fait suite à Vivre Venise .
1978100034Mengès 1978 In-4 à l’italienne relié. Jaquette en bon état. Bon état d’occasion.
1885139341885. Original 19th Century photograph showing St. Mark's square Piazza San Marco in Venice. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". Shows a view of Saint Mark's Square the principal public square in Venice and a location used in countless artworks films and literature through the centuries. A remark attributed to Napoleon calls the Piazza San Marco the "drawing room of Europe." The square has been remarkably unchanged by time and appears very similar in paintings of 300 years ago to this photograph of over 100 years ago and as it is today. Catalogue numbered in the lower left hand corner within the photo "48. Venezia/ Piazzo S. Marco." Another image of the same size and condition is on the verso labeled within the photo "25. Venezia/Loggetta." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown
13933Original 19th Century photograph showing a venice canal with a bridge reflecting into the water and gondolas docked to the side. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". The Ponte dei Sospiri or "Bridge of Sighs which is the focal point of this photograph is an enclosed bridge passing over the Rio di Palazzo which connects the prison to the interrogation rooms in the Doge's Palace. The bridge got its name because the view through the narrow stone-barred windows was the last sight of Venice convicts got to see before being led to their imprisonment. Catalogue numbered in the lower left hand corner within the photo "9. Venezia/ Ponte dei Sospiri." Another image of the same size and condition is on the verso labeled within the photo "38. Venezia/Palazzo Ducale." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown books
13934Original 19th Century photograph showing St. Mark's square Piazza San Marco in Venice. The photograph is very large measuring 10-1/2"x14" and mounted on heavy cardboard to an overall size of 14"x20". Shows a view of Saint Mark's Square the principal public square in Venice and a location used in countless artworks films and literature through the centuries. A remark attributed to Napoleon calls the Piazza San Marco the "drawing room of Europe." The square has been remarkably unchanged by time and appears very similar in paintings of 300 years ago to this photograph of over 100 years ago and as it is today. Catalogue numbered in the lower left hand corner within the photo "48. Venezia/ Piazzo S. Marco." Another image of the same size and condition is on the verso labeled within the photo "25. Venezia/Loggetta." Moderate staining and warping to cardboard but photograph itself is in fine condition. unknown books
1968ABE-147333097068216 PAGES-34 CM X 50 CM-L'ATTENTAT MANQUE CONTRE M. PAPADOPOULOS-IL Y A QUINZE ANS, PANMUNJOM I OU LA GUERRE FROIDE CONTINUE, PAR ALAIN BOUC-VISITE A L'AUTRE ALLEMAGNE III UN OASIS DE TRANQUILLITE, PAR ROLAND DELCOUR-L'AFFAIRE DU BOEING D'EL AL-L'ENCYCLIQUE HUMANAE VITAE LA CRISE DE L'AUTORITE, PAR HENRI FESQUET-CORRESPONDANCE: MARCUSE ET LE MOUVEMENT ETUDIANT-POINT DE VUE: ORGANISER LA PROFESSION D'ARCHITECTE, PAR HENRI BERNARD-LE PEINTRE PAR LUI-MEME L'ESPACE VISCERAL D'ANDRE MASSON, PAR JACQUES MICHEL, DEMI-PAGE-UN CHERCHEUR E?RACINE DANS LE REEL IL Y A DIX ANS DISPARAISSAIT FREDERIC JOLIOT-CURIE-FAUT-IL BOYCOTTER VENISE?, PAR JEAN-LOUIS COMOLLI-LIBRES OPINIONS: TOUT SERA ENCORE COMME AVANT!, PAR FRED LIP