9 268 résultats
189776391Boston: Boston Athenaeum 1897-1962. HOWES M. A. Et. Al. editors. Journal of the Proceedings of the Anthology Society Which Conducts the Monthly Anthology and Boston Review. Boston 1910. Octavo. Octavo. Publisher’s blue cloth with gilt spine lettering and the society seal on the front t.e.g.PERKINS Robert F. Jr. et. al editors. The Boston Athenaeum Art Exhibition Index - 1827 - 1874. Boston 1980. Quarto red cloth with gilt spine lettering. dust jacket some very small snags to edgesWAGGAMAN Tomas E. & H. SHUGIO. Catalogue of a Collection of Oil Paintings and Watercolor Drawings by American and European Artists and of Oriental Art Objects Belonging to Thomas E. Waggaman of Washington D.C. Boston 1897. Publisher’s vertically ribbed red cloth with gilt spine lettering t.e.g.The Athenæum Centenary; The Influence and History of the Boston Athenæum from 1807 to 1907. Boston; 1907. Octavo. Publisher’s blue cloth with gilt spine lettering and the society seal on the front t.e.g.ALLEN Gardiner Weld editor. Commodore Hull: Papers of Isaac Hull Commodore United States Navy. Octavo. Publisher’s blue cloth with gilt spine lettering and the society seal on the front t.e.g.BOLTON Ethel Stanwood. Topliff's Travels. Letters From Abroad in the Years 1828 and 1829. Boston 1906. Octavo. Publisher’s blue cloth with gilt spine lettering and the society seal on the front. t.e.g.SWAN Mabel Munson. The Athenaeum Gallery 1827-1873: The Boston Athenaeum as an Early Patron of Art. Boston 1940. Publisher’s blue cloth with gilt spine lettering and the society seal on the front t.e.gWHITEHILL Walter Muir. Independent Historical Societies An Inquiry into Their Research and Publication Functions and Their Financial Future. Boston 1962. Publisher’s blue cloth with gilt spine lettering and the society seal dust jacket. Boston Athenaeum hardcover
1334114552.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484062387.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1908351464Edinburgh; London: Hodder and Stoughton 1908. 1st Edition. Hardcover. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical description: lii 381 pages: front. port.; 23 cm. Subjects: Boston Thomas 1677-1732 Bibliography.Church of Scotland Clergy; Biography. Presbyterian Church England Clergy; Biography. Edinburgh; London: Hodder and Stoughton hardcover
1104593157.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165938634.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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A9781165938636New. unknown
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1330927583.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
pp. 406, (2) [Index, (1)-46 [Appendix] + 13 full page wood engravings. Plates browned. Text foxed. XLib bookplate of Mt. St. Mary's Library on front paste down. Inked accession numbers on title page. 12mo. 180 mm. Original full worn leather binding. Front board detached. Binding cracked, needs to be resewn. Rev. J. Goldsmith pseud. for Sir Richard Phillips. He was a printer and bookseller, and later a sheriff of London - after which he was knighted by King George III. This American edition was improved by American polymath, Dr. Percival, who was also a poet, philologist, and geologist. S&S/AI 34778. Hardbound. Good. Ron bought before consign. AI BX 8
B306408-1Boston 1985-2000. 77 exhibition catalogues each 6pp. printed on a single sheet as follows: 84 Peterborough St. in order by date: Alex Katz: 'Twelve Hours'. Nov. 1985. Eric Fischl: The Works on Glassine 1979-80. Dec. 1985-Jan. 1986. Ross Bleckner. Jan.-Feb. 1986. Brett De Palma. Feb.-March 1986. Lucio Pozzi. March-April 1986. David Bowes Michael Byron Chuck Connelly McDermott&McGough. April-May 1986. David Salle. May 1986. Marcel Odenbach. June 1986. With Karen Meyerhoff. Frank Egloff. Oct.-Nov. 1986. Julian Schnabel. Nov.-Dec. 1986. Enzo Cucchi: L'elefante di Giotto. Jan. 1987. Michael Byron. Feb. 1987. Sandro Chia. April-May 1987. Terry Winters. May 1987. Nicos Baikos. Sept.-Oct. 1987. 4pp. Philip Taaffe. Oct.-Nov. 1987. David McDermott. Peter McGough. Nov.-Dec. 1987. Claudio Parmiggiani: A lume spento. Jan. 1988. Ray Smith. Feb.-March 1988. Francesco Clemente. April-May 1988. Ceccobelli. Pizzi Cannella. May-June 1988. David Bowes: A Painter's Lexicon. Sept.-Oct. 1988. Roni Horn. Oct.-Nov. 1988. Sherrie Levine. Nov.-Dec. 1988. Ross Bleckner. Jan.-Feb. 1989. Matt Mullican. Feb.-March 1989. Gerhard Merz. March-April 1989. Richmond Burton. April-May 1989. Alex Katz. Sept.-Oct. 1989. Meyer Vaisman. Nov. 1989. Baselitz. Dec. 1989. . 207 South St. in order by date: David Salle. March-April 1990. Richmond Burton. Moira Dryer. April-May 1990. Lucio Pozzi: "for the Sexes." May-June 1990 Annette Lemieux. October 1990. Peter Halley Nov. 1990. Peter Halley. Nov.-Dec. 1990. Günther Förg. Dec. 1990-Jan. 1991. Moira Dryer. Feb.-March 1991. Rosemarie Trockel. April 1991. Richmond Burton. May-June 1991. Frank Egloff.Sept.-Oct. 1991. Ray Smith. Nov. 1991. Meyer Vaisman. Dec. 1991-Jan. 1992. David Dupuis Christopher Lucas Carl Ostendarp Matthew Weinstein. Jan-Feb. 1992. Nicola De Maria. April-May 1994. Mimmo Paladino. Dec. 1994-Jan. 1995 with: invitation card for the exhibition. Scott Grodesky. Jan.-Feb. 1995 with: invitation card for the exhibition. Richmond Burton. April-May 1995 with: invitation card for the exhibition. Ophrah Shemesh. Sept.-Oct. 1995 with: invitation card for the exhibition. Peter Halley. Nov.-Dec 1995 with: invitation card for the exhibition. Jaqueline Humphries. March-April 1996 with: invitation card for the exhibition. Annette Lemieux. April-May 1996. Ray Smith. Oct.-Nov. 1996 with: invitation card for the exhibition. Tom Sachs. Nov.-Dec. 1996 with: invitation card for the exhibition. The Body of Painting: Ellen Gallagher Christopher Lucas Matthew Ritchie. Jan. 18 1997. Single folio sheet. Matthew Antezzo. March-April 1997 with: invitation card for the exhibition. Barry X Ball. April-May 1997 with: invitation card for the exhibition. Magdalena Campos-Pons. Sept.-Oct. 1997 with: invitation card for the exhibition. Philip Taaffe. Oct.-Nov. 1997 with: invitation card for the exhibition. Michael Craig-Martin. Nov.-Dec. 1997 with: invitation card for the exhibition. Nicky Hoberman. Jan.-Feb. 1998 with: invitation card for the exhibition. Donna Moylan. Feb-March 1998 with: invitation card for the exhibition. Ellen Phelan: Through Dolls and Flowers. April 1998 with: invitation card for the exhibition. Fabian Marcaccio. May 1998 with: invitation card for the exhibition. Joan Banach. Sept.-Oct. 1998. Peter Halley. Oct.-Nov. 1998 with: invitation card for the exhibition. Matthew Ritchie. Nov.-Dec. 1998 with: invitation card for the exhibition. William Wood. Jan.-Feb. 1999 with: invitation card for the exhibition. Tom Sachs. March-April 1999 with: invitation card for the exhibition. Alex Katz: February 5:30 PM. April-May 1999 with: invitation card for the exhibition. Ellen Gallagher. May-July 1999 with: invitation card for the exhibition. Cyber/Cypher: Pedro Barbieto Matthew Ritchie James Siena Joh Simon. Sept.-Oct. 1999 with: invitation card for the exhibition. Richard Patterson. Nov.-Dec. 1999 with: invitation card for the exhibition. Eric Fischl. Dec. 1999-Jan. 2000 with: invitation card for the exhibition. Ross Bleckner. Jan.-Feb.2000 with: invitation card for the exhibition. Annette Lemieux: Crossing the Rubicon. Feb.-March 2000 with: invitation card for the exhibition. 4to. Wraps. Mario Diacono came from Italy in 1968 to teach Italian literature at the University of California Berkeley and at Sarah Lawrence College. He returned to Italy to found his first art gallery in Bologna. There from 1978-1979 he showed young Arte Povera and Conceptual Italian artists like Jannis Kounellis and Vito Acconci. From 1980-1984 Diacono had a gallery in Rome showing mostly American artists including Julian Schnabel David Salle Joseph Kosuth Eric Fischl and Jean-Michel Basquiat in 1982. Mario Diacono opened his first gallery in Boston in 1985 at 84 Peterborough Street which had been the Starn Twins studio. In the spring of 1990 the gallery moved to 207 South Street a building that contained other art galleries as the area showed promise to be a new arts district. Diacono showed Alex Katz Eric Fischl Ross Bleckner David Salle Julian Schnabel Enzo Cucchi Sandro Chia Francesco Clemente Philip Taaffe Richmond Burton Roni Horn Ross Bleckner Rosemary Trockel Annette Lemieux and Baselitz among many others. However once the Gulf War broke out the art market collapsed and Diacono closed his South Street gallery in 1992. Diacono then moved to New York City for a short period of time and from early 1992 to the summer of 1993 he held exhibitions there together with Perry Rubenstein showing Ross Bleckner Philip Taaffe Richmond Burton and others. Upon his return to Boston he held exhibitions at 207 South Street again from 1994 to 2000. Artists he showed included David Salle Richmond Burton Peter Halley Rosemarie Trockel Annette Lemieux Barry X. Ball Matthew Ritchie Ross Bleckner and Günter Förg. Boston, 1985-2000. paperback
DB32004050013Scholar Select 2015-08-12. Hardcover. Very Good /None as issued. Clean solid copy with moderate shop wear. Text is unmarked. Cover has very light surface wear. Cover corners are square. Binding is tight and square. Modern reproduction of the text from the 1977 original. Appears to be unread. Books that sell for $9 or more ship in a box; under $9 in a bubble mailer. Expedited and international orders may ship in a flat rate envelope rather than a box due to cost constraints. All US-addressed items ship with complimentary delivery confirmation. Scholar Select hardcover
1015665098.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1528284550.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1332473490.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1391709640.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1996288764PN. New. 1996. Soft Cover. Date is original print. This is a reprint edition . PN paperback
45572951-nnew. unknown
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395+p., illus. Hardcover Very good condition good
296 p. + Woodcut Frontis and Three Plates. Damp stain. Age stain. Fly leaves browned. Slight loss on some top corners. Early manuscript ownership. 150 mm. Original leather spine over printed paper boards. Corners worn with some loss. Slight loss at head of spine. Title continues: "And Designed To Aid The Memory By Systematic Arrangement And Interesting Associations. Containing General Views of the Aborigines, of the progress of Manners, Religion, Trade and Commerce, Agriculture, Arts and Manufactures, Population and Education." S&S/AI 19026. 35th Edition. Hardbound. Good. These influential early school books are becoming scarce in the marketplace. A fine collection of them could still be formed inexpensively. PA 71
185936777Boston 1859. 12pp stitched minor wear Very Good.<br/><br/> The claims of the project's advocates are filled with "misrepresentations" "greatly exaggerated and incorrect." It is "a matter of astonishment" that such deceptions have been at all successful. The characters and careers of Gisborne and Smith are notable for frauds and dishonor. The Boston Merchants should abandon their association with these men and end their "complicity" with the "swindle."<br/>OCLC 63998547 1- Cornell 191283024 1- AAS as of April 2020. unknown books