Zhang, Peng, 1918-MareMagnum
Zhang Peng Hua Ji Painter Paintings
4to 1 portfolio ([24] leaves of plates) : all ill. (some col.) ; 36 cm
Pali s.r.l. · Roma, IT40,00 €
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4to, Chinese : Di 1 ban in perfect state. magnificent color plates.
4to, cloth in dj and case. 73 p. : chiefly ill. (some col.) ; 36 cm
4to 1 portfolio ([24] leaves of plates) : all ill. (some col.) ; 36 cm
square 4to, pp.148, illustrations in color and half tones, the graphic work of zhang leping the creator of urchin san mao.
4to [36] p. : all col. ill. ; 38 cm.
4to, cloth in dust jacket, 97 pages of color plates. ; 38 cm. Zhang, Daqian, - 1899-1983
30pp.+ 5 buitentekstills., 15cm.
Kl.8°. 8 S. Original Karton mit Deckeltitel. Guter Zustand.
1 portfolio : 11 col. ill. ; 37 cm
8vo, br. ed. pp.227.
portfolio ([12] leaves of plates
0blomg 4to pp.96, hundreds of face character paintings in color with description. chinese and pinyin text, scarce. chinese g opera makeup. centinaia di illustrazioni sul trucco facciale dell'opera di pechino. 395 illustrations.
4to, cloth in ds and slipcase. ying yeping Landscape in art.
4to, cream cloth (slightly soiled on top) 1, 8, 68 p. : ill., plates (1 col.), maps, plans ; 38 cm. otherwise fine. archeology china in chinese. archeologia bassorilievi yinan rapporto sugli scavi tombe.
Broché. 269 pages.
grand in-8°, 148 pp., fig. in-t., broche, couverture illustree Bel exemplaire [LA-3]
8vo, br. ed. pp.284. China’s meteoric rise and ever expanding economic and cultural footprint have been accompanied by widespread global disquiet. Whether admiring or alarmist, media discourse and representations of China often tap into the myths and prejudices that emerged through specific historical encounters. These deeply embedded anxieties have shown great resilience, as in recent media treatments of SARS and the H5N1 virus, which echoed past beliefs connecting China and disease. Popular perceptions of Asia, too, continue to be framed by entrenched racial stereotypes: its people are unfathomable, exploitative, cunning, or excessively hardworking. This interdisciplinary collection of original essays offers a broad view of the mechanics that underlie Yellow Peril discourse by looking at its cultural deployment and repercussions worldwide. Building on the richly detailed historical studies already published in the context of the United States and Europe, contributors to Yellow Perils confront the phenomenon in Italy, Australia, South Africa, Nigeria, Mongolia, Hong Kong, and China itself. With chapters based on archival material and interviews, the collection supplements and often challenges superficial journalistic accounts and top-down studies by economists and political scientists. Yellow Peril narratives, contributors find, constitute cultural vectors of multiple kinds of anxieties, spanning the cultural, racial, political, and economic. Indeed, the emergence of the term “Yellow Peril” in such disparate contexts cannot be assumed to be singular, to refer to the same fears, or to revolve around the same stereotypes. The discourse, even when used in reference to a single country like China, is therefore inherently fractured and multiple. The term “Yellow Peril” may feel unpalatable and dated today, but the ethnographic, geographic, and historical breadth of this collection?experiences of Chinese migration and diaspora, historical reflections on the discourse of the Yellow Peril in China, and contemporary analyses of the global reverberations of China’s economic rise?offers a unique overview of the ways in which anti-Chinese narratives continue to play out in today’s world. This timely and provocative book will appeal to Chinese and Asian Studies scholars, but will also be highly relevant to historians and anthropologists working on diasporic communities and on ethnic formations both within and beyond Asia. Contributors: Christos Lynteris David Walker Kevin Carrico Magnus Fiskesjö Romain Dittgen Ross Anthony Xiaojian Zhao Yu Qiu
8vo, br. ed. Paperback, 15.5x23.5cm, 384pp.Synopsis: From invading hordes to enemy agents, a great fear haunts the West! The “yellow peril” is one of the oldest and most pervasive racist ideas in Western culture—dating back to the birth of European colonialism during the Enlightenment. Yet while Fu Manchu looks almost quaint today, the prejudices that gave him life persist in modern culture. Yellow Peril! is the first comprehensive repository of anti-Asian images and writing, and it surveys the extent of this iniquitous form of paranoia. Written by two dedicated scholars and replete with paintings, photographs, and images drawn from pulp novels, posters, comics, theatrical productions, movies, propagandistic and pseudo-scholarly literature, and a varied world of pop culture ephemera, this is both a unique and fascinating archive and a modern analysis of this crucial historical formation. About the Author: John Kuo-Wei Tchen is a professor at New York University, the author of New York Before Chinatown, and co-founder of the Museum of Chinese in America. Dylan Yeats is a doctoral candidate at New York University.
16mo, br. ed. This book is fitted with a removable, clearcover, dustwrapper film.There is some minor creasing, edge rubbing and general wear to the spine and outer card covers.Page outer edges are lightly tanned with age.Back cover reads, Noel Coward's lines-(with acknowledgements)- It's such a surprise when the British own the earth.They give rise to such hilarity and mirth - are the inspiration behind Gilbert Hackforth-Jones's nostalgic picture of naval life in North China in the latter part of the 1920s. 4 1/4 Inches Inches Wide By 7 Inches Long
1 portfolio (12 leaves of plates) : all col. ill. ; 36 cm.
New New Turkish Original bdg. Dust wrapper. Roy. 8vo. (23 x 15 cm). In Turkish. 278 p. Yapay zekâ ve yeni dünya düzeni: Çin Silikon Vadisi. Translated by Ümit Sensoy, Levent Göktem.
274 p., illus. Hardcover Very good condition good
hardcover, with dust jacket, illustrations in black & white.
Gutes Exemplar. - Englisch. - This is the fifth book in a series of six, which altogether form one monograph, though it might be surprising when looking at all of the issues. The monograph is structured alongside key issues and key projects the artist has done over the past eighteen years. Formats, papers, covers, printing techniques, and even the name of the artist change: from June Young, Yang Jun, Tun Yang, Jan Jung to Yi Chuan, and Jun Yang. … (Vorwort der Herausgeber) // INHALT : ANDREAS SPIEGL: THE GUEST ----- LEI YAMABE: A SHORT ESSAY ON FORGETTING AND REMEMBERING OR: HOW JUNYANG FAILED TO BE A PURE NAME ----- ON PLURAL SINGULARTIES AND SINGULAR PLURALITIES: JUN YANG IN CONVERSATION WITH BARBARA STEINER ----- CREDITS ----- BIOGRAPHIES. ISBN 9783868593679