25 868 résultats
19852081502111902050Binobi 1985. Soft Cover. Fine. The book is in fine condition. Binobi paperback
2001206459Chinas schönste Provinz. München, Hirmer, 2001. 4to. Durchgehend mit farbigen fotografischen Abbildungen. 259 S. Or.-Lwd. mit Schutzumschlag in Schuber. [6 Warenabbildungen]
19965131DBLinz., Offenes Kulturhaus., 1996. 20 x 13,5 cm. 87 S. Illustrierter OPappband., 5131D Erste Auflage. Sehr gutes Exemplar.
1936030110Pei-p'ing 1936 imprimerie des Lazaristes Soft cover 1st Edition
2000114061Berlin, G+H Verlag (2000). * Mit 232 farbigen Abbildungen. 288 S. 32 x 24 cm. Farbig illustrierter Original-Karton (minimal berieben).
2004N818Editions de l'imprimeur - Collection “Jardins et paysages” - Verdier, 1997 - édition 2004, 318 p.
10225Paris, Les Editions de l'Imprimeur - Collection Jardins et Paysages, 2000. 1 fort volume in-4, 349 pp., enrichi de très nombreuses illustrations en couleurs et en noir et blanc sur un beau papier couché, très bel exemplaire, à l'état de neuf.
1 portfolio : 11 col. ill. ; 37 cm
8942London, George Allen & Unwin, Ltd., 1961. 1 volume in-8, 290 pp., bordeaux cloth hardback, flat spine, library stamps and documents on end pages, spine and title page, one Chinese stamp on the title page, decorated by a frontispiece of a gold medallion commemorating the founding of the Hung-hsien Empire, enriched with a map of China hors texte, good condition.
8vo, br. ed. pp.227.
121009Pekin (Beijing), Bureau de l‘Imprimerie du Ministère des Affaires Etrangères et Imprimerie du Cabinet Présidentiel de Yuan Shikai 1915, 200x125mm, broché. Couverture en papier fabriqué à partir d’écorce de santal bleu (Pteroceltis tatarinowii) et pages intérieures avec du papier en paille de riz (papier Xuan). Avec le sceau rouge du Ministère des Affaires Etrangères sur le bas droit de la première page. Très bel exemplaire.
2782Paris, Librairie Orientaliste Paul Geuthner, 1934. 1 volume in-8 carré, 242 pp., reliure moderne plein cuir tabac, couvertures conservées, orné de 18 planches, très bon état général.
3961Paris, Librairie Orientaliste Paul Geuthner, 1934. 1 volume in-8 carré, 242 pp., broché, couvertures souples imprimées, orné de 49 reproductions photographiques sur 18 planches hors texte, très bon état général. Un autre exemplaire, relié plein cuir est vendu 80 .
1934030425Paris 1934 Librairie Orientaliste Paul Geuthner Soft cover 1st Edition
portfolio ([12] leaves of plates
698117 of 36 folding black & white woodcut plates each with fine contemporary hand-coloring. Printed in red & black zhu mo tao yin ben. 51; 50 folding leaves. Two vols. 8vo 265 x 166 mm. modern brown wrappers new stitching. Beijing: Wu ying dian the Imperial Printing House Preface dated 1711 Afterword dated 1712 completed 1713. First edition Chinese issue of this famous and beautifully illustrated book ordered by and overseen by Kangxi 1654-1722 Emperor of China. It was printed in 400 copies on superior paper 200 in Manchu and 200 in Chinese. The Chinese edition is quite remarkable for having been printed in both black and red ink zhu mo tao yin ben an invention from the Yuan Dynasty requiring two runs through the press. The book is a collection of poems written about 36 remarkable sites which include gardens landscapes and buildings at the emperor's summer palace a mountain estate in Rehe now Chengde Hebei; it is today a UNESCO World Heritage Site. For each poem a magnificent folding woodcut plate is provided depicting the associated site. While our copy has 17 of the 36 folding plates they have been beautifully hand-colored at what appears to be an early date and have large margins at the bottom. The difference between the black & white plates and those hand-colored is remarkable and dramatic. In each case the plates - which are extremely fragile - have been expertly backed with new paper margins strengthened and reinserted into the volumes on stubs. The plates clearly come from another copy. On several of the plates there is some small loss of image. Our copy has plates 2 3 7 8 9 11 14 15 16 19 21 24 25 27 29 32 and 35 as established by Whiteman see below. The result is a perfect match of poetry and landscape painting with strong literary and artistic characteristics. Kangxi's own Preface dated 1711 is followed by the impressions in red of his two seals: Ti yuan zhu ren his style name used on his seals and Wan ji yu xia "Brief leisure". This work "offers a virtual tour framed by images and the emperor's own poetry the garden placed in the palms of one's hands. Created in parallel painted which no longer survives woodblock printed our first edition and copperplate engraved versions the album's multiple iterations resonated with each other and with the park itself."-Stephen H. Whiteman Where Dragon Veins Meet. The Kangxi Emperor and His Estate at Rehe 2020 p. 6-& see the entirety of this wonderful and beautiful book especially pp. 151-88. The scenes of the imperial gardens and landscapes offered in this book allowed unprecedented access to the private life of the emperor. In 1702 Kangxi ordered the construction of the palace and landscaping of the considerable parklands at Rehe in order to support his annual tours north amongst the court's Inner Mongolian allies. The palace served as a second capital at which Kangxi resided from late spring to early autumn. When in residence the emperor oversaw garden tours banquets and entertainments all of which celebrated his rule. In 1711 Emperor Kangxi conceived of a project to celebrate his 60th birthday and 50th year of his reign. He selected 36 major scenic sites within the extensive property and gardens surrounding the summer palace. One poem for each site was written with the emperor's involvement and one painting of each site was created by the court artist Shen Yu b. 1649. The writings and accompanying illustrations were meant to demonstrate the harmony between heaven and humankind through natural landscapes and related architecture. They also served as propaganda: this represents the first time imperial spaces were depicted during the Kangxi court. The collection of poems was annotated by Kui Xu Li Tingyi and others upon the imperial order and prefaced by Emperor Kangxi himself in 1711. Two of the court's most talented woodblock artists Zhu Gui ca. 1644-1717 and Mei Yufeng active ca. 1696-1713 were engaged to prepare the woodblocks from Shen Yu's designs. "Whether derived from or simply correlated to the unique album now lost the woodblock-printed book functions as a surrogate for the paintings. It imitates the album's arrangement and mode of engagement with the landscape pairing image and text in an intimately scaled format. The style of the images evokes Wang Yuanqi but also and more significant the emperor's most important artist thereby marking the book as a work of the court's highest echelon of cultural production and an object clearly commissioned and owned by the emperor. "Kangxi was intimately involved in the minutiae of the book's production from the selection of a specific type of high-quality paper to reviewing and editing the printing proofs to inspecting samples of the finished work. He was kept closely informed about the progress of the project including difficulties in curing the datewood blocks Zhu Gui and Mei Yufeng used as well as the need for more artisans given the scale and intricacy of the work. The order for four hundred copies two hundred in Chinese and another two hundred in Manchu came directly from the throne. In comparison to other contemporary projects with print runs of one thousand or more this number suggests that the emperor had a clear sense of the exclusive audience he intended to reach. "There is no record of the deadline against which the block-cutters printers and binders all labored. Given the timing of the project and the flurry of reports around printing and binding that appear from the intercalary fifth through the seventh months of 1713 however it seems most likely that the volumes were meant as gifts for the emperor's sixtieth birthday celebrations that year. The scale and lavishness of production accords with this hypothesis as four hundred copies indicated intended distribution among a relatively small circle of imperial clansmen steppe elites senior officials and others close to the throne."-ibid. pp. 182-83. Shortly thereafter in the years 1712-14 another edition was produced with engravings instead of woodcuts. It was overseen by the Jesuit Matteo Ripa and two Qing artists. In fine and fresh condition. Minor worming to text leaves but not the plates. Preserved in a chitsu. unknown books
243249Soissons , Ponce Courtois, 1769 4 parties en 2 vol. in-4, xviii pp., 377 pp., avec 2 tableaux dépliants hors texte ; pp. 379-701, [7] pp. n. ch. de table,; privilège et errata, avec 6 grands tableaux dépliants "in fine", cartonnage d'attente de papier marbré, étiquettes de titre aux dos, exemplaire grand de marges (reliure de l'époque). Petit manque au dos du second volume.
3246A Soissons, de l'Imprimerie de Ponce Courtois, Imprimeur du Roi, M.DCC.LXIX. (1769), Avec Approbation, et Privilège du Roi. 1 fort volume in-4, xviii-701 pp., reliure moderne plein cuir brun, dos à faux nerfs, orné de 2 tables, d'un Tableau des Gouvernements de la Chine, de 5 Tableaux des Productions du Pays et des Marchandises. Les tableaux dépliants sont un peu froissés et les pliures fragiles, bon état général. 4 parties en 1 volume.
6500A Soissons, de l'Imprimerie de Ponce Courtois, Imprimeur du Roi, M.DCC.LXIX. (1769), Avec Approbation, et Privilège du Roi. 1 fort volume in-4, xviii-701 pp., reliure ancienne plein veau, dos à nerfs orné de fleurons, enrichi de 2 tables, d'un Tableau des Gouvernements de la Chine, de 5 Tableaux des Productions du Pays et des Marchandises. Très bel exemplaire, très frais.
9095Paris, Librairie Académique Didier et Cie, Libraires-Editeurs, 1864 (2e édition). 2 volumes in-12, brochés, XXXII+362 pp. (Tome I), 376 pp.+ 24 pp. (Catalogue de la Libraire Académique Didier), couvertures usagées et défraîchies avec quelques accrocs et petits manques de papier, rousseurs claires habituelles dans le texte, au demeurant, bons exemplaires.
9096Paris, Librairie Académique Didier et Cie, Libraires-Editeurs, 1864 (2e édition). 2 volumes in-12, reliure ancienne demi-toile chagrinée, plats cartonnés marbrés, XXXII+362 pp. (Tome I), 376 pp. (Tome II) , rousseurs claires habituelles dans le texte, bons exemplaires.
0blomg 4to pp.96, hundreds of face character paintings in color with description. chinese and pinyin text, scarce. chinese g opera makeup. centinaia di illustrazioni sul trucco facciale dell'opera di pechino. 395 illustrations.
1908030399London 1908 HODDER & STOUGHTON Hardcover 1st Edition
1933AG20055<br /><p><b>YOUNG CHINA Magazine</b><b>年轻的ä¸å›½</b></p><p>Toronto: the monthly magazine of the comradeship for China the young People's Department of the China inland mission. 1933-1934 volume vii and viii together 24 issues. Articles about the Chinese people written by journalists in China with photos illustrated for the rest of the world Index of 2 volumes including titles of paper making in china Burmese girls at play disbelieving does not change the truth large 8vo 143pp. 16 leaves index bound in hard titled boards near fine condition.</p><p>$850</p><p>《年轻的ä¸å›½ã€‹1933-1934年出版于多伦多，1-12å†Œï¼Œæ–‡ç« ä¸ºåœ¨ä¸å›½çš„记者写的关于ä¸å›½çš„故事，é…有照片和图片。18×25cm，硬皮包装为官方åˆè®¢ï¼Œå…±143页，åŽé¢æœ‰32é¡µæ–‡ç« ç›®å½•ã€‚</p> Toronto hardcover
49587London: Hodder and Stoughton 1908. 1st edition. Written by a veteran missionary to China this book seeks to explain how Chinese children live to children in England in the early twentieth century. Chapters include: I.New China and Old: Is the Old Better II.The Children of China; III.The Headmaster; IV.In School; V.Out of School; VI.Still Out of Doors; VII.The Life That Now Is and the Life Which is to Come; VIII."Tsar Wei" - "Meet Again"; Notes on Matthew Tai. Pp.x/83 17 illustrations specially drawn by a Chinese artist endpapers toned. Blue decorated cloth sepia illustration pasted to front board spine dulled with wear to top and tail of spine. G. London: Hodder and Stoughton, 1908. hardcover
