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xxix + ii + 311pp., 26cm., softcover, fine condition, [text in japanese], X
190618790Tokio (1906). 15 S. OKart. (kl. Klebezettel am unteren Kapital).
1989027330Delhi 1989 Classics India Publications Hardcover Very Good
2090502113704059Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
19702090602128803214Takanawa insatsu-sha 1970. Soft Cover. Fine. Number of books: 1 book Takanawa insatsu-sha paperback
1980206756New York: Pantheon Books 1980. First American edition. Near fine in original pictorial slipcase a bit bumped at extremities. Oblong 4to 385pp; black cloth. A rich compendium containing 514 images documenting the history and range of photography in Japan. Pantheon Books unknown
1980650351New York: Pantheon Books 1980. 1st US Edition . Hardcover. Near Fine. 385 pages in near fine condition. Pages are clean and unmarked with black and white and colour plates throughout. Bound in black cloth with silver titles on the spine. A torn dent on the spine. Kept in a grey slipcase in fair condition with black titles. Heavily worn around the edges with scuffs and tears. Heavily bumped and worn on the corners. NF <br/> <br/> Pantheon Books hardcover
1988115884ABThe Hague:, Musical Instrument Collection, Music Dept., Haags Gemeentemuseum;, 1988. 22 cm. 135 S., Ill. Okt. Guter und ordentlicher Zustand. = Checklist of the musical instrument collection of the Haags Gemeentemuseum, The Hague, 2.
198115813BBNew York, Metropolitan Museum of Art, 1981. 25.2x19.7cm 50 n.n. S., Leporello im Schuber. OLn. mit OKart. Schuber.
No marks or inscriptions. A very clean very tight copy with bright unmarked red cloth boards, tanned page edges and margins and no bumping to corners. Dust jacket not price clipped or marked or torn or creased with signs of storage. 307pp. With humour and insight, the author records the strange adventure of becoming someone else in Japan, in the course of a jourmey in search of kokoro, the heart of Japan.
1880613<p>Manuscript 12pp. of gouache paintings on fine cloth pages calligraphic labels in Japanese next to each specimen tipped into a modern binding with a gilt appliqué border 150 x 230mm c.1880</p><p>This album contains illustrations of moths butterflies dragonflies a spider a stag beetle a lady bird a wasp lizards frogs and toads cicadas grasshoppers hornets a cockroach a centipede and the full life cycle of a silkworm executed by a skilled artist in gouache.</p><p>This was produced during the Meiji period an important time for Japanese art. In 1868 the restoration of imperial rule in Japan brough the Edo shogunate to an end and marked the start of the Meiji era which would last until the death of Emperor Meiji in 1912. During this brief period Japan transformed itself from an isolated feudal nation to a world power. The historic skills of Japan's traditional arts played a vital part in the struggle to compete in international markets.</p><p>The masterpieces of Meiji art in a unique style blending the best of traditional design with prevailing international taste are unrivalled in the quality of their craftsmanship and were avidly sought by Western collectors. The blending of styles can be seen in this album of illustrations which were most likely produced for export. The addition of the european-style gilt border exemplifies this.</p> hardcover
1904142566New York: Underwood & Underwood Publishers 1904. New York Underwood & Underwood Publishers 'Copyright 1904' six items and 'Copyright 1905' one item. Each pair of hand-coloured sepia-toned gelatin silver photographs is mounted on the publisher's dark grey card with an English-language caption underneath the photograph repeated in six languages on the verso of all but one card which is blank. The size of the arch-topped prints is approximately 80 × 78 mm; the card size is 88 × 178 mm. The condition of all photographs and cards is uniformly fine. Five cards are numbered on the recto: 15 32 85 86 and 3972 the only 'Copyright 1905' item. The first four have lengthy captions in English printed down the length of the card when it is in portrait format; the other one has it printed across the card when it is in landscape format. 7 items. Underwood & Underwood, Publishers unknown
19802080202105101009Ritsumeikan University College 1980. Soft Cover. Fine. Volume: 1 Ritsumeikan University College paperback
19542081402109801727Dyeing Life Happodo 1954. Soft Cover. Fine. Number of books: 1 Dyeing Life Happodo paperback
19922110502150308013Japan Horticultural Association 1992. Soft Cover. Fine. Volume: 1 Japan Horticultural Association paperback
19862111902156203175Not Available 1986. Soft Cover. Fine. Number of books: 3 Not Available paperback
19992110502151001822University of Tokyo Press 1999. Soft Cover. Fine. Number of books: 13 books in 6 boxes University of Tokyo Press paperback
2111902158400152Japan Industrial Publishing Company N.A. Soft Cover. Fine. Number of pages: 445p Japan Industrial Publishing Company paperback
19842091502135702788Nisshin hodo 1984. Soft Cover. Fine. The book is in fine condition. Nisshin hodo paperback
19222091202133102090Aotorisha 1922. Soft Cover. Fine. Volume: 1 Aotorisha paperback
N. H. N. Mody A collection of Nagasaki Colour Prints and Paintings. Showing the Influence of Chinese and European Art on that of Japan. London, Kegan Paul, Trench, Trubner and Co. n.p. multilingual, Opera con copertina rigida. ill. in b/n e a colori ft e nt. ARC.7.
168082460Londres Printed by A. Godbid and J. Playford, for Moses Pitt at the Angel in S. Paul's Churchyard 1680 1 vol. relié in-4, demi-veau jaspé à coins, dos à nerfs encadrés de filets dorés, pièce de titre maroquin rouge, plats de papier peigné, non rogné, 1 f. + titre + 10 ff. (avertissement, dédicace, préface, table)+14-[4]-15-46-[4]-47-87+66 pp. Édition originale anglaise (l'originale française parut chez Clouzier l'année précédente) qui contient une description du Tonkin, dérivée des observations du frère de l'auteur, une description du Japon, recueillie auprès de négociants, et une violente attaque contre les agents de la Compagnie néerlandaise des Indes orientales. La première partie, consacrée au royaume du Tunquin (Tonkin), est illustrée de 8 planches gravées dépliantes oblongues. Mais il manque la planche réunissant les cartes du Japon et du Tonkin. Initiales gravées sur bois et ornements en tête de chapitres. Notes manuscrites sur la première page muette (deux citations poétiques en anglais dont une d'Alexander Pope : "If to her share some female errors fall, Look on her face and you'll forget them all") et ex-libris manuscrit au bas de la page d'avertissement "Franceis Stephens book 1721". Cet ouvrage très rare est conservé dans une bonne reliure du début du XXe siècle, mais présente deux restaurations grossières (au premier feuillet de la préface et à la dernière gravure collée qui ne se déplie plus), quelques déchirures sans manque (notamment sur trois des gravures), quelques rousseurs et tâches.
168082460Londres Printed by A. Godbid and J. Playford, for Moses Pitt at the Angel in S. Paul's Churchyard 1680 1 vol. relié in-4, demi-veau jaspé à coins, dos à nerfs encadrés de filets dorés, pièce de titre maroquin rouge, plats de papier peigné, non rogné, 1 f. + titre + 10 ff. (avertissement, dédicace, préface, table)+14-[4]-15-46-[4]-47-87+66 pp. Édition originale anglaise (l'originale française parut chez Clouzier l'année précédente) qui contient une description du Tonkin, dérivée des observations du frère de l'auteur, une description du Japon, recueillie auprès de négociants, et une violente attaque contre les agents de la Compagnie néerlandaise des Indes orientales. La première partie, consacrée au royaume du Tunquin (Tonkin), est illustrée de 8 planches gravées dépliantes oblongues. Mais il manque la planche réunissant les cartes du Japon et du Tonkin. Initiales gravées sur bois et ornements en tête de chapitres. Notes manuscrites sur la première page muette (deux citations poétiques en anglais dont une d'Alexander Pope : "If to her share some female errors fall, Look on her face and you'll forget them all") et ex-libris manuscrit au bas de la page d'avertissement "Franceis Stephens book 1721". Cet ouvrage très rare est conservé dans une bonne reliure du début du XXe siècle, mais présente deux restaurations grossières (au premier feuillet de la préface et à la dernière gravure collée qui ne se déplie plus), quelques déchirures sans manque (notamment sur trois des gravures), quelques rousseurs et tâches.