Armee, Forces terrestres du Nord VietnamBiblio.com
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195435722Saigon: Édition du Service cartographique des F.T.E.O. 1954. First edition large square 4to pp. 117; photographic illustrations throughout; some wear a few short splits in the wrapper extremities else very good in original brown wrappers printed in black on the upper cover. At head of title: Forces terrestres du Nord Vietnam. 2. Bureau. Issued during the final battle for France in Vietnam at Dien Bien Phu. Cornell and Arizona only in OCLC. Édition du Service cartographique des F.T.E.O. unknown
Volume numero 22 appartenente alla collana Mezzo secolo. Prefazione di Sergio Pignedoli. Sovraccoperta stanca agli angoli, usurata al dorso, sia alle estremità che sulla lunghezza; piatti lievemente macchiati e bruniti, così come il dorso. Copertina nelle stesse condizioni della sovraccoperta. Presente dedica a penna all'occhiello con firma dell'autore. Pagine salde alla cerniera, con ampio margine, brunite, così come i tagli. Presente nota a matita alla controguardia posteriore. Numero pagine 397. USATO
1977WRCAM55443Various places in Thailand perhaps centering on Korat Royal Thai Air Force Base 1977. Seventy-seven Kodak color photographs almost all approximately 3 1/2 x 5 inches a handful slightly smaller and one postcard. Slim quarto. Contemporary glossy purple floral-patterned cloth photograph album gilt- stamped label on front cover. Some images slightly faded. Overall very good. A highly entertaining collection of vernacular photographs capturing the lives of young African-American G.I.s and their romantic interests in a village in Thailand during the latter years of the Vietnam War. The photographs show African-American men in both uniforms and street clothes often posed alone or with Thai locals almost exclusively women. The men are seen at work and play including an image of the gun shop with a sign labeled "Phase Section" on the front and a large military van with a similar sign reading "2 Orange." There is also a great deal of coverage of the locals living in the village including women and children. One photograph of particular interest shows part of a commercial building emblazoned with both a Coca-Cola and a Pepsi sign. The date range of 1972 to 1977 stems from the fact that some of the photographs are date-stamped in the margin "Oct 72" and one later image is stamped July 1977; most images seem to emanate from the earlier date. The single postcard is an image of Wang Not Ten Waterfall in Phitsanulok in north-central Thailand. The album could possibly have been retained by a local Thai person documenting their interactions with the visiting Americans. <br> <br> There were a half dozen active American Air Force bases in Thailand during the 1970s from which over 80% of the air strikes of North Vietnam originated. The American servicemen seen in the present photographs were either airmen performing these strikes or ground crew in support of the pilots. Also given that Korat Royal Thai Air Force Base and Phitsanulok are both in north-central Thailand it is likely the images depict this area. <br> <br> A rare look at African-American servicemen in a strategically important region of Thailand during the Vietnam War. hardcover books
196820360Washington: Government Printing Office 1968. First edition. Maps some folding charts and diagrams photographs Index laid in at the back. 1 vols. 4to. Original blue cloth gilt. Some light soiling of cloth warping of volume and light marginal browning of text else a very good copy of this work. First edition. Maps some folding charts and diagrams photographs Index laid in at the back. 1 vols. 4to. INSCRIBED BY WILLIAM WESTMORELAND TO HEDLEY DONOVAN former editor-in-chief of Time Inc. "To Hedley Donovan-With reminiscence of our pleasant association. W. C. Westmoreland. March 1969." In his position as Editor in Chief of Time Inc. Donovan had made four trips to Vietnam to see firsthand the people and places being covered by his correspondents and to get a feel for the situation. He met with Westmoreland in Vietnam in late 1965-early 1966 and probably on his subsequent trips.<br /> <br /> Westmoreland was the Time Magazine Man of the Year for 1965. Partly reading "As commander of all U.S. forces in South Viet Nam General William Childs Westmoreland 51 directed the historic buildup drew up the battle plans and infused the 190000 men under him with his own idealistic view of U.S. aims and responsibilities. He was the sinewy personification of the American fighting man in 1965 who through the monsoon mud of nameless hamlets amidst the swirling sand of seagirt enclaves atop the jungled mountains of the Annamese Cordillera served as the instrument of U.S. policy quietly enduring the terror and discomfort of a conflict that was not yet a war on a battlefield that was all no man's land. Government Printing Office unknown
197247693N.p.: Artists' and Writers' Protest / Colorcraft Inc 1972. First Edition. Original photographic poster offset printed in colors on white stock measuring 96.5cm x 63.5cm ca.38" x 25". Some minor handling trivial wear to extremities else very Near Fine / A unbacked. One of the most gruesome and effective pieces of propaganda to emerge during the Vietnam War reproducing a photograph taken during the My Lai Massacre by U.S. Army photographer Sgt. Ronald L. Haeberle. This and other iconic photos were taken by Haeberle on March 16 1968 using his personal camera while assigned to follow Charlie Company into My Lai. Unlike the monochrome images which he returned to the Army shot with a standard-issue Army camera the color images he shot with his personal camera were brought back to the States and sold to Life magazine after Haeberle was honorably discharged. The photos were printed in the December 5 1969 issue of Life offering Americans a harrowing glimpse into some of the attrocities being committed overseas; his caption beneath this image read: "Most were women and babies. It looked as if they tried to get away." The poster was designed by members of the Art Workers Coalition and initially released in 1969 using the identical image with the overlaid text reading: "Q: And babies A: And babies." This version published four years later intentionally subverts Richard Nixon's campaign slogan "Four More Years" forcing Americans to ask whether or not they wanted Nixon for another term and by extention another four years embroiled in foreign conflict. OCLC notes a single holding MoMA. Artists' and Writers' Protest / Colorcraft, Inc unknown
1960232781960. Black U.S. Army soldier's photo album documenting home and military life between Virginia and Vietnam in the late 1960s and early 1970s. Black servicemen moved through the formally desegregated Army during the first major U.S. war fought after official military integration. Centered a young black enlisted man the album tracks the life of service through photos at camp soldiers in formation military equipment helicopters and with portraits alongside other soldiers. Though the Korean War was the first U.S. war that was formally desegregated the units still saw unequal integration and opportunity while the Vietnam War marks an era in which a desegregated military was already well established. <br /> <br /> Photo archive of 92 color and black and white photographs ranging from 3.5" x 3.5" to 3.5" x 5" Virginia and Vietnam late 1960s to early 1970s. Mounted in a 10" x 14" spiral bound album. Many images show the compiler in uniform and civilian dress some of the earlier home scenes have handwritten inscriptions en verso. Other images show helicopter scenes in flight and at camp; tent lines wooden barracks; soldiers standing in formation gathering in small groups and posing beside military vehicles and equipment. A Virginia license plate anchors the soldier's home state and the use of quippy captions gives this soldier a voice identifying some individuals by their first name and one particular youthful photo of himself captioned "Dunn will be leaving on January the 1st army But you know he is trying to get out of it said he was going to school. Ha! Ha! Uncle Sam's school" giving a glimpse into the prior aspirations of young Black man right before being drafted.<br /> <br /> Black soldiers entered the Vietnam era military in large numbers at the same time that civil rights struggles Black Power politics and mounting criticism of the war reshaped the meaning of service for African American men. This album gives weight to that history with repeated presence of black men within camps and comradeship with white soldiers. Adhesive residue to corners and backs of some images edgewear to album and leaves and expected handling wear; photographs generally clear and legible. Overall very good condition. This album shows the ground level of Black military experience in the early post segregation Army. unknown
1942193041942. Coon Clarence; Coon Michael. Coons family Air Force service archive 1942-1944 and 1968-1969 documents two generations of American military experience across World War II and the Vietnam War offering direct evidence of shifting military culture wartime attitudes and generational identity within a single family. Clarence Coon's New York World War II service as an engineer gunner in the Fifteenth Air Force in Italy situates the archive within the Allied air campaign over Europe while his son Michael Coon's deployment to South Vietnam places the later material within the context of a deeply contested and culturally transformative conflict. Clarence's letters and scrapbook entries foreground a disciplined and duty-oriented perspective shaped by mid-century wartime expectations while Michael's photographic record presents a markedly different tone capturing leisure irreverence and camaraderie among soldiers during the Vietnam era. The archive preserves Clarence's written voice including lines such as "Another card to let you know that I don't do all my writing to women" and his commentary on the 1942 New York gubernatorial election "The radio just announced Bennet's Defeat. To bad. Well we will see what Dewey can do. I wish him luck" as well as his observations during stateside training "Well as far as I'm concerned they can give Tenn. back to the Indians. We are walking around in a sea of mud. Its all day rains every 5 min. I wouldn't live in the South for anything." Together these materials establish a continuous family narrative linking wartime service political awareness and personal expression across two major twentieth-century conflicts.<br /> <br /> Coons family Air Force archive. United States and Vietnam 1942-1944 and 1968-1969. Group consists of two photograph albums from Vietnam War service and one World War II scrapbook accompanied by a quantity of associated ephemera including patches medals registration cards business cards a ring and a dog tag. Archive contains approximately 123 photographs across the albums and scrapbook along with numerous postcards including 26 with manuscript correspondence on the verso and three pages of a letter incorporated into the scrapbook. Scrapbook also includes newspaper clippings documenting Clarence Coon's training and service progression including flight training in Westover Massachusetts; Nashville and Smyrna Tennessee; technical training in Gulfport Mississippi; and gunnery and pistol range distinction at Tyndall Field Florida. Vietnam-era albums depict Michael Coon and fellow servicemen in informal and candid settings including scenes of drinking recreational outings helicopter transport weapons handling and interactions with entertainment venues.<br /> <br /> The juxtaposition of World War II and Vietnam War materials within this archive provides a concentrated record of evolving American military life particularly the transition from the structured collective ethos associated with the Second World War to the more individualized and culturally expressive environment of Vietnam-era service. Clarence Coon's combat role aboard B-24 Liberator bombers during missions over Italy aligns the archive with the strategic bombing campaigns of the European theater while his writings document both military routine and domestic political awareness. In contrast Michael Coon's photographs capture the lived experience of American soldiers in Vietnam beyond formal operations including leisure dissenting humor and the visual language of 1960s youth culture within the military. Light wear from handling throughout with typical album and scrapbook aging and ephemera showing minor creasing; overall very good condition. unknown
197247693N.p.: Artists' and Writers' Protest / Colorcraft Inc 1972. First Edition. Original photographic poster offset printed in colors on white stock measuring 96.5cm x 63.5cm ca.38" x 25". Some minor handling trivial wear to extremities else very Near Fine / A unbacked. One of the most gruesome and effective pieces of propaganda to emerge during the Vietnam War reproducing a photograph taken during the My Lai Massacre by U.S. Army photographer Sgt. Ronald L. Haeberle. This and other iconic photos were taken by Haeberle on March 16 1968 using his personal camera while assigned to follow Charlie Company into My Lai. Unlike the monochrome images which he returned to the Army shot with a standard-issue Army camera the color images he shot with his personal camera were brought back to the States and sold to Life magazine after Haeberle was honorably discharged. The photos were printed in the December 5 1969 issue of Life offering Americans a harrowing glimpse into some of the attrocities being committed overseas; his caption beneath this image read: "Most were women and babies. It looked as if they tried to get away." The poster was designed by members of the Art Workers Coalition and initially released in 1969 using the identical image with the overlaid text reading: "Q: And babies A: And babies." This version published four years later intentionally subverts Richard Nixon's campaign slogan "Four More Years" forcing Americans to ask whether or not they wanted Nixon for another term and by extention another four years embroiled in foreign conflict. OCLC notes a single holding MoMA. Artists' and Writers' Protest / Colorcraft, Inc unknown books
1986Ensemble de 8 affiches. Imp, SGP & IMP PPI, 22, rue Clavel. Paris. Parti Communiste Francais. 5 bandeaux de 29 x 85 cm, 1 affcihe de 59,5 x 39,5 cm et une de 42,5 x 60 cm. Parfait état.
1986Ensemble de 8 affiches. Imp, SGP & IMP PPI, 22, rue Clavel. Paris. Parti Communiste Francais. 5 bandeaux de 29 x 85 cm, 1 affcihe de 59,5 x 39,5 cm et une de 42,5 x 60 cm. Parfait état.
1970185581970. Vandergriff Sergeant. Vietnam War photographs 1970 to 1971 document integrated U.S. Army service during a period when African American troops were serving in substantial numbers in combat units and negotiating both military duty and racial dynamics within the ranks. The images record a tour of duty from basic training through the final days before return home placing the archive within the later phase of the Vietnam War when troop morale racial tension and antiwar sentiment were all intensifying within the U.S. military. The presence of a visibly multiracial unit with many African American soldiers situates the photographs within the post-desegregation military structure established after World War II offering direct visual evidence of daily life interpersonal relationships and combat readiness in an officially integrated force.<br /> <br /> Archive of 68 color Polaroid photographs. Vietnam 1970 to 1971. Images measure approximately 3.5 x 3.5 inches to 3.5 x 4.5 inches with approximately one quarter mounted to black board and the remainder loose. Several loose photographs include handwritten captions and soldiers' names on verso. The sequence follows Sergeant Vandergriff's service from training through deployment with scenes including soldiers smoking drinking and posing with standard-issue M16 rifles and M1911 sidearms. Additional images show helicopter interiors and aerial views a destroyed grounded helicopter tanks aircraft drill formations and encampments. Photographs also depict Vietnamese villages and local civilians including two children bathing in a river. Unit identification is not explicitly stated in the archive. Other photos depict aircraft drill marches tanks weaponry villages and locals including two Vietnamese children bathing in a river. It is not clear which unit these troops belong to. It is possible they are in the 101st Airborne which was prominent at both Birmingham and Evans.<br /> <br /> During the Vietnam War African American soldiers served in disproportionately high numbers in combat roles particularly in airborne and front-line units at a time when the U.S. military was confronting internal racial conflict alongside external war. This archive documents the lived experience of a multiracial unit operating within that structure showing informal social interaction alongside military activity and equipment. The combination of candid personal imagery and operational context provides material for examining race military culture and everyday life in a late-stage U.S. combat theater. Some photographs show minor staining and image degradation; overall very good condition. unknown
1950186871950. Barber Command Sergeant Major. U.S. Army 17th Field Artillery Battalion photographs circa 1960s to 1970s document integrated military training and the advancement of an African American senior noncommissioned officer within the post-desegregation Army. The images center on activities at a Noncommissioned Officer Academy and within field environments placing the archive within the period following the formal integration of the U.S. military and during the era of the Vietnam War. The repeated presence of Barber in both instructional and ceremonial contexts situates him within the upper ranks of enlisted leadership documenting the visibility and authority of Black noncommissioned officers at a time when opportunities for advancement had only recently expanded following mid-twentieth-century reforms.<br /> <br /> Archive of 30 black and white silver gelatin photographs. United States circa 1960s to 1970s. Photographs range in size from approximately 7 x 5 inches to 4 x 3 inches. Images depict integrated groups of soldiers within the 17th Field Artillery Battalion known as "The Persuaders" engaged in training and daily activities. Scenes include artillery instruction trench digging weapons handling camp life chapel gatherings and a graduation ceremony in which soldiers take an oath and pass a unit flag. Several photographs show Barber prominently including moments that appear to document formal oath-taking or advancement within the noncommissioned officer structure. The photographs appear to have been taken across multiple locations including a more rugged field setting and a separate academy environment.<br /> <br /> Following the desegregation of the U.S. armed forces in 1948 African American soldiers increasingly assumed leadership roles within enlisted ranks particularly during the Cold War and Vietnam War periods. The position of Command Sergeant Major represents one of the highest enlisted leadership roles in the Army responsible for discipline training and the welfare of soldiers. This archive provides visual evidence of integrated unit cohesion professional training systems and the presence of Black leadership within those structures. The combination of field exercises and formal ceremonies offers material for examining race hierarchy and institutional culture within the modern U.S. Army. Light wear consistent with handling; overall very good condition. unknown
1973185751973. Cooper Howard L. Vietnam War photographs and promotion letter circa 1970s document African American noncommissioned officer service within an integrated U.S. Army and the formal evaluation structures governing advancement during and immediately after the conflict. The material centers on Sergeant Cooper's presence within a deployed unit in Vietnam alongside fellow soldiers and local civilians and extends into the postwar administrative process through a typed recommendation for promotion dated 1973. Together the photographs and letter situate the archive within the broader context of African American military participation during a period marked by both expanded combat roles and documented racial disparities in discipline assignment and promotion within the armed forces.<br /> <br /> Archive of 20 vernacular photographs and one typed letter. Vietnam and United States circa 1970s. Photographs include 15 color Kodak snapshots measuring approximately 5 x 3.5 inches or smaller depicting Sergeant Cooper and fellow soldiers primarily in uniform in Vietnam. Four black and white Agfa snapshots measuring approximately 5.5 x 3.5 inches show Cooper other servicemen and Vietnamese children. One Polaroid photograph includes two African American men standing beside Cooper with handwritten captions. Additional images depict base life and group interactions within the unit. Accompanying the photographs is a typed letter recommending Sergeant Howard L. Cooper for promotion signed by Transportation Supervisor Alice J. Griffin Fort Ord California dated 14 November 1973 one page measuring approximately 8 x 10 3/8 inches.<br /> <br /> African American soldiers served in large numbers during the Vietnam War with many attaining noncommissioned officer roles that required both leadership within units and navigation of institutional structures that did not always provide equitable advancement. The inclusion of a formal recommendation letter alongside the photographs connects personal service to bureaucratic recognition documenting how military authority evaluated performance in the postwar period. The combined visual and documentary record offers material for examining race leadership and military administration in the Vietnam era. Photographs show light wear; letter with pinholes discoloration and minor ink smear at upper edge; overall very good condition. unknown
191161576S. l., s. n, [1911] 1911 Atlas grand in-4, cartonnage d'édition, dos de toile noire, premier plat imprimé. Très rare ouvrage, complet des 38 planches annoncées, entièrement sur onglet. Cartonnage usagé, coins émoussés, le mors du 1er plat fendu entête et en pied.
197019694Dau Tieng ca. 1970. Very good. 12mo. Commercial album; turquoise faux-leather boards. 46 gelatin-silver B&W prints most 4.5" by 3.5"; 13 color prints; 3 pieces of various ephemera including an Army library card dated 1970; plus 4 photos apparently sent from home. Very good. Mild exterior wear; light soil to plastic sleeves throughout; but photos remain clean and bright. <br/><br/>Striking collection of photographs showing many carefree recreational moments of wartime: soldiers sitting around at the barracks reading and smoking; many photos of smiling Vietnamese women including girls at the base library. Notably includes two photographs of a Vietnamese all-female rock band performing and three of an African-American soldier rock band likely USO. Plus several exterior shots of the military base one sign noting the headquarters of the 2/28 Infantry the Black Lions. A moving portait particularly of what appear to be at least momentarily jovial relationships between soldiers and local Vietnamese. hardcover books
197018470N.p. N.p. c. 1970. Prints in uniformly near fine to very good condition with some curling to the edges. Collection of twenty-five 3 3/8 X 4 1/4 inch Polaroid snapshots mostly in color taken during an American soldier's deployment in An Khê Vietnam. Features images of soldiers grilling drinking and sitting in their bunkers with a few double exposures and a couple of photographs of female civilians. Prints have been adhered to cards with in several instances notes penned on the versos. Fascinating vernacular document of soldier life in one of the most strategically significant military zones of the Vietnam conflict. N.p. N.p. unknown books
19742111902158501299Kawade Shobo Shinsha 1974. Soft Cover. Fine. Number of pages: 3 books Size: 21 cm Number of books: 3 books Kawade Shobo Shinsha paperback
1928154131928. Paris Les Editions Nationales 1928 tirage limité à 550 ex.; 1/25 sur papier vergé de Hollande - 2 vol. brochés couv. rempliée 23 5 cm x 29 5 cm VIII+ 201 et 237 pages - Lettres du Maréchal Lyautey 10 aquarelles 8 bandeaux 9 culs de lampe 2 vignettes de Jean Bouchaud - Non coupé lègère salissure sur le premier tome sinon très bon état
171122280Amsterdam, Veuve de Paul Marret, 1711. Frontispiz, 7 n.n. Bll., 351 SS., 4 mehrfach ausfaltbare Karten und 20 meist mehrf. ausf. Kupfertafeln. Beigebunden: - ders.: Traité des Vents alisez ou reglez, des Vent Frais de Mer & de Terre, des Tempêtes, des Saisons de l'Année, des Marées & des Courans de toute la Zone Torride. Amsterdam, Paul Marret, 1701. Frontispiz, 104 SS., 20 n.n. Bll. Register. 2 mehrfach ausfaltbare Weltkarten, ca. 30 x 16 cm (Mer du Nord / Mer du Sud) in Mercator-Projektion. 8°, Leder der Zeit über 5 Bünden, 2 goldgepr. Rsch., Rückenvergoldung in 4 Feldern. Einband stark berieben, an Ecken und Kanten bestoßen, Fehlstellen am Lederbezug des Rückens, Außenfalze gebrochen, Vergoldung ziemlich verblasst.
Paris, Limoges, Henri Charles-Lavauzelle, 1895. 2 volumes In-4 reliés demi-basane verte, dos lisses à fleurons et filets dorés. Un volume de texte + un atlas de cartes et planches. VII + 555 pages pour le volume de texte comprenant 31 gravures et une table des noms cités + atlas de 20 cartes et 3 planches. Quelques rousseurs claires sans grande gravité. Exemplaire bien complet. Bon état.
197018470N.p. N.p. c. 1970. Prints in uniformly near fine to very good condition with some curling to the edges. Collection of twenty-five 3 3/8 X 4 1/4 inch Polaroid snapshots mostly in color taken during an American soldier's deployment in An Khê Vietnam. Features images of soldiers grilling drinking and sitting in their bunkers with a few double exposures and a couple of photographs of female civilians. Prints have been adhered to cards with in several instances notes penned on the versos. Fascinating vernacular document of soldier life in one of the most strategically significant military zones of the Vietnam conflict. N.p. N.p. unknown
127905aafBerlin, August Mylius, 1768, in-8vo, 516 S. + 5 gefalt. Kupfertafeln, Hlwd. d. Zt.
1960Cat357Japan Taiwan Korea and the US 1960. 15 ¼ x 11 inch album with attractive painted cover containing approximately 235 photos mainly 3 ½ x 5 inches and smaller. Contents generally in excellent condition. Excellent. A photo album by an unknown US Marine containing photos from his time in Okinawa Taiwan and Korea in the 1950s and 1960s. At the time—the earliest dated photo in the album is from April 1956—the Vietnam War was in its early days with Eisenhower deploying MAAG to train the ARVN in late 1955. It is not clear what unit the photographer was with as only his training platoon 46 of the Second Recruit Battalion on Parris Island is identified; however this photo’s caption includes “Photo by MAAGâ€.<br /> <br /> The album appears to be divided between the three locations each of which was strategic in the Cold War broadly and for American efforts in Vietnam in particular. It is highlighted by a series of photographs apparently from Taiwan showing agricultural workers planting and posing with their crops and children. In the 1950s under the China Aid Act the Sino-American Joint Commission on Rural Reconstruction JCRR had launched a land reform financed by American aid and staffed by ROC scientists. In the 1960s this program expanded to crop diversification and the creation of the Asian Vegetable Research and Development Center. These efforts towards agricultural development in Taiwan were like other US efforts in the region intended to contain the spread of Communism.1<br /> <br /> Other photos from Taiwan include shots of the ships; men outside their tents vehicles and straw huts smoking and playing cards; some are city streets but most are of the countryside. Several notable photos show the Marines playing at being POWs: in one a man poses with his hands on his head next to a sign reading “POW AND CAPTURED / EQUIPMENT COMPOUND†and in another one soldier pretends to march his fellow at gunpoint.<br /> <br /> Photos from Okinawa show military vehicles city streets and American and Japanese men—many Okinawans were employed by the US military during its occupation. Many scenes appear to show construction efforts with USMC-marked bulldozers and tractors driving around fields of dirt and rock in the countryside with a few of these showing Okinawa residents as well.<br /> <br /> South Korea also played an active role in the Vietnam War. Photos from Korea show tanks and other vehicles along the coast and being loaded into ships American soldiers driving and posing in the countryside and several of village streets and residents.<br /> <br /> Other subjects include target shooting transit on a ship captioned “WESTWARD HO / FAR EAST BOUND†and some that appear to be family and scenery shots in the US dated April 1961.<br /> <br /> Overall the album provides a look not just at the activities of the Marine Corps in the early US advisory era of the Vietnam War but also the people and places of the US’s strategic activities in East Asia. Of interest to historians of the Vietnam War Cold War and US empire.<br /> <br /> 1 Leo Chu “‘A bloodless social revolution’: Land reform and multiple cropping in Cold War Taiwan 1950–1979†The history of crop science and the future of food 6 no. 5 September 2024 1104–1110. unknown
19208478S.D. (fin des années 1920) reliure artisanale Tome V - Fascicule I, Produits médicinaux. Classe XXIII : Narcotiques, poisons et stupéfiants. Classe XXIV : Produits médicinaux.
102 pages. Cover photo of Nazi officer imposed over large swastika. Contents: Vietnam widow - Shirley Isaaacs of Phenix City, Alabama; America's Ten Outstanding Young Men of 1965 - Donald Dickinson Williams, Bill D. Moyers, Jerry Herman, Edward H. White II, Frederick P. Whiddon, Aurther Edward Turner, Fred R. Harris, Charles Conrad Jr., Frederick Rogers Adams Jr.; Nice two-page color-photo ad for the 1966 Ford Galaxie XL in Paris; Oklahoma's Education War - the lesson it can teach a nation; How the Jews Changed Catholic Thinking - "B'nai B'rith wanted the Catholics to delete all language from the Church services that could even seem anti-Semitic" - extensively documents organized Jewry's intensive effort which resulted in the Catholic Church watering down its position that Jews killed Jesus Christ; The Defeat of Hitler's Order - General Dietrich von Cholitz did not obey Hitler's order to burn Paris; Nice colour ad for the American Motors Rambler station wagon; Great colour centerfold ad for the 1966 Plymouth 2-door hardtop VIP (blue); The New Mexico - yesterday's tradition takes on today's tempo - Luis Barragan; Acapulco's Young Fashionables - colour photos of lovely Latinas; *Fantastic* two-page colour ad for the 1966 Dodge Charger, featuring a grey model with red interior; Shooting is the least important part of Basketball - John Wooden is now in his 17th season at UCLA; Nice colour photo 7up ad; Luxurious 1-page colour photo ad for the wide-track 1966 Pontiac; Debbie Watson (of the ABC-TV show Tammy) says she'll be dangerous at 20; Albert the Dalmation dog defies nature and flips for the dolphin way of life - with great photos; Johnny Carson, the Prince of Chitchat, is a Loner - with photos; Nice full-page colour ad for Philco colour televisions; Two-page colour photo ad features the safety features of 1966 General Motors cars; Lovely colour photo ad for the 1966 Oldsmobile Jetstar 88. Nice two-page colour photo ad for 1966 Chevrolet trucks features a rocky desert scene. Back cover features nice colour painting of a railworker in a Camel cigarette ad. Moderate wear. Unmarked. Address label upon front cover. A sound copy of this informative issue. Book
