Moyen orient

4 751 résultats

Trier parTitre A - Z

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Arabian Peninsula. - Brown, Glen F[rancis].MareMagnum

[United States Geological Survey of the Kingdom of Saudi Arabia]. Arabian Peninsula. Map I-270 B-1. Washington, D.C., The Survey (U.S. Geological Society), 1958.

1380:1216 mm. Lambert conformal conic projection, constant ratio linear horizontal scale 1:2,000,000. Relief shown by hachures and spot heights. Folded. A highly detailed map of the complete Peninsula, the first modern map in 1:2,000,000 scale: the rare preliminary edition, issued five years before the officical release. Based on the groundbreaking series prepared by the U.S. Geological Survey and the Arabian American Oil Company under the joint sponsorship of Saudi Arabia and the U.S. State Department, "a unique experiment in geological cooperation among several governments, petroleum companies, and individuals" (Seager/Johnston). Also includes the territories of today's Kuwait, Qatar, Bahrain, United Arab Emirates, Oman, and Yemen. "The plan for a cooperative mapping project was originally conceived in July 1953 [... By 1955] there was established a cooperative agreement between the Kingdom of Saudi Arabia, the U.S. Department of State, and the Arabian-American Oil Co. to make available the basic areal geology as mapped by Aramco and the U.S. Geological Survey" (ibid.). The plan provided for 21 maps on a 1:500,000 scale in both geologic and geographic versions; "a peninsular geologic map on a scale of 1:2,000,000 was to conclude the project [...] The first geographic quadrangle was published in July 1956 and the last in September 1962. While preparation of the geographic sheets was in progress, a need arose for early publication of a 1:2,000,000-scale peninsular geographic map. Consequently, a preliminary edition was compiled and published in both English and Arabic in 1958" (ibid.). While the revised, final version that appeared in 1963 ("I-270 B-2") would incorporate some additional photographic, topographic and cultural data, the exceedingly uncommon present, preliminary edition is surprisingly complete in virtually all respects - a testament to the precision with which Aramco's cartographers proceeded from the very first. Includes a key with symbols for water pipelines, desert watering points, oil fields, pumping stations, refineries, and a glossary of Arabic names. - "Although the search for oil, gas and minerals was ultimately to drive geological survey work across the region [...], in its early years it was the need for water that was the catalyst for Saudi Arabia's resource exploration. In 1944 King 'Abd al-'Aziz approached the United States for a technical expert who could assist with the identification and plotting of the kingdom's natural resources, particularly its groundwater reserves. The individual who arrived, Glen F. Brown, was one of the pioneers of a partnership between the United States Geological Survey (USGS) and the government of Saudi Arabia that was to span the next five decades and play an important role in the development of the kingdom [...] By 1954 the Saudi Ministry of Finance, USGS and Aramco were working together to produce the first full series of geographic and geologic maps of the country. The first of their type in the Peninsula, these were published [...] in both Arabic and English versions, and the information they contained formed the basis of subsequent Saudi national development plans. To this day, all modern maps of the kingdom trace their roots back to these first publications" (Parry). - In excellent condition. James V. Parry, "Mapping Arabia", in: Saudi Aramco World 2004/1, p. 20ff. OCLC 30099393. O. A. Seager/W. D. Johnston, Foreword to the Geology of the Arabian Peninsula series (U.S. Geological Survey Professional Paper 560-A-D, 1966).

Arabian Peninsula. - Brown, Glen F[rancis].MareMagnum

[United States Geological Survey of the Kingdom of Saudi Arabia]. Arabian Peninsula. Map I-270 B-1. Washington, D.C., The Survey (U.S. Geological Society), 1958.

1380 × 1216 mm. Lambert conformal conic projection, constant ratio linear horizontal scale 1:2,000,000. Relief shown by hachures and spot heights. Framed and glazed. A highly detailed map of the complete Peninsula, the first modern map in 1:2,000,000 scale: the rare preliminary edition, issued five years before the officical release. Based on the groundbreaking series prepared by the U.S. Geological Survey and the Arabian American Oil Company under the joint sponsorship of Saudi Arabia and the U.S. State Department, "a unique experiment in geological cooperation among several governments, petroleum companies, and individuals" (Seager/Johnston). Also includes the territories of today's Kuwait, Qatar, Bahrain, United Arab Emirates, Oman, and Yemen. "The plan for a cooperative mapping project was originally conceived in July 1953 [... By 1955] there was established a cooperative agreement between the Kingdom of Saudi Arabia, the U.S. Department of State, and the Arabian-American Oil Co. to make available the basic areal geology as mapped by Aramco and the U.S. Geological Survey" (ibid.). The plan provided for 21 maps on a 1:500,000 scale in both geologic and geographic versions; "a peninsular geologic map on a scale of 1:2,000,000 was to conclude the project [...] The first geographic quadrangle was published in July 1956 and the last in September 1962. While preparation of the geographic sheets was in progress, a need arose for early publication of a 1:2,000,000-scale peninsular geographic map. Consequently, a preliminary edition was compiled and published in both English and Arabic in 1958" (ibid.). While the revised, final version that appeared in 1963 ("I-270 B-2") would incorporate some additional photographic, topographic and cultural data, the exceedingly uncommon present, preliminary edition is surprisingly complete in virtually all respects - a testament to the precision with which Aramco's cartographers proceeded from the very first. Includes a key with symbols for water pipelines, desert watering points, oil fields, pumping stations, refineries, and a glossary of Arabic names. - "Although the search for oil, gas and minerals was ultimately to drive geological survey work across the region [...], in its early years it was the need for water that was the catalyst for Saudi Arabia's resource exploration. In 1944 King 'Abd al-'Aziz approached the United States for a technical expert who could assist with the identification and plotting of the kingdom's natural resources, particularly its groundwater reserves. The individual who arrived, Glen F. Brown, was one of the pioneers of a partnership between the United States Geological Survey (USGS) and the government of Saudi Arabia that was to span the next five decades and play an important role in the development of the kingdom [...] By 1954 the Saudi Ministry of Finance, USGS and Aramco were working together to produce the first full series of geographic and geologic maps of the country. The first of their type in the Peninsula, these were published [...] in both Arabic and English versions, and the information they contained formed the basis of subsequent Saudi national development plans. To this day, all modern maps of the kingdom trace their roots back to these first publications" (Parry). - Some insignificant browning; a few slight edge defects professionally repaired. Altogether in fine condition. James V. Parry, "Mapping Arabia", in: Saudi Aramco World 2004/1, p. 20ff. OCLC 30099393. O. A. Seager/W. D. Johnston, Foreword to the Geology of the Arabian Peninsula series (U.S. Geological Survey Professional Paper 560-A-D, 1966).

Inlibris · Wien, AT15 000,00 €

Launay, [Victor] Marie de / Montani Effendi.MareMagnum

[Usul-i mimari-î Osmanî]. L’Architecture Ottomane. Ouvrage autorisé par Iradé Impérial et publie sous le patronage de Son Excellence Edhem Pacha, Ministre des Travaux Publics, Président de la Commision Imperiale Ottomane pour L'Exposition Universelle de 1873, à Vienne. / Die Ottomanische Baukunst [...]. Constantinople, Imprimerie et Lithographie Centrales / Pascal Sebah, 1873.

Folio (390 x 518 mm). VII, (1), 81, (4), 82-86, (2) pp.; 58 pp. With 190 lithographed plates (14 in colour). Modern full black morocco gilt, spine in six compartments gilt, remains of original wrapper cover title inset within lower cover. First and only edition of "the earliest comprehensive study on the history and theory of Ottoman architecture" (Ersoy, p. 117). Only a few copies of this rare work, produced to the most exacting standards of the day, appear to have been printed. It was produced under the patronage of Edhem Pasha, president of the Imperial Ottoman Commission for the Vienna Exhibition of 1873. The text (in German and French, followed by Turkish) consists of a series of monographs. The entire work was "prepared [...] by a diverse group of artists, architects, and bureaucrats who had close professional ties with the palace. The text begins with a lengthy historical overview that embodies a pioneering attempt to define and represent the entire Ottoman architectural past according to the norms of modern historiography [...] The editor of the whole volume, and the author of a substantial portion of the original text, was the amateur historian and artist Victor Marie de Launay, a 'naturalized' Frenchman who held a secretarial position in the Ministry of Trade and Public Works [...] With a keen scholarly interest in architecture, art, and traditional crafts, Marie de Launay, throughout his lengthy bureaucratic career in the imperial capital, was deeply involved in the representation of the Ottoman state in the world expositions [...] The expertly crafted plates that supplement the text of the 'Usul' include plans, elevations, and section of various Ottoman buildings as well as a rich panoply of decorative details and ornamental patterns, all meticulously depicted in accordance with the academic standards of the Beaux-Arts model [...] Accompanying the monochrome illustrations are fourteen chromolithographic plates (printed in the Sébah studios in Istanbul), skillfully drafted with vibrant and sharply delineated colors. In the superior technical quality and graphic precision of its illustrations, the 'Usul' is duly comparable to its highly acclaimed European counterparts, such as Owen Jones's 'The Grammar of Ornament' (London, 1956), Auguste Racinet's 'L'ornement polychrome' (Paris, 1869), or Jules Bourgoin's 'Les arts arabes' (Paris, 1873). Thus, leaving aside the intellectual scope of its text, the 'Usul' must be considered an artistic specimen in and of itself, conceived as a unique showcase of Ottoman technical competence in the art of publishing" (ibid., p. 117-120). The set is not infrequently encountered incomplete: even the Blackmer copy lacked a plate, and that of William Morris (now in the Calouste Gulbenkian Library) lacked three. - Occasional slight brownstaining (not concerning plates), but entirely complete and finely bound to style. Blackmer 956. OCLC 5465203. A. Ersoy, "Architecture and the Search for Ottoman Origins in the Tanzimat Period", in: J. Bailey et al. (ed.), History and Ideology [Leiden 2007], p. 117ff. Not in Atabey.

Inlibris · Wien, AT18 500,00 €

[Beckford, William].MareMagnum

[Vathek.] An Arabian Tale, From an Unpublished Manuscript: With Notes Critical and Explanatory. London, for J. Johnson, 1786.

8vo. VII, (1), 334 pp., final blank leaf (p. 48 misnumbered "84"). With woodcut illustrations on p. 316 (X6v, showing ostrich and peacock-feather fans). Sumptuous 19th century red grained morocco binding, spine gilt, gilt cover rules and inner dentelle, leading edges gilt. All edges gilt. The unauthorized first edition, first issue (with misnumbered page 48). This original edition, claiming to be translated directly from Arabic, appeared without the name of the author, also omitting from the title the name under which the work would later be known internationally. - Although often classified as an early Gothic novel, "Vathek" is more truly an oriental tale, describing the experience and rewards of succumbing to temptation, and closely reflecting the "foolish, fantastic, egotistical life" of the author who began writing the story in French in January 1782. Despite the fact that Samuel Henley's translation, and the elaborate notes which he provided for the book, were undertaken with his friend Beckford's approval, its publication was contrary to the author's express wishes: Beckford had clearly intended to bring out the French edition first, but his wife had died in Switzerland on 18 May 1786, and though the book was published by Joseph Johnson on 7 June, he was still unaware of its existence by late August. Copies were priced at 4 shillings or 7s. 6d. on large paper, and have the running title of "The History of the Caliph Vathek". Even though Beckford published French editions in Lausanne (December 1786, dated "1787") and Paris (1787), the novel only became well known some thirty years later when Byron declared it to be his Bible. - Provenance: From the library of John Bigham, 1st Viscount Mersey (1840-1929), at Bignor Park, Sussex (his bookplate to front pastedown and ink ownership to flyleaf). Subsequently in the library of the American publisher and collector A(lfred) Edward Newton (1864-1940), whose collection was auctioned by Parke-Bernet in 1941 (bookplate). Later acquired by the American lawyer and collector Robert S. Pirie (1934-2015), a prominent member of the Grolier Club, whose library was dispersed by Sotheby's in December 2015 (his bookplate to front flyleaf). - With the final blank Y8, which is often absent. Occasional light brownstains, but in all an excellent copy, beautifully bound and with fine provenance. ESTC T62055. Rothschild 352. G. Chapman, Bibliography of William Beckford, pp. 22f, i. Summers 543. Garside/Raven/Schöwerling 1786:15. OCLC 1636740.

Inlibris · Wien, AT6 500,00 €

Romieux, Osmond.MareMagnum

[Watercolour views of sea-coasts in New Caledonia and Peru]. [New Caledonia & Peru, 1855/60?].

21 album leaves with 1 drawing mounted on each recto. Album: full-sheet leaves (oblong folio, 395 x 525 mm); drawings: oblong folio and oblong 4to. An album with 21 watercolour drawings on paper with views of sea coasts from the shore (240 x 310 mm to 295 x 465 mm), one with a 22nd watercolour drawing on the back with a similar view, and one with about 15 human figure drawings in graphite pencil on the back. All bear the artist's stamp on the front (Lugt 3703) and 4 are signed or initialled by the artist. Richly gold- and blind-tooled green goatskin morocco, sewn on 3 recessed cords (not aligned with the six flat raised bands on the spine), each board with a blind-tooled inner oval frame of interlaced abstracted leaves and vines, surrounded by a gold-tooled frame of similar decoration (oval inside and rectangular outside), surrounded by 2 frames of thick-thin fillets, the front board with the owner's initials in textura capitals in the centre: "A.L.", signed at the foot of the spine, "A. Giroux & C:" (last recorded in 1856), white watered silk endleaves (the paste-down in the form of a doublure). The whole in a protective folder lined with thick leather, with green goatskin morocco where it wraps around the 2 short ends, and chemical-marbled paper sides (black papier croise d'Annonay: cf. Wolfe XXI, 1-3: France, 1830s-50s), with remains of a green cloth tie on the flap. A richly gold- and blind-tooled album (ca. 1850/56) containing 22 excellent and detailed watercolour views of rocky sea coasts, all or nearly all in New Caledonia and Peru (plus 1 graphite pencil drawing of about 15 human figures), the coastal views made from the shore. All were executed by Osmond Romieux (1826-1908), a leading amateur artist who made them during his tours of duty as a French naval officer. At least 18 have a pencil note on the back identifying the location: 15 "Nouvelle Caledonie", 2 "Pérou" (drawings 18, 20) and 2 "Callao" in Peru (drawings 17, 18). We have found no location indicated on drawings 3 (with views on both sides), 8 and 19 (with figure drawings on the back). Most of the drawings were made from the sea shore, looking out over both the sea and the nearby coasts, nearly all with rocky cliffs or outcroppings and some with trees or other plants. Many were made along bays or inlets where one can see the coast on both sides and the water in one view. Some show fortifications or other buildings, a few show boats in the water or on the shore and several show people on the shore, all or nearly all in European dress. Drawings 2, 8, 15 and 17 are signed or initialled by the artist. - No drawing in the album bears a date, but the album shows no signs of other items having been removed, so the drawings probably date from before or soon after the album was manufactured. The album leaves are made of wove paper with no watermark, but A. Giroux & Cie is not recorded after 1856 and the binding style suggests the album is not much older. Most of the drawings are made on thick wove paper with no visible watermarks and with a rough surface texture much like many of today's watercolour papers. Drawing 4 is on thinner and smoother wove paper with no watermark visible and drawings 9 and 11 are on laid paper watermarked (in the centre of a half-sheet): grapes on a crowned shield (20 grapes plus stem, rendered naturalistically, with grapes arranged in an irregular pattern rather than a honeycomb and sometimes overlapping), about 118 x 70 mm (chainlines 26 mm apart). Unfortunately, the watermark literature does not cover this period well, but the crown is in the general style of those used much earlier for a fleur-de-lis on a crowned shield, such as Heawood 1822. Drawings 20 and 21 may be on the same stock as 9 and 11 but show no watermark, though 20 was made in Peru and the others in New Caledonia. Drawings 9, 20, 21 and probably 3 and 19 are executed on oblong 4to leaves; at least most of the others are on oblong folio leaves. Drawing 13 may be backed with smoother wove paper. - Prosper Halvor Henri Oscar Romieux, who used the first name Osmond, joined the French navy at Rochefort (less the 30 km from his native La Rochelle) in 1841 and passed his exams at the École Navale in 1843. He made his first tour of duty in Polynesia during the Franco-Tahitian War (1844-47), at least from 1845 aboard the ship "La Virginie". We find no record of Romieux or the ship visiting New Caledonia during this period, although it is "only" 4500 km from Tahiti. Romieux must have shown artistic skill from early childhood, for already on this first tour he made excellent watercolour drawings, and he continued to make watercolour views around the world until he retired from duty in 1891. He was made a chevalier of the Légion d'Honneur in 1863 and later an officier. Other undated drawings also record him in New Caledonia and Peru (including Lima and Callao). He is documented in New Caledonia in 1880 and 1882, but the present drawings are unlikely to be that late, and we have found no date for his visit(s) to Peru. We have little record of Romieux's movements from 1848 to 1850, but if he left the South Pacific he soon returned, for he is recorded in Hong Kong in 1851 and the Philippines in 1852 (in 1851 he was an Enseigne on the ship "l'Algérie"). He must have left in 1852, however, for he is recorded in the Seychelles (in the Indian Ocean) in 1852 and Italy in 1853 and 1854. In this last year he was promoted to Lieutenant, but we have another gap in the records of his movements from that time to 1860. He may have made the present drawings during this period, for he set off for the Levant on the ship "Redoutable", apparently in or shortly before 1860, since he is regularly recorded in Syria, Lebanon, Greece, Algeria and Jerusalem from 1860 to 1864. He was promoted to Capitaine in 1867 and continued his travels, but since the present album was probably bound in or before 1856 we think it unlikely that he made the drawings after 1864. - Although the binding is signed by Giroux, the firm operated primarily as suppliers of artists' materials and Ramsden plausibly suggests that they "commissioned bindings by the best executants of the day". Alphonse Giroux established the firm by 1799, but his son Alphonse Gustave Giroux (1809-86) managed it from at least 1838 and the father died in 1848. - We have not identified the "A.L." who apparently acquired these watercolours and had the album made in the 1850s: Lugt lists several French collectors with those initials active at the time. One watercolour has a small corner torn off at the lower right, another is slightly frayed along the right edge and the one on thin wove paper is very slightly browned, but the watercolours are otherwise in very good condition. The binding may have been expertly rebacked, preserving the original backstrip, but so unobtrusively that one must wonder if the binding was originally made that way. It is further in very good condition and even the folder is olny slightly rubbed.A lovely and finely executed series of large watercolour drawings of the coasts of New Caledonia and Peru, probably made in the 1850s and mounted in a stunning gold- and blind-tooled contemporary album. For Romieux: Lugt 3703. For Giroux: Flety, Dictionnaire des relieurs francais p. 82; Ramsden, p. 94.

Inlibris · Wien, AT18 000,00 €

Pocock, Nicholas.MareMagnum

[Wrapper-title:] East India views islands headlands &c. [London, ca. 1790?-ca. 1805].

Ten watercolour coastal profiles in grey and blue, of widely varying sizes (30 to 119 cm long), with contemporary captions and other notes in pencil or black ink. 20th-century brown cloth with the artist's original laid-paper wrappers bound at the end, spine title: "East Indian views by N. Pocock taken on the ship Worcester 1798". A series of ten lovely coastal profiles drawn in watercolour by the English artist Nicholas Pocock (1740-1821), showing coasts and mountains in the East Indies, both coasts of the Indian Ocean, China and the South Atlantic. In the first drawing Mount Agung, an active volcano and the highest mountain on Bali, appears prominently, with its pointed peak reaching above the clouds. - Pocock, son of a Bristol merchant mariner, pursued a career in the merchant marine but had been an amateur painter since childhood. As master mariner of the ship Lloyd, owned by the Quaker merchant Richard Champion, he illustrated his logbooks with fine ink and wash coastal profiles and other drawings (some now in the National Maritime Museum in Greenwich). When Champion went bankrupt in 1778 in the wake of the American Revolution, Pocock devoted himself to painting. His first professional efforts drew praise from Joshua Reynolds, and he exhibited at the Royal Academy beginning in 1782. Pocock soon became a celebrated maritime artist and painter to King George III, moving to London in 1789, where the rate books record him at Great George Street from that year to 1816. He sometimes accompanied naval ships to make sketches and notes that he developed into paintings when back in London. When he painted maritime scenes he had not witnessed live, he interviewed sailors and others to ensure the accuracy of details such as weather conditions, his practical experience as a master mariner aiding him considerably. - The present drawings are not signed individually, but the wrappers (bound at the end) are signed "... Pocock Esqr / Gt George Street". The captions identify the views, some with additional notes about directions, distances, latitudes or soundings. A few topographical names are difficult to read or show irregular spellings (the coordinates help identify some), but they appear to show coasts in Bali, Karimata, Serutu and Lombok (all in the East Indies), Coromandel (the southeast coast of India), Joanna Island (off Madagascar), Macao (across the bay from Hong Kong), Martin Vaz Islands (near Trinidad off the coast of Brazil), Srikakulam (on the east coast of India: 'Frycacoel' may be a misreading of the alternative spelling Ticacoel. The caption gives a latitude of 18° 4' and the ship Worcester stopped in Bengal ten days later: The Asiatic annual register ... for the year 1799, London, 1800, p. 53) and perhaps Burma (Myanmar) and Pondicherry (on the Coromandel coast). The captions identify them as follows (we add numbers giving the order as bound, the probable bibliographical formats and the dimensions): 1. Island of Bally. Oblong agenda 8vo (12 × 30 cm). 2. Caremata & Souroutou nearly in one. 20 fathoms soft ground, oblong agenda. 8vo (12 × 30 cm). 3. Extremes of Lombek ... southward. 3 oblong agenda 8vo leaves pasted together to make a panorama (12 × 87 cm). 4. Caremata & Sourontou. Oblong agenda 8vo (12 × 30 cm). 5. On the coast of Coromandel. 4 oblong 6mo leaves pasted together to make a panorama (16 × 119 cm). 6. Islands Joanna from N to NE. Oblong agenda 8vo (12 × 30 cm). 7. N Macoa. Oblong 4to (19 × 33 cm). 8. View of Martin Vos Rocks distant 7 leagues, Oblong 4to (20.5 × 28.5 cm). 9. The highland on both sides of Chicacul & Frycacoel ... taken on board the ship Worcester August 17th. 1798. Copy N[icholas] P[ocock]. Oblong agenda folio (24 × 59.5 cm). 10. The land of Barma ... The land on both sides - Pondy ... Oblong folio, with the profile rendered in three bands above one another (31.5 × 46 cm). - Only drawing 9 includes a date in the caption, indicating that it is Pocock's copy of a drawing of a scene from 17 August 1798. All the profiles are drawn on wove paper, probably all on pieces from sheets of Royal format made by James Whatman and his successors, who continued to use his name. Only two drawings show watermarks. Drawing 4 is watermarked: "J WHATMAN | 1804" centred along the right half of one long edge of the sheet, the caps and small caps about 19 and 12 mm tall. The other 4 drawings on one or more oblong agenda 8vo leaves are similar in style and may have been made at the same time. Drawing 10 is watermarked: "J WHATMAN", centred along the left half of one short edge of the sheet, the caps and small caps about 20 and 13 mm tall. Nearly all high quality English paper included a year in the watermark for several decades beginning in 1794, and Whatman's successors generally centred the date below the name, but no date appears under the name here. Moreover, the style of the lettering is older than that of the 1804 watermark, resembling Heawood 3458 (London 1784), 3459 (London post-1791), 3461 (n.p. 1781?), including the distinctive M of these marks (the diagonal joining the right vertical well below its top) but with clearer serifs than any of Heawood's (perhaps not very accurate) drawings. This paper seems likely to have been made before 1794. The paper of the ten drawings together contain about the equivalent of three whole sheets, but they would have to have been taken from at least four sheets. The wrappers are made of coarse laid paper and show no watermark. - With a small tear at the head of drawing 9, not approaching the image, drawing 7 spotted and slightly dirty, but further in very good condition. Coastal profiles, mostly in the East Indies and the Indian Ocean, by the maritime painter to King George III. For Pocock: ODNB 22425.

Inlibris · Wien, AT28 000,00 €

Après de Mannevillette, Jean-Baptiste d' / Dalrymple, Alexander.MareMagnum

A Brief Statement of the Prevailing Winds, from Monsieur d'Apres de Mannevillette. [London], 1782.

4to. 22 pp. Stitched, untrimmed. First edition of a rare pamphlet on the monsoon winds in the Indian Ocean, of crucial importance for East India Company ships sailing to and from the East Indies. - As Dalrymple states in the introduction, the text for the pamphlet has been translated by him from Jean Baptiste d'Après de Mannevillette's "Mémoire sur la navigation de France aux Indies". Dalrymple had extensive correspondence with Mannevillette, hydrographer to the French East India Company and Dépôt de la Marine, from 1767 to 1780, much of which is preserved in Paris in the Archives nationales and the Bibliothèque de l'institut de France. Dalrymple had such high regard for d'Après - the author of the "Neptune Oriental" in 1745, at the time the most authoritative work on oriental navigation - that he often sent charts for comment and inclusion into his work, as the following letter attests: "You have full consent to make what use you please of the Charts I have sent you [...] You will undoubtedly find many mistakes which escaped my observation; And therefore you will do me a favour in communicating your remarks to me" (10 Nov. 1772). In the present work Dalrymple has augmented the d'Après text with information from a Mr. William Woodville of Liverpool, and a Captain Jones of the ship Mary, "whom we met at Grenville 5th June 1775, to the Westward of Sierra Leon. It is obvious Mr Woodville's Account differs considerably from M. D'Aprés but I cannot presume to decide who is right". - The extract not only shows Dalrymple's continuing quest for any and all sources of information regarding a passage to the East Indies, and the rather ad hoc nature in which he obtained it, but also his willingness to question Mannevillette's findings, at the time the leading authority on such matters. - Some waterstaining to title with marginal fraying. Rare: we are only able to trace one other example appearing at auction since the war (Sotheby's, the Franklin Brooke-Hitching sale 2014). ESTC T74284.

Inlibris · Wien, AT4 500,00 €

[Egyptian Coptic and Muslim textile fragments].MareMagnum

A collection of 22 pieces of embroidery fragments and hand-printed linen, assembled by the Swedish archaeologist Carl Johan Lamm (1902-1981). Egypt, from 5th to 6th centuries, 11th century and ca. 1300 AD.

22 pieces of 19 different fabrics, mounted on thin paper (the last piece loose), mostly ca. 10-15 x 12-15 cm, some larger. Within a 1930s cloth binder (220 x 280 mm). - (Includes): Lamm, Carl Johan. Jordfundne tekstiler fra Aegypten. Særtryk af "Tilskueren" 1938. (Copenhagen, 1938). 333-350 pp. With 7 text illustrations. Contemporary cloth with title label to spine. A fine collection of Egyptian Coptic textile fragments compiled in the 1930s, comprising samples of multi-coloured embroidery and hand-printed linen. Most are of Coptic origin: hand-woven embroideries on linen wraps dated to the 5th and 6th centuries, originally used in tunics or other clothing. The fragments are decorated with human figures, animals and birds, mythical creatures, and floral designs, as well as with geometrical patterns. There are also six scarce blue "Arabic" samples, beautifully hand-printed on linen, from ca 1300 CE, and one woven silk tissue with an arabesque pattern from the 11th century. Four of the Arabic specimens are larger. - Carl Johan Lamm studied archaeology at the University of Stockholm. He wrote about the glass excavated at Samarra in 1928 and became a leading scholar on Islamic arts and crafts, notably in glass and carpets. He was on the staff of the Stockholm Museum and taught at Uppsala University. - Ancient Coptic material of this kind was typically removed from Egyptian graves around the turn of the twentieth century. Lamm may have acquired these specimens while living in Cairo in 1934-37 while assembling a large collection of ancient Coptic textiles, and it would appear that the binder containing the fragments dates from those years. Parts of Lamm's Coptic textile collection are now housed in two Swedish museums; Kulturen museet in Lund and Röhsska museet in Göteborg. - Stored in a worn craft binder, the samples are sewn on paper with hand-written ink annotations and typed descriptions and dates. Several fragments show small losses, but overall most are in fairly good condition. - Includes a printed article by Lamm on "excavated textiles from Egypt", an offprint from the Danish journal "Tilskueren" ("Spectator"). With a few changes, this text was delivered as a speech at the Copenhagen Kunstindustrimuseet in connection with an exhibition arranged by Lamm. The textiles exhibited belonged to Lamm himself, the National Museum in Stockholm, and the Danish Kunstindustrimuseet. This is Lamm's personal copy with his bookplate to front pastedown.

Inlibris · Wien, AT15 000,00 €

[Oriental album - Bahrein, Oman, Basra and other places].MareMagnum

A collection of 847 original photographs documenting a British gentleman's oriental tour, assembled chronologically in five massive albums and captioned by hand throughout. Various places, 1900-1901.

Five oblong albums (445 x 315 mm), consecutively numbered with 847 vintage albumen prints (various formats, 115 x 85 to 280 x 205 mm) laid down and captioned on thick cream card. Contemporary red half sheepskin, title and year stamped in gilt lettering to front covers of each volume. Spine and edges ruled in gilt, silk-watered endpapers, album sheets edged in gilt. An exceptional trove of early exploration and travel photographs, documenting a two-year tour around the coast of Africa and Yemen, through the Gulf from Muscat to Bahrein, then on by the Arabian Sea to Karachi and finally back to Syria and Jerusalem. The collection is preserved in its original massive oblong albums with each of the partly large-format photographs meticulously captioned in the traveller's own hand. Numerous photographs of himself are included within the albums and witness the transformation of a well-groomed English gentleman at the beginning of the tour in East Africa, in early 1900 ("being carried to small boat at Majunga"), into a bearded explorer camping with the Bedouins in 1901(showing him in front of "My camp at El Bagdadi on the Euphrates"). - The unidentified traveller was hosted by local dignitaries and had an obvious special interest in architecture and archeological excavations. His photographs provide extraordinary insights into the social and cultural life of the British protectorates he visited. Indeed, his journey to the Gulf, documented here, pre-dates Hermann Burchardt's 1903/04 expedition, famed for providing the first visual records of many places in the region, and the numerous previously unrecorded photographs of Muscat, Bahrein and other places in the Gulf contained in the present albums are therefore a particularly important find. - Apart from the views of Muscat castle and port there are highly unusual snapshots of street life both outside and within Muscat's city walls, a stunning double portrait of "Men with Hawks belonging to the son of the Sheikh of Bahrein", a view of Bahrein harbour, captioned the "Head Quarters of Pearl Fishing", the Bahrein Post Office, the market in Bandar Abbas, the Quarantine Station at Basra, as well as photos of horse dealers, women selling salt or just date palms. The 1901 photograph of the Arch of Ctesiphon is captioned "Left wing fell in April 1887 the rest will probably soon follow", also recording height and length of the remaining structure, as well as the width of the entrance. A photo of the "British Residents Wife's Bay Arabian" documents the rare occasion of a "Ladies' nomination Race", also recording the names of the winners of this race held in Bagdad. "Dr. Robert Koldewey from the German expedition" is met and photographed in Babylon at the Temple of the Venus. Visits to several ships at sea are documented in photos of the vessels themselves, as well as by group portraits of their captains and crews on board. A remarkable photograph shows the warship Persepolis returning from its campaign under Daria Begi against the shores of the Trucial States. - Bindings a little rubbed, boards partly stained, some of the album leaves affected by minor waterstaining and some foxing. Photographs mostly unfaded with good, strong contrast and in excellent condition throughout. An extraordinary record and a unique collection.

Inlibris · Wien, AT95 000,00 €

[Aswan Dam Construction].MareMagnum

A collection of more than 250 vintage photographs of the construction of the Aswan Dam. Upper Egypt, ca. 1899-1910.

A total of 267 photographs of construction work on the Aswan Dam. Comprises 190 large photographs (ca 25 x 30 cm), frequently with captions in the negative, mainly by D. S. George but also including A. Gianny and G. Kemble Bolam of Cairo (56 tipped in to an album and captioned, 21 loosely inserted within another album, 108 stored loosely within a portfolio, and 5 separately matted). Also, 77 smaller photographs (gelatin prints) of the dam and its environs, ca 15 x 18 cm (including a few duplicates), in an envelope. An impressive collection of photographs detailing the construction and opening of the Aswan Low Dam between 1899 and 1902 and of the work to raise it in 1907-1912. The images (frequently captioned in English on reverse) include views of the navigation channel in various stages of completion, the countless hundreds of local workers toiling in the unfinished West Channel and on the masonry of Bab el Maroum, the locks, trenches, Asyut Barrage, the accumulator house, the inauguration ceremony, but also a friendly football match between the "10th Soudanese Regiment (Blacks)" and the "Whites" (final score: Blacks 0, Whites 5). A stark panoramic shot shows the solar eclipse of 28 May 1900 above the Mohammed Ali Channel, seen from Awad. - Owing to its rainless climate Egypt has always depended on the annual flooding of the Nile for irrigation. The Aswan dam was designed by eminent British engineers to provide storage of annual floodwater and to augment dry season flows; construction about 1000 kilometres up the river from Cairo was begun in February 1899 by the London-based contractor John Aird & Co. Nothing of its scale had ever been attempted; on completion, it was the largest masonry dam in the world. It created an artificial lake extending 200 miles up the valley, partly submerging Ptolemy's temple on the island of Philae. The 1.25 mile-long dam with 180 sluice gates cost 3 million pounds sterling. It was opened by the Khedive on 10 December 1902. Originally limited in height by conservation concerns, the dam worked as designed but provided inadequate storage capacity for planned development and was raised between 1907 and 1912. The heightening still did not meet irrigation demands, and in the 1960s the Aswan High Dam was built 6 kilometres upstream. - A few nicks along the edges, some gelatin prints somewhat faded and with occasional creases. Mats generally foxed, with some foxing to the matted images, but on the whole an outstandingly preserved ensemble printed in rich, crisp detail.

Inlibris · Wien, AT9 500,00 €

Books from the library of Sultan Abdul Hamid II.MareMagnum

A collection of nine books formerly in the library of Sultan Abdul Hamid II, mostly presentation volumes inscribed by the authors. Constantinople, Florence, Berlin, and Paris, 1841-1891.

A set of nine volumes, 8vo and 4to. A rare survival: an ensemble of books, mainly medical, formerly in the library of Sultan Abdul Hamid II of the Ottoman Empire, whose famous collection was dispersed following his deposition in 1909. - Of the nine volumes in the present collection, more than half a devoted to medicine. They include a rare account of Turkish military and civil hospitals by the French physician Paul Aubry (1887), constituting an exceptional documentation of health care infrastructure in the Ottoman world. Further, there is a detailed account of the outbreak of the plague in the Levant by the Swedish polymath Jacques Graberg (1841), also describing the situation in Tangier in 1818 and 1819, which the author had witnessed himself. Finally, the collection comprises three rare volumes from the Ottoman Turkish translation of Adolf von Strümpell's medical textbook on internal diseases (1888-91), here focusing on diseases of the heart and the arteries, diseases of the brain, and diseases of the kidneys and bladder. - Additional volumes discuss the political and religious history of Japan, or the Greek Ten Thousand and their march to the Battle of Cunaxa and back in 401 BC. Other titles are more immediately connected with Turkey, giving a capsule history of the Ottoman Empire in French and Turkish verse, or and extremely rare political analysis of the Turkey's position in the critical months preceding the outbreak of the Russo-Turkish War of 1877/78. - The volumes bear the requisite traces of the Sultan's library marks. All are presentation volumes inscribed to the Sultan by the author (some even inscribed in Turkish and Arabic), or are bound in special presentation bindings, or the in Sultan's personal library bindings with his tughra on the covers. - Sultan Abdul Hamid (Abdülhamid) II (1842-1918) was the last Sultan of the Ottoman Empire to exert effective contol over the fracturing state and also remembered as a poet, translator and one of the dynasty's greatest bibliophiles. While his passion for books is memorialized by the many precious donations he gave to libraries all over the world and which mostly have remained intact to this day (including the 400-volume "Abdul-Hamid II Collection of Books and Serials" gifted to the Library of Congress), his own library was dispersed in the years following his deposition: books were removed to other palaces and even sold to Western collectors; the greatest part of his collection is today preserved in the Chester Beatty Library in Dublin. - Detailed catalogue available upon request.

Inlibris · Wien, AT65 000,00 €