Mallet Allain Manesson (1630-1706)MareMagnum
Libreria Trippini Sergio · Gavirate, IT50,00 €
1 315 résultats
Mm 250x295 Brossura originale con bandelle, sovraccoperta trasparente, 236 pagine con tavole non comprese nel testo. Interventi in lingua italiana, francese, tedesca ed inglese - Italian-French-English-German texts. Copia eccellente nelle sue legature ben salde. Spedizione in 24 ore dalla conferma dell'ordine.
Very Good French Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople, Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul, Iranian's photographs are the rarest, and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople, its picturesque landscape, architectural heritage, and the many types of artisans and workers that populated its streets. Using the latest photography techniques, which allowed for very rapid exposures, Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast, Iranian's street views are full of photographic 'ruptures' - blurred figures in movement, surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all, Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation, the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus, like the Parisian street photography of Atget, Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio, the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach, which deserves a proper evaluation.
New New Turkish Original bdg. Dust wrapper. 4to. (28 x 21 cm). In Turkish. 574 p., color ills. Study on the objects used in daily life in the Ottoman Empire. Osmanli'da günlük yasam nesneleri. Second Edition.
Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xii], 232 p., 1 folded map. Osmanli-Iran siyâsî münâsebetleri. Vol. 1: 1578-1590. First Edition. Ottoman-Iranian politic relations in the 16th century.
160pp.geïll., 26cm., catalogus van de gelijknamige tentoonstelling (Stedelijk Museum A. Blomme, Roeselare, 20 september tot 13 oktober 1991), goede staat, X71355
325 pages. As gripping and emotionally involving as a thriller, this book is the true story of a woman's harrowing escape from the ayatollahs of revolutionary Iran. A devastating picture of the new Iran. Book clean, bright and unmarked with negligible wear. Light rubbing to dust jacket. Excellent copy. Book
xii + 155pp.with 41 ills., 25cm., in the series "Antike in der Moderne", cart.cover, G, X71357
1 vol. in-4 br., Publié par le Comité des Forces Armées Impériales Iraniennes pour la Célébration du 2500ème Anniversaire de la Fondation de l'Empire Perse, Published by the Imperial Iranian Armed Forces Committee for the Celebration of the 2500th Anniversary of the Founding of the Persian Empire, 1974, 204 pp. Rare exemplaire de cet ouvrage en français et anglais, orné de nombreuses illustrations en couleurs, publié à l'occasion de la célèbre parade de Persépolis organisée par le Shah d'Iran du 12 au 16 octobre 1971. Bon état (couv. lég. frottée avec petit accroc au dos en queue, très bon état par ailleurs). Français
reliure edit. illustré en couleur avec anciennes miniatures persanes. testes présentés et recuillis par Jean-Claude Carrière et Nahal Tajadod.
97 + 6 pp., text fully in Armenian, 20cm., firmly bound in modern hardcover, frontcover preserved, in the series "Azgayin matenadaran" volume 64 [Nationalbibliothek 64], text is clean and bright, Very good condition, cfr. OCLC 81711942, X111608
Broch?. 199 pages. Tr?s bon ?tat.
New Persian Original bdg. HC. Roy. 8vo. (24 x 17 cm). Text in Persian; title on cover bilingual in English and Persian. 200 p. Pasargad: Shahr-i Kurush.= Passargad: The city of Cyrus.
3rd printing. Out-of-print. 426 pages. Index. Bibliography. The book chronicles American foreign policy in Iran from the first days of the Pahlevi dynasty, with the coming to power of the Reza Shah to the overthrow of his son, Muhammad Reza Shah. ISBN: 0195028058
New Persian Original bdg. HC. Roy. 8vo. (24 x 17 cm). In Persian. 600 p. Payâmbar-i Ârîyâyî: Rîshah'hâ-yi Irân dâr kîsh'hâ-yi Jahânî. Aryan Prophet: Iranian roots in world cults. A study on Zoroaster and Zoroastrianism.
Piccola carta geografica della Persia disegnata dal Bucelino. Questa fa parte di una serie di trenta piccole carte che il King, nel suo volume "Miniature Antique Maps", definisce "...scarce maps." e con ogni probabilità incise da Melchior Kusell. Testo al verso
In-4, 441p. Illustré de nombreuses photographies en noir et blanc et en couleurs, plans, croquis. Importante bibliographie et dictionnaire-index en fin de volume. Très bel exemplaire, bien complet de sa jaquette.
In-4, 441p. Illustré de nombreuses photographies n/b et couleurs, plans, croquis. Importante bibliographie et dictionnaire-index en fin de vol. Manque la jaquette, sinon exemplaire à l'état de neuf.
Milano, 1940, stralcio con copertina posticcia muta, pp. 891/896 con illustrazioni - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Milano, 1952, stralcio con copertina posticcia muta, pp. 1267/1284 con numerose illustrazioni e tavole fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Bi-Lingual in English and Farsi. Lavishly illustrated book about Persepolis. NOTE: Extremely heavy[2.5 kg] over sized volume [35x25x3.5 cm] in slipcase Book
New English Original bdg. HC. Large 8vo. (23 x 23 cm). In English. 195 p., many color and b/w ills. Persepolis and its surroundings. Prep. by Nadir Dayi. A comprehensive guide book of the ancient Persian capital. It includes a historical context as well as updated information according to the latest research and archaeological finds. Text entirely in English.
