6 120 résultats
3439978Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439979Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439980Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1846. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439981Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1846. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439535Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1828. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439534Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1828. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439532Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1828. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
3439533Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1828. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1805595Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1805594Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1805596Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1805597Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1864. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866000Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866003Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1852. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866001Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1852. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866002Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1852. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1961139735Tokyo: Heibonsha 平凡社 1961. 101p. very good in cloth boards original slipcase moderately worn and yellowed; color illustrations. Text in Japanese. Sekai meiga zenshu / Masterpieces of the world. Discussion of the woodblock print series illustrating the original work with occasional photos of the sites as they appeared later. Heibonsha 平凡社 unknown books
1980406980New York: The Metropolitan Museum of Art; The Viking Press 1980. Previous owner's inscription of front free endpaper; otherwise a clean copy. 10.5 x 7.5 inches. Accordion form book with color reproductions. Original red cloth covers; slipcase. First edition. <br/><br/> The Metropolitan Museum of Art; The Viking Press hardcover books
99001601Edo 1891. A brocade silk covered album Oban size all edge gilt with a total of 65 fine color prints including 2 title pages and one dedication print book size 24.5 x 35.5 cm. 4.15 cm. thick. A stunning group of his most famous prints well represented. Hiroshige II 1826-1869 and III 1843-1894 were one in the same a pupil of the most famous & great Ando Hiroshige. Using his master's name plus his old name Ichiryusai he was the adopted son of Hiroshige I and was a very skilled painter who actually painted along side & with the master until his master's death in 1858. After that Ichiryusai specialized in railroad prints depicting these new innovations recently imported from the West around Yokohama as well as issuing many series of beautiful prints. In his later years he executed a most beautiful and exquisite set of his own interpretation of his master's most well-known series of prints showing Mt. Fuji & the celebrat- ed places around Edo. This was not done to merely copy the master's works but rather as a sincere Confucian tribute to his adopted father & now father-in-law and master. He took each of the master's views & repainted them in pastel colors with great control & precision. Some of the more delicate places such as rainbows and clouds behind a flock of birds were actually brushed on by hand a technique rarely ever done. The wood blocks used were of the highest quality a majority of which were center cuts & these have left a most beautiful wood-pattern in the print. This example shows 28 prints from the Fuji Sanju Rokkei and 35 from the Edo Yonju Hakkei series with the title page from each present. There is a dedcation & memorial print to Hiroshige I from his fai- thful son and pupil. This print is most similar to one found as the frontispiece to the book by E. F. Strange: THE COLOR PRINTS OF HIROSHIGE London 1925.Its clear that this print by Kunisada who is Toyokuni I was used as a model by Ichi- ryusai as it differs in what the master is holding.Kunisada shows him holding his rosary beads while Ichiryusai shows the master with his Fude brush pen and paper in hand.Ichi- ryusai and Kunisada had collaborated to issue a series of 36 prints:EDO JIMAN or THRIY-SIX PLACES OF WHICH YEDO IS PROUD. Ichiryusai has taken much care to represent the most wonder- ful views of Fuji & Edo with great skill.A majority of these prints are certainly well-known to the art world at large as well as to Japanese print collectors.Many of these prints prints show up in the usual references. Some of the more famous Edo views are showing a falcon in winter rain on the river bridgestorks cat view in Asakusabusy street scenes Asakasa temple & lantern in snow river scenes &c. Some Fuji views show many snow scenes seasonal viewscherry blossoms a majority show water and mountains charming set of prints. Alternate title is MEISHO EDO HYAKKEI. See L. Roberts: A DICTIONARY OF JAPANESE PRINTS ARTISTS p.44-45 for background on Hiroshige III & III. R. Lane: IMAGES FROM THE FLOATING WORLD p.232-254 most all of the prints in this album are listed under Hiroshige I's series: MEISHO EDO HYAKKEI: ONE HUNDRED FAMOUS VIEWS OF EDO. Beautifully bound in tradition- al brocade silk-gilt brocade with prinnts on both sides of an accordion folded album. A L W A Y S R A R E ! . unknown books
1970224245London: Robert Sawers 1970. Limited. hardcover. fine. Hiroshige. 1 page of introductory text by Jack Hillier followed by the collection of 21 finely printed plates each mounted with wheat paste and matted within an individual paper folder. The folders measure 9.5 x 13 inches and the prints are approximately 4.5 x 9.5 inches. 4to plates loose as issued in blue cloth portfolio with bone closures. London: Robert G. Sawers circa 1970. First and only edition -- number 15 of 250. A very fine unread copy as new in the original cardboard mailing box. Scarce.<br/><br/> Intended for Edo era release these sketches were never published until Robert Sawers produced this rather lavish collection in the early 1970s. Strictly limited to 250 sets each print is numbered in pencil on rear of woodblock and rear of folder.<br/><br/> Robert Sawers unknown books
196037575Np: Np c. 1960s. Hardcover. Very good-/No dust jacket. Np: Np c. 1960s. Illustrated with 19 color plates. Unpaginated. Text in English & Japanese. Hardcover. 4to size. Illustrative coated paper covered boards. Head heel and corners lightly bumped and rubbed. Spine sunned. Boards edges and pages mildly yellowed with faint minimal scattered foxing and staining extending only to preliminaries. Paper scar at top edge of first page. Overall quite good. Interior clean and tight. Housed in original paper slipcase. Very good-/. Np hardcover books
18442110502150906542Yamamoto-ya-ban 1844. Soft Cover. Fine. Number of books: 1 Yamamoto-ya-ban paperback
19305585Tokyo: Yuyudo C1930. A beautiful woodblock print reproducing one of Hiroshige's famous illustrations from the collection "One Hundred Famous Views of Edo." This print shows Komagata-do Temple and Azuma Bridge. Originally published by Uoei 1857 this reproduction is by Yuyudo. Although undated it is likely from the 1930's. Although a reproduction it is a genuine woodblock copy not a modern digital or lithographic print. In excellent clean condition it is loosely tipped into a card folder / passe partout but can be removed for framing. Komagata-do Temple is located in the triangular plot of land near Komagata Bridge in Kaminarimon 2-chome Taito Ward. Originally it was a storehouse-style temple located on the riverbank in Komagata 1-chome enshrining a Bato Kannon Horse-Headed Kannon. Edoites pronounce Komagata-do Temple as "Komando." The illustration perhaps inspired by the famous poem by the geisha Takao "You are now near Komagata singing the cuckoo" depicts a cuckoo flying in the sky. The print of the rainy May sky is magnificent showcasing the skill of the printer. The picture shows Azuma Bridge from the roof of Komagata-do Temple depicting houses on the Honjo riverbank on the other side. The white wall belongs to the lower residence of Hosokawa Notonokami. A red flag is visible in the foreground. This is the signboard flag of a general store called "Hyakusuke" located across the street from Komagata-do which sold rouge and face powder. It was designed to be visible from a distance featuring the rouge they sold. It was a very eye-catching signboard at the time. 34cm x 23cm. Passe partout is 49cm x 34cm. . Une magnifique estampe sur bois reproduisant l'une des célèbres illustrations d'Hiroshige issues de la collection « Cent vues célèbres d'Edo ». Cette estampe représente le temple Komagata-do et le pont Azuma. Publiée à l'origine par Uoei en 1857 cette reproduction est l'œuvre de Yuyudo. Bien qu'elle ne porte pas de date elle date probablement des années 1930. Bien qu'il s'agisse d'une reproduction il s'agit d'une véritable copie sur bois et non d'une impression numérique ou lithographique moderne. En excellent état elle est simplement collée dans un passe-partout mais peut être retirée pour être encadrée. Le temple Komagata-do est situé sur un terrain triangulaire près du pont Komagata dans le quartier de Kaminarimon 2-chome arrondissement de Taito. À l'origine il s'agissait d'un temple de style entrepôt situé sur les berges de la rivière à Komagata 1-chome abritant un Bato Kannon Kannon à tête de cheval. Les habitants d'Edo prononcent le nom du temple Komagata-do « Komando ». L'illustration peut-être inspirée du célèbre poème de la geisha Takao « Tu es maintenant près de Komagata chantant le coucou » représente un coucou volant dans le ciel. La reproduction du ciel pluvieux de mai est magnifique et met en valeur le talent de l'imprimeur. L'image montre le pont Azuma depuis le toit du temple Komagata-do représentant les maisons sur la rive de la rivière Honjo de l'autre côté. Le mur blanc appartient à la résidence inférieure de Hosokawa Notonokami. Un drapeau rouge est visible au premier plan. Il s'agit du drapeau-enseigne d'un magasin général appelé « Hyakusuke » situé en face du Komagata-do qui vendait du rouge à lèvres et de la poudre pour le visage. Il était conçu pour être visible de loin mettant en avant le rouge à lèvres qu'ils vendaient. C'était une enseigne très accrocheuse à l'époque. 34 cm x 23 cm. Le passe-partout mesure 49 cm x 34 cm. Yuyudo unknown
27050601Edo 1865 Kinrin Do. Blue stiff covers accordion folded very clean bright example without flaw folds down to 12.2 x 18.3 cm. opens to a large 120.8 x 37.7 cm. published Keio 1st year = 1865. RARE FIRST & ONLY EDITION BRILLIANT EXAMPLE . . . HIROSHIGE'S STAR PUPIL AND SON-IN-LAW'S SUPERBLY . . . IMAGINATIVE BIRD'S EYE VIEW MAP OF JAPAN . . . WITH NAMES OF CITIES & VILLAGES CITED . . . A MARVELOUS COLOR WOODBLOCK PRINTED MAP UTAGAWA Hiroshige II aka. Kisai Rissoh 1826-1869: He was Ni-daime 2nd generation Japanese designer of Ukiyo-e art. He inherited the name Hiroshige II following the death in 1858 of his master Hiroshige I whose daughter he married. . In 1865 he moved from Edo to Yokohama after dissolving his marriage and began using the name Kisai Rissho alternate pronunciation Ryusho. His work so resembles that of his master that scholars have often been confused. . Ryusai used many Go studio names but after taking over from his master he favored Ichiryusai Kisai Yusho Rissho and the bewildering Shigenobu his first Go. He most likely assisted his master in the last few years of his life. Roberts devotes a long entry to him see below. He is well collected by world museums. . THE MAP: The map is signed Kisai Ryuushoh/Risshou. . The map is bound in its original reverse embossed swastika designs on blue paper. It is according folded in half then in 9 folded parts as issued. The map is undated but has a Kiwame censor's seal indicating a date range of on the right edge of the first page. Places of interest and milage distances are cited at the top of the map similar information is at the bottom on the first & last pages. On the last page far left is a red cartouche with the name and address of the publisher. . CONTENTS OF THE MAP: . The map is executed in pastels for the ost part except for the bright red boxed indicating larger more important places and smaller yellow boxes for villages. Even smaller places are simply noted by written names. . The work covers all of the major Japanese islands Kyushu in the south Sado to the west Hokkaido to the north. . The area around each ocean is a atender blue fading to the background paper color. Dark blue indicates deep ocean dark green indicates trees pale green mountains brown and gray for baron lands. Small pagodas with blue roofs are shrines castles indicated by name in yellow boxes other shrines and holy sites again in blue. Rivers in blue small ships ply the waterways . The work has an overall charm with a pleasant view with a command of all areas from far above in the uniquely Japanese period "Bird's Eye View." . DATE: The map was printed in Keio 1st year=1865. . CONDITION: The map is in its original front & back paper covers with a later brushed title slip. . The map is beautifully printed with fine registry and excellent impression soft tender pastels. . The hinges are firm with a couple of tiny Washi paper mends to double-folded areas else back is clean overall very soild and firm. . There are no marks stains or worm holes. By and large an excellent example in the best of condition. . REFERENCE: . KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSU KAN.: AKIOKA KO CHIZU KOLEKUSHYON MEI HIN TEN: EXHIBITION OF THE AKIOKA COLLECTION OF FAMOUS OLD MAPS see p.66 plate #79 for this exact map & p.102 #79 for description & notes. ROBERTS Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER. Listed on p.45. Lane Richard.: IMAGES FROM THE FLOATING WORLD The Japanese Print. D IN: KOBE CITY MUSEUM. KOBE SHI RITSU HAKUBUTSUKAN: EZU TO FUKEI E NO YONA CHIZU CHIZU NO YONA E: BETWEEN LANDSCAPE PAINTING AND PANORAMIC MAPS. . . unknown
44026101Japan n.d. ca. 1920's. Oban size color woodblock printed horizontal format sheet: 38.5 x 24.5 cm.; print: 35 x 22.2 cm. superb registry impression flawless UNUSED in blue grey black green & tan solid example. SELDOM FOUND . . . . AUTUMN MOON BESIDE THE TAMAGAWA RIVER. . A stunning view of the Tamagawa river in autumn showing the mountains moon willow tree boaters fishermen along the placid river. . Color photos are posted to our website. . CONDITION: The impressin & registry are superb this is an UNUSED example without flaw as good as it can get. Ready for framing and display. . . unknown