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In-8, cartonato editoriale, sovracoperta, pp. 217, con numerose illustrazioni in bianco a colori nel testo. In ottimo stato (nice copy).
Hardback reprint in a protected dust jacket. VG/VG. 220 pages, colour illustrations. 23781. eng
(Codice RN/0888) In 16º landscsape format, 105 pp. Illustrated with 34 colour plates. Hardcover, mint. ~~~ SPEDIZIONE IN ITALIA SEMPRE TRACCIATA
Roy. 4to., with title in blue and black, folding plate, illustrations, diagrams and pedigrees in the text and large folding map; blue cloth, boards framed in blind, gilt back, blue top, blue silk marker, a near fine copy in unclipped dustwrapper, the latter frayed and worn at edges. EDITION LIMITED TO 1000 NUMBERED COPIES (THIS COPY NO. 315). Bibliotheca Himalayaica Series 1 Volume 8. High quality facsimile reissue of the original edition of 1894.
In 8°, tutta tela con sovraccoperta editoriale illustrata, pp. 285, (3); esemplare molto buono, lievi bruniture ai soli risguardi. (ZB3/A) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine) (ZB3/A)
London, MacMillan and Co., 1914. 4to.; 4 hs., 150 pp., 1 h., y una lámina fuera de texto. Encuadernación original en tela estampada.
xxv + 319pp. + 24 plates out-of-text, 28cm., in the series "London Oriental Series" vol.7, cloth, dustwrapper, stains of humidity on top of pages (not affecting the text), else G, X71834
K. Krishna Murthy The gandhara sculptures. A cultural survey. India, Ajanta 1977 , Buone condizioni: sovraccoperta rovinata, ma interni ottimi. 26 riproduzioni in b/n. LF2
Burgess The gandhara sculptures. India, Bharatiya 1978 , Ottime condizioni. Copertina rigida con sovraccoperta e pellicola protettiva. Illustrazioni. LF2
Minor rubbing to extremities. Front free endpaper with small chips - detached but present. Hinges weak; Ex-Lib; B&W Photographs; 8vo; 382 pages
London, Heinemann,1965. In-8 relié toile avec jaquette, 118 pp. abondamment illustré de croquis et de photographies.
344 p. + Color frontis. Joe Elliott's bookplate. 8vo. Original full cloth binding, soiled. Hardbound. PA 40
IN HEBREW. 16.5x20cm. Unpaginated. Hardcover. Ex-library copy with usual marks. In good reading condition.
Enzo Danon, Roberto Danon The flower of Buddha. , Textilia 2006, Catalogo della mostra omonima tenutasi a a New York nel 2007. Condizioni mediocri: rilegatura rigida danneggiata (cerniera danneggiata: il corpo del libro è distaccato dalla rilegatura), copertina intatta, pagine in ottimo stato e perfettamente fruibili. Con cofanetto. Misure in cm: Mediocre (Poor) . <br> in quarto <br> <br> <br>
What spurred so many Victorian women to leave behind the security and comfort of their middle-class homes to undertake perilous journeys of thousands of miles? This book draws on the diaries, letters and writings of more than 50 such women to investigate their experiences and aspirations. 300p.bibliography index Book
Leg. ed. similpelle rossa in-8, tit oro al ds., II ediz. reprint dell'ed. orig. del 1906, sovrac., pp. (2)-XVIII-329-(3), 107 figure in n. n.t. che illustrano specie di cerambicidi, il presente vol. 1° di due (il secondo però non ha mai visto la luce) comprende le seguenti sottofamiglie: Prioninae, Disteniinae, Lepturinae, Cerambycinae. Il secondo vol. avrebbe dovuto essere dedicato interamente ai Lamiinae. Ottimo.
Small name/address label to front end paper. No other marks or inscriptions to contents. A very clean very tight copy with bright unmarked boards, minor foxing to upper corners of pages and no bumping to corners. Dust jacket not price clipped or marked or torn with sunned spine and very light creasing to upper edge. 288pp. Novel set in India in 1911 under the waning sun of Empire.
R. LANNOY- H. BAINES The eye of love in the Temple Sculpture of India. New York, Grove Press 1976 italian, 160 BTT96 Copertina rigida, volume in buone condizioni, segni di usura causati dal fattore tempo sulla sovracoperta, interno in ottimo stato, legatura salda, illustrato in b\n, testo in inglese 160 pagine circa Copertina come da foto
8vo [22 x 14.5 cm]; 2 volumes, xi, 327; xiii, 355 pp, 7 plates [mostly tinted] including frontis in each volume, map, appendix. contemporary half calf, gilt title lettering on black leather spine label, edges rubbed, small library gilt stamp on cover, else unmarked, marbled edges and endpapers, titles lightly foxed, else clean very good set. A picture of this book is available upo The author started a plantation in southern India, and describes his experiences, pets, his native neighbours, the people, their customs and beliefs, religion, devils, bribery, caste, native agriculture, planting of coffee, cinchona, cardamom, tea, cotton, silk, sandal wood, rhea-grass, colonisation, on learning native languages, funeral rites, polyandry, jungle, etc. No copies were traced at auction in the last 25 years.
Sin lugar ni año (Según el ejemplar del Museo Marítimo de Londres, 1703), grabado anónimo original coloreado a mano, 27,5 x 35 cm. (Doble vista muy decorativa del Fuerte inglés de Bombay en la India).
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. RIMANENZA DI MAGAZZINO PARI AL NUOVO. LIEVISSIMI SEGNI DEL TEMPO. This beautifully illustrated catalogue was published to accompany the exhibition: The Empire Strikes Back: Indian Art Today, which surveyed recent developments in contemporary art from India. The first in-depth look at the lively, hip, and often controversial contemporary art scene in India. Indian art has gone through a boom period paralleling the country’s extraordinary economic rise from an agrarian state to a high-tech axis of the new global economy. With new money came bigger gallery spaces and bigger art—the scale of ambition led to a break onto the international art market. The new art also often reflects a background of religious divide and violence. The exploration of identity, a common enterprise for artists internationally, is all the more challenging in the context of India under transformation. The book features the richest collection of contemporary art assembled to date. It brings together the most compelling and interesting artists from this young and vibrant art scene, some of whom have not shown outside their native country. Indian art has gone through a boom period in parallel with the extraordinary economic rise of the subcontinent from an agrarian state to a high tech axis of the new global economy. With new money came a new gallery system. With bigger spaces came bigger art and the sheer scale of ambition led to a break into the international market, which is always keen to find a new spectacular presence in the art world. The new art has also been created against a background of communal tension and violence. The exploration of identity, a common enterprise for artists internationally, is all the more challenging in the context of India under transformation. Above all Indian artists are faced with the legacy of their history and the ghosts of the Raj. Descrizione bibliografica Titolo: The Empire Strikes Back: Indian Art Today Curatore: Mark Holborn, Saatchi Gallery Introduzione di: Zehra Jumabhoy Editore: New York: Skira Rizzoli USA International Publications Inc, 2010 (Originally published in 2009 in Great Britain by Jonathan Cape Ltd. Random House) Lunghezza: 186 pagine; 27 cm Peso: 2 Kg ISBN: 0847834689, 9780847834686 Lingua: Inglese Language: English Soggetti: Arte Indiana moderna e contemporanea, Globalizzazione, Gallerie, India, Artisti, Mostre, Opere, Esibizioni, Trasformazioni sociali, Pittura, Scultura, Installazioni, Fumetti, Dipinti, Acrilico, Megalopoli, Global economic power, High-Tech Culture, Chitra Ganesh, Spiritualità, Bombay, Mumbai, New Delhi, Kerala, Lahore, Pakistan, Baroda, Gaiwel, UFO, Probir Gupta, Kashmir, Road Builders, Arora, Dawood, Jitish Kallat, Tushar Joag, Kher, Ali, Jaishri Abichandani, Dodiya, Subodh Gupta, Huma Mulji, Nayar, Krishnan, Joag, Venkanna, Sigh, Santhush, Rashid Rana, Ponmany, Rajesh Ram, Fibreglass sculptures, Gandhi, Non-violence, Eruda, Huma Bhabha, Allah O Akbar, Islamic, Arabian Delight, The Enlightening Army of the Empire, Spotlights, neon strips, lightbulbs, Installation, Sculpture, Painting, London, Photography, Comics, Contemporary Parole e frasi comuni acrylic iron on canvas Amar Chitra Katha anti-globalisation Atul Dodiya Bangalore Baroda Bharti Kher Biennales Bihar Bodhi Art C-pnnt CHITRA GANESH Chitra Katha comics contemporary Indian art Cracks cultural Delhi-based RASHID RANA DIASEC digital C-print dimensions variable economic Empire Strikes Back Eruda ETHNOGRAPHIC SERIES exhibition fibreglass Girish Shahane global Hindu Right Hindutva Husain image imagery India Lives Indian artists Indian cities international Islam Jaishri Abichandani Jitish Kallat JUMABHOY Kher's KRITI liberalisation London market Memory Drawing mock-ups Mondrian's Women Nikhil Chopra OMMATIDIA oxides canvas Phantom Lady photographs political GUPTA Pushpamala RASHID RANA OMMATIDIA RANA VEIL REENA SAINI KALLAT riots SALMAN KHAN Santhosh SCHANDRA SINGH sculptures self-portrait Shri Khakhar Prasanna Sinha stainless steel Subodh Gupta triptych TUSHAR JOAG violence Vivan Sundaram YAMINI NAYAR Yog Raj Chitrakar
e indici. Legatura t. tela editoriale, titolo in oro. Prima edizione
NEW YORK W. W. NORTON 2007. mm. 242 x 160 Cartonato duro editoriale con sovraccoperta. pp. 252. Con 8 tavole f.t. L'AUMENTO DELL'INDIA E DELLA CINA E COSA SIGNIFICA PER TUTTI NOI
First edition, viii, 267pp., 5 plates, library stamp to title-page, orig. cloth, a nice copy.
First edition, xvi, 112pp., library stamp to title, orig. cloth, a very nice copy.