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Firenze, Studio Fiorentino di Politica Estera, 1938, in-8, brossura editoriale, pp. 62. Dalla collana “Quaderni dello Studio Fiorentino di Politica Estera”, II. Ottime condizioni.
No marks or inscriptions. No creasing to covers. A very clean very tight copy with bright unmarked boards and no bumping to corners. 69pp. Periodical magazine with feature articles on Sir John Hawkwood 1320-94 an Anglo-Florentine, Before the Bobbies - the Caroline Riots 1821, Bears in the Bosporus 1833, Roger Ascham - Royal Tutor, Dividing Ireland - Nationalists and Unionists 1912-14, Thomas Morton of Merry Mount 1622-46 a planter, Madame de Genlis and Louis Philippe 1782-90 plus book reviews and letters.
Very Good German Modern aesthetic full leather bdg. Demy 8vo. (21 x 14 cm). In German. 84 p., 10 numerous b/w plates. Historische Bilder vom Bosporus: Urzeit.; Die Phönikier am Bosporus.; Hannibals Grab. (Bosporus Mitteilungen des Deutschen Ausflugsvereins 'G. Albert'). First Edition. Extremely rare.
1662PHO-1467Paris :Augustin Courbé et Sébastien Cramoisy, 1662. 2 volumes in-folio, Tome1:Histoire des Turcs, 11ff.-907pp.-14ff. , tome 2 :Histoire des Turcs ;6ff.-204pp.-6ff.,Histoire générale du Serrail...2ff.-89pp.-273 colonnes-1f., Plusieurs descriptions des accoutremens...63 feuillets numérotés, Tableaux prophétiques...1f.-68-116-2ff.,Les annales du Sultan...85pp.-4ff., illustré d’un titre gravé, 2 planches doubles ( Constantinople et Portrait de l’armée…),3 portraits de Sultan , 2 portraits en pieds , 62 gravures de personnages et costumes et 16(17)tableaux prophétiques , relié plein veau époque , dos à nerfs ornés avec titre et tomaison , tome 1, relié à l’envers ,charnières fendues , coins et coiffes abîmés,manque le titre gravé,les portraits et le texte afférents, Tome 2, frottements ,traces de réparations, plan de Constantinople détaché avec manque au coin, réparation au Portrait de l’armée du sultan,manque le premier tableau prophétique et le dernier feuillet de la table des matières , travail de ver sur quelques feuillets sans atteinte, brunissures , qlqs taches.
99578 tomes en 8 volumes in 12 demi-chagrin vert, titre, tomaison fer en long dorés/ Paris Librairie du Constitutionnel 1854-1855, tranches mouchetées. Tome 1: faux-titre, titre, 400 pages Tome 2 : faux-titre, titre, 424 pages ; Tome 3 : faux-titre titre 420 pages (tache brun- clair en demi cerce en marge extérieure de la page 407 à la fin). Tome 4 : faux-titre, titre, 450 pages, Tome 5 : faux-titre, titre, 400 pages. Tome 6 : faux-titre, titre, 446 pages. Tome 7 : faux-titre, titre, 413 pages. Tome 8 : faux –titre, titre, 403 pages. Rousseurs éparses habituelles pus concentrées en début et fin de volume. édition réservée aux abonnés du journal LE CONSTITUTIONNEL (Vicaire IV 1009)
1835PHO-1982Paris, Bellizard, Barthes, Dufour et Lowell ; Londres, Bossange, Barthes et Lowell ; Saint-Petersbourg, Fd. Bellizard et Cie, 1835-1844. 18 volumes de texte in-8 et un atlas in-folio. TEXTE : 18 volumes in-8, relié demi basane et coins moderne, dos lisse orné avec pièces d’auteur, titre et tomaison noires, frottements et épidermures, défauts d’usage, rousseurs dans le texte, tampon et étiquette du relieur. ATLAS : Paris. Bellizard, Dufour etc. 1844. Imprimé chez Thierry Frères. Demi basane et coins à long grain grenat, dos à nerfs avec titre et auteur, In-folio (520x345mm), IV-82pp.-40 planches, il est composé du Commentaire sur l’Atlas de l’Empire Ottoman, d'une liste des cartes, d'une carte générale de l'Empire Ottoman (690x550mm), de 22 cartes particulières (dont une sur 2 feuilles) (815x850), de 13 plans de batailles ou de siège, et de 4 plans de villes dont un grand plan dépliant de Constantinople (690x670mm), le plan de Vienne est en 2 états, par G. Heck et Plée et gravé par U. Muschani, roussurs éparses, 2 cartes uniformément brunies avec réparations, mouillure claire en marge, tache sur les 16 premiers feuillets en tête et en fin d’ouvrage en pied. Provenance : collection de S.A.R. le Prince Osman Ibrahim d'Égypte (1951-2025), fils de S.A.R. le Prince Amr Ibrahim d'Égypte et de S.A.I. la Princesse Nejla Hibetullah Sultan (Necla Osmanoğlu) de Turquie, petite-fille du dernier calife Abdulmejid II et du sultan Mehmed VI, avec sa marque au tampon.
1835PHO-1099Paris, Bellizard, Barthes, Dufour et Lowell ; Londres, Bossange, Barthes et Lowell ; Saint-Petersbourg, Fd. Bellizard et Cie, 1835-1841. 18 volumes de texte in-8 et un atlas in-folio TEXTE : 18 volumes in-8, relié plein cuir tacheté époque, dos lisse orné avec pièce de titre rouge et auteur et tomaison vertes, filet sur les plats, adhésif, frottements, défauts d'usage .., rousseurs dans le texte. ATLAS : Paris. Bellizard, Dufour etc. 1844. Imprimé chez Thierry Frères. Reliure époque, dos lisse. Grand in-folio (555x375mm) il est composé d'un titre, d'une listes des cartes, d'une carte générale de l'Empire Ottoman avec les contours aquarellés (690x550mm), de 21 cartes particulières (dont une sur 2 feuilles et 2 à double page dépliantes représentant les états de l'empire ottoman et les états limitrophes (845x590mm et 845x545), de 13 plans de batailles ou de siège, et de 3 plans de villes dont un grand plan dépliant de Constantinople (690x670mm) par G. Heck et Lon. Plée et gravée par U. Muschani. Reliure avec défauts, réparation au dos, fente intérieure, petite mouillure angulaire, une carte et un feuillet détaché
Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. [vi], 251 p., 47 numerous b/w and color ills., 96 numerous color photos, 4 color plts. of miniatures. Haliç zinciri. 1000 copies were printed.
New Turkish Original bdg. HC. Large 8vo. (23 x 23 cm). In Turkish. 167 p., color and b/w ills. Halic?: Du?nden bugu?ne yedi tepenin koynunda uyuyan bu?yu?lu? cennet.
Milano, 1942, stralcio con copertina posticcia muta, pp. 281/290 con illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
Veduta notturna del massacro nei confronti dei Softà, studenti musulmani, presi e maltrattati la notte del 23 novembre, poi gettati nelle acque del Bosforo dai turchi. Testo al retro
Fine Turkish Original cloth bdg. In its publisher's special box. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (1213 p.), ills. Geçmisten günümüze Bogaziçi. 2 volumes set. A comprehensive study on the Bosphorus.
18382756AGLond. Virtue, 1838. Stahlstich v. Brandard n. Bartlett, 18,5 x 12,5 Auf Wunsch Digitalaufnahme in jpg-Format erhältlich- photo in jpg-format available. Je nach Versandart können die Portokosten bis zu 2 ? weniger als angegeben betragen.+
Bologna, Marsigli e Rocchi, 1854. In 8vo (cm. 22); brossura originale stampata, pp. 42. ... Costantinopoli e il Bosforo. L’antica Bisanzio. La città di Costantino... Tened, Basika, Lemnos, Ingresso dei Dardanelli... La Crimea, Sebastopoli... Axs
Very Good Turkish Paperback. 4to. (26 x 19 cm). In Turkish. 27 p., b/w ills. Galatada Arab camii. Extremely rare separatum on Arab Mosque in Galata.
1947ABE-8359947126EN COUVERTURE UNE GRANDE FIGURE DE L'UNION FRANCAISE FELIX EBOUE/DISCOURS A BORDEAUX-LA PALESTINE DEVANT L'ONU/PHOTO-A LA MEMOIRE DE FELIX EBOUE/2P/5 PHOTOS-L'ECHEC DU VIET MINH/PAR LUCIEN BODARD/3P/5 PHOTOS-LES PASSAGES PARISIENS/PAR MAURICE BEDEL/4P/10 DESSINS DE CARLIEZ/LES TROUBLES DE VIENNE-LA FLOTTE DES USA DANS LE BOSPHORE/2P/5 PHOTOS-LA FIN DU ROYAL TOUR-LA XXXVI EME FOIRE DE PARIS/2P/7 PHOTOS
New Turkish Paperback. Oblong large 8vo. (22 x 24 cm). In Turkish. 240 p., b/w photos. Fotograflariyla M. Zeki Sezgin. Collection of photographs by Mehmet Zeki Sezgin (1914-1984) who was a photographer in Akçaabat. He usually took photographs of social life in Akçaabat. This book includes 50 b/w photographs which exhibited.
Very Good English Paperback. Oblong large 8vo. (22 x 23 cm). In English, Turkish, and Armenian. [36] p., b/w photos. Eyewitness.= Görgü tanigi. Getronagan Lisesi 100. kurulus yildonumu anisina.= In memoriam Getronagan Lycee, 1866-1986.
36684ABFrankfurt, Societäts-Vlg., o.J. 4°. 173 (1) S. Mit zahlr. Abb. Lwd. Verg. Rü.-Tit., Rü.-Verg. Etw. ber., best. u. fl., Rü.Gelenk m. kl. Einrissen. Tls. minimal braunfl. Guter Zustand.
New English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. Color and b/w ills. 160 p. 1500 copies were printed. Marine transportation in old Istanbul, Constantinople. Eski Istanbul'da deniz ulasimi.
New Turkish Paperback. 4to. (28 x 24 cm). In Turkish. 112 p., b/w ills. Eski Istanbul evleri ve Bogaziçi yalilari. Old Istanbul houses and yalis of the Bosphorus.
New English Paperback. Small 4to. (25 x 21 cm). In French and Turkish. 267, [3] p., color and b/w ills. Entre trois mers: Cartographie Ottomane et Française des Dardanelles et du Bosphore.= Üç denizin arasinda: Osmanli ve Fransiz Bogaz haritalari. [Exhibition catalogue]. Curated by Pascal Lebouteiller. Articles by Jean-Louis Bacque-Grammont, Faruk Bilici, A. M. Celâl Sengör, George Tolias, Catherine Hofmann, Emmanuelle Vagnon et alli. Between three seas: Ottoman and French Cartography from the Dardanelles to the Bosphorus (17th - 19th centuries). The exhibition, "Between Three Seas: Ottoman and French Cartography from then Dardanelles to the Bosphorus (17th ¿ 19th Centuries)" is a collaboration between Arkas Art Center and French Institute for Anatolian Studies. Included in the exhibition are maps of the Dardanelles and the Bosphorus that are lent by the French National Library and French National Archives for the first time and important maps borrowed from archives and collections in Turkey. The exhibition sheds light on the close relationship between the Ottoman and French states over centuries through showing transportation routes by sea, military and armed force settlements, surrounding rural and agricultural areas, geographic and cultural boundaries. The maps of Turkish and French origin offer a comparative perspective on the Bosphorus and the Dardanelles as well as on Ottoman and French cartography. The exhibition also includes pilot charts, military maps, sketches, calculations, drafts and scribbles that reveal the production process of the maps.
Fine English Paperback. Small 4to. (25 x 21 cm). In French and Turkish. 267, [3] p., color and b/w ills. Entre trois mers: Cartographie Ottomane et Française des Dardanelles et du Bosphore.= Üç denizin arasinda: Osmanli ve Fransiz Bogaz haritalari. [Exhibition catalogue]. Curated by Pascal Lebouteiller. Articles by Jean-Louis Bacque-Grammont, Faruk Bilici, A. M. Celâl Sengör, George Tolias, Catherine Hofmann, Emmanuelle Vagnon et alli. Between three seas: Ottoman and French Cartography from the Dardanelles to the Bosphorus (17th - 19th centuries). The exhibition, "Between Three Seas: Ottoman and French Cartography from then Dardanelles to the Bosphorus (17th ¿ 19th Centuries)" is a collaboration between Arkas Art Center and French Institute for Anatolian Studies. Included in the exhibition are maps of the Dardanelles and the Bosphorus that are lent by the French National Library and French National Archives for the first time and important maps borrowed from archives and collections in Turkey. The exhibition sheds light on the close relationship between the Ottoman and French states over centuries through showing transportation routes by sea, military and armed force settlements, surrounding rural and agricultural areas, geographic and cultural boundaries. The maps of Turkish and French origin offer a comparative perspective on the Bosphorus and the Dardanelles as well as on Ottoman and French cartography. The exhibition also includes pilot charts, military maps, sketches, calculations, drafts and scribbles that reveal the production process of the maps.
New English Paperback. 4to. (32 x 23 cm). In Judeo-Espagnol (Ladino). 559 p., b/w ills. En tierras ajenas yo me vo murir. Tekstos kontemporanos en Djudeo-Espaniol. Leyenda de una Lingua-Haketia-Kuentos-Memorias-Meliselda-Oki Oki.
Very Good English Paperback. 4to. (29 x 24 cm). In English and Turkish. [xiii], 182, [1] p., color and b/w ills. El/leMarmara University Faculty of Fine Arts Exhibition of Graduation Projects Academic Year, 2005-2006.= El/le. Marmara Üniversitesi Güzel Sanatlar Fakültesi 2005-2006 Akademik Yili Diploma Projeleri Sergisi. [Exhibition catalogue]. Prep. Inci Deniz Ilgin, Begüm Akkoyunlu, Zeynep Ögel. For the artist, there is a particularly productive relationship between the hand and the object. The hand must wield the brush masterfully; its skill must predominate when shaping the mass of clay. The fingers must find the way to elicit the finest sound from the strings of the violin, the keys of the piano. Here the hand searches for thought and feeling; the instant it finds what it has sought - in spite of its appetite - it must rise from the banquet table of sound or colour or form, otherwise, like every other thing that loses its equilibrium, it becomes subject to damage. The hand of the designer takes heed of the relationship between hand and object. Perhaps his relationship with the object develops as it passes through the filter of his relationship with the hand, because in the person-object relationship, holding and using are significantly predominant. But whether we are discussing art or design, if there is no relationship with creative potential in the relationship between matter and product, the hand is nothing more than a useful tool. From this aspect, the hand is the confessor of the heart, the brain and the aggregation that anticipates the creative potential... The collaboration between the Fine Arts Faculty of Marmara University and the Pera Museum was based upon the condition that the ten divisions of this Faculty would be included in the exhibition and that it would be comprised from the works of the graduating class. It was certain that this interdisciplinary exhibition would display an energetic and extremely colourful totality. It was important to present the exhibition within the framework of a shared theme that would unify these varying techniques and disciplines. Ultimately the discussions on this subject led to the choice of the title "el/le", because of the breadth of its meaning. In the "EL/LE" exhibition, painting, sculpture, graphic arts, ceramics, industrial products, interior design, textiles, photography and cinema come together in the opulence generated by the traditional arts of the hand. The "hand" is interpreted by the hands of artists and designers. What aspects of the hand will be beautified through the abundant energy of these creators? This exhibition provided the conclusive answer to that question.
