4 498 résultats
Opera per la prima volta pubblicata nel Theatrum Civitatum et admirandorum Italiae, stampato da Johannes Blaeu ad Amsterdam nel 1663. Esemplare tratto dal Nouveau Theatre de l'Italie pubblicato ad Amsterdam nel 1704/5 da Pierre Mortier e ristampato da R. Alberts nel 1724. Johannes Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata Nouveau Theatre de l’Italie. L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera. L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. La particolarità che differenzia le due edizioni di Blaeu e Mortier è rappresentata dal fatto che il testo non è al verso della singola mappa (che quindi è bianca nel retro), ma si trova all’inizio di ogni singolo volume. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da R. Alberts ed edita nel 1724/5. Le opere tratte dalla prima edizione del Blaeu, 1663, sono caratterizzate dalla presenza del testo al verso, qui assente. Incisione in rame, in buono stato di conservazione. Bibliografia Koeman pp. 332/338, Cremonini pp. 83-90. Work first included in Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., printed by Johannes Blaeu, Amsterdam, 1663. Example taken from Nouveau Theatre de l'Italie - Amsterdam nel 1704/5 - by Pierre Mortier or from the da R. Alberts issue (1724). Without descriptive text on the back. The Theatrum Civitatum et Admirandorum Italiae is the first monumental town book entirely covering Italy, preceded by the "pocket-size" Italia Hodierna by Jodocus Hondius jr. (1627) and realized in likely competition with Johannes Janssonius who, in 1657, published the Theatrum praecipuarum urbium, containing a volume dedicated to Italy. Johannes Blaeu, during his long editorial activity published three volumes on Italian cities. In 1663 the first three, divided into the State of the Church, Rome and the Kingdom of Naples and Sicily. At his death his heirs gave birth to two more volumes dated 1682 focused on the cities of Piedmont and Savoy, then reprinted by other publishers in 1693 and 1697. Pierre Mortier publishes a reprint in 1704/5, entitled Nouveau Theatre de l'Italie. The work is in four volumes and includes the plates of Blaeu, retouched and modified in small part, supplemented by the addition of several new maps of his own design, depicting the cities of the northern part of the peninsula, enclosed in the first volume of the work. Mortier's atlas was published with Latin, French and Dutch texts. The great success of the work gave rise to a further reprint, virtually identical, edited by R. Alberts and published in 1724/5. Literature Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39.
In - 4°. Pagine XVI, 401, (3) Rilegatura coeva in piena pergamena con titolo manoscritto al dorso. Bel frontespizio in rosso e nero. Mancanza all'angolo superiore della prima carta bianca. Ottimo stato di conservazione complessivo. Rara e documentata edizione originale di questa settecentesca storia della città di Civitanova nelle Marche. L’opera è divisa in tre parti (Istoria di S.Marone il cui corpo si venera nella sua Chiesa presso Civitanova; Memorie Sagre della medesima; Istoria civile di essa, tessuta con molte, e varie vicende della Provincia) e conserva la splendida tavola ripiegata raffigurante il martirio di San Marone patrono della città.
in-8, pp.IX, 120, rileg. mod. p. perg. antica con tit. calligrafico riportato al piatto ant. e al d. Antip. inc. in rame ad inchiostro rosso con lo stemma cardinalizio della famiglia Albani. A pag.42 bella tav. in rame raff. la piazza di Fermo, il Girfalco con l'antica rocca, il palazzo dei Priori e la cattedrale. Leg. arrossature marginali su alcune pp. Platneriana p.132. Lozzi 1582: "Assai raro". Bell'esempl. in barbe su carta forte. [301]
Amsterdam, 1590 circa. Dall' “Atlas” del Mercatore (che si compone di tre parti, tutte edite a Duisburg tra il 1585 ed il 1595 con il testo latino al verso) incisione in rame, vecchia ma non coeva coloritura, cm 36 x 48,5 (alla lastra). Testo francese al verso, indice della edizione di Amsterdam. Esemplare a pieni margini e in bella coloritura, buono lo stato di conservazione.
incisione rame f. 52x42 In: Mortier P. - Nouveau Théà tre d'Italie... a La Haye
Inc. rame, f. 52x41,3 In: Mortier P. - Nouveau Théà tre d'Italie... a La Haye
Inc. rame, f. 53x44. In: Mortier P. - Nouveau Théà tre d'Italie... a La Haye
Inc. rame f. 54x43,5. In: Mortier P. - Nouveau Théà tre d'Italie... a La Haye
Tre carte geografiche in un foglio, raffiguranti il territorio senese, la Corsica e le Marche. Foglio tratto dal Theatrum Orbis Terrarum e che è considerato il primo vero “atlante” moderno. L’opera fu pubblicata in 7 lingue e 36 edizioni, per il quale – nel 1570 - Ortelius ottenne il privilegio, ovvero una sorta di diritto d'autore che impediva ad altri cartografi di pubblicare i propri lavori. Il Theatrum rappresentava il lavoro più avanzato del lavoro della descrizione cartografica. L’Ortelius vi raccolse il sapere geografico e cartografico del suo tempo, proponendo in 147 spettacolari tavole incise l’immagine più fedele del mondo allora conosciuto e, in alcune straordinarie “carte storiche”, regioni e itinerari tratti dalla letteratura, dalla mitologia, dalla tradizione. Ortelius fu anche il primo a citare le fonti, menzionando i nomi dei cartografi nel “catalogus auctorum”. Dal 1598 al 1612 le edizioni postume del Theatrum furono realizzate dal suo collaboratore Johannes Baptiste Vrients. Incisione in rame, bella coloritura a mano, leggere ossidazioni, in ottimo stato di conservazione. Three maps in one sheet, showing Siena, Corsica and Marche. Maps taken from the Theatrum Orbis Terrarum, which is considered the first true modern "Atlas". The work was published in 7 languages and 36 editions, for which - in 1570 - Ortelius obtained the privilege, a kind of copyright that prevented other cartographers from publishing his works. The Theatrum represented the most advanced work of cartographic description. Ortelius collected in it the geographical and cartographic knowledge of his time, proposing in 147 spectacular engraved plates the most faithful image of the world then known and, in some extraordinary "historical maps", regions and routes taken from literature, mythology, tradition. Ortelius was also the first to cite sources, mentioning the names of cartographers in the "catalogus auctorum". From 1598 to 1612 the posthumous editions of the Theatrum were made by his collaborator Johannes Baptiste Vrients. Copperplate with later hand colour, some foxing, generally in good conditions. M. Van den Broecke "Ortelius Atlas Maps" (2011), n. 137.
in-8, pp. LXXXIX, 296, bella leg. m. perg. coeva con angoli e tit. al d. Ediz. orig. Sono perfettamente descritti 286 specie di uccelli sui 450 elencati dal Giglioli nella sua “Avifauna italica”. Ceresoli p. 268. Raro. [398]
gr. vol. in folio, pp. 607, (4), leg. cart. edit. Contiene le seguenti: Cronaca di Antonio di Niccolò, Annali di Fermo di Giovan Paolo Montani, Annali di anoimo autore dal 1445 al 1557. Inoltre ricchissimo apparato di documenti, appendici, annotazioni e trascrizioni. Importante e insuperato studi di storia locale. [394]
Opera tratta dalla rara prima edizione del Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., stampata ad Amsterdam nel 1663. Si tratta del primo, monumentale, libro interamente dedicato alla cartografia urbana della sola penisola, preceduto dal “tascabile” Italia Hodierna di Jodocus Hondius del 1627 e realizzato in probabile concorrenza con Johannes Janssonius che, nel 1657, aveva pubblicato il Theatrum praecipuarum urbium, contenente un volume dedicato all’Italia. Johannes Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata Nouveau Theatre de l’Italie. L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera. L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da Alberts ed edita nel 1724/5. Esemplare con testo descrittivo la verso, della prima edizione del 1663. Bibliografia Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39. Map taken form the rare first edition of Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., printed by Johannes Blaeu, Amsterdam, 1663. This is the first monumental town book entirely covering Italy, preceded by the "pocket-size" Italia Hodierna by Jodocus Hondius jr. (1627) and realized in likely competition with Johannes Janssonius who, in 1657, published the Theatrum praecipuarum urbium, containing a volume dedicated to Italy. Johannes Blaeu, during his long editorial activity published three volumes on Italian cities. In 1663 the first three, divided into the State of the Church, Rome and the Kingdom of Naples and Sicily. At his death his heirs gave birth to two more volumes dated 1682 focused on the cities of Piedmont and Savoy, then reprinted by other publishers in 1693 and 1697. Pierre Mortier publishes a reprint in 1704/5, entitled Nouveau Theatre de l'Italie. The work is in four volumes and includes the plates of Blaeu, retouched and modified in small part, supplemented by the addition of several new maps of his own design, depicting the cities of the northern part of the peninsula, enclosed in the first volume of the work. Mortier's atlas was published with Latin, French and Dutch texts. The great success of the work gave rise to a further reprint, virtually identical, edited by R. Alberts and published in 1724/5. Example of the first edition, showing descriptive text on the back of the map. Literature Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39.
Opera per la prima volta pubblicata nel Theatrum Civitatum et admirandorum Italiae, stampato da Johannes Blaeu ad Amsterdam nel 1663. Esemplare tratto dal Nouveau Theatre de l'Italie pubblicato ad Amsterdam nel 1704/5 da Pierre Mortier e ristampato da R. Alberts nel 1724. Johannes Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata Nouveau Theatre de l’Italie. L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera. L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. La particolarità che differenzia le due edizioni di Blaeu e Mortier è rappresentata dal fatto che il testo non è al verso della singola mappa (che quindi è bianca nel retro), ma si trova all’inizio di ogni singolo volume. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da R. Alberts ed edita nel 1724/5. Le opere tratte dalla prima edizione del Blaeu, 1663, sono caratterizzate dalla presenza del testo al verso, qui assente. Incisione in rame, in buono stato di conservazione. Bibliografia Koeman pp. 332/338, Cremonini pp. 83-90. Work first included in Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., printed by Johannes Blaeu, Amsterdam, 1663. Example taken from Nouveau Theatre de l'Italie - Amsterdam nel 1704/5 - by Pierre Mortier or from the da R. Alberts issue (1724). Without descriptive text on the back. The Theatrum Civitatum et Admirandorum Italiae is the first monumental town book entirely covering Italy, preceded by the "pocket-size" Italia Hodierna by Jodocus Hondius jr. (1627) and realized in likely competition with Johannes Janssonius who, in 1657, published the Theatrum praecipuarum urbium, containing a volume dedicated to Italy. Johannes Blaeu, during his long editorial activity published three volumes on Italian cities. In 1663 the first three, divided into the State of the Church, Rome and the Kingdom of Naples and Sicily. At his death his heirs gave birth to two more volumes dated 1682 focused on the cities of Piedmont and Savoy, then reprinted by other publishers in 1693 and 1697. Pierre Mortier publishes a reprint in 1704/5, entitled Nouveau Theatre de l'Italie. The work is in four volumes and includes the plates of Blaeu, retouched and modified in small part, supplemented by the addition of several new maps of his own design, depicting the cities of the northern part of the peninsula, enclosed in the first volume of the work. Mortier's atlas was published with Latin, French and Dutch texts. The great success of the work gave rise to a further reprint, virtually identical, edited by R. Alberts and published in 1724/5. Literature Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39.
Opera tratta dalla rara prima edizione del Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., stampata ad Amsterdam nel 1663. Si tratta del primo, monumentale, libro interamente dedicato alla cartografia urbana della sola penisola, preceduto dal “tascabile” Italia Hodierna di Jodocus Hondius del 1627 e realizzato in probabile concorrenza con Johannes Janssonius che, nel 1657, aveva pubblicato il Theatrum praecipuarum urbium, contenente un volume dedicato all’Italia. Johannes Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata Nouveau Theatre de l’Italie. L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera. L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da Alberts ed edita nel 1724/5. Esemplare con testo descrittivo la verso, della prima edizione del 1663. Bibliografia Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39. Map taken form the rare first edition of Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., printed by Johannes Blaeu, Amsterdam, 1663. This is the first monumental town book entirely covering Italy, preceded by the "pocket-size" Italia Hodierna by Jodocus Hondius jr. (1627) and realized in likely competition with Johannes Janssonius who, in 1657, published the Theatrum praecipuarum urbium, containing a volume dedicated to Italy. Johannes Blaeu, during his long editorial activity published three volumes on Italian cities. In 1663 the first three, divided into the State of the Church, Rome and the Kingdom of Naples and Sicily. At his death his heirs gave birth to two more volumes dated 1682 focused on the cities of Piedmont and Savoy, then reprinted by other publishers in 1693 and 1697. Pierre Mortier publishes a reprint in 1704/5, entitled Nouveau Theatre de l'Italie. The work is in four volumes and includes the plates of Blaeu, retouched and modified in small part, supplemented by the addition of several new maps of his own design, depicting the cities of the northern part of the peninsula, enclosed in the first volume of the work. Mortier's atlas was published with Latin, French and Dutch texts. The great success of the work gave rise to a further reprint, virtually identical, edited by R. Alberts and published in 1724/5. Example of the first edition, showing descriptive text on the back of the map. Literature Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39.
Opera tratta dalla rara prima edizione del Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., stampata ad Amsterdam nel 1663. Si tratta del primo, monumentale, libro interamente dedicato alla cartografia urbana della sola penisola, preceduto dal “tascabile” Italia Hodierna di Jodocus Hondius del 1627 e realizzato in probabile concorrenza con Johannes Janssonius che, nel 1657, aveva pubblicato il Theatrum praecipuarum urbium, contenente un volume dedicato all’Italia. Johannes Blaeu, durante la sua lunga attività editoriale pubblica tre volumi sulle città italiane. Nel 1663 i primi tre, suddivisi in Stato della Chiesa, Roma e Regno di Napoli e Sicilia. Alla sua morte i suoi eredi danno alla luce altri due volumi datati 1682 incentrati sulle città del Piemonte e della Savoia, poi ristampati da altri editori nel 1693 e 1697. Il francese Pierre Mortier pubblica una ristampa nel 1704/5, intitolata Nouveau Theatre de l’Italie. L’opera è in quattro volumi e comprende le lastre del Blaeu, ritoccate e modificate in piccola parte, integrate dall’aggiunta di numerose nuove mappe di proprio disegno, raffiguranti le città della parte settentrionale della penisola, racchiuse nel primo volume dell’opera. L’atlante del Mortier venne pubblicato con testo latino, francese ed olandese. Il grande successo dell’opera diede origine ad un’ulteriore ristampa, praticamente identica, curata da Alberts ed edita nel 1724/5. Esemplare con testo descrittivo la verso, della prima edizione del 1663. Bibliografia Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39. Map taken form the rare first edition of Theatrum Civitatum et Admirandorum Italiae ad aevi veteris & praesentis temporis faciem expressum à Ioanne Blaeu G. F., printed by Johannes Blaeu, Amsterdam, 1663. This is the first monumental town book entirely covering Italy, preceded by the "pocket-size" Italia Hodierna by Jodocus Hondius jr. (1627) and realized in likely competition with Johannes Janssonius who, in 1657, published the Theatrum praecipuarum urbium, containing a volume dedicated to Italy. Johannes Blaeu, during his long editorial activity published three volumes on Italian cities. In 1663 the first three, divided into the State of the Church, Rome and the Kingdom of Naples and Sicily. At his death his heirs gave birth to two more volumes dated 1682 focused on the cities of Piedmont and Savoy, then reprinted by other publishers in 1693 and 1697. Pierre Mortier publishes a reprint in 1704/5, entitled Nouveau Theatre de l'Italie. The work is in four volumes and includes the plates of Blaeu, retouched and modified in small part, supplemented by the addition of several new maps of his own design, depicting the cities of the northern part of the peninsula, enclosed in the first volume of the work. Mortier's atlas was published with Latin, French and Dutch texts. The great success of the work gave rise to a further reprint, virtually identical, edited by R. Alberts and published in 1724/5. Example of the first edition, showing descriptive text on the back of the map. Literature Koeman, Atlas Neerlandici, pp. 332/338; Cremonini pp. 49-52, 39.
Bulino, f. 40x28 Braun-Hogenberg, Civitates Orbis Terrarum, Anversa e Colonia
Carta geografica di parte delle Marche e dell'Umbria in bella coloritura coeva
F. 50 x 41,5. In: Mortier P. - Nouveau Théà tre d'Italie... a La Haye
64 pages. A wonderful memento for Toronto Maple Leafs fans! Features: Front cover colour photo shows Leaf bench with George Armstrong, Frank Mahovlich and Eddie Shack; Colour photo ad for the Ford Country Squire Station Wagon inside front cover; Maclean's Reports - How one obscure report inflamed both sides of the Fluoride debate all over again; Editorial on Hypocrisy in the Criminal Code - "preventing conception" is an offense; The Maple Leaf Money Machine - a report on how they play and pay, by Peter Gzowski - fantastic two-page-wide black and white candid photo of the team spread out along the boards, complete with their names and positions - the following pages feature a similar two-page-wide black and white photo of the players spread out along the boards in their street clothes, complete with their names and second job, perhaps the most interesting of which is Myles G. (Tim) Horton, "Restaurateur" - little did he know how big his name would become with the eventual growth of his donut business; The Birth-Control Explosion; Portrait of Toronto's Little Italy - its citizens are 160,000 Italian Canadians; The Intimate Record of Sigismund Zippel's Open Heart Operation - artificial leaves in his main heart valve; Report from Africa's unreported war - in Portuguese Angola -Holden Roberto's rebels attack from the Congo; The Taping of Hamlet, starring Christopher Plummer and Elsinore; Colour illustrated Chevrolet centrefold ad; Colour photo full-page ad for TCA, Trans-Canada Air Lines/Air Canada; Cool all-red full-page photo ad for the 1964 Buick Special - with three models shown; Sidney Katz makes the case for a sane look at drivers who drink. Contents gently tanned with age. Somewhat above-average external wear. Unmarked. Magazine
20 pages. Features: Circus Girl - with photo of The Three Meckners, including brave Alicia; Chesterfield cigarette ad includes photos of security guard Dale McRoberts, Jr., gallery operator Tami Apt, and commercial fisherman Floyd Cummins of Washington State; The Single-Parent Family - article with photo of the Kennedy family in rowboat; Off-Beat Vacations; Tasteful one-page photo ad for Formfit/Rogers Dress-Shapers; "The Spy" - From the Cold to the Screen - John Le Carre recounts the often traumatic experiences of watching his characters come to life in the persons of Richard Burton and Claire Bloom - includes several photos. Moderate wear. Unmarked. A sound copy of this special vintage issue. Magazine
Half-leather binding. Telephone Talk was the glossy bimonthly publication of the British Columbia Telephone Company. It was written by employees for employees to present information of interest to those engaged in the plant, traffic, commercial, operating, accounting and other departments of the service. Each issue is replete with black and white photos and information on topics such as: company, industry and technological news, traffic levels, expansion plans, personnel announcements, publicity and social events, deaths, weddings, lists of exchanges, and more. As such, these issues serve as a vital preserve of rare and fascinating British Columbia history. This volume covers topics including: Photos of operators at work in Haney, Nanaimo and Port Moody; $35 million improvement and expansion programme; Rotation billing will be inaugurated in March; Ed Tomer terminates 44-year career; Victoria says good-bye to George Gaetz; Daniel G. Houston - he installed phones in the horse-and-wagon days; Retirement of Thomas (Tom) Smith; photos of W.J. Jefree's clothing store and W.J. Pendray soap works, both in Victoria - the first commercial firms in British Columbia to be linked by a telephone line, in 1880; Photo of Nanaimo's first telephone office in 1887 at the fruit store of Mr. and Mrs. E.G. Cavalsky; Photo of splicer's school; Annual report reveals record demand for service as result of great growth of province; World telephone network is operating again; A farewell to Dave Falconer; The telephone situation as we see it today; Hammond-Haney toll charges eliminated; From Office Boy to District Plant Chief - Lindsay Morrison; High school visitors to the Hasting's operator area; New Building Commemorates Name of First Company President, William Farrell - article with photos; A Report on the telephone situation in B.C.; Thirty-Four Years of Phone Service at Parksville; First commercial VHF circuits now in service here; Toll Chief Operator weds Chief Engineer - A.H. Lemmon and Lila Boden; advertising slogans; Wirephoto service comes to Vancouver; Telephony made great Strides during Labelle Career - Eugene P. LaBelle retires after 44 years in telephony *THIS APPEARS TO BE THE PERSONAL COPY OF MR. LABELLE AS HIS NAME IS STAMPED ON TOP EDGE OF TEXT*; A.C. Bull Elected Federation President; Photo of lovely twin sister operators in Vancouver; Photos behind the scenes at the Victoria Plant Building; New Dial Offic, 'Cedar', Now in Service; 800,000 phone calls per day in Vancouver; Wage increases for 1,000 plant employees; Meet the Executive Assistant's Department - many photos; Nearly 3,800 Bayview phones 'cut' to Cedar; Revenue accounting girls adopt three orphans; replica's of 3 recent billboards, 2 of which include suggestions for party line use; misc. photos of Fraser Valley operators; 1947 was record year despite shortages; *Car phone* service now available - with photo; Leo Griggs, Nanaimo Plant Head, retires; Fifteen years ago; Three blind mice in South America - Kathleen Stephen and Catherine Wilson recall their trip; Ads advise fewer calls, shorter calls - with 2 ads; "Newton" joins our telephone family - story and photos; 1947 progress was offset by record demand annual report points out; 37 years of ups and downs - Percy Turley, cable-splicing foreman; Miss Gertrude Greaves honoured; Photos of Seymour (Vancouver) operators; photo of radiotelephone transmitting station at Lulu Island; various photos inside Kamloops office with staff; article on John (Jack) C. Hemer; Operators learn Human Nature's Queer Quirks; Newspaper columnist visits new William Farrell Building; Trans-Canada phone system construction job resumed - text and photos; photos of staff and facilities at Princeton; Spirit of service triumphs over flood - photos of washed out Mission bridge and more, plus article; PNE float photos; Introducing the company's new business library; New submarine cable links Vancouver and North Shore - photos and text; T. Percy Waters Book
Features: The "Hold-Up" at Fenelon; Avalances; A Tramp in Spain - VI; Hunting the Giant Tortoise; A Desert Tragedy; The Land of the Shrimp-God; How "Buffalo Bill" Won his Name; The Looting of the "Bang Yee"; On the March in the Bahr-El-Ghazal - III; Francisca Machalek, the female burglar; The Wilson Life Insurance Fraud; "Monkey"; The Happenings of a Night; A West African Mutiny; Paris to New York Overland - IV; A Chapter of Mishaps; My Experiences at Kano - I; Besieged in a Tree; The Man-Stealers; In the Grip of the Quagmire; The Monks' Republic; The Strange Case of the "Ferret"; The Calculut Affair; Some Japanese Signboards; A Tramp in Spain - VII; Hoist By His Own Petard; The Island of Captive Kings; The March of "Coxey's Army"; Sport and Adventure in Gallaland - I; In the Land of the "Never-Never"; The Range War; A Thousand Miles in a Refrigerator; Sport and Adventure in Gallaland - II; How the Treasure was Saved; A Tardy Vindication; Rambles in Macedonia; Attacked by Wolves in the Desert; A Tramp in Spain - VIII; My Experiences at Kano - II; Defective in the Barrel; The Last of the Bushrangers; Prisons of Many Lands; The Solving of a Mystery; "Meistertrunk" at Rothenburg; The Shrine by the Nujha Bridge; Among the Buriats; Adrift on a Raft; A Night of Horrors; The Narcissus Festival at Montreux; A Mountain of Salt; After the "Mad Mullah"; A Unique Summer Residence; The Wandering Jew; With the British to Sokoto; John Glover of Texas; A Baby Parade; How the Gipsy Queen found her lover; A Cargo of Cats; A Tramp in Spain; When the Water Came Down; A Mystery of the Bush; The Story of My Chinese God; A Battle with a Rhino; After the "Mad Mullah" - II; The Pursuit of Captain Victor - II; The Cave-Dwellers of Mexoco; Calamity Jane; With the British to Sokoto - II; Arrested as Spies; When Niagara Ran Dry; The Flying Dutchman; Among the South Sea Cannibals - I; Across Sumatra in a Motor-Car; A Tramp in Spain - X; Our Attempt to Reach Mecca; A Puma Hunt in Surrey; Entombed in a Capsized Ship; With the British to Sokoto - II; The Apotheosis of Simpson; Our Quiet Little Shooting Trip; My Adventure with a Lunatic; A Tramp in Spain - XI; Sacred Town of Mandhata; Mystery of Silver Bow Valley; Among the South Sea Cannibals - II; A Night in a God-House; The Tragedy of the "Maria" and My Part in it; The Red Pig of Poora; Two-Thousand Miles in a Trawler; The Most Inaccessible Place in China; What Happened at Morelia; The Blumencorso at Hamburg. Heavily worn. Backstrip almost detached. Binding open after second blank leaf. A worthy reading copy. Book
68 pages. Features: Great cover illustration of Toronto Maple Leaf locker room by Franklin Arbuckle shows button being sewn onto uniform of team captain Ted "Teeder" Kennedy by Tim Daly with Turk Broda in background; The Case History of Comrade Tim Buck - Leader of Canada's Communist Party for 21 years; You Too Can Be a Perfect Parent; The Hex-man of Croaker's Hole (fiction); Conscription! - How soon will it come?; Art Reaume - The Battered Boss of Windsor, Ontario; How to Pay Less Income Tax; Sir John Franklin's Folly; Regina's Always Starting Something; Whooping Cough - Number One Baby-Killer; Attractive colour Buick ad shows yellow Custom and red Roadmaster; Li'l Abner comic in Cream of Wheat ad; Noxzema ad features lovely Elaine Stewart; Jergens ad features four photos of Ginger Rogers; Nice colour La-Z-Boy ad shows officeman reclining on red chair; Dow Brewery ad honours Leo Doucet, 13, of Richibucto, N.B. who performed a heroic feat after a shotgun charge exploded while he and his father were two miles from shore; Auto-Lite ad features photo of Maureen O'Hara and her look-alike Jean Eyres of NYC; Molson's ad features tips for homeowners by Tom Gard; Nice colour Coke ad on back covers shows boy with blacksmith plus mechanic; and more. Unmarked with moderate wear. A nice vintage copy. Book
92 pages. Text in French. Features: Le Chapitre Des Chapeaux; Ensemble a Cape Pour Le Printemps; Le Mouvement Projete En Avant; L'Ecole De Ski; Sous Le Soleil De Sestrieres; Les Nouvelles Collections; A La Decouvert; Le Massage Facial; Idees Nouvelles Dans Les Bikoux; Accessoires; Fraicheir Du taffetas Quadrille; S.A.R. La Princesse Marina De grece; Mue De L'Homme, par Jean-Richard Bloch; Matins de Printemps; Sur La Cote De Floride; A Burlington House; Sur La Scene; Many gorgeous vintage ads. Above-average wear. Soiling to front cover. Binding intact. Missing pages 71-72. A worthy reference copy of this marvelous vintage issue. Book
17 pages plus 3 pages of ads. Contents include: Editorials; A Comment on the Coins of the United States; The Collector's Debt to the Museum; Notables Who Are Members of the British Numismatic Society; The Chicago Numismatic Society;The Numismatic and Antiquarian Society of Montreal; Stamp Department; Mineralogy; Charles Gregory's Gift. Unmarked. Average external wear. Small chip from upper corner of front corner at coverfold. Short openings along coverfold. A sound copy of this, the premier issue of this esteemed numismatic publication. Book