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184435166PRIMERA EDICION.- Bruselas: Sociedad Belga de Librería Hauman y Cia. 1844.- XVI172 p. 1 h.: 25 láminas grabadas al acero y diferentes viñetas e ilustraciones grabadas en madera intercaladas en el texto; 4º 26 x 18 cm; Texto bilingüe en francés y español; Impresión a dos columnas; Enc. en Plena Piel Chagrén de color marrón lomo con 4 nervios cuajado en oro tapas con planchas en seco y oro cantos y contracantos dorados cortes dorados guardas en papel imitando moiré de color blanco.- Palau 296931. MUY RARO. La encuadernación con algunos roces en bordes y esquinas faltándole a estas últimas pequeños trocitos de piel y las guardas sucias debido a la acidez de las colas empleadas. El primer grabado con un desgarro perfectamente reparado alguna de las láminas con motas de óxido que no afectan a la parte grabada de forma acusada. A pesar de los descrito que es preceptivo la obra se encuentra en aceptable estado LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Sociedad Belga de Librería hardcover
2011BN819842011. 2011. Hardcover. Die Streitverkuendung im europaeischen Interventionsrecht <br/><br/> hardcover
2020x-1138089044CRC Pr I Llc 2020. Hardcover. New. 4th edition. 899 pages. 10.00x7.00x2.25 inches. CRC Pr I Llc hardcover
1835196250Paris.: A. Bertrand. 1835. Aquatint 27.1 x 36 cms; 31.6 x 47.2 cms sheet trimmed including platemark margins outside the platemark toned and discoloured edgewear with small chips mark at the foot of the caption split without loss at the lower corner of the platemark the image a fine dark impression in very good condition. Fine view of the market square at Pondicherry showing the well and the prison in the background from the official account of the Laplace voyage in the Favorite 1830-32 by voyage artist François-Edmond Pâris 1806-1893. The important French expedition encompassed India Southeast Asia and the Pacific. . A. Bertrand. unknown
1835196251Paris.: A. Bertrand. 1835. Aquatint 27.1 x 36 cm; 32.3 x 47.2 cm sheet trimmed including platemark margins outside the platemark toned and discoloured with soft crease and small split not affecting the image to an upper corner the image a fine dark impression in very good condition. Beautifully executed view of the Governor's Palace in the Pondicherry showing soldiers and officials trouping out from the official account of the Laplace voyage in the Favorite 1830-32 by voyage artist François-Edmond Pâris 1806-1893. The important French expedition encompassed India Southeast Asia and the Pacific. . A. Bertrand. unknown
41356Paris. E. Garnot. 1834. 1835. 4to. 29x 20cm title-page vignette18p. preliminary place name index with 49 double-page colour maps preliminary lists prominent features in red each map with lithographic vignettes buildings parks boulevards etc. foliated paper is printed on one side only in the original paper over green boards with title with vignette reproduced on the upper cover with half title and publisher's vignette on the title page spine chipped at the top with 7cm piece missing covers worn hinges loose library plate removed removed on the front paste-down endpaper internally text and plates are fine. cgc. Note: the date on the title page is 1834 but 1835 on the cover title page. ~ A series of maps the first displaying the twelve arrondissements and the 42 districts of Paris as of 1834. The following maps are of the individual districts very detailed with prominent features in red and vignettes of important buildings parks and boulevards. The population of Paris was over 900000 at this time and was still a walled-city until 1860. The maps show the results of improvements made under Napoleon to be followed by changes made after the Restoration of 1815 and the reign of Louis XVIII. Paris. E. Garnot. 1834. (1835) unknown
1840ARRI(PAR22cParis: c1840. 1840. oblong 8vo. 20 coloured lithographed plates only incl. title; plates not bound in numerical order the latest number being 27. original blind & gilt-stamped cloth cloth faded spine crudely repaired some foxing. Hardcover. [cParis: c1840]. Hardcover
1895701870-744<p>Paris: c1895. 1895. oblong folio. unpaginated. possibly lacking title. profusely illus. throughout many full-page a few in colour. contemporary quarter chagrin joints rubbed rear cover partly dampstained front flyleaf & blank chipped & creased edges of last few leaves chipped.</p> [Paris: c1895].
173959027Paris L'Imprimerie Royale 1739. 4to. Fine contemp. full calf. Raised bands. Richly gilt spine. Tome- and titlelabels with gilt lettering. Gilt borders on covers. Light wear to spineends. Minor scratches to upper cover. Engraved frontispiece. 8120507 pp. 18 partly folded engraved plates. Clean and fine. <br/><br/><em>With original papers by: Clairaut Hellot Maraldi du Hamel Cassini de Thury du Fay Petit de Mairan Grosse Pitot Cassini du Hamel le Monnier Lémery Maupertuis Sur la Figure de la Terre de Fouchy Morand Reaumur Geoffroy Bouguer. </em> hardcover
173959001Paris L'Imprimerie Royale 1739. 4to. Fine contemp. full calf. Raised bands. Richly gilt spine. Tome- and titlelabels with gilt lettering. Gilt borders on covers. Light wear to spineends. Minor scratches to upper cover. Engraved frontispiece. 8120507 pp. 18 partly folded engraved plates. Clean and fine. <br/><br/><em>With original papers by: Clairaut Hellot Maraldi du Hamel Cassini de Thury du Fay Petit de Mairan Grosse Pitot Cassini du Hamel le Monnier Lémery Maupertuis Sur la Figure de la Terre de Fouchy Morand Reaumur Geoffroy Bouguer. </em> hardcover
P7063Paris F.E. vice admiral: 1975 Grenoble hardcover with dust jacket each of the three volumes about 240 pages and 120 plans. Facsimile of the original edition of 1879. This edition is numbered 528 of 1700 copies. A comprehensive collection of plans and drawings of ancient and modern ships and boats both existing and lost with numerical elements necessary for their construction. This three-volume work initiated by Paris with his own funds preserves hundreds of coastal boat records from around the world offering great archaeological interest. In very good condition. ISBN 2852310147 / 2852310163 / 2852310198 because of weight no sending outside Europe or some additional costs In Three Volumes folio format hardcover
182329769London: Printed for Longman Hurst Rees Orme Brown and Green 1823. First book edition. According to the preface many of the letters had been published in the "European Magazine. 1 vols. 8vo. Contemporary marbled boards recently rebacked with brown morocco. Some light rubbing light spotting of text mostly at front and back else very good. First book edition. According to the preface many of the letters had been published in the "European Magazine". 1 vols. 8vo. The Marquis de Vermont and Sir Charles Darnley Bart are both pseudonyms. Printed for Longman, Hurst, Rees, Orme, Brown and Green unknown
11031Woodcut royal coat-of-arms to title. 59 pp. 12mo 164 x 98 mm. 20th-cent. green morocco-backed marbled boards by Blanchetière spine ornately gilt t.e.g. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1787.<br /> <br> <br> Scarce livret produced for the 1787 Salon in Paris. Ca. 115 artists exhibited 327 paintings drawings sculptures engravings etc. The exhibition presented the work of Brenet Suvée Vernet Weyler Callet Vigée-Lebrun pp. 19-20 Labille-Guiard pp. 21-22 David Wertmuller Peyron Perrin Hall Bilcoq Pajou Bridan Boizot Houdon Comte de Parois Porporati Venon Monot etc. A finely bound copy of this rarity livrets of the Paris Salon are now rare on the market.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
11032Woodcut royal coat-of-arms to title. 60 pp. 12mo 172 x 103 mm. 20th-cent. half-green morocco over marbled boards by Blanchetière spine ornately gilt t.e.g with cont. decorative wrappers bound-in. Paris: l’Imprimerie des Bâtimens du Roi & de l’Académie Royale de Peinture 1789.<br /> <br> <br> Scarce 18th-century Salon livret; WorldCat records only three examples in North America. Ca. 117 artists participated and presented a total of 335 works. The artists present for this year’s Salon included Rameau Vallayer-Coster pp. 13-14 Vigée-Lebrun pp. 19-20 Labille Guiard David Houdon Moitte Saint-Aubin etc. An exquisitely bound copy in fine condition.<br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
1103496 pp. 12mo 157 x 93 mm. 19th-cent. green sheep maroquiné-backed marbled boards spine gilt. Paris: veuve Hérissant 1795.<br /> <br> <br> An uncommon Salon livret from the Revolutionary period; WorldCat records only two examples in North America the National Gallery of Art Library also has one. This copy was once part of the library of comte L. Clément de Ris 1820-82 a prominent museum curator who amassed one of the finest collections of art exhibition catalogues. With entries for paintings numbered 1-535; Sculpture 1001-1089; Architecture 2001-2063; and Gravure 3001-3048. Fine copy with distinguished provenance. Small marginal tear to pp. 83-84. <br /> <br> <br> ⧠Documenting the Salon: Paris Salon Catalogs 1673-1945 National Gallery of Art Library: 2016. unknown
196840516Paris: np 1968. 55 x 43cm. Image of a silhouetted grinning male figure with an enlarged nose reading "Pom Pom La Chielit" which loosely translates to "Pom Pom the Shitty Mess" The nickname "Pom Pom" refers to Georges Pompidou the then Prime Minister and top aid to President Charles de Gaulle. The term "chienlit" was brought to notoriety by de Gaulle in an angry speech during the student protests when he used the vernacular term as a scatological pun "La reforme oui la che-en-lit non" meaning "Reform yes but chaos no." Subsequently the students reused the expression on leaflets and posters where silhouettes of political leaders were accompanied by confrontational slogans. np unknown
192522443<p>Paris:: Le Livre de Demain/Artheme Fayard & Cie 1925. First Edition Thus. . A Very Good copy in original orange wrappers printed in black and red price label afixed to front cover in a later board slipcase. 175 pp. 28 illustrations after woodcuts by Foujita. Wrappers are rubbed and partially separated though intact with loss to one corner. Many titles were published in this series of "Le Livre de Demain" but this volume is partically collectible because of the witty woodcuts by the young expatriate Japanese artist primarily known for his cat paintings and illustrations. There is not a cat to be found in any of these woodcuts which makes this production even more special.</p> Le Livre de Demain/Artheme Fayard & Cie, paperback
189582230Paris: : The Paris Salon; Charles Yriarte 1895. loose sheets in the printed original envelope. The envelope is dust-soiled with some light wear. Marginal tear to one plate neatly repaired; the plates generally clean and fine. . Oblong folio 13-1/2 x 18 inches. The Paris Salon; Charles Yriarte, unknown
186788500n.p. 1867. Very Good. Four-page leaflet 2nd and 4th pages blank. Later folds probably for mailing. Minor splitting at end of one fold. Accompanied by a modest-sized 14 x 22 cm. 2-page holograph letter dated 17th January 1867 and written by L. A. Chamerovzow Secretary of the Sub-Committee of the British and Foreign Anti-Slavery Society one of the Societies proposing that the 1867 Conference be organized and held. The invitation is short on details. The unnamed recipient of the letter is: 1 requested to advise as to whether they planned to attend the Conference; 2 advised that Mr. Cook presumably Thomas Cook of the well-known firm for travelers can be contacted to secure help with accommodations; and 3 told that delegates might be sought from those already planning to attend the Great Paris Exhibition in 1867. unknown
76-0006Paris: Lynx Agence Photographique de la Presse circa 1960. Photograph. 24 x 18 cm approx. each sheet. A collection of 76 press photographs. Very Good. Paris: Lynx Agence Photographique de la Presse, circa 1960. unknown
51-3770Paris : Comité de Soutien à la Révolution en Oman circa 1976. Lithograph in colors. 85 x 605 cm. Marginal tears."Soutien total au peuple d'Oman". Lithographie en couleurs. Dim. : 715 x 575 cm fines pliures petites coupures en bordure ancienne trace de papier collant. (Paris) : Comité de Soutien à la Révolution en Oman, circa 1976 unknown
1969140948439New York: Meredith Press 1969. First edition. About Very Good/Very Good. First edition first printing. Signed by Paris Flammonde and radio host Long John Nebel John Zimmerman on the front free endpaper and inscribed to a previous owner with date 1/11/69. xxx 22 348 pp. illustrated with black and white photographs. Bound in publisher's gray paper-covered boards over black spine cloth lettered in orange gilt. About Very Good with light wear to covers moderate foxing along edges of boards and textblock and two small stains to lower edge of textblock. Light foxing and offsetting to endpapers faint bookseller pencilling to endpapers. In a Very Good unclipped dust jacket with light foxing soiling and edgewear.<br /> <br /> <p>A provocative book assessing New Orleans District Attorney Jim Garrison's investigation of the Kennedy assassination and the larger-than-life characters it unearthed. Paris Flammonde was a nonfiction writer and songwriter who published a number of books on UFOs and produced the hit paranormal-themed radio show of Long John Nebel the Art Bell of his day. Flammonde also appeared on the CBS show "What's My Line" alongside regular panelist Dorothy Kilgallen a journalist who shared his skepticism of the Warren Commission and its findings and then met an untimely end after interviewing Jack Ruby. Meredith Press unknown
71-9979Paris: Lynx Agence Photographique de la Presse circa 1965. Photograph. 26 x 18 cm approx. each sheet. A collection of 24 press photographs. Very Good.Hardy burst on to the music scene in 1962 and became a cultural icon who inspired the likes of Mick Jagger and Bob Dylan. Known for her melancholy ballads she symbolized France’s pop movement. Her most famous songs included ‘All the Gris and Boys’ ‘It Hurts to Say Goodbye’ and ‘My Friend the Rose’. Paris: Lynx Agence Photographique de la Presse, [circa 1965]. unknown
71-9978Paris: Lynx Agence Photographique de la Presse circa 1955. Photograph. 25 x 18 cm approx. each sheet. A collection of 61 press photographs. Very Good.After studying at the Lycee Jules-Ferry in Paris Daems made her stage debut in 1947 and her first screen appearance in 1949. She is known for ‘The Journey’ 1959 ‘Air of Paris’ 1954 and ‘Le chevalier de Pardaillan’ 1988. She was married to the actor Francois Perier from 1949 to 1959. Paris: Lynx Agence Photographique de la Presse, [circa 1955]. unknown
71-9980Paris: Lynx Agence Photographique de la Presse circa 1965. Photograph. 26 x 18 cm approx. each sheet. A collection of 95 press photographs. Very Good.Audret made her stage debut in ‘Les deux font la paire/Two Makes a Pair’ and thereafter appeared in such films at ‘Joy of Living’ ‘An Eye for an Eye’ and ‘Girl and the River’. Paris: Lynx Agence Photographique de la Presse, [circa 1965]. unknown
