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Biblio.com

Painting Of A Woman Playing A Lute With Two Small Female Figures

Biblio.com

Perennials: Selections from the Writings of the Right Reverend Phillips Brooks Arranged for Each Day of the Year

1900005337New York: E.P. Dutton 1900. This is a very rare edition published in 1900. Narrow 12mo size pictorial hardcover with bright gilt titles on spine and front cover; 160 pages. Phillips Brooks 1835 - 1893 was an Episcopal clergyman and Rector at Boston's Trinity Church. Well known during his lifetime he delivered a sermon at the funeral of United States President Abraham Lincoln. He was a requested speaker worldwide and delivered a sermon at Westminster Abbey. He was elected the sixth Bishop of Massachusetts in 1891 and served in that capacity until his death. Bishop Brooks is remembered in the Episcopal liturgical calendar on January 23. Several schools were named in his honor as was the Phillips Brooks House now the Phillips Brooks House Association a student volunteer association at Harvard College his alma mater. A statue of Brooks by sculptor Augustus Saint-Gaudens is located outside Trinity Church in Boston. The author of several volumes of sermons Brooks may be best known as the lyricist of the Christmas carol O Little Town of Bethlehem. This posthumously published book is designed in a daily meditation format starting with January first and going through to year end with a brief quotation for each day. The cover is done in a white or cream colored leatherette from the spine outward to midpoint with a smooth white panel over that. The back is plain and the front has a color illustration of a woman holding flowers and decorated with holly sprigs and berries. Our third photo shows the book under flash. Edgewear bumped and worn head and heel of spine worn bottom corners. Light colored covers have some wear and soil and there appears to be a watermark only on the top corner of back cover. The marks on the left side of cover are actually an absence or wear to "paint" not soil. Inscription on fep and a genealogical notation on inside front cover. Penciled notations on rear endpage small spot on margin of inside back cover and rear endpage. Some tiny spots or light foxing on outside pages. Genealogists and family historians: the names referenced in the notation are William Eliza and Gladys Dutton. Dealer Direct Purchase Only. . Pictorial Cover. Good/No Jacket. 12mo - over 6¾" - 7¾" tall. E.P. Dutton Hardcover

Charity Bookstall · États-Unis100,00 $US≈ 84,61 €

Biblio.com

Personnages à aspect complet : Personnages de théâtre - grande taille 2. Imagerie d'Épinal n°2301. Genre assimilé à Grandes constructions

1890254641890. Fine. s. d. circa 1880-1900 39 x 49 cm Image d'Épinal color lithograph large format printed on heavy paper. Minor inconsequential stains to verso otherwise fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes ships and various vehicles. During this same period paper theaters or ""home theater"" also enjoyed great success. This type of toy developed and persisted until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. Épinal imagery has its origins in imagery a popular art born in the 15th century intended mainly for the illiterate public of the countryside. Metz and Nancy are also cities where imagery centers with important production can be found. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. unknown

Rare Books Le Feu Follet - Edition-Originale.com · France115,00 €

Biblio.com

Personnages à aspect complet : Personnages de théâtre - grande taille 1. Imagerie d'Épinal n°2300. Genre assimilé à Grandes constructions

1890254551890. Fine. s. d. circa 1880-1900 39 x 49 cm Image d'Épinal color lithograph large format printed on heavy paper. Minor stains of no consequence to the back otherwise fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This type of toy developed and lasted until the Second World War. Formerly sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. The Épinal imagery takes its origins from imagery a popular art born in the 15th century intended mainly for the illiterate public of the countryside. Originally the image is engraved on a wooden plate and printing is done using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood blocks: stereotypes which allowed production to be increased. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil using a machine that could color 300 images per hour the Aquatype. unknown

Rare Books Le Feu Follet - Edition-Originale.com · France115,00 €

Biblio.com

Petites constructions : La Porte du Pont-Charles à Prague. N°1352

189047123Épinal: Pellerin & Cie 1890. Fine. Pellerin & Cie Épinal s. d. circa 1890 23 x 30 cm une feuille Image d'Épinal color lithograph small format printed on flexible paper. Very fine condition colors very well preserved. These sheets are cardboard constructions or models on which a pattern was printed. This pattern must be cut out and then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""home theater"" also enjoyed great success. This type of toy developed and lasted until the Second World War. Once sold by peddlers the images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. The imagery of Épinal has its origins in imagery a popular art born in the 15th century intended primarily for the illiterate public of the countryside. Originally the image is engraved on a wooden block and printing is carried out using a hand press. It is then colored using stencils. In the 19th century lead castings were made from the engraved wood blocks: stereotypes which made it possible to increase production. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Pellerin & Cie unknown

Rare Books Le Feu Follet - Edition-Originale.com · France58,00 €

Biblio.com

Petites constructions : Balançoire. Imagerie d'Épinal Pellerin n°1177.

189035338Épinal: Pellerin & Cie 1890. Fine. Pellerin & Cie Épinal s. d. circa 1890 23 x 30 cm une feuille Image d'Épinal color lithograph small format printed on soft paper. Very fine condition colors very well preserved. These plates are cardboard constructions or models on which a pattern was printed. This pattern must be cut out then assembled to construct various objects or life scenes. The Épinal imagery published several series of cut-out models including the ""Grandes Constructions"" in 39 x 49 cm format the ""Moyennes Constructions"" and the ""Petites Constructions"". From 1880 to 1908 constructions were published featuring architecture costumes boats and various vehicles. During this same period paper theaters or ""théâtre chez soi"" also enjoyed great success. This toy model developed and endured until the Second World War. Formerly sold by peddlers the Images d'Épinal owe their name to Jean-Charles Pellerin who was the first printer to publish this type of image in series and who lived in the town of Épinal Vosges. The subjects are very varied but generally revolve around religion history French Revolution battles military uniforms or drawn from successful novels. The Épinal imagery has its origins in imagery a popular art born in the 15th century intended mainly for the illiterate public of the countryside. Originally the image is engraved on a wooden plate and printing is carried out using a hand press. It is then colored by means of stencils. In the 19th century lead castings were made from the engraved wood: the stereotypes which made it possible to increase production. In 1820 lithography was adopted which induced a radical change in style with finer drawings. In 1900 coloring was still done by stencil thanks to a machine that could color 300 images per hour the Aquatype. Pellerin & Cie unknown

Rare Books Le Feu Follet - Edition-Originale.com · France58,00 €

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