8 829 résultats
a82853London no date c. 1911 Cranz. Piano score with lyrics. 4to . 168pp. attractive color pictorial wraps showing of woman in long gown wearing a mask. Original front panel remounted on later wrapper. VG. . paperback
185092807New York: Firth Pond and Co.; Buffalo: John Sage 1850. Very Good. 6p.p. on 3 leaves -- title blank numbered pages 3-5 blank. Disbound removed from a bound volume. Stitch marks along left edge. 33 cm. Printed dedication "To John D. Warren Esq." at top of front cover. Dialect song composed for the piano and voice. This piece of shee music is not illustrated. Firth, Pond and Co.; Buffalo: John Sage unknown
1918583024New York: Boosey & Co 1918. Softcover. Very Good. First edition. Quarto. Two nested bifoliums making eight pages. A name stamp publisher stamp and a "Compliments of Boosey & Co." blind stamp on the front cover a light dampstain at the bottom of the front cover affecting throughout. light soiling and toning to the exterior still a very good and complete copy. For voice and piano. Plate number 2909-4. Contains short samples of five other songs including "The Dreaming Lake" and "Your Song from Paradise." The name stamp is that of Fay Foster a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates only a single holding of this edition composed by Brown and published by Boosey & Co. Boosey & Co unknown
1919587753Boston: Oliver Ditson Company 1919. Softcover. Very Good. First edition. Quarto. A small tear along with the remnants of a sticker on the upper right corner of the front cover light foxing to the exterior and light bumping to the corners still a very good and complete copy. For low voice and piano. Plate number 73301 - 3. Sara Teasdale won the Pulitzer Prize for her 1917 poetry collection Love Songs. OCLC locates only three holdings of this song and it appears to be equally uncommon in the trade. Oliver Ditson Company unknown
1917587776Boston: Oliver Ditson Company 1917. Softcover. Very Good. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Dampstaining to the fore edge of the front cover affecting throughout some separation at the top and bottom of the fold of the bifolium sticker shadow on the back cover still a very good and complete copy. For voice and piano with pedal marks. Plate number 75731 - 4. Sara Teasdale won the Pulitzer Prize for her 1917 poetry collection Love Songs. This song is unrecorded by OCLC and appears to be equally scarce in the trade. Oliver Ditson Company unknown
1920583014New York: Boosey & Co 1920. Softcover. Very Good. First American edition. Quarto. Two nested bifoliums making eight pages. A name stamp and a publisher's stamp on the front cover scattered foxing throughout most of it being to the top of the front cover still a very good and complete copy. For voice and piano. Plate number 2316-5. Features short samples of six other songs including "When I am Dead My Dearest" and "Duna." The name stamp is that of Fay Foster. a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates seven holdings. Boosey & Co unknown
1851525165New York: William Hall & Son 1851. Softcover. Good. Sheet music. Folio. Lithograph by Sarony & Major. Originally two nested bifolia with a single-sheet-insert making ten pages. Both bifolia neatly separated along the folds lacking the back cover though the score remains complete with numbers stamped on each page suggesting this was once bound within an album some light soiling and light offsetting throughout a good or better copy with the cover illustration bright and clean. For soprano voice and piano. Plate number 1212. The front cover states that this song is dedicated to Madame F. Lablache. The composer of this song William Vincent Wallace was an Irish composer and musician regarded as a virtuoso at both the violin and the piano though this particular piece appears perfectly suitable for the average player. William Hall & Son unknown
1948589947New York: Edition Musicus 1948. Softcover. Near Fine. Later printing. Quarto. Single bifolium with a single sheet insert making six pages. Light toning else near fine. For high voice and piano. Plate number 312. The back cover features short samples of "Driving with a Lady" by Beatrix Prior and Charles Wakefield Cadman and "Mistah Shakespeah" by Hazel Dell Crawndall and Charles Wakefield Cadman. OCLC locates no holdings of this 1948 Edition Musicus edition and only one holding of a 1923 edition published by G. Shirmer both appear to be equally scarce in the trade. Edition Musicus unknown
1856605752Philadelphia: Lee & Walker 1856. Softcover. Fair. Possibly the first American edition. Folio. Originally two nested bifolia making eight pages. Both bifolias are neatly separated along the fold with all leaves present save for the final page/back cover which did not contain any music edgewear including tears with a few tape repairs and the front cover trimmed shorter than the rest a fair only copy but with the complete music. For voice and piano. Plate number 9683 4. We believe this may be the first American edition an edition was published in London in 1855 and the address given here for Lee & Walker suggests this edition was published in 1856. OCLC locates only a single physical holding of this Lee & Walker edition 21 digital holdings and it appears to be equally scarce in the trade. Lee & Walker unknown
1866605884New York: Wm. A. Pond & Co 1866. Softcover. Very Good. First edition. Folio. Originally a single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold with the insert pasted into the bifolium from once being bound into an album light soiling and offsetting throughout still a very good and complete copy. For voice and piano. Plate number 6309. OCLC locates only two holdings and it appears to be equally scarce in the trade. Wm. A. Pond & Co unknown
1890605879Chicago: S. Brainard's Sons Co 1890. Softcover. Very Good. First edition. Folio. Single bifolium with a single-sheet-insert making six pages. A date stamp on the front cover "FEB 6 1895" light offsetting throughout light soiling to the exterior and edgewear still a very good and complete copy. For voice and piano. Plate number 16579 = 3. Unrecorded by OCLC and it appears to be equally scarce in the trade. S. Brainard's Sons Co unknown
1854616732Philadelphia: J. Starr Holloway 1854. Hardcover. Near Fine/Near Fine. Sheet music. Folio. Originally a single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold from once being bound within an album as a result the insert remains bound to the back cover front cover detached but present a complete but good only copy. For voice and piano. Plate imprint "The Splendor falls." Oddly the pages are numbered 131-135. OCLC locates only a single holding of this edition and it appears to be equally scarce in the trade. J. Starr Holloway hardcover
1922617483New York: Composers' Music Corporation 1922. Softcover. Good. Sheet music. Quarto. 12pp. Stapled wrappers. Staples rusted wrappers with some soiling name stamp on the front cover and splitting a bit along the bottom of the spine a complete copy but just good or better. For voice and piano. Plate number 6-420-3. At the top is printed "Professional Copy." Name stamp is that of Fay Foster a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates only a single holding. Composers' Music Corporation unknown
1908603715New York: Boosey & Co 1908. Softcover. Good. Sheet music. Folio. Three nested bifolia making 12 pages. Outer most bifolium separated neatly along the fold but both leaves are present music shop stamp and publisher stamp on the front cover foxing and soiling to the exterior including staining along the bottom of the outer most bifolium only lightly affecting the interior and bumping to the corners a complete but good only copy. For voice and piano. Plate imprint "H. 5815." The back cover features short samples of eight songs including "Roses By Summer Forsaken" and "Kashmiri Song." OCLC locates four holdings and it appear equally uncommon in the trade. Boosey & Co unknown
59-4144San Francisco: Herbst Theatre 1983. Poster for performances by the Arch Ensemble of musical compositions by the poet Ezra Pound including the world premiere of his opera Cavalcanti. On the back there is a brief exposition of Pound's career as a composer. Poster is 16 x 10 inches. Black and brown type on light brown background. Illustrated with large full-length photo portrait of Pound. Postal indicia on back but poster has never been folded. Fine. San Francisco: Herbst Theatre, 1983. unknown
200966<p>New York: Simon & Schuster 2009. First edition. Hardcover. Very Good/very good. Campion Pascal. Green hardcover signed by both members of They Might be Giants Linnell and Flansburgh along with a 3rd unidentifiable signature. Flansburgh has signed on the front endpaper and Linnel on the first blank before the title page. Gift inscription possibly from the authors says "Not 4 Ella & Elyse." DVD in opened rear pocket. A clean bright copy in like jacket nicely signed by this eclectic grammy winning duo.</p> Simon & Schuster hardcover
197013222Dubuque: Wm. C. Brown Company Publishers. Very Good. 1970. Second Edition; Second Printing. Spiral bound. Some light scuffin & fading to the covers. ; 4to 11" - 13" tall; 125 pages . Wm. C. Brown Company Publishers unknown
2005w201229327Oxford 2005. 437pp. Blue hardback with DJ VG First Printing no names or markings index bibliography chapter notes appendices b&w photos Monarch of the Flute : The Life of Georges Barrere . First Printing. Hard Cover. Very Good/Very Good. Oxford Hardcover
1876039798San Francisco: Bell & Company 1876. First Edition. Very Good. Four verses a chorus and spoken interludes in part: "A very well known city man Presents himself to you And you may guess when I am dressed Of girls I know a few." A widow tells Tommy that a stranger on the train is his uncle and merriment ensues. Typographic ornamental border. 10.75" x 3.75". Near fine condition. Sealed in archival mylar. Not in Wolf American Song Sheets. Bell & Company unknown
198940042Harvard. Very Good in Very Good dust jacket. 1989. Hardcover. 0674591283 . Exlibrary with usual library markings. ; 336 pages . Harvard hardcover
15-9077New York: Triangle Music 1929. Sheet Music. Folio. 6 pp. Soft Covers Very Good with some staining minor creasing small tears. Illustrated. New York: Triangle Music, 1929. paperback
1926590605Hollywood California: Carrie Jacobs-Bond & Son 1926. Softcover. Very Good. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Light edgewear and toning a very good copy. For high voice and piano. Plate imprint "B. 361 - 4." The back cover features a sample of "Lazy River" by Carrie Jacobs-Bond. OCLC locates only three holdings and it appears to be equally scarce in the trade. Carrie Jacobs-Bond & Son unknown
197215160Madison WI: A-R Editions Inc. Fine. 1972. Softcover. 4to 11" - 13" tall; 112106 pages . A-R Editions, Inc. paperback
68-7360Paris France: Une Musique 1982. Autographed on back. 14.5 x 10.5 cm. Very Good. En Francais. Paris, France: Une Musique, [1982]. unknown
1917609056New York: Carl Fischer 1917. Softcover. Very Good. First edition. Quarto. Single bifolium with a single-sheet-insert making six pages. A small tear to the fore edge of the front cover affecting throughout cancel-price sticker on the front cover light age toning and bumping to the corners still a complete and very good copy. For medium voice and piano with pedal marks. Plate number 20372-4. The composer of this piece Claude Warford was born in Newton NJ and attended Newton Collegiate Institute after graduating he studied at the Royal Conservatory of Music in Stuttgart Germany as well as in Paris and Berlin. Upon returning to the States Warford opened a studio in Newark NJ which he eventually moved to New York City. Warford gave vocal lessons and composed many pieces in his career including "Earth is Enough" and "Three Ghosts." OCLC locates only two holdings of this piece and one 1938 reprint and it appears to be equally uncommon in the trade. Carl Fischer unknown