8 829 résultats
1918590518New York: The Boston Music Company 1918. Softcover. Very Good. First edition. Quarto. Two nested bifolia making eight pages. Sticker shadow and foxing to the front cover bottom corner of the front cover creased rubbing to the exterior still a very good and complete copy. For high voice and piano. Plate imprint "B.M.Co. 5966." OCLC locates four holdings and it appears to be equally scarce in the trade. The Boston Music Company unknown
1968590521New York: General Music Publishing Co 1968. Softcover. Near Fine. First edition. Cover illustration by Irwin Rosenhouse. Quarto. Two nested bifolia making eight pages. Some light toning else near fine. For voice and piano. OCLC locates five holdings and it appears to be equally uncommon in the trade. General Music Publishing Co unknown
1934590579Boston: Bruce Humphries 1934. Softcover. Near Fine. First edition. Quarto. 6pp. Stapled wrappers. Light bumping to the corners else near fine. For voice and piano. Plate imprint "The Last Invocation 3." OCLC locates five holdings and it appears to be equally scarce in the trade. Bruce Humphries unknown
1914591260Boston: Bruce Humphries 1914. Softcover. Very Good. First edition. Quarto. Two nested bifolia making eight pages. Light bumping to the corners light edgewear and offsetting to the rear wrapper still a very good and complete copy. For voice and piano. Plate imprint "Gilbert. Give me the splendid silent sun." OCLC locates eight holdings of an edition published by H.W. Gray Co. in the same year but no physical holdings of this edition published by Bruce Humphries and it appears to be equally scarce in the trade. Bruce Humphries unknown
1921606269New York: Composers' Music Corporation 1921. Softcover. Very Good. First edition. Quarto. 7pp. Stapled wrappers. "Professional Copy" stamp and name stamp on the front cover staples oxidized a bit and a light dampstain along the bottom of the front wrapper affecting throughout still a very good and complete copy. For voice and piano with pedal marks. Plate imprint "C.M.C. 339." The name stamp is that of Fay Foster a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates four physical holding and five digital holdings and it appears to be equally uncommon in the trade. Composers' Music Corporation unknown
1962606608Delaware Water Gap PA: Shawnee Press 1962. Softcover. Very Good. First edition. Quarto. 48pp. Stapled wrappers. Edgewear and bumping to the corners very good. For ten voices two each of soprano alto tenor baritone and bass and piano. The text is taken from Memories of President Lincoln by Walt Whitman. Shawnee Press unknown
1894525364Boston: Oliver Ditson Company 1894. Softcover. Very Good. First edition thus. Small quarto. 23pp. Stapled wrappers. Edgewear to the wrappers wrappers separating from the bottom of the spine still a very good copy. For soprano solo chorus and orchestra. Plate number 88-57959-21. Oliver Ditson Company unknown
1903596100New York: Wm. A. Pond & Co 1903. Softcover. Good. Later printing of the "new and revised edition." Quarto. 7pp. Wrappers. External tape repair along the spine front wrapper torn at the foot of the spine edgewear including a small tear to the fore edge affecting throughout and some soiling and rubbing to the wrappers a complete and good or better copy. For low voice and piano. Plate number 8611 – 6. The back cover features short samples of four songs "In the Land of Paradise" "Hearts Desire" "The Story of the Violet" and "Just Beyond." The front cover states "To Mrs. B.H. VanAuken." Most sheet music of this era came in a folio-sized format this smaller quarto format is rather unique for the period. OCLC locates only two holdings of this later edition and it appears to be equally scarce in the trade. Wm. A. Pond & Co unknown
1901606887Boston: The Waldo Music Company 1901. Softcover. Very Good. First edition. Folio. A single bifolium with a single-sheet-insert making six pages. Edgewear including some small chips and tears soiling to the exterior still a complete and very good copy. For high voice and piano. Plate imprint "The Eternal Goodness. High 4." The back cover features a sample of "The Broken Pinion: Or The Bird With a Broken Wing" by Hezekiah Butterworth and Herbert Johnson. OCLC locates only two holdings and it appears to be equally scarce in the trade. The Waldo Music Company unknown
1874617551Boston: G.D. Russell & Company 1874. Softcover. Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Staining to the exterior lightly affecting the interior music shop stamp on the front cover and some edgewear a complete but just a good or better copy. For voice and piano. Plate number 3159=3. OCLC locates only two holdings. G.D. Russell & Company unknown
1906594911Boston: Hearst's Boston Sunday American / American Advance Music Company 1906. Softcover. Very Good. First edition thus. Folio. Single bifolium making four pages. Edgewear including chips and tears and toning still a very good copy of a very fragile publication. For voice and piano. Music Section Hearst's Boston Sunday American Sunday May 20 1906. The front cover states "Written expressly for the Hearst San Francisco Relief Fund" in response to the devastating earthquake that hit San Francisco on April 18 1906 and the subsequent fires that destroyed the city and killed more than 3000 people. Hearst's Boston Sunday American / American Advance Music Company unknown
1913606214New York: M.Witmark & Sons 1913. Softcover. Very Good. Later printing. Folio. Single bifolium with a single-sheet-insert making six pages. Name stamp on the front cover and top of page one a light dampstain along the bottom of the front cover affecting throughout edgewear and soiling to the exterior still a very good and complete copy. For voice and piano. Plate number 13209 - 4. Features short samples of six other songs including "A Song For You" by Arthur Oliver and Frederick W. Vanderpool and "Ye Only Who Have Yearned Alone" by Samuel Gardner. The name stamps are those of Fay Foster a prolific American composer and pianist who took first place in the American Composers Competition of 1913. OCLC locates only four holdings and it appears to be equally scarce in the trade. M.Witmark & Sons unknown
1925525229London: J. B. Cramer & Co. Ltd 1925. Softcover. Near Fine. Sheet music. Quarto. Two nested bifoliums making eight pages. Music shop stamp publisher's price stamp and American price sticker on the front cover light bumping to the corners else near fine. For voice and piano. Plate imprint "J.B.C. & Co. 13231." OCLC locates only two holdings and it appears to be equally scarce in the trade. J. B. Cramer & Co. Ltd unknown
1861621012Boston: Russell & Tolman 1861. Softcover. Very Good. Sheet music. Folio. Single bifolium with a single-sheet-insert making six pages. Notched and worn along the fold with page numbers stamped in the top corners from once being bound within an album as a result the insert remains attached to the bifolium light offsetting throughout and some soiling to the exterior still a complete and very good copy. Plate number 4276. OCLC locates only three physical holdings. Russell & Tolman unknown
1992A50266Chicago IL: Wilkeson Sacred Harp Singing Society. Very Good. 1992. 2nd Edition; 1st Printing. Plastic comb binding. This is an oversized paperback book with a plastic comb binding and heavy cardstock covers. The book is in Very Good condition and was issued without a dust jacket. The book is in mostly clean bright condition with a tiny bit of fading to the spine joints of the book cover. The text pages are clean and bright. "Karen E. Willard is the founder and president of Pacific Northwest Sacred Harp Singers Inc. She is active as in church leadership choir singing and politics as of 2012 she is the Democratic challenger to the incumbent state legislator in Washington's 31st legislative district." from Hymnary and "Sacred Harp singing is a tradition of sacred choral music that originated in New England and was later perpetuated and carried on in the American South. The name is derived from The Sacred Harp a ubiquitous and historically important tunebook printed in shape notes. The work was first published in 1844 and has reappeared in multiple editions ever since. Sacred Harp music represents one branch of an older tradition of American music that developed over the period 1770 to 1820 from roots in New England with a significant related development under the influence of "revival" services around the 1840s. This music was included in and became profoundly associated with books using the shape note style of notation popular in America in the 18th and early 19th centuries. " from Wikipedia . Wilkeson Sacred Harp Singing Society unknown
2008BOOKS121449IOxford: Oxford University Press. Fine copy in fine dust jacket. 2008. 2nd prt. hardcover. 8vo 288 pp. With CD in rear pocket. . Oxford University Press hardcover
1941018235<p>New York: Leeds Music Corporation 1941. Softcover. Good. 9" x 12" Wraps; 24pp; Previous owner's stamp to front cover covers age-toned with moderate wear to spine text unmarked binding is sound Good condition. Scarce vintage jazz piano songbook by legendary jazz pianist arranger and composer Mary Lou Williams 1910-1981. Contents: Mary Lou Williams Photo; Biography; Mary Lou Williams Blues; A Mellow Bit of Rhythm; Scratchin' in the Gravel; Toadie Toddle; Walkin' and Swingin'; Pianotations Hints on playing Mary Lou Williams' style.</p> Leeds Music Corporation paperback
197130505Columbia: University of South Carolina Press 1971. Hardcover. 4to. Full grey leatherette. xvi 124pp. Top edge gilt. Frontispiece numerous illustrations. Near fine. First edition Number 2 of this publisher's "Tricentennial Edition" series. Eckhard 1757-1833 was a German-born American church organist in Charleston Virginia. From the library of musicologist and conductor/director Paul Clinton Echols 1944-94. University of South Carolina Press hardcover
1961D11115New York: G. P. Putnam's Sons 1961. First Edition. Hardcover. Fine/Near Fine. Cloth; dust jacket; 8vo; pp. 181. Book is fine in lightly rubbed dust jacket. <br/><br/> G. P. Putnam's Sons hardcover
197796182January 1977. 1977. Very good. - A sheet approximately 11 inches high by 8-1/4 inches wide with photocopied portraits of Crown Heights Affair musicians mounted as a collage on the page. Dated "1/77" at the top of the sheet by the collector. Inscribed and signed in ink by group members William Anderson Muki Wilson Bert Reid and Phil Thomas. The left margin of the sheet is roughed where it has been removed from an album. Very good. <p>The four musicians who have inscribed this sheet were original 1970s members of Crown Heights Affair a Brooklyn disco and soul/funk group. Muki Wilson was a bassist/vovalist Bert Reid a saxophonist Phil Thomas a vocalist and William Anderson a guitarist/vocalist. The group's "Dreaming a Dream" reached number 5 on R & B charts. Other top 20 hits were "Every Beat of my Heart" "Foxy Lady" and "Dancin'".<p>The musicians' inscriptions read as follows: "To Bob / Peace and success / from Anderson / Crown Heights Affair"; "To Bob / from Muki / Bass player / C.H.A."; "To Bob / Best wishes / Love / Bert of C.H.A." and "To Bob / Best of everything / Phil Thomas". (January), (1977). unknown
1955000636Music International 1955. Book. Original Wraps. The Principal Chorus Vocal Book. The cover reads " Not For Sale. For Professional Use Only" also states that this book is rented and gives instructions on how to handle the book. FIRST PRINTING of this edtition VERY GOOD COPY no markings at all. Obviously a very early printing overall. Also includes songs "Safety In Numbers" "You Don't Want To Play".more. Music International Hardcover
1917586840New York: T.B. Harms and Francis Day & Hunter 1917. Softcover. Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Bifolium nearly separated along the fold edgewear and toning a complete but good only copy. For voice and piano. Plate number 5480-3. The back cover features short samples of "Love O' Mine" by Reynolds and Kern and "Have a Heart I Am All Alone" by Kern and Wodehouse. Oh Boy! is a musical that opened February 1917 at The Princess Theatre and was its most successful production eventually moving to the Casino Theatre and running for a total of 463 performances. In 1919 it was made into a silent film comedy directed by Albert Capellani and starred June Caprice Creighton Hale and Zena Keefe. OCLC locates seven holdings. T.B. Harms and Francis, Day & Hunter unknown
1917525140New York: T.B. Harms 1917. Softcover. Very Good. Sheet music. Folio. Single bifolium with a single sheet insert making six pages. Edgewear toning and rubbing still a very good and complete copy. For voice and piano. Plate imprint "T.B.H. Co. 13-4." The back cover features short samples of songs from Miss Springtime also with music by Emmerich Kalman and lyrics by P.G. Wodehouse and Herbert Reynolds "In the Garden of Romance" "Throw Me a Rose" "A Little Bid for Sympathy" and "The Love Monopoly." The Riviera Girl" is an Americanized version of the operetta Die Csárdásfürstin with music by Kalman and book by Leo Stein and Bela Jenbach. A 1917 New York Times review of The Riviera Girl commented "it is always in the best of taste is sometimes gay and witty and in its scenic and musical setting it is of the very highest order." OCLC locates seven holdings and it appears to be equally uncommon in the trade. T.B. Harms unknown
1919586935New York: Chappell & Co. / T.B. Harms and Francis Day & Hunter 1919. Softcover. Near Fine. Later printing. Folio. Single bifolium with a single sheet insert making six pages. Composer's signature stamp on the front cover light toning and rubbing else near fine. For voice and piano. Plate number 5682 - 4. The back cover features a short sample of "Yearning" by Sidney Carter and Neil Moret. The Canary appears to be a largely forgotten musical. It opened at the Globe Theatre in New York on November 4 1918 and ran for 152 performances. OCLC locates eight holdings and it appears to be equally uncommon in the trade. Chappell & Co. / T.B. Harms and Francis, Day & Hunter unknown
1917586888New York: T.B. Harms 1917. Softcover. Good. First edition. Folio. Single bifolium with a single sheet insert making six pages. Bifolium separated along the fold but both leaves are present toning and light edgewear a complete but good only copy. For voice and piano. Plate imprint "T.B.H. Co. 22 - 4." The back cover features short samples of songs from Miss Springtime also with music by Kalman and lyrics by Wodehouse and Herbert Reynolds "In the Garden of Romance" "Throw Me a Rose" "A Little Bid for Sympathy" and "The Love Monopoly." The Riviera Girl" is an Americanized version of the operetta Die Csárdásfürstin with music by Emmerich Kalman and book by Leo Stein and Bela Jenbach. A 1917 New York Times review of The Riviera Girl commented "it is always in the best of taste is sometimes gay and witty and in its scenic and musical setting it is of the very highest order." OCLC locates four holdings and it appears to be equally uncommon in the trade. T.B. Harms unknown
