(Printed Music). Doll, JosephBiblio.com
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1815544Harrisburg: Gedruckt bey Johan Wyeth Buchhändler in Harrisburg bey Conrad Doll Lancaster und bey Jacob Doll Yorktaum 1815. Oblong 8vo. 145 x 285 mm. 5 ¾ x 11 inches. Contemporary leather spine over marbled paper boards; spine cracked and boards loose but only partially intact partial loss of marbled paper on both boards; paper stock aged brown. Ownership mark of David Stauffer with inscriptions dated 1840 and 1850. With faults a complete copy. Harrisburg: Gedruckt bey Johan Wyeth 1815. WITH: . Oblong 8vo. 145 x 265 mm. 5 ¾ 10 ½ inches; 120 pp. Contemporary leather spine blue paper covered boards; binding a bit scuffed and soiled paper stock toned brown with age otherwise a very good copy. Together two parts published in two volumes five years apart; rare survival. Doll's two volumes of church music are the earliest German language music books to use type to print the notes. The type font was called four-shape note system. It copied the type created and first used by Little and Smith in The Easy Instructor published in 1801 and was used by John Wyeth without acknowledgement. In addition to introducing this type to the Pennsylvania German tune-book tradition Wyeth was responsible for the development of Southern folk hymnody. E. C. Wolf records that the 1810 edition was reprinted in 1814 and again in 1821; in 1815 a second volume was issued with a similar title but different content." Shaw and Shoemaker American Bibliography 19986 34588 Arndt German Language Printing 1736 2081. E. C. Wolf Lutheran Hymnody and Music Published in America p. 178. Gedruckt bey Johan Wyeth Buchhändler in Harrisburg, bey Conrad Doll, Lancaster, und bey Jacob Doll, Yorktaum unknown
110658New York: Tams-Witmark Music Library. Rare original Silk Stockings shooting script with music and lyrics by Cole Porter. Quarto original black Hart Stenographic Bureau leatherette wrappers bound and bradded. In near fine condition. Annotations throughout. Accompanied by the vocal part of Ninotchka which is in fine condition. Loosely based on the Melchior Lengyel story 'Ninotchka' Silk Stockings premiered on Broadway in 1955 and was the final musical that Cole Porter wrote for the stage. The production opened Broadway on February 24 1955 at the Imperial Theatre and closed on April 14 1956 after 478 performances. Tams-Witmark Music Library hardcover
1609009865Innsbruck Austria: Oeniponti : Excudebat Daniel Agricola 1609. Book. Very Good Minus. Leather. 8vo - over 7¾" - 9¾" tall. 28 633 13 pages : music. Title page and text In red and black; head- and tail-pieces; initials; episcopal coat of arms of Christoph Andreas von Spaur verso of title-leaf; errata on recto of final leaf./ Music is in neumatic notation. Text is primarily in Latin but includes texts in German which are mostly German translations of Latin text preceding it. Very Good Minus in original intricately blind embossed leather leather at spine missing clasps missing lacking the half-title and front blank end page a few pages with tears p. 156 with loss of paper at bottom margin and p.157 with loss affecting bottom 3 lines of text last blank end page missing bottom 2" and with contemporary owners name and writing in Latin. Internally clean and bright. Beautifully presented in custom 20th c. clamshell case in red and gray cloth and gilt lettering with prior owner name in gilt that of John H. Planer noted music professor at Manchester University. SCARCE OCLC appears to locate 5 copies worldwide. Contents: Title page -- Labia sacerdotis Coat of arms of Bishop Cristoph Andreas von Spaur -- Praefatio Christophorus Andreas Dei Gratia Episcopus Brixinensis -- Church Calendar -- Index Capitum -- Prolegomena -- De sacramentis ecclesiae in communi -- De sacramento baptismi -- De sacramento confirmationis -- De sacramento poenitentiae -- De sacramento Eucharistiae -- De sacramento Extremae vnctionis -- De sacramento ordinis -- De sacramento matrimonii -- De exequiis et sepultris -- De diuersis benedictionibus sacerdotalibus -- Miscellanea -- Index rerum praecipuarum. Oeniponti : Excudebat Daniel Agricola, Hardcover
31663New York: Fabulous Music Inc. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - ND; copyright 1959. 36 pages of text photos and musical scores. -- with a bonus offer-- . Fabulous Music Inc. paperback
200252490Cicada Films. New. 2002. CD-Rom. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Description: "This one hour documentary details the busy eccentric life of Pioneer Playhouse Kentucky's oldest outdoor theatre. From the first auditions with actors in New York to tearing down the final set of the season it reveals that the most riveting drama happens behind the scenes! From the emotional lows to the standing 'O's' this film proves that in the glamorous world of show business you gotta be tough to dream. " -- with a bonus offer-- . Cicada Films unknown
31664New York: Mills Music Music Publisher. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - ND; copyright 1937. Includes brief biographical sketch of Waller along with scores for "Jealous" "Truckin'" Down Home in Tennessee" and a number of other Waller hits. -- with a bonus offer-- . Mills Music Music Publisher paperback
199961130Sala BBK. New. 1999. Paperback. 8489476772 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish and Catalan. 124 pp. With 47 ills. 32 col. . 30 x 28 cm. -- with a bonus offer-- . Sala BBK paperback
197764557Mathildenhohe; Et Al. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German. 154 pp. With 32 text ills. And 101 ills. On 79 pls. 20 col. . 22 x 22 cm. -- with a bonus offer-- . Mathildenhohe; Et Al paperback
200061588Paris-Musees. New. 2000. Paperback. 2879004721 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 112 pp. With 88 ills. 63 col. . 27 x 21 cm. -- with a bonus offer-- . Paris-Musees paperback
200071503S. C. V. A. New. 2000. Paperback. 0946009341 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 68 pp. With 51 ills. 38 col. . 26 x 21 cm. -- with a bonus offer-- . S. C. V. A. paperback
199268005Mondadori Electa. New. 1992. Paperback. 8843538152 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian and French. 232 pp. With 215 ills. 158 col. . 28 x 25 cm. Description: "Documenting a major retrospective of the expressive oeuvre of Italian artist Music b. 1909 this catalogue features color reproductions of some 120 paintings and 35 pastels drawings and watercolors executed since 1946 ranging from lyrical landscape studies to somber self-portraits and images of human suffering based on the painter's experiences in Dachau. Includes a substantial anthology of critical texts a detailed biographical chronology and two introductory essays discussing the aesthetic and thematic concerns reflected in Music's landscapes and late portraits." -- with a bonus offer-- . Mondadori Electa paperback
106133PARIS: Société Française D' Édition D'Art Henri L. May. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in French Circa 1900. Original Edition. 45pp - Superb color illustrations. -- with a bonus offer-- . Société Française D' Édition D'Art Henri L. May hardcover
200572229I. V. A. M. ; Et Al. New. 2005. Hardcover. 8448241231 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish English and Valencian with portions in English and Spanish only. 280 pp. With 123 ills. 119 col. . 31 x 25 cm. -- with a bonus offer-- . I. V. A. M. ; Et Al hardcover
31661New York: Dunbar Music Inc. As New. Single Page Folded. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - ND; copyright 1970. 2 page score; photo of The Guess Who on front cover. -- with a bonus offer-- . Dunbar Music, Inc. unknown
188232820516<p>5 x 8 1/2 in . 4pp. Very good.</p><p><b>This is the rare original announcement and program for a major early benefit concert supporting Jewish refugees from Russia. </b>The pogroms carried out in 1881-82 drove countless Russian Jews to the West. This era marks the beginning of the period of the greatest Jewish immigration to the United States.</p><p>The concert was held at Mechanics Hall in Boston in 1882. The featured conductors are Carl Zerrahn and George Henschel. Henschel had become the first conductor of the Boston Symphony Orchestra a year earlier. Here he leverages his position to support Jewish refugees.</p><p>"Beginning in the 1880s a much larger wave of Jewish immigrants arrived in Boston from the Pale of Settlement in Russia and Eastern Europe. During the nineteenth century the Russian czars had confined Jews to this region and subjected them to religious persecution expulsions and forced military conscription. Passage of the May Laws in the 1880s made matters worse by forbidding Jews from owning or renting land outside of towns or cities and limiting their access to education. From 1881-1883 and again in the early twentieth century Jews were also targeted in violent riots or "pogroms" that left thousand dead and caused many more to flee" Boston College 2018.</p><p>The concert program includes pieces by Jewish composers or with Jewish themes including selections from from Mendelssohn's <i>Elijah</i> Handel's <i>Samson</i> and Henschel's "There was an Ancient King" sung by Henschel himself the finest baritone of his day. The performance concludes with Handel's "Hallelujah" chorus performed by the Salem Oratorio Society and the Lynn Choral Union.</p><p>The conductor featured in this program Sir Isidor George Henschel 1850-1934 was a German-born Jewish baritone pianist conductor and composer. He became the first conductor of the Boston Symphony Orchestra in 1881. On his appointment he sent his ideas for an innovative seating chart to his close friend Johannes Brahms who replied in an approving letter of mid-November 1881.</p><p><b>Very rare. Not in WorldCat.</b> Robert Singerman <i>Judaica Americana</i>2d ed Penn Libraries website 2019 3064 notes that the sole located copy once ascribed to the AJHS was "not found in either the Boston or New York collection Jan. 2016."</p> Printed By Jewish Watchman Print[ers]
146874N.p.: N.p. 1970. Archive of 288 vernacular color photographs of country music acts from the 1970s housed in a contemporary photo album with the subject of nearly every photograph identified by manuscript ink captions. Occasional additional notations give a date range between 1972-1980 for the photographs with most being dated 1977-1979. <br /> <br /> The photographs primarily consist of performers on stage indicating the photographer was near the stage with a strong sense of composition and timing. Photographs of performers casually posing for the camera indicate the photographer likely had backstage access for some of the performances. <br /> <br /> Based on additional information in some of the handwritten captions the photographs were primarily taken at concerts or events in the Western New York region - Chautauqua Dunkirk Little Valley and Lakewood - all within an hour of each other as well as the nearby Erie County NY Fair and Expo and Pittsfield PA. Other locations include the New York State Fair and Pittsburgh PA. <br /> <br /> Included are images of country music legends Johnny Cash Dolly Parton Loretta Lynn Conway Twitty Hank Snow June Carter Cash The Carter Family Minnie Pearl Tanya Tucker Tammy Wynette and Wanda Jackson. Also included are photographs of singers who while lesser known today were among the biggest stars of the era including Bobby Goldsboro Crystal Gayle Donna Fargo Freddy Fender Jeannie C. Riley Buddy Alan Charlie Walker Peggy Sue Bill Anderson Kenny Price LeRoy Van Dyke Lynn Anderson Jay Lee Webb Jean Shepard and Kitty Wells. Finally the album contains images of smaller and possibly even regional acts some of which appear unknown to us presenting a broad survey of a transitional era in country music as rock soul and pop began to fuse with the more traditional country sound that had begun declining in popularity toward the end of the previous decade. <br /> <br /> For more details please inquire. <br /> <br /> Photographs variously sized primarily 3.5 x 5 inches but up to 7.5 x 9.75 inches. Generally Near Fine. <br /> <br /> Housed in an about Very Good generic photo album with starting and loss to the spine fraying and rubbing. Several internal pages loose or with dried glue leading to occasional slipping of the photographs. N.p. unknown
1960157870New York: Edward Padula 1960. Draft script for the 1960 musical noted as "Acting Version" on the front wrapper. The play opened at the Martin Beck Theatre on April 14 1960 transferring to the 54th Street Theatre and then the Shubert Theatre and closed on October 7 1961 after a run of 607 performances. Winner of the 1961 Tony Award for Best Musical.<br /> <br /> An unsuccessful pop songwriter is convinced he can make his fortune if he can get recently drafted rock and roll star Conrad Birdie on the Ed Sullivan show to kiss his high school girlfriend goodbye. Basis for the 1963 film version starring Janet Leigh Dick Van Dyke Maureen Stapleton and Ann-Margaret.<br /> <br /> Red titled Studio Duplicating Service wrappers noted as Acting Version on the front wrapper. Title page present with credits for Book by Mike Stewart Music by Charles Strause Lyrics by Lee Adams and Directed and Choreographed by Gower Champion. 107 leaves with last page of text numbered 2-8-42. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears at the extremities bound with two gold screw brads. Edward Padula unknown
1776ST12954Paris: Joseph-Gérard Barbou 1776. 215 x 135 mm. 8 1/2 x 5 1/4". Three volumes. <br/> ELEGANT 19TH CENTURY BROWN MOROCCO GILT BY JOLY FILS stamp-signed on front turn-ins covers with French fillet border raised bands spine compartments densely gilt with complex fleurons drawer handle tools and circlets intricately gilt turn-ins marbled endpapers gilt edges. Engraved title pages three engraved vignettes and three engraved plates after Moreau le jeune. Cohen-de Ricci p. 604. Lightly washed and pressed in keeping with bibliophilic fashion at the time of binding one title page with small corner tear otherwise A FINE SET clean and still crisp internally with ample margins and the scarcely-worn bindings quite lustrous.<br/> <br/> This is a finely bound copy of singer and playwright Pierre Laujon's songs "About Society" and "About Folly" with illustrations of "ravishing grace" that Cohen-de Ricci considers among the best efforts of Jean Michel Moreau. Laujon 1727-1811 wrote and performed in musical reviews and ballets where his efforts attracted the attention of the Count of Clermont and the Prince de Condé who hired him to direct their festivals and pageants. The songs here were composed for these "society festivals" gently mocking the frivolous naughty behavior of the elite. The accompanying illustrations showing beautifully dressed courtiers and bon-vivants are the work of Moreau le jeune 1741-1814 deemed by no less than Gordon Ray to be "the greatest name among French illustrators of the 18th century." The graceful bindings here were done by one of the great bookbinding houses of France. After apprenticing in the provinces Antoine Joly 1838-1917 moved to Paris found employment with the celebrated Léon Gruel later formed a partnership with Thibaron in 1874 succeeded him 11 years later and in 1892 turned the business over to his son Robert 1870-1924 who signed his work "Joly fils." According to Duncan & DeBartha "An excellent gilder like his father Robert designed and produced a range of classical covers." The trifecta of light-hearted songs elegant engravings and luxurious bindings endow this set with a great deal of French charm. Joseph-Gérard Barbou] unknown
1816046831Madrid: La Viuda de Aznar 1816. Second Edition. Hardcover Full Leather. Good Condition. Early tooled leather spine with raised bands marbled endpapers; water stains to endpapers and to bottom margin more or less throughout title stained scattered minor maginal stains small hole to corner of final leaf final music leaf with mild stains. viii 30 2pp with 17 leaves of printed music a few folding. <br/><br/>A scarce work on the guitar first published in 1799 - the first edition is rare this the second only slightly less so. About a dozen copies of the second edition in OCLC rare in commerce. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Inventory No: 046831. La Viuda de Aznar hardcover
19602410Various places in California New York & Mexico 1960. Very good. Sixty items total including fifty-five photograps and five posters. Generally light wear. An attractive archive of visual materials including posters broadsides original photographs and real photo postcards that promote leading mariachi singers and musicians of the mid-20th century including Salvador López La Prieta Linda José Alfredo Jiménez Lucero Aguilar Miguel Angel Montes Francisco Avitia Ignacio Jaime Jorge de Crespo and Alfredo “El Mayoral†Gonzalez. Notably many of the larger pieces feature singer and actress Irma Dorantes b.1934 one of the last surviving stars from the Golden Age of Mexican cinema. The widow of legendary Mexican ranchero singer and actor Pedro Infante Dorantes enjoyed a string of hit songs in the 1950s and ‘60s including her recording of “Recuerdos de Ipacarai†with El Mariachi Mexico de Pepe Villa.<br /> <br /> “Mariachi music has origins deep in Mexican history. The sound of its string instruments and its oldest rhythms are rooted in Mexico’s colonial times 1519-1810; people from Spain and African slaves and their descendants mingled with hundreds of American Indian cultures to create a new Mexican culture marked by many regions each with its own signature musical tradition. The music that was called ‘mariachi’ as early as the 1850s emerged from the ranches and small towns of western Mexico particularly in the states of Jalisco Michoacán Nayarit Colima and Aguacalientes. When big-city radio stations movies studios and record companies took mariachi music to new audiences throughout and abroad in the 1930s mariachi music was transformed into one of Latin America’s favorite musics. By the 1950s its standard sound of two trumpets three or more violins vihuela small guitar and guitarrón big bass guitar was set. Since then its repertoire of fast-paced songs expressive canciones rancheras ‘country’ songs polkas syncopated huapangos romantic boleros and more has been heard throughout the Americas and around the world†Smithsonian Folkways.<br /> <br /> The present collection includes:<br /> <br /> 1 An original photograph 6 ½†x 7†of José Alfredo Jiménez in performance. Jiménez 1926-73 was by far the most important prolific and popular composer of música ranchero in Mexico during the 20th century. His extraordinary repertoire of more than 1000 songs encapsulated the sentiment ideals and concerns of the common man in a folksy yet poetic way.<br /> <br /> 2 Six black-and-white photographs 7†x 5†of various musicians. Four are identified with holographic annotations on the verso while another is accompanied by a typed press caption indicating that the image captures Las Hermanas Huerta performing “Cantando Bajo el Recuerdoâ€.<br /> <br /> 3 Forty-one black-and-white real photo postcards 3 ½†x 5 3/8†of various musicians all identified in the negative or on the verso. The photographs of Alfredo “El Mayoral†Gonzalez and La Prieta Linda are autographed.<br /> <br /> 4 Six press photographs 8†x 10†of both solo performers and bands including two images of Lorenzo Elisea y Sus Piratas and a shot of singer Amalia “La Tariácuri†Mendoza 1923-2001 on stage.<br /> <br /> 5 Original photograph 13 ¾†x 11†on Irma Dorantes on horseback during a performance in New York. The undated image is signed by photographer F. Camacho on the recto. Dorantes was known for her equestrian shows and in 1964 she and her horses Gatillo de Oro and Justiciero headlined a residency at the Million Dollar Theater in Los Angeles.<br /> <br /> 6 Lobby card 16 3/8†x 12 ½†for “La Banda del Fantasma Negro†1964 the Jaime Salvador film starring Irma Dorantes and Alvaro Zermeño.<br /> <br /> 7 Black-and-white poster 18 ¾†x 13 ¾†of Irma Dorantes reproducing a portrait of the singer by Mexican photographer Carlos Ysunza Nieto.<br /> <br /> 8 Large poster 17 ½†x 22 ½†promoting a benefit performance of “Feria de la Cancion†featuring Irma Dorantes Cuarteto Ruffino and Trio Hermanos Martinez-Gil. Circa 1961 no place noted. Printed in blue on yellow cardstock with a later horizontal crease.<br /> <br /> 9 Large poster 14†x 22†for an August 22 1964 performance by Irma Dorantes at the Rainbow Ballroom in San Jose California with opening acts by comic Rudy Frudy and Mariachi San Miguel. Printed by Woolever Press in Los Angeles on white cardstock with a rainbow gradient.<br /> <br /> 10 Oblong broadside ca. 1958 18 ¾†x 13 ¾†advertising a coronation ball headlined by bandleader Paco Armenta and “el sensacional†Conjunto Tropical Santaneros†at Salon del Cllub de Leones in Calpulalpan a municipality in Tlaxcala in southeastern Mexico. Printed in color on a thin sheet of white stock with some loss to the upper corners.<br /> <br /> Most of the material is unrecorded with no listings in OCLC or elsewhere. In addition to highlighting many leading Mexican musicians of postwar era this archive captures the fashion and aesthetics of mariachi at a formative moment in its evolution. unknown
184141574Philadelphia Baltimore etc. 1841. Attractive folio contemporary half calf and marbled paper over boards hinges starting lower spine wear. Morocco ownership label of Aurelia Tremper 1824-1887 a wealthy Philadelphian with significant land holdings in Torresdale Park and who acquired this book some time before her marriage to Andrew Stevenson. Some of the song sheets are lightly to moderately spotted. Good plus consisting of: <br /> <br /> Highlights: <br /> Francis Johnson. "Philadelphia Gray's Quick Step . . . as Performed by Johnson's Brass Band." 3 pages. Illustrated cover; minor worming; inked stamp of Philadelphia music seller. A composition by Francis "Frank" Johnson 1792-1844 of Philadelphia one of the first successful African-American composers. An earlier issue was printed by the predecessor firm of Fiot Meignen & Co. Philadelphia: L. Meignen & Co. circa 1839-1842.<br /> John Smith. "The Fireman's Song." Dramatic illustrated cover. Boston 1839. <br /> "Yankee Doodle & Star Spangled Banner / Hail Columbia." 4 pages no cover. Philadelphia: Ld. Meignen & Co. circa 1842. Listed in Levy & Fuld's addendum to Muller "Unrecorded Early Printings of 'The Star Spangled Banner'" Notes 27:2 December 1970 #55 stating that it is a reprint of an earlier Osborn's Music Saloon edition. .<br /> A Lady of Charleston. "United States Marine March." 2 facing pages. Philadelphia: A. Fiot undated.<br /> <br /> C.F. Wieland. "The Carrier Dove." Illustrated cover. Philadelphia 1839<br /> "The Carrier Pigeon." Philadelphia undated<br /> W. Clifton. "The Last Link is Broken." Philadelphia undated.<br /> John H. Hewitt. "The Betrothed." Illustrated cover. Philadelphia 1840<br /> Lockhart & Arkwright. "Xarita or the Bride of Andallo." Quite foxed. Philadelphia undated<br /> J.E. Spilman. "Flow Gently Sweet Afton." Stated second edition. Philadelphia 1838<br /> John Smith. "The Fireman's Song." Dramatic illustrated cover. Boston 1839<br /> W.A. Newland. "Nothing Else To Do." Philadelphia 1839<br /> George Linley. "To Meet Again With Thee." Philadelphia undated<br /> Mrs. Hemans. "The Captive Knight." Boston undated<br /> Frederic Berat. "My Normandy." Philadelphia undated<br /> Seymour & Weigl. "Leonore." Baltimore MD undated<br /> A Young Lady of Georgia. "No More." Philadelphia 1836<br /> Moscheles. "Erin is My Home." Baltimore undated<br /> Fry & Bellini. "Do I Not Prove Thee." Philadelphia 1841<br /> G.A. Hodson. "The Lake of Como Morning." Philadelphia undated<br /> G.A. Hodson. "The Lake of Como Evening." Philadelphia undated<br /> PlanchÈ & Barnett. "Rise Gentle Moon." Philadelphia undated<br /> Moore & Stevenson. "The Meeting of the Waters." New York undated<br /> Henri Herz. "We Have Lived and Loved Together." Philadelphia undated.<br /> J. Beuler. "Come and Take Tea in the Arbor." Illustrated cover stated second edition. Philadelphia undated.<br /> Madam Malibran. "There is No Home Like My Own." Philadelphia undated<br /> Alexander Ball. "Tell Him I Love Him Yet." Baltimore 1835<br /> Henry R. Bishop. "Home Sweet Home." Philadelphia undated<br /> Jeffery & Nelson. "The Rose of Allandale." Philadelphia undated<br /> "Yankee Doodle & Star Spangled Banner / Hail Columbia." 4 pages no cover. Philadelphia: Ld. Meignen & Co. circa 1842. <br /> Louis Major. "Grand Pot Pourri Brillant." Philadelphia undated.<br /> Rossini. "Overture of the Celebrated Opera Il Turco in Italia." Boston undated.<br /> Francis Johnson. "Philadelphia Gray's Quick Step . . . as Performed by Johnson's Brass Band." 3 pages. Illustrated cover; minor worming; inked stamp of Philadelphia music seller. Philadelphia: L. Meignen & Co. circa 1839-1842. <br /> George Hews. "Webster's Quick Step." Philadelphia undated<br /> A Lady of Charleston. "United States Marine March." 2 facing pages. Philadelphia: A. Fiot undated<br /> "The Russian March." Philadelphia undated<br /> C.P. Francis. "The Grand Russian March." Philadelphia 1835<br /> Auber & Unger. "March from the Opera of Fra Diavolo." Philadelphia undated with 1841 gift inscription<br /> John H. Hewitt. "The Nahant Quadrilles." Illustrated cover. Philadelphia 1836<br /> "Admired Cotillions for Balls and Private Parties." Baltimore undated<br /> "The Campbells are Coming / The Cheat." Philadelphia undated<br /> T. Comer. "The Boyleston Quadrilles." Boston 1836<br /> E.L. Walker. "The Rochester Waltz & Gallopade." Philadelphia undated<br /> A Lady. "The Much Admired Kensington or Brattleborough Waltz." Philadelphia undated<br /> W.C. Peters. "The Bardstown Waltz." Baltimore undated<br /> H. Herz. "Cinderella Waltz." Philadelphia undated<br /> W.C. Peters. "The Bonhorst Hop Waltz." Baltimore undated<br /> Louis Strack. "Mary's Waltz." Baltimore undated<br /> S. Carusi. "The Corinthian Waltz." Washington undated<br /> "The Stop Waltz." Baltimore undated<br /> "Duke of Reichstadts Waltz." Philadelphia undated<br /> Henry Rohbock. "The Mary Waltz." Baltimore undated<br /> "Nicholson's Celebrated Waltz." Baltimore undated<br /> R. Schroeder. "The Swiss Boy." Philadelphia undated<br /> "Herr Clines' Dance." Philadelphia undated<br /> "Juvenile Waltzes." Baltimore undated<br /> J. Geldon. "None So Pretty a Juvenile Lesson." Philadelphia undated<br /> "Barcarolle Waltz." Philadelphia undated<br /> "Richmond Waltz." Baltimore undated<br /> "The Fall of Paris." Philadelphia undated<br /> Thomas Smith. "Napoleon's Fall." Philadelphia undated<br /> <br /> Other illustrated covers include C.F. Wieland "The Carrier Dove" Philadelphia 1839; John H. Hewitt "The Betrothed" Philadelphia 1840; J. Beuler "Come and Take Tea in the Arbor" stated second edition Philadelphia undated; and John H. Hewitt "The Nahant Quadrilles" Philadelphia 1836. $1750.00. unknown
1925009941NY: Viking 1925. The first edition of this title bound in tan cloth stamped in dark brown and blue. A minor bit of scuffing to bottom edge of front panel but overall the book is tight and clean. Inscribed on the front free endpaper "Sincerely James Weldon Johnson". 187 pages. The book contains the words and music to 61 spirituals; musical arrangemen ts by J. Rosamond Johnson with additional numbers by Lawrence Brown. Includes Johnson's 40-page preface which begins with Johnson's poem "O Black and Unknown Bards". Signed by Author. First Edition. Hard Cover. VG/No Jacket. 4to - over 9¾" - 12" tall. Viking Hardcover
192296239July 1922. 1922. Good. - Quarto 14 inches high by 10-3/4 inches wide. Printed self-wraps. What is offered here is the American composer Douglas Moore's original pencil manuscript for his composition "A Sad Song" with lyrics by Stephen Vincent Benet written in Moore's hand and signed by him. The composition for Voice Violin Cello and Piano is written on a signature consisting of 4 pages of music paper. Titled by the composer at top left the score is signed by him at top right. Halfway down the second page Moore has penciled the word "probably" in the margin followed by dots above 3 bars of music. The pages are slightly soiled with creases to the edges and corners. Good.<p>Together with what appears to be an INK COPY of the score for Voice and Piano with the 3-page score penned in an unknown hand and with a few pencil corrections on 2 sheets of GSNY music paper. Dated July 1922 under the composer's name at the top right of the first page this is the Soprano's copy and is inscribed "A Sad Song to Louise Llewellyn de Jarecka" along the top. The pages are slightly soiled particularly along the edges. The creased edges and corners are chipped with a small piece out from the bottom left corner of the first sheet not affecting the score.<p>Also with a LITHOGRAPHED version of the copyist's holograph manuscript "composed for The Chamber Ensemble" with the words added in pencil in an unknown hand. This is a 3-page score printed and penciled on a signature consisting of 2 sheets of G. Schirmer music paper. The pages are slightly soiled particularly along the edges. There are creases with minor chipping to the edges and corners. Good. <p>These are the soprano Louise Llewellyn Jarecka's personal copies of the score which she first performed with the Chamber Ensemble of NY at the home of Mrs. Randolph Guggenheimer located at 923 5th Avenue in NYC on November 25 1922. The score was arranged for the Chamber Ensemble of NY by the composer. Jarecka subsequently performed the work with the Chamber Ensemble of NY at a Chamber Music Society of Cleveland concert in the Wade Park Manor Ballroom in Cleveland Ohio on November 6 1923.<p>A review by James H. Rogers in the Cleveland Plain Dealer published on page 11 of the November 7 1923 edition of the paper reads: "Singer with Trio Shows Rare Gifts: Chamber Ensemble of New York Gives Pleasing Program at Manor". "At the concert on Nov. 6 1923 Soprano Louise Llewellyn Jarecka sang Moore's 'A Sad Song'. The song is original with a lot of sparkle to it and it is cleverly and ingeniously put together."<p>Stephen Vincent Benet's poem "A Sad Song" was subsequently published in his book "Tiger Joy" in 1925. Douglas Moore met Benet at Yale in 1915. They became close friends which resulted in several collaborations in the 1930's. In a letter to his future wife Rosemary Carr penned from Paris on February 19 1921 Benet writes: "Dear Jane . Thanks for your letter. It was nice of you to write. Doug is going to put the poem about you & the pig "A Sad Song" to music." Benet often celebrated his love for his wife in poems such as in "A Sad Song". In most of his poems he referred to her as Rosemary but he sometimes referred to her as Jane.<p>The American composer educator and author Douglas Stuart Moore 1893-1969 studied at Yale University under D.S. Smith and Horatio Parker. While at Yale Moore composed several songs including Yale's "fight song" "Goodnight Harvard". After serving in the First World War Moore traveled to Paris where he studied with Vincent d'Indy and subsequently Nadia Boulanger and Charles Tournemire. A year before composing "A Sad Song" Moore became Director of Music and organist at the Cleveland Museum of Art. Moore was Professor of Composition at Columbia University from 1926 through 1962. As Secretary of the Alice M. Ditson Fund during the years of the Second World War Moore helped numerous European musicians escape to the US and helped arrange stipends for composers such as Bela Bartok who was paid to transcribe the folk songs in his collection. Among his compositions Moore is best known for his operas "The Devil and Daniel Webster" "The Ballad of Baby Doe" and "Giants in the Earth" the latter of which won him the Pulitzer Prize for Music in 1951<p>The concert singer & writer Louise Llewellyn Jarecka 1880-1954 was the wife of the composer Tadeusz Jarecki. A student of Marcella Sembrich Jarecka was invited by President Wilson to sing at the White House. During the 1920's and 1930's she sang with many European Orchestras and in the Polish Opera.<p>RARE. July, 1922. paperback
193558719New York:: Playbill Incorporated 1935-1981. publisher's printed wrappers. A collection of forth autographed Playbills autographed by multiple cast members including Helen Hayes Dorothy Kilgallen Ethel Merman in pencil Jessica Tandy Milo O'Shea and dozens of others. . 8vo. Playbill Incorporated, unknown
1933545j1632München Munich: Jos. C. Huber. Good. 1933. First Edition Thus. Hardcover. Songbook of the Sturmabteilung SA / Storm Troopers the Nazi Party's original paramilitary wing. Includes one-page forward by Ernst Röhm Chief of Staff of the S.A. who was murdered the following year during the Night of the Long Knives. Text in Fraktur old German script. 4-291 13 pp. Original drab military green decorated cloth over thin flexible boards. Prior owner's name Otto Grun stamped atop title page and written inside front board. Four pages of notes in pencil near back. Tight and square. 13 x 10cm. A sound example of this rare S.A. artifact. ; Illustrations; 24mo . Jos. C. Huber hardcover
