283 résultats
1795045633London: Clementi Banger Collard Davis & Collard et al. 1795. Early Edition. Hardcover Half Leather. Very Good Condition. Collection of engraved scores bound up in half reverse brown leather modest wear at edges rubbing to boards with loss of marbled paper stain to rear cover. Modest foxing occasional minor staining and creasing a few ownership marks; generally very good internally. The scores are: Ignace Pleyel. Three Grand Sonatas for the Piano-Forte or Harpsichord. In which are introduced for the Subjects of The Adagios & Last movements Select Scotish Airs With Accompanyments for a Violin and Violoncello.London: Printed & sold by Preston & Son n.d. 1793; And: Ignace Pleyel. Two Grand Sonatas For the Piano Forte or Harpsichord with an Accompanyment for the Violin ad Libitum.Op. 7.London: Printed & Sold by F. Linley at his Music Warehouse n.d.; And: Joseph Mazzinghi. Three Sonatas for the Piano Forte with or without the Additional Keys and an Accompaniment for a Flute or Violin.Op. 14.NB. In this Sett are introduced several favorite Airs. London: Printed by G. Goulding n.d. 1793; And: Joseph Mazzinghi. Three Sonatas For the Piano Forte with or without the Additional Keys and an Accompanyment For a Flute or Violin. In which are introduced several favorite Airs.Op.a 19. London: Printed for G. Goulding n.d.; And: L. Latour. Three Sonatas for the Piano Forte or Harpsichord with an Accompaniment for a Violin & Violoncello.Op. I. London: Printed & Sold at A. Bland & Weller's Music Warehouse n.d.; And: James Hook. Three Grand Sonatas for the Piano Forte with an Accompaniment for a Violin in which are Introduced for the Subjects of the Adagios & last Movements Favorite Irish Airs.Op. 78. London: Printed & Sold by Preston & Son n.d. 1795; And: Bland's Collection Continued by F. Linley of Sonatas Lessons Overtures Capricios Divertimentos &c. &c. for the Harpsichord or Piano Forte without Accompts. by the most Esteem'd Composers. London: Printed & Sold by F. Linley Successor to Mr. Bland n.d.; And: T. H. Butler. Lewie Gordon A Favorite Air Arranged as a Rondo for the Piano Forte.London: Printed & Sold by Preston & Son n.d.; And: The New German Waltz adapted as a Rondo for the Harp or Piano Forte by Madame Dussek. Edinburgh: Printed for Corri Dussek & Co. n.d. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Music; Inventory No: 045633. <br/><br/> Clementi, Banger, Collard, Davis, & Collard et al. hardcover books
170815182(P.) Chez l'Auteur, rue du Petit Lyon vis-à-vis la Rue des Deux portes 1708 reliure d'époque, veau brun très usagé avec petits manques de cuir. (couture solide, bon état intérieur). in-folio, (2ff. titre et dédicace), 89pp. privilège au verso,
177011679s.l. s.n. 1770 br. papier violine. manuscrit in-8, 88pp.,
171117310Paris Christophe Ballard 1711 in-8 oblong en ff., sans reliure.(mouillure avec manque de papier à la marge sup. intérieure) 24pp. Deux parties : gravement, vivement. 4 parties pour le gravement et 5 pour la suite (deux dessus, basse et contre-basse).
1713WRCLIT65581Oxford: Printed for Anthony Peisley . 1713. 4191pp. Octavo. Extracted from bound pamphlet volume. Untrimmed. Tanned with old tide mark in lower margin and some early ink marginalia on B1r else a good copy. First and sole edition dedicated to William Croft and dealing with the subject of appropriate forms of cathedral music: "A Soft Gentle Strain a Grave Slow Movement much more Expressive than Sighs and Groans the usual signs of an Ignorant Piety." Dingley's publications seem to have been limited to this sermon and a quite rare 1694 miscellany of poems and translations. ESTC T54783. Printed for Anthony Peisley ... unknown books
1765340961765 Paris - Londres et Ispahan - De l'Imprimerie de l'Académie de Troyes - VXL. CCD. M - (1765) - 2 parties de 110 et 80 pages reliées en 1 volume - Reliure pleine basane mouchetée d'époque - Dos plat orné - Pièce de titre en maroquin rouge - Tranches marbrées - Coins un peu émoussés -
180011778Lille Castiaux Au temple des Plaisirs 1800 couverture imprimée, vignette au 2eme plat. in-32, 126pp.,
1769102012<p>Permis d'imprimer & distribuer; à Troyes le vingt-huit Février 1769 Truelle de Chambouzon. Leaflet 16 x 42 folded in three.</p><p>The present leaflet includes the texts of six new popular songs: Chanson nouvelle a danser en rond; sur l'air: De la Bourbonnoise - Chanson nouvelle sur la Boubonnoise sic Comme elle a mangé tout son gain en peu de temps; air de la greque - Chanson critique sur les perruques. Par la Joye; sur l'air : En revenant de S. Denis - Autre chanson: sur l'air; Ah! que la chasse est belle - Chanson nouvelle de la Pelerine qui a voyagé dans les Pays-Bas - Chanson nouvelle en forme de Coq-à-l'âne; sur l'air: La baraquette.</p>
1725358341725. A singing master stands in front of a large open choir book using a pointer to guide a small group of adults and children in song. Image size 50 x 85 mm sheet size 153 x 105 mm. On laid paper.<br/><br/>Extracted from Orbis sensualium picti pars prima secunda der sichtbaren Welt an instructional book for children first published in 1658 with editions extending up to ca. 1730. <br/><br/>Slightly worn; hinged to mat at upper margin of verso. unknown books
1773ST20891Paris: Chez de Lormel Imprimeur de l'Academie Royale de Musique 1773. FIRST EDITION First Issue with pencilled correction of "affreux Serpent" on p. 54 of Vol. II. 237 x 160 mm. 9 1/4 x 6 1/4". Engraved throughout. Four volumes. <br/> Tasteful contemporary crimson morocco gilt covers with triple fillet border floral garland at corners crossed trumpets with laurel branches at center smooth spines in gilt compartments with floral sprig within an oval catkin wreath two tan morocco labels gilt turn-ins marbled endpapers all edges gilt restorations to head of two spines. ENGRAVED THROUGHOUT: Engraved decorative title page and dedication page in volume I three engraved frontispieces by Le Bouteux and Le Barbier in volumes II-IV one of these a portrait of the dedicatee La Dauphine Marie Antoinette and 100 FULL-PAGE PLATES the 25 in volume I designed and engraved by Moreau le jeune all with tissue guards those in volumes II-IV engraved by Masquelier and Née after designs by Le Barbier Le Bouteux and Saint-Quentin about one-third of the plates with original tissue guards. Without the separately printed portrait of Laborde issued in 1774 and found in some copies. Cohen-de Ricci pp. 534-38; Ray 49 pp. 90-91 p. 76; Lewine pp. 266-68. Spines slightly and evenly sunned a hint of wear at corners but the bindings otherwise beautifully preserved with only the most trivial imperfections; internally with isolated inconsequential foxing or small stains. A VERY FINE CONTEMPORARY SET the lovely bindings scarcely worn the margins extremely ample the contents clean and fresh and THE ENGRAVINGS RICHLY IMPRESSED.<br/> <br/> Dedicated to the crown princess Marie Antoinette this opulent production--offered here in fine contemporary morocco--beautifully displays the music fashion and aristocratic antics of Louis XV's court perfectly encapsulating the French Rococo. According to Cohen-de Ricci "This book—one of the most beautiful of the 18th century—is perhaps along with 'Contes de La Fontaine' the most delightful by virtue of the grace of its subjects and the variety of the costumes depicted therein." It contains some of the most elegant and memorable engravings to be seen in any French work of the period and they transform a book of perhaps more than occasionally vapid songs into a profoundly pleasurable visual experience. The author Benjamin de Laborde or Jean-Benjamin de La Borde 1734-94 was the hunchbacked valet of King Louis XV. In consequence of the monarch's indulgence of his favorite de Laborde's songs were given a presentation described by Ray as being of "the utmost sumptuousness" the entire work having been produced by engraving. The first volume which Cohen-de Ricci Ray and Lemire unanimously proclaim a "masterpiece" is graced by plates that were both designed and cut by Jean-Michel Moreau called Moreau le jeune 1741-1814. Ray says that the work done by Moreau le jeune during the 1760s "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his work during the 1770s "he carried all before him." So Moreau was in his prime then when he executed these charming scenes often of courtship set in pastures pleasure parks and elegant interiors; they represent the culmination of the Rococo style delicate and lush without being cloying. Because of a quarrel between the artist and the author the final three volumes were illustrated by Le Bouteux and by Jean-Jacques-François Le Barbier 1738-1826. Le Barbier was one of the first great French neoclassical illustrators and Ray declares the engravings here his "most sustained and accomplished series of illustrations apart from that for Gessner's 'Oeuvres'" and laments that the present work "has not received the attention it deserves." Le Barbier's compositions are characterized by charm grace and elaborate and convincing detail. This first printing presents the engravings at the height of their richness and power which has been undimmed by the intervening centuries. With any copy of this work the engravings will always take center stage but here the tasteful contemporary red morocco bindings deserve a prolonged bow: they are perfectly elegant and elegantly perfect. Chez de Lormel, Imprimeur de l'Academie Royale de Musique unknown
178312416[Kehl], Imprimerie de la Société littéraire typographique, 1783-1789. 34 volumes in-12, plein veau moucheté, dos lisses ornés de filets, titre et tomaison dorés, pièces de titre bordeaux et de tomaison vertes et ce jusqu'au 30e volumes, pour les 4 derniers (Second supplément), ces pièces sont marron clair. Filet à froid encadrant les plats, roulette à froid sur les coupes, tranches jaunes. Dos un peu frottés, avec pour quelques volumes de rares galeries de vers, 7 coiffes manquantes, quelques petits accrocs à d'autres. quelques cahiers légèrement déboîtés.
1799002859Germantown Pa: Michael Billmeyer 1799. Hardcover. Very Good. Title continued: "als auch für den öffentlichen Gottesdienst enthalten sind. Nebst einem Anhang des Heydelbergischen Catechismus wie auch erbaulicher Gebäter. Nach einem Synodal Schluss zusammen getragen und eingerichtet vor die Evangelisch-Reformirten Gemeinen in den Vereinigten Staaten von America." Zweyte Auflage. 6 148 8 585 9 26 p.: frontispiece music; 17 cm. Signatures: pi4 A-3B8 3C4 8vo. Contemporary full calf with two clasps and six spine compartments between raised bands. Blind-ruled borders on boards. All page edges sprinkled red. Printed in two columns. Wood engraved head- and tail-pieces. "Sammlung alter und neuer geistreicher Lieder . . . der Evangelisch-Reformirten Gemeinen" has separate title page dated 1799. Final 26 pages contain the Heidelberger catechism and some prayers. Pages 231 and 275 misnumbered 131 and 175. Early American Imprints 36193; First Century of German Language Printing 1162. In Very Good Condition: rubbed with minor loss at tail of spine; clasps are intact; faint dampstain in gutter at head and at lower edge of first few leaves; 5-cm. tear from fore-edge of pp. 19-20 of Gesangbuch without loss; pages are clean and tight; clasps are intact. Michael Billmeyer hardcover
1797002861Philadelphia: Steiner und Kämmerer und H. Kämmerer jun 1797. Hardcover. Very Good. Title contintued: "als auch für den öffentlichen Gottesdienst enthalten sind. Nebst einem Anhang des Heydelbergischen Catechismus wie auch erbaulicher Gebäter. Nach einem Synodal Schluss zusammen-getragen und eingerichtet vor die Evangelisch-Reformirten Gemeinen in den Vereinigten Staaten von America." 8 148 8 585 43 p.: frontispiece music; 17 cm. Signatures: pi4 A-N6 A-Ddd6 Eee2 12mo. Errors in signing: I1 not signed; N signed N; Mm2 signed Mn2. Contemporary full black calf with six spine compartments between raised bands. Red leather label in second compartment with gilt-tooled title: Reformiert Gesangbuch. Gilt-tooled decoration in remaining compartments. Red leather label on front board with gilt-tooled former owner's name "1798" and border. Gilt-tooled chain-pattern borders on both boards; gilt-rolled edges. All page edges gilt. Yellow-and-black-patterned endpapers. Printed in two columns. Wood engraved head- and tail-pieces. "Sammlung alter und neuer geistreicher Lieder . . . der Evangelisch-Reformirten Gemeinen" has separate title page dated 1797. Final 33 unpaginated pages contain the Heidelberger catechism and some prayers. Former owner inscription in German script on blank leaf following front free endpaper: "Karl Friederich Philipps Gesangbuch Philadelphia 1826." Early American Imprints 32100; First Century of German Language Printing 1090. This was the first official German Reformed hymnal printed in the United States; later editions dropped the hyphen using the title Das Neue und Verbesserte Gesangbuch. In Very Good Condition: leather is rubbed with some loss of gilt; edges of leather spine label chipped; most of original owner's name on front label has been rubbed out; small scrape to upper edge of front board; a few page corners creased; pages are slightly browned throughout; otherwise clean and tight. Steiner und Kämmerer, und H. Kämmerer, jun hardcover
17426596Romæ, Impresis Fausti Amidei Bibliopolæ, 1742. In-4 (230 x 165 mm), XI-(1)-58 pp., vignette au titre, bandeau et lettrines gravés, 8 planches dépliantes d'instruments de musique. Reliure ancienne pleine basane, dos orné de petits fleurons dorés, tranches rouges, galeries de vers avec pertes de cuir aux mors, épidermures sur le deuxième plat, 1 coin découvert, mention d'ex-dono de l'auteur et nom d'un deuxième possesseur sur la page de titre, claire et faible trace de mouillure en tête de quelques planches, bel état intérieur.
178913486DBVenezia (Venedig), Presso Pietro Qu. Gio. Gatti, 1789. Klein-8°. 17 x 10 cm. 140 Seiten, Seiten 143-322 und Seiten 325-452. Pergamentband der Zeit mit handgeschriebenem Rückentitel. [2 Warenabbildungen] Paolo Antonio Rolli, geboren am 13. Juni 1687 in Rom, gestorben am 20. März 1765 in Todi. Italienischer Dichter und Libr
17751016441775. Utrecht Ten Bosch 1775. 111 pp. Uncut. New cloth binding. Contains the texts of nine street songs from Amsterdam with many funny annotations. hardcover
1778125421778 Milano, Antonio Mogni ( à la fin), 1778; in-8° de X-207pp.; plein parchemin ivoire, dos lisse, titre doré, tranches marbrées. Bo exemplaire. 2 ex-libris étiquettes à l'intérieur du 1er plat: Arthur Hugh Smith Barry et bibliothèque de Murbury Hall.
173916570AB1739. Ham burg Herold 1739. 345 : 225 cm. 28 pages 2 leaves 484 pages 8 leaves register with engraved vignette on title-page type-set musical examples within the text woodcut head and tailpieces 1 full-page engraved plate. Contemorary half vellum decorated papers on boards. First print of the first edition "Neues Verzeichnis bisheriger Matthensonischer Werke" which is only missing in the first print. The rare original edition of the most important work of Matteson an encyclopedia of knowledge of the music-practice of its time. An undispensable source for music-academics. He brings together a vast array of facts as well as his most complete statement of several major theoretical concepts. These include the systematizing of the doctrines of rhetoric as they become the basic of compositio.A lengthy discussion of emotion in music leads to.the only attempt found in baroque literature to arrive at a true "Doctrine" of the Affections. New Grove 11 p. 835. - Mattheson's most important and extensive theoretical work "an encyclopedia of the entire musical practice of his time" in the extremely rare original edition. The important matters from music theory and aesthetics which are often dealt with quite briefly in the 3 "Orchestras" in the "Critica musica" in the two "Schools for basso continuo" as well as in the "Core of melodic science" are treated in such detail that this work must almost be called a fundamental one Schmidt. Mattheson's works have become an indispensable source for musicology because without them it is difficult to understand the great music-historical turn that took place in his time. Joseph Haydn owned a copy of it; Goethe knew it as is evident from his letter to Zelter of Jan. 1 1819. - Cannon No. 138; Wolffheim I 819; Hirsch I 378. - With a small inscribtion at the inner front board. Boards coverd with a special marbled paper. hardcover
1750346CGO. J. (um 1750). Kupferstich (Brustbild in ovaler Umrahmung). Bildgrösse: 11 x 8 cm. Blattgrösse: 16,5 x 10,5 cm.
1750346CGO. J. (um 1750). Kupferstich (Brustbild in ovaler Umrahmung). Bildgrösse: 11 x 8 cm. Blattgrösse: 16,5 x 10,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1796193915Berlin, Unger, 1796. M. 5 gef. gest. Musikbeil. 1 Bl., 348 S., 1 Bl.; 2 Bl., 374 S. Schlichter Ppbd. d. Zt. Einbd. beschäd. (Bestoßen, eingerissen u. m. Fehlst. im Papierbezug). Gelenke gelockert. Ohne Vorsätze. St. a. Tit. Durchg. gebräunt, oft braunfl.
17258877A Paris, Noël Pissot, 1725. In-12 de (8)-126-(6) pp., veau brun, dos orné à nerfs, pièce de titre en maroquin rouge, armes sur les plats, tranches jaspées (reliure de l'époque).
175394881753 reliure plein veau marbré (binding full calfskin) brun in-octavo, dos long (spine without raised band) - compartiments à fleuron (floweret) au centre avec des petits fers isolés en remplissage et des feuillages exécutés aux filets courbes aux angles dans un encadrement à double filet - très légèrement craquelé (lightly cracked spine) - pièce de titre (piece of title) avec filet or sur fond bordeaux, filet (fillets) sur les coupes (manque de dorure - lack of gilt), tranches rouges (reds edges), texte 2 colonnes (text - 2 coloumns), illustrations : bandeaux (headpiece) dont 1 front-de-chapitre gravé par J. B. Le Bas dessiné par Sève + lettrines (dropped initial), VI+758 pages avec Approbation & Privilège, 1753 à Paris Chez Jean-Th. Herissant et Chez les Frères Estienne,
17556Paris Herissant & Frère Estienne 1755 in-8 - 11,5x17cm Reliure de l'époque en pleine basane marbrée, dos à 5 nerfs richement orné. 1ff, VI, 758pp, 1ff.
