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1926005718New York: D. Appleton and Company 1926. Hardcover. About Very Good. This now classic volume covers every aspect of the violin -- its origin and evolution its history its music and virtuosos its construction and manufacture -- and has become the standard reference on the instrument since originally published in 1925. This copy is a First U.S. Edition Second Printing with the numeral "2" found on the last page of the text. About 6 x 8 3/4 inches 479 pages plus two pages of publisher's ads including an introduction by Eugene Ysaye. Translated by Frederick H. Martens. Liberally illustrated with a frontispiece of Esaye. Bound in green cloth-covered boards with gold lettering on front cover and spine and small graphic design featuring violin centered on front cover. No dustjacket. Some light foxing and age-tanning on text edges and endpapers and it appears frontispiece page has been trimmed a fraction of an inch o/w boards and text are complete clean and unmarked. Book shows only a minimum of surface soiling and edgewear no creasing or tearing not remaindered not ex-library. A collectable copy as well as a useful reference. <br/> <br/> D. Appleton and Company hardcover
1784e8266Dublin: Printed by Joseph Hill at the College Printing-House. VG : in very good condition. Rebacked with later calf/gilt spine. Author's inscription on fep. 1784. First Edition. Mottled calf gilt. 210mm x 130mm 8" x 5". 203pp. 2 plates one folding. Inscription reads: 'For the Right Honourable Lord Viscount Castlereagh from his most obliged and sincere servt'. . Printed by Joseph Hill, at the College Printing-House unknown
2005486162Lewiston: The Edwin Mellen Press 2005. Hardcover no jacket signed and dedicated by author Robin Burgess on FEP. 'Anonymous English Translation 1768'. Spine ends slightly bumped; dent on page block head slightly affecting upper edges of pages comprising opening remarks. Remains very good: pages are clean and sound with clear content throughout. TS. Signed by Author. Hardcover. Very Good. Used. The Edwin Mellen Press Hardcover
195027420New York: Program Publishing Company 1950. Very good condition. Signed by Romberg. Sigmund Romberg 1887-1951 was a Hungarian-born American composer most known for his musicals and operettas.<br /> <br /> This is a 16 page Program for a concert with soloist singers: Gene Marvey Kirsten Kenyon Gail Manners and Christina Carroll under the baton of Sigmund Romberg signed in blue pen by them on their portraits in the booklet not including Marvey.<br /> <br /> 4to blue printed paper covers includes biography of the noted conductor as well as articles written by him and a full list of his music. Covers dusty staple bound center page detached but present otherwise clean. Program Publishing Company unknown
138582249X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2019041656Ephrata PA: Ephrata Cloister Associates 2019. Soft cover. Very Good. 0x0x0. Very good copy with minor shelfwear. Ephrata Cloister Associates paperback
41186Most items from the collection of noted musicologist Stanley Boorman b. 1939 specialist in early music; music bibliography printing and publishing; and author of the monumental Ottaviano Petrucci: A Catalogue Raisonné some with his small neat signature and occasional minor annotations. In very good antiquarian condition overall with occasional minor defects including minimal signs of wear creasing soiling detached wrappers etc.<br /> <br /> Contents as follows:<br /> <br /> 1. ANDRIESSEN Hendrik 1892-1981<br /> Ballade voor Hobo en Piano 1952. Amsterdam: Donemus ©1953. Folio. Wrappers. 10 pp. 1f. blank. <br /> <br /> 2. ANDRIESSEN<br /> Pastorale voor fluit viol en piano. Amsterdam: Donemus ©1948. Folio. Wrappers. 12 pp.; 2 pp. of a bifolium violin; 2 pp. of a bifolium flute. <br /> <br /> 3. BADINGS Henk 1907-1987<br /> Cavatina voor een melodie-instrument met pianobegeleiding. Parts. Amsterdam: Donemus ©1952. Folio. Wrappers. 8; 2 pp. Reproduction of the composer's manuscript. <br /> <br /> 4. BANTOCK Granville 1868-1946<br /> Serenade "In the Far West" for string orchestra . Full score M. 6.- n. Parts each M.1.20 n. Full score. New York: Breitkopf & Härtel PN 2338 1912. Folio. Original publisher's light green printed wrappers with titling to upper within decorative blue board publisher's advertisements to lower. 1f. recto title 37 i blank pp. With printed dedication to Edward Steel Harper to head of title. Wrappers worn and chipped; detached. Slightly browned; some creasing and chipping to edges; handstamp "Music Div. 2nd Copy Not to leave the Library" to corner of upper wrapper. First Edition. The present Serenade was composed in 1912. "Bantock's compositional output was prodigious and from the turn of the 20th century to his death in 1946 he poured out apparently effortlessly orchestral and choral works piano and chamber music compositions for brass band and hundreds of songs. .Gradually Bantock's music passed out of fashion for reasons easily understood: Bantock was strongly influenced by Wagner and Richard Strauss but failed to find a consistently distinctive musical language of his own. He never adopted the advanced harmonic idiom of Tristan let alone Salome or Elektra. His harmonic style suggests rather such works as Der fliegende Holländer and Guntram. It is based on common chords and diatonic discords; the complex chromatic suspensions of Tristan are outside its scope as is the dissonant counterpoint of Strauss's more advanced works. His obsession with pseudo-eastern subjects was also a handicap since it was the theatrical east of magnificent processions the gigantic and the gaudy that attracted him; and although he travelled to several Asian countries the subtlety and restraint of oriental thought escaped him." Peter J. Pirie David Brock and Andrew King in Grove Music Online<br /> <br /> 5. BARBER Samuel 1910-1981<br /> Collected Songs For High Voice. Ed. 2167. New York / London: G. Schirmer ©1980. Folio. Wrappers. 137 i blank pp. <br /> 6. BARTÓK Bela 1881-1945<br /> BB 39. Suite No. 1 for Orchestra. Op. 3. Study score. London: Boosey & Hawkes ©1956. Small octavo. Wrappers. 2ff. title notes 188 pp. Hawkes Pocket Scores 794. Reproduction of the score published by Editio Musica Budapest PN Z. 1022. <br /> <br /> 7. BARTÓK<br /> BB 52. String Quartet No. 1 Op. 7. Study score. London: Boosey & Hawkes 1969 ©1956. Small octavo. Wrappers. 39 pp. Hawkes Pocket Scores 824. Reproduction of the score published by Editio Musica Budapest PN Z. 1585. <br /> <br /> 8. BARTÓK<br /> BB 110. Streichquartett V Vonós négyes - String Quartet. Study score. Wien: Philharmonia W.Ph.V. 167; Universal Edition U.E. 10736 1963 ©1936. Small octavo. Wrappers. 92 pp. Text in German English and French by György Ligeti. Reprint. <br /> <br /> 9. BARTÓK<br /> BB 119. Sixth String Quartet. Study score. London: Boosey & Hawkes PN B. & H. 8437 1965 ©1941. Small octavo. Wrappers. 1f. title 46 pp. Hawkes Pocket Scores 25. With "10-65 L & B" at conclusion. <br /> <br /> 10. BEDFORD David 1937-2011<br /> Music for Albion Moonlight Four Poems by Kenneth Patchen for soprano and six instruments. Score. London: Universal Edition U.E. 14162 L 1966. Oblong folio. Wrappers. 2ff. 28 pp. With performance instructions. First Edition. <br /> <br /> 11. BEDFORD<br /> Two Poems for Chorus On words of Kenneth Patchen "The Love Poems" City Light Books San Francisco. Score. London: Universal Edition UE 14705 L ©1967. Large folio. 1f. 32 pp. With performance instructions in English and German. No title as issued. Reproduced from the composer's manuscript. First Edition. <br /> <br /> 12. BEDFORD<br /> Gastrula. Study score. London: Universal Edition PN UE 14679 L ©1969. Octavo. Wrappers. 3ff. title instrumentation notes 41 pp. Reproduced from the composer's manuscript. First Edition first issue. <br /> <br /> 13. BERKELEY Lennox 1903-1989<br /> Partita for Chamber Orchestra. Op. 66. Study score. London: J. & W. Chester PN J.W.C. 289 ©1966. Large octavo. Wrappers. 1f. title 48 pp. <br /> 14. BLOMDAHL Karl-Birger 1916-1968<br /> Sisyphos Choreographic Suite for orchestra 1954. London: Schott & Co. 5897 1967. Octavo. Wrappers. 1f. 87 pp. <br /> <br /> 15. BRITTEN Benjamin 1913-1976<br /> Twelve Variations for solo piano 1931. London: Faber Music Limited ©1986. Folio. Wrappers. 14 pp. <br /> <br /> 16. BRITTEN<br /> Op. 68. Symphony for Cello and Orchestra. Study score. London: Boosey & Hawkes PN B. & H. 19205 1964 ©1963. Small octavo. Wrappers. 2ff. title instrumentation 115 pp. Hawkes Pocket Scores 759. With "9. 64 E." printed at conclusion. First Edition possible first issue. Banks p. 126. BTC 1114. <br /> <br /> 17. BRUCH Max 1838-1920 and Ernest Bloch 1880-1959<br /> Bruch's "Kol Nidrei" and Bloch's "Schelomo" for Cello and Orchestra in Full Score. New York: Dover n.d. Folio. 105 i blank pp. <br /> 18. CARTER Elliott 1908-2012<br /> Double Concerto for Harpsichord and Piano with Two Chamber Orchestras. Full score. New York: Associated Music Publishers AMP 8075 1994 ©1964. Small folio. Wrappers. ix 168 pp. Fine. Re-issue of the 1st edition.<br /> <br /> 19. CARTER<br /> Holiday Overture 1944/61. Study score. New York: Associated Music Publishers PN AMP-96119-68 ©1962. Large octavo. Original publisher's light gray wrappers printed in dark green. 70 2 pp. Catalogue of Carter's works to last page. First Edition. "The new simplicity and American quality of Copland's Billy the Kid 1936 set a pattern which many American composers including Carter would follow in the next decade. Carter's simplified style appears in the First Symphony 1942 rev. 1954 . and the Holiday Overture 1944 rev. 1961 which begins like Piston and ends like Ives; typically both works were considered difficult despite Carter's effort to write in the populist manner. . Hints of Carter's later style can be found in. the explosive counterpoint of the Holiday Overture." David Schiff and Mark R. Porcaro in Grove Music Online<br /> <br /> 20. CARTER<br /> String Quartet 1951. Study score. New York: Associated Music Publishers AMP 95544-119 1956. Small octavo. Wrappers. 121 pp. Second edition. <br /> 21. CARTER<br /> String Quartet No. 3. Study score. New York: Associated Music Publishers AMP 7303 1973. Large octavo. Wrappers. 1f. 94 pp. First Edition. Awarded the Pulitzer Prize for Music 1973. <br /> <br /> 22. CARTER<br /> String Quartet No. 4. Full score. New York: Hendon Music; Boosey & Hawkes PN HPS 1130 1989 ©1986. Small folio. Wrappers. 2ff. title notes 59 pp. Hawkes Pocket Scores 1130. First engraved edition earlier printings were holograph reproductions. <br /> <br /> 23. COPLAND Aaron 1900-1990<br /> In the Beginning. For Mixed Chorus a Cappella with Mezzo-soprano Solo. Choral Score. London Boosey & Hawkes ©1947. Small quarto. Wrappers. 56 pp. <br /> 24. DALLAPICCOLA Luigi 1904-1975<br /> Tre poemi. Study score. Mainz: Ars Viva AV 62 1960. Small octavo. Wrappers. 3ff. 23 pp. 35498 <br /> <br /> 25. DANIELPOUR Richard b. 1956<br /> The Enchanted Garden Preludes Book I. Solo Piano. Associated Music Publishers June 1993. Folio. Wrappers. 35 i blank pp. <br /> 26. DAVIES Peter Maxwell 1934-2016<br /> Op. 19. First Fantasia on an In Nomine of John Taverner for orchestra. Study score. London: Schott & Co. PN S. & Co. 6488 ©1966. Octavo. Wrappers. 1f. title instrumentation 38 pp. Edition Schott 10818.<br /> <br /> 27. DAVIES<br /> Op. 72. The Martyrdom of St Magnus Das Martyrium des heiligen Magnus. A Chamber Opera in Nine Scenes. Study score. London: Boosey & Hawkes PN B. & H. 20810 ©1987 1977. Large octavo. Wrappers. 4ff. title synopsis instrumentation 170 pp. Text in English and German. Hawkes Pocket Scores 1141. Libretto by the composer after the novel Magnus by George Mackay Brown. German translation by Günther Bauer-Schenk.<br /> <br /> 28. DAVIES<br /> Op. 119. Symphony No. 3. Study score. London: Boosey & Hawkes PN B. & H. 20747 1987 ©1985. Large octavo. Wrappers. 1f. title instrumentation 266 pp. Hawkes Pocket Scores 1114. "First printing 1987 United Kingdom" to verso of title.<br /> <br /> 29. DEBUSSY Claude 1862-1918<br /> 1er Quatuor pour 2 Violons Alto et Violoncelle. Paris: A. Durand & Fils n.d. Small quarto. Black cloth boards. 50 pp.<br /> <br /> 30. DEBUSSY<br /> Danses. I. Danse Sacrée. II. Danse Profane pour Harpe chromatique ou Harpe à Pedales ou Piano avec acct. d'orchestre d'instruments à cordes. Paris: Durand & Cie. ©1910.Small quarto. Light blue wrappers. 28 pp. <br /> <br /> 31. DEBUSSY<br /> Iberia "Images" pour Orchestre No. 2. Full score. Paris: Durand & Cie PN D. & F. 7576 January 1949. Tall folio. Dark ivory publisher's wrappers printed in red and black. 1f. recto title verso publisher's "General Conditions of Sale and Hire of Orchestral Material" and list of instruments 110 pp. A re-issue from plates of the first edition. Lesure p. 127.<br /> <br /> 32. DEBUSSY<br /> Jeux. Poème dansé. Partition d'Orchestre. Paris: Durand & Cie. ©1914. Small quarto. Gray wrappers. 118 pp. 1f. recto printer's note verso blank. <br /> 33. DEBUSSY<br /> Nocturnes Nouvelle edition 1930. I. Nuages. II. Fêtes. III. Sirènes . Partition d'Orchestre. Paris: Société des Éditions Jobert PN JJ 419 1964. Large octavo. Ivory wrappers. 111 i publisher's catalogue pp. <br /> <br /> 34. DEBUSSY<br /> Prélude à l'après midi d'un faune Partition d'orchestre. Paris: Editions Jobert PN E. 1091 F. ©1922. Small quarto. Light brown wrappers printed in orange. 31 i printer's note pp. Analytical notes throughout. <br /> <br /> 35. DELIUS Frederick 1862-1934<br /> Sea Drift for Baritone Solo Mixed Chorus and Orchestra. Poem by Walt Whitman. German translation by Jelka Rosen. This edition is a reprint in reduced format of the full score edited and revised by Sir Thomas Beecham and published in 1951. A few misreadings and errors have been corrected. London . Boosey & Hawkes ©1952. Small quarto. Wrappers. 83 i blank pp. <br /> <br /> 36. DELIUS<br /> Two Pieces for Small orchestra . On Hearing the First Cuckoo in Spring . Summer Night on the River . Price 3/6/. London: Oxford University Press ©1930. Octavo. Wrappers. 14 pp. <br /> <br /> 37. DISTLER Hugo 1908-1942<br /> Mörike-Chorliederbuch: Gesamtausgabe. Kassel: Bärenreiter BA 1515 1966. Large octavo. Wrappers. 144 pp. <br /> <br /> 38. DUKAS Paul 1865-1935<br /> Ariane et Barbe-Bleue. Conte en Trois Actes. Poème de Maurice Maeterlinck . Partition d'Orchestre. Paris: Durand & Cie. ©1907. Small quarto. Ivory wrappers. 572 pp. <br /> <br /> 39. DUKAS<br /> Symphony in C Major. Melville N.Y.: Belwin Mills n.d. Small quarto. Yellow wrappers. 215 i blank pp. Kalmus Miniature Scores 1469. <br /> 40. EGGE Klaus 1906-1979<br /> Symphony no. 1 op. 17. Oslo: Harald Lyche & Cos. Musikkforlag ©1946. Small quarto. Blue printed boards. 148 pp. Edition Lyche Nr. 101. <br /> 41. EGK Werner 1901-1983<br /> La Tentation de Saint Antoine d'après des airs et des vers du 18e siècle pour alto quatuor à cordes et orchestre à cordes. Study score. Mainz: B. Schott's Söhne B.S.S 37095a; 4559 1956. Octavo. Wrappers. 1f. 72 pp. <br /> <br /> 42. EBEN Petr 1929-2007<br /> Laudes Pro Varhany 1964. For organ solo. Praha: Panton 1975. Folio. Wrappers. 40 pp. <br /> <br /> 43. EINEM Gottfried von 1918-1996<br /> Dantons Tod. Eine Oper in zwei Teilen sechs Bildern frei nach George Büchner. Text eingerichtet von Boris Blacher und Gottfried v. Einem. Study score. Wien: Universal Edition UE 13197; UE 11817 ©1961. Large octavo. Publisher's red leatherette titling gilt to upper and spine. 2ff. 507 pp. Text in German. Reduced size reprint of the first edition full score. <br /> <br /> 44. ELGAR Edward 1857-1945<br /> Op. 36. Variations on an original Theme for Orchestra. London: Novello and Company Limited ©1899. Small quarto. Light brown publisher's wrappers. 128 pp. <br /> 45. ELGAR<br /> Op. 38. The Dream of Gerontius by Cardinal Newman. Set to Music for Mezzo-Soprano Tenor and Bass Soli Chorus and Orchestra . Book of Words with Analytical and Descriptive Notes by A.J. Jaeger. London: Novello and Company Limited n.d. Small quarto. Wrappers. 51 pp. <br /> 46. ELGAR<br /> Op. 38. The Dream of Gerontius by Cardinal Newman. London: Novello and Company Limited ©1928. Small quarto. Wrappers. 212 pp. <br /> 47. ELGAR<br /> Op. 40. Cockaigne in London Town. Concert Overture. London . Boosey & Hawkes Ltd. PN 101 H. 3239 ©1942. Small quarto. Light brown wrappers printed in dark green. 71 i blank pp. Hawkes Pocket Scores. <br /> <br /> 48. ELGAR<br /> Op. 85. Concerto for Violoncello and Orchestra. London: Novello and Company Limited ©1921 PN 14737. Small quarto. Wrappers. 104 pp. <br /> 49. ENESCO Georges 1881-1955<br /> Roumanian Rhapsody No. 1. A Major. Op. 11. New York: M. Baron Co. n.d. Small quarto. Wrappers. 91 v publisher's catalogue pp. Ex libris American composer Brian Leo Fennelly 1937-2015 with his small handstamp to upper wrapper. <br /> <br /> 50. GERHARD Roberto 1896-1970<br /> Concerto for Orchestra. Study score. London: Oxford University Press ©1965. Large octavo. Wrappers. 3ff. 153 pp. First Edition. Out of print now rental only. <br /> <br /> 51. GERHARD<br /> Dances from Don Quixote. Study score. London: Keith Prowse ©1964. Large octavo. Wrappers. i 79 pp.<br /> <br /> 52. GERHARD<br /> Hymnody. For seven wind instruments percussion and two pianos. Study score. London: Oxford University Press ©1965. Large octavo. Wrappers. 2ff. 100 pp. First Edition. Out of print now rental only. <br /> <br /> 53. GIELEN Michael 1927-2019<br /> Musica per archi pianoforte baritono trombone e timpani. Parole dell' Interludio di Paul Claudel: "Le soulier de satin". Full score. Wien: Universal Edition U.E. 12518 1958. Folio. Wrappers. 1f. 64 pp. <br /> <br /> 54. GILBERT Anthony b. 1934<br /> Op. 10. Nine or Ten Osannasfor clarinet horn violin cello piano 1967. Study score. London: Schott & Co. 6807; Edition Schott 11066 1969. Octavo. Wrappers. 2ff. 39 pp.<br /> <br /> 55. GINASTERA Alberto 1916-1983<br /> Op. 26. 2do. Cuarteto de Cuerdas Revisión 1968. Study score. Buenos Aires: Barry B & C 1006 ©1968. Small octavo. Wrappers. 72 pp. First Edition of the revised version.<br /> <br /> 56. HÖLLER Karl 1907-1987<br /> Op. 56. Sweelinck-Variationen "Mein junges Leben hat ein End" für Orchester. Study score. Mainz: B. Schott's Söhne B.S.S 38011a; 4062 1952. Octavo. Wrappers. 1f. 111 pp. With original Musica Nova series overwraps. <br /> <br /> 57. IVES Charles 1874-1954<br /> Central Park in the Dark Edition prepared by Joh Kirkpatrick and Jacques-Louis Monod . Study Score. Hillsdale New York: Mobart Music Publications Inc. PN B-B 22 ©1978. Octavo. Yellow wrappers. 30 1f. printed notes by Ives etc.<br /> <br /> 58. IVES<br /> Scherzo for 2 Violins Viola and 'Cello. New York . Peer International Corporation . ©1958. Octavo. Gray wrappers. 6 pp. Loose in wrappers. With publisher's catalogue to verso of lower wrapper. <br /> <br /> 59. IVES<br /> String Quartet No. 1 for 2 Violins Viola and 'Cello. New York: Peer International Corporation . PN 724-28 ©1963. Octavo. Gray wrappers. 30 pp. 1f. blank. With publisher's catalogue to verso of lower wrapper. <br /> <br /> 60. IVES<br /> String Quartet No. 2 for 2 Violins Viola and 'Cello. New York: Peer International Corporation . PN 293-26 ©1954. Octavo. Gray wrappers. 27 i blank pp. With publisher's catalogue to lower wrapper. <br /> <br /> 61. JANÃÄŒEK LeoÅ¡ 1854-1928<br /> PrÃhody liÅ¡ky bystrouÅ¡ky Das Schlaue Füchslein . Klavierauszug mit Singstimmen Bretislav Bakala. Piano-vocal score. Wien: Universal Edition U.E. 7564 1969 ©1952. Large octavo. Wrappers. 183 pp. Reprint.<br /> <br /> 62. JANÃÄŒEK<br /> Quartetto II Listy Duverne - Intimate Letters. Study score. Praha: Editio Supraphon H 4261 1988 ©1938. Small octavo. Wrappers. vi 49 pp. Reprint. <br /> <br /> 63. JANÃÄŒEK<br /> Sinfonietta Das Schlaue Füchslein . Klavierauszug mit Singstimmen Bretislav Bakala. Study score. Wien; Praha: Universal Edition U.E. 8680; W.Ph.V. 224; Editio Supraphon 1967 ©1954. Small octavo. Wrappers. 115 pp. Reprint. <br /> <br /> 64. JANÃÄŒEK<br /> JÃlek FrantiÅ¡ek arr. Suita z opery Z mrtvého domu Suite aus der Oper Aus einem Totenhaus - Suite of the Opera From the House of the Death. Study score. Praha Wien: Editio Supraphon H 7506; Universal Edition UE 19531 ©1990. Large octavo. 140 pp. First Edition. <br /> <br /> 65. JONGEN Joseph 1873-1953<br /> Mass Op. 130. Vocal score. Oxford University Press 1990. Small folio. Wrappers. 80 pp. Edited by John Scott Whitely and Tom Cunningham. <br /> <br /> 66. KABALEVSKY Dmitry 1904-1987<br /> Op. 38. 24 Preludes Edited with special annotations by Leo Smit. Solo piano. New York: Leeds Music Corporation ©1947. Small folio. Wrappers. 73 pp. Wrappers somewhat worn; partially split at spine. <br /> <br /> 67. KAGEL Mauricio 1931-2008<br /> Die Himmelsmechanik Komposition mut Bühnenbildern. Libretto/Partitur. Score. London: Universal Edition UE 13520 LW ©1967. Large Quarto. Decorative wrappers. 2ff. 9 1 pp. Text in German. Reproduction of the composer's manuscript. First Edition first issue. <br /> <br /> 68. KAGEL<br /> Match für drei Spieler 2 violoncelli 1 schlagzeuger. Score. London: Universal Edition UE 14543 LW ©1967. Oblong quarto. Wrappers. 24 pp. Performance instructions in German English and French. First Edition first issue. <br /> <br /> 69. KAGEL<br /> Sexteto de cuerdas. Study score. London: Universal Edition UE 13022 LW ©1962. Small octavo. Wrappers. viii 28 pp. Performance instructions in German English and French. For string sextet: 2 violins 2 violas 2 cellos.<br /> <br /> 70. KAGEL<br /> Sonat für Gitarre Harfe Kontrabaß und Fellinstrumente - for guitar harp double bass and membranophones - pour guitare harpe contrebasse et instruments á peau 1960. Study score. Frankfurt: Henry Litolff's Verlag; C.F. Peters 30224; Nr. 5972 ©1964. Large octavo. Wrappers. 10 parts laid in: Instructions 35 pp.; Nomenclature 5 folding leaves; Faites votre jeu I 8 pp.; Faites votre jeu I 7 pp.; Faites votre jeu II 7 pp.; Marquez le jeu 4 pp.; Pièce touchée pièce jouée 7 pp.; Pièce de résistance 4 pp.; Fin I 2 pp.; Fin II 31 pp. Instructions and text in German English and French. <br /> <br /> 71. KALABIS Viktor 1923-2006<br /> Op. 24. Symfonické variace Variazioni sinfonici per grande orchestra. Study score. Praha-Bratislava: Panton P 533 ©1966. Small octavo. Wrappers. viii 48 pp. Preface in Czech German English and French. First Edition. <br /> <br /> 72. KALABIS<br /> Op. 25. Concerto per grande orchestra. Study score. Praha: Panton P 915 1969. Large octavo. Wrappers. 190 pp. Preface in Czech German English and French. First Edition. <br /> <br /> 73. KALABIS<br /> Op. 34. IV. Symfonie. Full score. Praha: Editio Supraphon H 5637 ©1974. Folio. Wrappers. 184 pp. Preface in Czech and German. First Edition. <br /> <br /> 74. KERNIS Aaron Jay b. 1960<br /> Musica Celestis Arranged from String Quartet by the composer. Full score. New York: Associated Music Publishers AMP-8077 1994 ©1992. Small folio. Wrappers. 14 pp. <br /> <br /> 75. KODÃLY Zoltán 1882-1967<br /> Op. 2. I. Vonósnégyes Quartetto d'archi N. I. Study score. Budapest: Zenemukiadó Vállalat Z. 1013 1954. Small octavo. Wrappers. xvi 51 pp. Preface by Pál Járdányi in Hungarian Russian German English and French. <br /> <br /> 76. KODÃLY<br /> Concerto for Orchestra. Study score. Budapest: Editio Musica Budapest Z. 2665 1958. Small octavo. Wrappers. 101 pp. <br /> <br /> 77. KUBIÄŒKA Miroslav b. 1951<br /> I. Symfonie. Full score. Praha: Panton P 2561 1988. Quarto. Wrappers. 54 pp. Reproduction of manuscript. First Edition. Out of print. <br /> <br /> 78. LEEUW Ton de 1926-1996<br /> Trio voor fluit klarinet en piano. Parts. Amsterdam: Donemus ©1953. Small folio. Wrappers. 22; 6; 6 pp.<br /> <br /> 79. LIEBERMANN Rolf 1910-1999<br /> Concerto for Jazz Band and Symphony Orchestra. Score. Wien . Universal Edition PN U.E. 121353/12358 ©1954. Small quarto. 127 i blank pp. <br /> 80. LUTOSÅAWSKI Witold 1913-1994<br /> I Symfonia 1st Symphony - 1. Sinfonie - 1re Symphonie. Study score. Kraków: Polskie Wydawnictwo Muzyczne PWM-2624 1980 ©1957. Octavo. Wrappers. 132 pp. First Edition fourth issue.<br /> <br /> 81. LUTOSÅAWSKI<br /> Wariacje symfoniczne Symphonic Variations. Study score. Kraków: Polskie Wydawnictwo Muzyczne PWM-5771 1990. Octavo. Wrappers. 45 pp. First Edition fourth issue. <br /> <br /> 82. MAHLER Gustav 1860-1911<br /> Das Lied von der Erde. Eine Symphonie für eine Tenor- und eine Alt- oder Bariton- Stimme und Orchester . Partitur. Revidierte Ausgabe. Wien: Universal Edition PN U.E. 3392. 3637. ©1964. Quarto. Light blue wrappers printed in dark blue. 146 pp. Band IX Sämtliche Werke. Kritische Gesamtausgabe. <br /> <br /> 83. MAHLER<br /> Symphony No. 2 in C Minor. Kalmus Miniature Orchestra Scores No. 154. N.p.: Edwin F. Kalmus n.d. Large octavo. 209 i blank pp. <br /> <br /> 84. MAHLER<br /> Symphonie II . Revised version. Wien: Universal Edition PN U.E. 2933 W. Ph. V. 395 ©1952. Small quarto. Green wrappers. 209 i blank pp. Philharmonia No 395. <br /> <br /> 85. MAHLER<br /> Symphonie Nr. 6 in vier Sätzen für grosses Orchester. Partitur. Revidierte Ausgabe. Lindau: C.F. Kahnt PN 4526 ©1963. Quarto. Light blue wrappers printed in dark blue. 263 i blank pp. Band VI Sämtlioche Werke. Kritische Gesamtausgabe. <br /> 86. MAHLER<br /> Symphony No. 9. Score. Wien . Universal ©1952. Small quarto. 182 pp. <br /> <br /> 87. MARTIN Frank 1890-1974<br /> Petite Symphonie Concertante pour Harpe Clavecin Piano et deux orchestres à cordes. Study score. Wien-London: Philharmonia; Universal Edition W.Ph.V. 385 1959 ©1947. Small octavo. Wrappers. 2ff. 6 150 pp. Notes in German French and English. Smaller format reprint of the first edition. <br /> <br /> 88. MEALE Richard 1932-2009<br /> Homage to Garcia Lorca. Study score. London: Boosey & Hawkes PN B. & H. 19426 1967 ©1966. Small octavo. Wrappers. 2ff. title notes 84 pp. Hawkes Pocket Scores 791. With "5. 67. E" at conclusion. <br /> <br /> 89. MEDTNER Nikolay 1880-1951<br /> Op. 58 No. 2. Knight-Errant for Two Pianos. London: Augener 17938 R ©1946. Folio. Wrappers. 44 pp. each. <br /> <br /> 90. MEYER Krzysztof b. 1943<br /> Koncert na wiolonczelÄ™ i orkiestrÄ™. Full score and part. Concerto for Cello and Orchestra. Kraków: Polskie Wydawnictwo Muzyczne PN PWM-7520 ©1973. Folio. Illustrated wrappers. 107 1 blank pp. solo cello part: 23 1 blank pp. With abstract illustration by Janusz Wysocki to upper wrapper. First Edition first issue. Commissioned by and dedicated to Mstislav Rostropovich. <br /> <br /> 91. MEYER<br /> Quartettino per soprano flauto violoncello e pianoforte. Study score. Kraków: Polskie Wydawnictwo Muzyczne PWM-6798 1976 ©1969. Small octavo. Wrappers. 13 pp. First Edition second issue. <br /> <br /> 92. MIGOT Georges 1891-1976<br /> Le livre des danceries quatre pièces pour orchestre. Full score. Paris: Alphonse Leduc PN 17833 1931. Folio. Original publisher's ivory printed wrappers with titling within ruled border to upper. 1f. recto title verso blank 1f. recto instrumentation verso blank 94 pp. Printed dedication: "a Madame Emma Leduc-Ravina." Contains: 1. Introduction - 2. Gai - 3. Religieux - 4. Conclusion. Wrappers very slightly worn and soiled; spine reinforced with white linen tape; price stamped to upper corner with "Printed in France" to lower inner corner. Browned slightly heavier to edges. First Edition. The present work premiered in the original trio version in Paris by the Ars Nova Trio on 21 January 1930. "Georges Migot the French painter engraver poet philosopher aesthete and composer remains little known in today's musical world. His music was performed a good deal and his talent duly appreciated in the period between the wars. After the Second World War however his work like that of numerous other so-called independent creators fell into neglect. Though unique Migot was certainly no musical pariah. The composer was an active and highly acclaimed participant in French musical life who at around the time the Trio was composed became president of "La Spirale" an influential Parisian concert society dedicated to offering performances of newly-composed French and international works. The stylistically unified Livre des danceries for flute violin and piano is clearly indebted to this aesthetic. Written in 1929 three of its four movements were dedicated to the members of the "Ars Nova" Trio Jan Merry flute; Colette Franz violin; and Elen Merry piano which premiered the work in early 1930." Liner notes from Trio Hochelaga's album Georges Migot. <br /> <br /> 93. MORAVEC Paul b. 1957<br /> Impromptus for Piano. N.p. Subito Music 2004. Quarto. Wrappers. 1f. 8 pp. <br /> <br /> 94. NIELSEN Carl 1865-1931<br /> Overture from the Opera "Masquerade." Study score. København: Wilhelm Hansen 21752; Nr. 3230b 1930. Small octavo. Wrappers. 31 pp. Reprint. <br /> <br /> 95. NONO Luigi 1924-1990<br /> Polifonica-Monodia-Ritmica. Study score. Mainz: Ars Viva AV 76 1965. Small octavo. Wrappers. 20 pp. <br /> <br /> 96. ORR Robin 1909-2006<br /> Symphony in One Movement. Study score. Glasgow: Bayley & Ferguson BF 2050 ©1965. Octavo. Wrappers. 72 pp. Includes original sell sheet with composer's program notes. First Edition. Out of print. <br /> <br /> 97. PENDERECKI Krzysztof 1933-2020<br /> Sonata per Violoncello e Orchestra. Partiture. Kraków: Polskie Wydawnictwo Muzyczne ©1966. Small quarto. Wrappers. 42 pp. With publisher's catalogue to verso of lower wrapper. <br /> <br /> 98. RAVEL Maurice 1875-1937<br /> Introduction and Allegro. 2 pianos. Transcribed for two pianos by the composer. Reprinted from the 1906 Durand edition. Vista California: Lauren Publications 019 ca. 2000. Folio. 25 pp.<br /> <br /> 99. RAVEL<br /> L'Heure Espagnole Comedie Musical en un Acte Poème de Franc-Nohain . Partition d'Orchestre. Paris: A. Durand & Fils ©1911. Small quarto. Ivory wrappers printed in dark red. 200 pp. <br /> <br /> 100. RIEGGER Wallingford 1885-1961<br /> Op. 42. Symphony No. 3 . Revised Version. New York: Associated Music Publishers Inc. ©1957. Octavo. Gray wrappers. 164 pp. <br /> 101. RIESMAN Michael b. 1943<br /> Ballade for Violoncello and Piano. Score and violoncello part. Self-published September 1969. Two volumes. Folio. Plain black spiral-bound boards. Score: 20 pp. Photographic reproduction of manuscript most probably autograph score notated on 12-stave printed music paper. Violoncello: 13 i blank pp. cut and pasted from the score and newly reproduced by Circle Blue Print Co. New York. Note to caption title: "commissioned by Robert Sylvester." Credits to upper right corner of first page: "Michael Riesman 1969." Note to lower right corner of last page of music: "W. Bratteboro Vt. Sept. 1969." Violoncello part marked up throughout in two layers: beat count in red ink; fingering bowing and articulation in pencil. Browned at edges. Names of Michel Riesman and Robert Sylvester erased from first page of score leaving small hole; names later restored in black ink. Scarce. WorldCat 1 copy of the score only at the Juilliard School. Riesman graduated from Mannes College in 1967 and obtained a PhD from Harvard in 1972 where he studied composition with Leon Kirchner Roger Sessions and Earl Kim. He has been a member of the Philip Glass Ensemble since 1974 arguably its most important one. Besides his work for Glass as a keyboardist conductor and arranger Riesman has continued to compose sporadically but his music remains unpublished. A few of his student compositions including his graduation pieces can be accessed at Harvard University and the Juilliard School. <br /> <br /> 102. ROCHBERG George 1918-2005<br /> Contra mortem et tempus for flute clarinet violin and piano. Bryn Mawr: Theodore Presser Company 114-40116 1967. 4 scores. Small oblong folio. Wrappers. 39 pp. each. First Edition. <br /> <br /> 103. ROUSSEL Albert 1869-1937<br /> Op. 17. Le Festin de l'Araignée Ballet-Pantomime de Gilbert de Voisins . Partition pour le Piano Réduit par l'Auteur Prix net: 10 francs. Piano score. Paris: A. Durand & Fils PN D. & F. 8778 1913. Folio. Original publisher's ivory wrappers with titling printed in red. 1f. title 1f. dedication to Jacques Rouché 1f. named cast list for the first performance 54 pp. Wrappers somewhat soiled; spine frayed split and partially lacking. Inner corners slightly creased. First Edition. CPM Vol. 49 p. 216. OCLC no. 8906509. Le Festin d'Araignée was first performed at the Théâtre des Arts in Paris on April 3 1913. "Following the resounding success of Evocations Jacques Rouché then director of the Théâtre des Arts asked Roussel to write the ballet score Le festin de l'araignée 1913. This was so successful that Rouché newly appointed director of the Opéra next commissioned an opera from Roussel to inaugurate his term of office there. Though he was touched by the successive waves of impressionism and neo-classicism in French music Roussel was an independent figure his music harmonically spiced and rhythmically vigorous." Nicole Labelle in Grove Music Online<br /> <br /> 104. RUBBRA Edmund 1901-1986<br /> Op. 122. Inscape Suite for Mixed Voices Strings & Harp or PFTE. Piano-vocal score. South Croydon: Alfred Lengnick & Co. PN A.L. & Co. Ltd. 4202 ©1965. Octavo. Wrappers. 44 pp. <br /> <br /> 105. SCHOECK Othmar 1886-1957<br /> Ausgewählte Lieder und Gesänge. Band I. Mittel Selected Lider and Songs. Volume I. Middle voice. Wiesbaden: Breitkopf & Härtel EB 6872 ca. 1985. Folio. Wrappers. 30 pp. Reprint. <br /> <br /> 106. SCHOENBERG Arnold 1874-1951<br /> Op. 8. Sechs Orchesterlieder Klavierauszug von Anton Webern. Piano-vocal score. Wien: Universal Edition UE 13540 1975 ©1939. Small folio. Wrappers. 36 pp. <br /> <br /> 107. SCHOENBERG<br /> Op. 9. Kammersymphonie für 15 Solo-Instrumente. Study score. Wien: Universal Edition UE 7147 1967 ©1950. Octavo. Wrappers. 144 pp. Reprint. <br /> <br /> 108. SCHOENBERG<br /> Op. 15. Fünfzehn Gedichte aus "Das Buch der hängenden Gärten" von Stefan George für Gesang und Klavier. Mit einem Nachwort von Theodor W. Adorno. Wiesbaden: Insel-Bücherei Nr. 683 1959. Oblong 12mo. Publisher's patterned boards with printed label to upper and spine. 83 1 pp. Later edition with afterword by Adorno. Out of print. <br /> <br /> 109. SCHOENBERG<br /> Op. 16. Five Orchestral Pieces. Study score. Dover 1999. Small octavo. Wrappers. 58 pp. Reprint.<br /> <br /> 110. SCHOENBERG<br /> Op. 21. Dreimal sieben Gedichte aus Albert Girauds Pierrot Lunaire Deutsch von Erich Otto Hartleben. Für eine Sprechstimme Klavier Flöte auch Piccolo Klarinette auch Bass-Klarinette Geige auch Bratsche und Violoncell. Full score. Los Angeles: Belmont Music Publishers BEL-1051 1990. Small folio. Coated wrappers. 78 pp. Corrected edition. <br /> <br /> 111. SCHOENBERG<br /> Op. 24. Serenade. Oslo: Wilhelm Hansen Musik Forlag ©1924-1952. Octavo. Light green wrappers printed in dark green. 63 i publisher's catalogue pp. With publisher's catalogue to verso of lower wrapper. <br /> <br /> 112. SCHOENBERG<br /> Suite for String Orchestra. New York: G. Schirmer 45443 ca. 1965 ©1935. Large octavo. Wrappers. 60 pp. Small-format reprint of the first edition. <br /> <br /> 113. SCHOENBERG<br /> Lieder mit Klavierbegleitung Sämtliche Werke; Abteilung I: Lieder und Kanons; Reihe A Band 1. Mainz; Wien: B. Schott's Söhne; Universal Edition ©1966. Folio. Dark gray cloth with titling to upper and spine in black. xix 177 pp. Edited by Josef Rufer. <br /> <br /> 114. SCHOENBERG<br /> Five Orchestral Pieces - Pelleas und Melisande. Full score. Dover 1994. Folio. Wrappers. 186 pp. Reprint.<br /> <br /> 115. SCRIABIN Alexander 1872-1915<br /> Symphony No. 1. Op. 26. New York: Belwin Mills n.d. Large octavo. Wrappers. 131 i pp. <br /> <br /> 116. SEROCKI Kazimierz 1922-1981<br /> Freski symfoniczne Symphonic Frescoes. Study score. Kraków: Polskie Wydawnictwo Muzyczne 1979 ©1966. Octavo. Wrappers. 61 pp. First Edition second issue. <br /> <br /> 117. SESSIONS Roger 1896-1985<br /> Concerto for Orchestra. Full score. Bryn Mawr: Merion Music 446-41042 1983. Small folio. Original publisher's blue wrappers with white titling to upper. 48 pp. First Edition of Sessions' Pulitzer prize-winning work composed in 1981 and premiered in Boston under Seiji Ozawa on 23 October of that year. <br /> <br /> 118. SESSIONS<br /> Symphony No. 7 .Full score. Bryn Mawr: Merion Music; Theodore Presser 1977. Quarto. Wrappers. 74 pp. First Edition. <br /> <br /> 119. SHAPEY Ralph 1921-2002<br /> String Quartet No. 8. Score. Bryn Mawr: Theodore Presser 114-40777 ©1995 2000. Quarto. Wrappers. 1f. 20 pp. <br /> <br /> 120. SHOSTAKOVICH Dmitri 1906-1975<br /> Op. 138. Quartet No. 13. Kvartet dlya dvuch skripok al'ta i violoncheli. Study score. Moskva: Izdatel'stvo "Muzyka" 7350 1972. Small octavo. Wrappers. 32 pp. Parallel texts in English and Russian. First Edition first issue. Hulme p. 534. The parts were published the previous year by Sikorski. <br /> <br /> 121. SIBELIUS Jean 1865-1957<br /> Op. 87. Humoresques I-II pour violon seul avec orchestre. Study score. København: Wilhelm Hansen 26419; Nr. 3787b ca. 1960 ©1942. Small octavo. Wrappers. 1f. 28 pp. Reprint. <br /> <br /> 122. SIBELIUS<br /> Op. 89. Humoresques III-VI Violon avec accompagnement d'instruments à cordes. Study score. København: Wilhelm Hansen 26420; Nr. 3788b ca. 1960 ©1923. Small octavo. Wrappers. 1f. 51 pp. Revised and edited by Julia A. Burt. <br /> <br /> 123. SIBELIUS<br /> Op. 109. Aus der Musik zu Shakespeares "Der Sturm" Vorspiel - Erste Suite - Zweite Suite. Study scores. København: Wilhelm Hansen ca. 1960. 3 volumes. Small octavo. Wrappers. Nr. 1. Vorspiel. Hansen Edition Nr. 2738b. 25 pp.; Nr. 2. Erste Suite. Hansen Edition Nr. 3207b. 77 pp.; Nr. 3. Zweite Suite. Hansen Edition Nr. 3208b. 50 pp. <br /> <br /> 124. SMALLEY Roger 1943-2015<br /> Missa Brevis After William Blitheman for Sixteen Voices. Choral score. London: Faber Music F0154 1967. Folio. Wrappers. 55 pp. <br /> <br /> 125. STRAUSS Richard 1864-1949<br /> Op. 20. Don Juan. Wien: Wiener Philharmonischer Verlag A.G. PN U.E. 1061 W. Ph. V. 239 n.d. Small quarto. Brown boards. 104 pp. <br /> 126. STRAUSS<br /> Op. 20. Don Juan. New York: Kalmus n.d. Folio. Wrappers. 96 pp. <br /> <br /> 127. STRAUSS<br /> Op. 24. Tod und Verklärung. PN U.E. 1078 W. Ph. V. 241 ©1904. 123 i blank pp. <br /> Bound with:<br /> Op. 28. Till Eulenspiegels Lustige Streiche. 104 i blank pp.<br /> and<br /> Op. 35. Don Quixote. PN U.E. 1132 W. Ph. V. 244 ©1904. 176 pp. <br /> Small quarto. Half blue leather with cloth boards. All Wien: Wiener Philharmonischer Verlag ©1904. <br /> <br /> 128. STRAUSS<br /> Concerto for oboe and Small Orchestra. London .: Boosey & Hawkes Ltd. PN B. & H. 16388 ©1948. Small quarto. Light green wrappers printed in dark green. 61 i blank pp. With publisher's catalogue to verso of lower wrapper. Hawkes Pocket Scores no. 645. <br /> 129. STRAUSS<br /> Till Eulenspiegels Lustige Streiche nach alter Schelmenweise - in Rondeauform - für grosses Orchester . Foreword by Richard Specht. New York .: C.F. Peters Corporation ©1932. Octavo. Dark yellow wrappers. 100 pp. Edition Eulenburg no. 443. <br /> 130. SUK Josef 1874-1935<br /> Op. 12. KlavÃrnà skladby. Praha: Státnà hudebnà vydavatelstvà H 3462 1962. ©1896. Quarto. Wrappers. 26 pp.<br /> <br /> 131. SZYMANOWSKI Karol 1882-1937<br /> Op. 11. Vier Lieder für eine Singstimme und Klavier. Gedichte von Thaddäus MiciÅ„ski. Wien: Universal Edition UE 3860 1981. Folio. Wrappers. 19 pp. Text in German and Polish. Reprint. <br /> <br /> 132. TIPPETT Michael 1905-1988<br /> Divertimento for Chamber Orchestra. "Sellinger's Round." Miniature score. Edition Schott 10307. Price 9s. 6d. London: Schott and Co. Ltd. PN S&Co.5887 ©1954. Octavo. Gray wrappers printed in dark blue. 53 i blank pp. <br /> 133. TIPPETT<br /> Fantasia Concertante on a theme of Corelli for String Orchestra. Miniature score. Edition Schott 10220. Price 8s. net. London: Schott & Co. Ltd. PN S&Co 5765 ©1953. 61 i blank pp. <br /> <br /> 134. TIPPETT<br /> String Quartet No. 2 in F sharp. Study score. London: Schott & Co. 5152; Edition Schott 10209 1944. Small octavo. Wrappers. 40 pp. First Edition later issue. <br /> <br /> 135. TIPPETT<br /> String Quartet III. Study score. London: Schott & Co. 5220 1948. Small octavo. Wrappers. 1f. 65 pp. First Edition. <br /> <br /> 136. TIPPETT<br /> Symphony No. 2. Miniature Score. Edition Schott 10620. London .: Schott & Co. Ltd. . PN S & Co. 6141 ©1958. Octavo. Gray wrappers printed in dark red. 140 pp. <br /> <br /> 137. VAUGHAN WILLIAMS Ralph 1872-1958<br /> A London Symphony. London: Stainer & Bell Limited ©1920. Small quarto. Mid-brown wrappers. 193 i blank pp. <br /> 138. VAUGHAN WILLIAMS<br /> Fantasia on a Theme by Thomas Tallis. London . : Boosey & Hawkes PN B. & H. 8838 ©1921. Small quarto. Publisher's light green wrappers printed in dark green. 21 i publisher's catalogue pp. With additional publisher's catalogue to verso of lower wrapper. Hawkes Pocket Scores no. 59. <br /> 139. WALTON William 1902-1983<br /> Duets for Children In 2 Books. Piano 4-hands. London: Oxford University Press ©1940. 2 volumes. Small folio. Publisher's decorative wrappers. 19 16 pp. Contains 10 works for 4 hands. First Edition probable first issue. <br /> <br /> 140. WALTON<br /> Duets for Children . Books 1 and 2. London: Oxford University Press ©1940. Folio. Wrappers. 19; 16 pp. <br /> 141. WEBERN Anton 1883-1945<br /> Op. 16. Fünf Canons nach lateinischen Texten Für hohen Sopran Klarinette und Bassklarinette. Score. Wien: Universal Edition UE 9522 1966 ©1928. Large octavo. Wrappers. 13 pp. Reprint. <br /> <br /> 142. WEBERN<br /> Op. 19. Zwei Lieder für gemischten Chor mit Begleitung von Celesta Gitarre Geige Klarinette und Bassklarinette. Full score. Wien: Universal Edition UE 9536 1978 ©1928. Large octavo. Wrappers. 20 pp. Reprint. unknown
0415825725-GUsed - Good. Good Used Book! The binding is Good with used pages and cover. Cover/spine have wear. May have notes or highlighting. Good Used Book! The binding is Good with used pages and cover. Cover/spine have wear. May have notes or highlighting. unknown
1978217a0898USA: Bold Strummer 1978. Book. Fair. Paperback. First Printing. 4to - over 9¾" - 12" tall. 104 pages. Index. Bibliography. Extensive list of references. "14 chapters that give an overview of the mechanics and structure of the guitar testing development of acoustic and electric guitars and the behavior of sound waves." - Guitar Player on back cover. Very heavily worn former library copy with usual markings. Reading copy only. Bold Strummer Paperback
1970812G2342USA: Almo. Good. 1970. First Edition. Paperback. 6 pages. Colour photo of Three Dog Night on front cover. Average wear. Unmarked. A sound vintage copy of the original sheet music for this wonderful song.; Sheet music; 4to - over 9¾" - 12" tall; An Old Fashioned Love Song - Sheet Music for Voice and Piano - As Recorded By Three Dog Night Paul Williams . Almo paperback
195017256AB1950. Tokyo and Vienna ca. 1950 22 : 15 cm. Pages 64 - 67; 15 pages autograph notes in German 2 pages autograph notes in Japanese 1 folded double-leaf with illustrations. Very interesting convolute about the traditional Japanese instrument 'Shamisen'. With autograph notes by a well-known Austrian Music Professor who tries to explain the origin of this instrument the conections to Japanese daily life its use etc. The double-folded leaf explains how to trace and explain this music. unknown
1975966761975. 1975. - A 3-3/4 inch high by 5-1/8 inch wide holiday greeting card embossed in red on creamy white stock with red ruled edges. The sentiments "Best Wishes for a Happy Holiday Season Jose Iturbi" are embossed in red at the center. The pianist has boldly penned "Besos / Pepin / 1975" in blue ink diagonally across the card. "Besos" being Spanish for "kisses" and "Pepin" being the nickname by which his close friend Jean Dalrymple would sometimes address him. Accompanying the card is Iturbi's 2 inch high by 2-7/8 inch wide embossed calling card with his name crossed out and the words "Besos" and "Pepin" typed above and below with the date ""Oct. 20 1967" al;ong the bottom right. Another card this one 2-7/8 inches high by 3-7/8 inches wide commemorates Iturbi's passing with a quote from "Psalm 27:1" "The Lord is my light and my Salvation" above Jose Iturbi's name and his birth and death dates "November 28 1895" and "June 28 1980".<p>The cards are accompanied by retained carbon copies of 2 of Jean Dalrymple's letters to her friend. The first addressed to "Darling Pepin." dives in with "What I was trying to tell you on the telephone the other night is that I am drinking Kefir which is cultured milk made from a culture I brought back from Russia and which comes from the Balkans where they say people live to 150 because they drink Kefir." She goes on to later write "Speaking of piano playing I went to a recital by an old friend of mine who hadn't appeared in public for thirty years. and while it was far from 'good' it was a programme that kept stirring memories! The etude in F Minor was the first one you had me study and the Waltz in C# Minor gave Madge who was with me a fit of giggles since she remembered your version of how I played it!" In her second letter dated November 21 1977 Dalrymple addresses Iturbi as "Darling Jose". She worries about his health "I have been thinking about all the medicines. right ones and wrong ones . you are being given and I wonder if your doctors might let you give them ALL up and give your own nature and strong body a chance to recover. on its own helped only by by sic a cleansing nutritional diet of fruits and vegetables plenty of pure water and herbal teas." Closing with "I love you". Both letters are creased and folded in half.<p>A moving tribute to a close friendship. <p>Now often overlooked Jose Iturbi was one of the best known pianists of the 1930's and 40's. A virtuoso he was as comfortable playing classical music as he was playing the boogie-woogie. A composer and conductor as well as a musician he often conducted from the piano. A dashing figure he became a film star in the 1940's playing music for and appearing in MGM musicals including Anchors Aweigh. An amateur boxer motorcyclist and pilot Iturbi best summed up his philosophy of life with this statement: "Life is a meal and music is the roast beef. But who can live on only roast beef You must have your brandy and dessert and cigar. And so I must have my boxing and my airplane and my motorcycle."<p>Iturbi's close friend for many years and his occasional publicist the recipient Jean Dalrymple 1902-1998 was the dynamic producer and director of theater and light-opera at Manhattan's City Center. Dalrymple began her career in Vaudeville appearing with James Cagney and Carey Grant in the early 1930s. She was a founding member of the American Theatre Wing the theatre service organization. She worked over the years as a personal manager for the likes of Leopold Stokowski Mary Martin Jos Iturbi Andr Kostalanetz Nathan Milstein and Lily Pons. She began her work at City Center with its founding in 1943 serving as a board member and publicist. Her productions there from the 1940s through the 1960s were a revitalizing influence on the whole New York theatre scene. In 1951 Jean Dalrymple married Major-General Philip deWitt Ginder commander of the Thunderbirds in Korea. She was a friend to Presidents and entertainment personalities throughout the world. 1975. unknown
1939659c9661New York: Bregman Vocco and Conn 1939. Book. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. Moderate wear. Bit of writing and ink stamp to attractive illustrated front cover which features photos of Benny Goodman Johnny Mercer and Ziggie Elman. A quality vintage copy. Bregman, Vocco and Conn Paperback
1930d4233bLondon: Philip Allan & Co Ltd. VG : in very good condition without dust jacket. 1930. First Edition. Grey hardback boards with blue cloth spine. 210mm x 170mm 8" x 7". 41pp. . Philip Allan & Co Ltd hardcover
1390271919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200023017Dordrecht/Boston: Kluwer Academic Publishers 2000. cloth hardcover in dust jacket. a very few and faint traces of dust-spots to top edge negligible impact and not any sort of progressive issue. no other flaws or wear. clean. no markings. tight binding.; english text.; xiii-475pp. 32 essays - including introduction - by various contributors. yearbook 63. First Edition. Hardcover. Near Fine/Fine. 8vo - over 7¾" - 9¾" tall. Kluwer Academic Publishers Hardcover
19840051611984. Soft Cover. Good. Publisher: Alfred A. Knopf 1984 Good Spiral Bound Soft Cover ISBN: 0-394-32633-4 paperback
1989MU-38Berkeley and Los Angeles: University of California Press 1989. Highly acclaimed scholarly text explores the latest developments in opera analysis by comparing the works of the two greatest opera composers of the nineteenth century. Although the juxtaposition is not new comparative studies have tended to view these masters as radically different both as musicians and as musical dramatists. Wagner and his "symphonic opera" set against Verdi "the melodist" is one of many familiar antitheses and it serves to highlight the particular terms from which comparisons are often made. Includes a detailed collection of scholarly papers by some of the world's most eminent musicologists among them Joseph Kerman Anthony Newcomb Philip Gossett and Martin Chusid. The substantial introduction "On Analyzing Opera" is followed by four papers on "Sources and Interpretations" four on "Motive and Harmony" and three on "Tonality and Structure." 304 pgs. Illustrated. . First Edition. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall. University of California Press Hardcover
2015d4436Bedford: Wymer Publishing. VG : in very good condition without dust jacket as issued. 2015. First Edition. Illustrated laminated softback card cover. 300mm x 210mm 12" x 8". 128pp. B/W and colour illustrations. . Wymer Publishing unknown
1960511024University of Pennsylvania 1960. First Edition. Hardcover with Dust Jacket. FINE/NEAR FINE. Complete in four volumes. 12mo's sewn bindings in burgundy and blue cloth. All volumes FINE--exceedingly clean and sharp; DJ's 3 and 4 spines a bit sunned some trivial edgewear clean and sharp otherwise and wrapped in mylar. University of Pennsylvania hardcover
1960101018University of Pennsylvania Press 1960. Hardcover. Near fine/very good. Volume I: Ballads 1-51; Volume II: Child Ballads 53-93; Volume III: Child Ballads 95-243; Volume IV: Ballads 250-295. The first page of Volume I is inscribed "first volume presented to Jane Bennett Wells by Helen Flanders on publication". All 4 volumes have foxing/discoloration on the pastedown pages; the upper edges of the textblocks have light age-related discoloration. The interior pages are clean and unmarked the lower corner tip of the front cover of Volume II is bumped otherwiseall the bindings are in Fine condition. All of the dust jackets show age-related shelfwear/discoloration and are now in mylar covers.<br /> Laid-in Volume I is a Christmas card from Helen and Ralph Flanders. University of Pennsylvania Press hardcover
1960041461Philadelphia PA: University of Pennsylvania Press 1960. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾" - 9¾" tall. Volumes I and II of 4 uniformly bound in burgundy cloth lettered in gilt. Both volumes show only slight shelf wear slight toning to text block edges. Dust jackets show several closed edge tears mild surface rubbing Vol. II with thin strip of loss at head of spine now in mylar. 344 xi7-320 pp. complete pagination as given. University of Pennsylvania Press Hardcover
2092902141202237Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1823038777Edinburgh / London: William Blackwood / T. Cadell 1823. First Edition. Morocco & Cloth. Very Good. Quarto. pp: xxvii 209. Bound in quarter red morocco and grained cloth marbled endpapers top edges gilt; corners of boards scuffed. 9.5" x 7.5" Text in English. William Blackwood / T. Cadell unknown
1960441102London: Sing 1960. Staple-bound paperback in acceptable condition. A few minor marks on slightly tanned covers; edges leading corners and spine are slightly aged and worn. Upper leading corners of two or three pages are slightly creased - effect is minimal. Previous owner's name penned on inside front cover. Penned notes on rear cover and a few pages in final half of volume; all content remains clear and pages are sound throughout. 'The Sing Songbook for Drinkers and Thinkers'. TS. paperback. Acceptable. Used. Sing Paperback