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RGW24765Lithograph title with Byron standing by rock holding cap and engraved music; 5pp. folio disbound This poem was written by Byron in 1808 and first published 1809. Willoughby Henry Weiss 1820-1867 was considered one of the finest bass singers of his day. This music was sold by Weiss's father in Liverpool. The only copy of this presumed first edition with the music we have located is in the Harry S. Dickey collection of Byroniana at John Hopkins University. The image on the cover would appear to be derived from the George Sanders miniature now in the Royal Collection painted when Byron was 19 about the date he wrote the poem There are later US editions which have similar lithographic covers. unknown
1975659c9040USA: Lexicon Music Inc. 1975. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 60 pages. Songs include: All I Can Say; I'll Still Love You; It Ain't No New Thing; Just Like He Said He Would; Oh Savior; Praises; Take Me Back; Tell Them; The Sweet Love of Jesus; They Shall Be Mine; You Can Depend On Me. Somewhat above-average wear. Binding intact. Unmarked. A sound vintage copy of this popular compilation. Lexicon Music Inc. Paperback
1988812H1528Canada: Publications Chant De Mon Pays Inc. 1988. Book. Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 20 pages. Text in French. Includes piano sheet music for these songs: L'Eternel retour Endless Return; Comme Dans Un Film Like in a Movie; Chanson Pour Liona Song for Liona; Lettre A Clara Letter to Clara. Clean and unmarked with moderate wear. A quality copy. Publications Chant De Mon Pays Inc. Paperback
1975563H4309USA: Edward B. Marks Music Corporation. 1975. Revised Edition. Paperback. Good. 32 pages. Guitar sheet music. Text in English and Spanish. Undated but appears to be a circa 1975 reprint of the 1945 first edition. Revised edited and fingered by Andres Segovia. Recorded by Segovia on Decca Records. Unmarked with average wear. A sound copy.; 4to - over 9¾" - 12" tall; Andres Segovia: Twenty Studies for the Guitar By Fernando Sor . Edward B. Marks Music Corporation paperback
0364648201.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1993H-434-518Centre de Musique Baroque 1993. Paperback. Good. Former library book. Edition 1993. Ammareal gives back up to 15% of this item's net price to charity organizations. Centre de Musique Baroque paperback
1984812j0351Quebec Canada: Chant De Mon Pays. Good. 1984. First Edition. Unknown_Binding. Signed by André Gagnon upon title page. Includes photo and biographical information about Mr. Gagnon 1936-1920 "a French-Canadian pianist composer conductor arranger and actor known for his fusion of classical and pop styles including compositions Neiges Smash Chevauchée Surprise Donna and Mouvements in the disco and pop fields." - Wikipedia. 32 pages. All text in French. Includes piano sheet music for these songs: Comme au premier jour; Apres la pluie; Douce Amanda; Premiere impression; Un an deja; Deja septembre; Nouveau depart; La fin du jour; Dernier rideau. Clean and unmarked with average wear. Binding intact. A sound copy of this wonderful André Gagnon collectible.; 4to; Signed by Author . Chant De Mon Pays unknown
1965108c7321Toronto: Canadian Music Sales Corp. 1965. Book. Fair. Paperback. First Edition. 4to - over 9¾" - 12" tall. 48 pages. Circa 1965. Includes Canadian Discography plus lyrics and music for the following songs: The Lads of Bonnie Scotland; Songs of Scotland; By the Lochside; A Scottish Soldier; The Bonnie Lassie o' Dundee; Heather Bells; D'ye Mind Lang Syne; Donald Dhu; Cowboy Jack from Skye; Take Me Back; The Barren Rocks of Aden; The Battles's Over. Also includes these Monologues: The Loch Ness Monster; Tobermory Treasure; A Daunner Through the Toon. The many black and white photo reproductions include photos of Andy in: Hampden Park; Majorca; on two B.B.C. spectaculars; With his family; The Five Faces of Andy Stewart; Visiting the less fortunate; at a field day of the Cameronians in Lanark; Visiting the far east. Somewhat above-average wear. Binding intact. Scattered bits of writing to contents. A worthy copy of this warm and nostalgic compilation. Canadian Music Sales Corp. Paperback
1967848j1715USA: Hansen Publications. Fair. 1967. First Edition. Paperback. Includes piano sheet music lyrics and guitar chords for these wonderful songs popularized by Andy Williams: Born Free; Call Me Irresponsible; This Is All I Ask; Wives And Lovers; Never On Sunday; Sunshine Lollipops and Rainbows; I Left My Heart in San Francisco; And Roses and Roses; I'll Remember You; Moon River; and many others. Undated but appears to be circa 1967. Center pages loose but present. While this copy does include two full-page black and white reproductions of photos of Andy it appears that more pages of photos may have been removed and are not included. Fortunately all the sheet music is still present. Unmarked with average wear. A worthy example of this wonderful Andy Williams memento. ; 4to . Hansen Publications paperback
15-9043New York: Century Music Conservatory Publication Society 1902. Sheet Music. Folio. 6 pp. Soft Covers Good with pages detached minor losses tears minor staining some creasing tape repairs. Illustrated cover. Scarce. New York: Century Music, Conservatory Publication Society, 1902. paperback
1904331386.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
43249Monspelii apud Joannem Martel 1779. 13 pages. 245x195 Cm. Broché. Couverture muette moderne. Edition Originale. L'auteur de cette rare dissertation étudie l'anatomie des organes de la voix la mécanisme physiologique de la phonation notamment au point de vue des modifications qu'elle subit puberté etc. Références au anatomiste Antoine Ferrein célèbre pour ses études sur la voix humaine et pour avoir affirmé le premier que l'organe vocal était un instrument à cordes. Document très bien conservé. Monspelii, apud Joannem Martel, 1779. unknown
1950057356New York Ny: Doubleday & Company 1950. 1st Edition 1st Printing. Hardcover. Near Fine/Good. 80 Pp. Black Cloth Stamped In Gilt. First Edition Stated Dust Jacket Priced $2.50 There Was At Least One Later Printing Without The First Edition Statement And With Dust Jacket Priced $1.75. Book Near Fine Slight Usage Gilt Bright Gift Inscription Dated December 1951. Dust Jacket Worn With Small Chips And Tears. Per Wikipedia Ruth Crawford Seeger 1901 -1953 Was An American Composer And Folk Music Specialist. Crawford Moved To Chicago In 1921 Where She Enrolled At The American Conservatory Of Music. Crawford's Focus At The Conservatory Quickly Shifted From Piano Performance To Composition. During Her Second Year There She Began Composition And Theory Studies With Adolf Weidig And Wrote Several Early Works Including A Nocturne For Violin And Piano 1923 And A Set Of Theme And Variations For Piano 1923. While Crawford Continued To Study Theory And Composition With Weidig At The American Conservatory Of Music Through 1929 In 1924 She Also Began Private Piano Lessons With Djane Lavoie-Herz. Herz One Of The Most Prestigious Piano Teachers In Chicago At The Time Had A Profound Impact On Crawford's Intellectual And Musical Life. During This Time Crawford Met The Leading Chicago Poet Carl Sandburg Whose Writings She Eventually Set To Music. In 1925 She Composed "The Adventures Of Tom Thumb" An Experiment Which Combined The Spoken Word With Music. Crawford Spent The Summer Of 1929 At The Macdowell Colony On A Scholarship Where She Began A Friendship With Fellow Composer Marion Bauer And Began Work On Her Five Songs Set To Poems By Sandburg. In The Fall Of That Year Crawford Moved Into The New York Home Of Music Patron Blanche Walton And Began Studying Composition With Charles Seeger Father Of Pete Seeger. In 1930 She Became The First Female Composer To Receive The Guggenheim Fellowship And Went To Berlin And Paris. Crawford Subsequently Travelled To Vienna And Budapest To Meet Composers Alban Berg And Béla Bartók To Discuss Her Music And Gain Support For Publication. Though Surrounded By Exponents Of German Modernism She Chose To Study And Compose Alone. Seeger's Ideas Communicated By Letter Were Crucial To The Development Of Her Style And Selections. She And Charles Seeger Married In 1932 After Her Subsequent Trip To Paris. At The International Society For Contemporary Music Festival In Amsterdam 1933 Her Three Songs For Voice Oboe Percussion And Strings Represented The United States. Crawford Seeger And Her Family Moved To Washington D.C. In 1936 After Charles' Appointment To The Music Division Of The Resettlement Administration. There Crawford Seeger Worked Closely With John And Alan Lomax At The Archive Of American Folk Song At The Library Of Congress To Preserve And Teach American Folk Music. Crawford Seeger's Reputation As A Composer Rests Chiefly On Her New York Compositions Written Between 1930 And 1933 Which Exploit Dissonant Counterpoint And American Serial Techniques. During These Years Crawford Began To Incorporate Polytonality And Tone Clusters Into Her Compositions. She Was One Of The First Composers To Extend Serial Processes To Musical Elements Other Than Pitch And To Develop Formal Plans Based On Serial Operations. Her Technique May Have Been Influenced By The Music Of Schoenberg Although They Met Only Briefly During Her Studies In Germany. Many Of Her Works From This Period Employ Dissonant Counterpoint A Theoretical Compositional System Developed By Charles Seeger And Used By Henry Cowell Johanna Beyer And Others. String Quartet 1931 Particularly The Third Movement Is Crawford Seeger's Most Famous And Influential Work. <br/> <br/> Doubleday & Company hardcover
19971728161118039Music Sales Corporation 1997-02-01. Paperback. Very Good. Nice looking book has minor edge wear. Music Sales Corporation paperback
199011390Zephyrhills Fl.: Joyce Record Club Publication 1990. Book. Very Good . Soft cover. First Printing of the First Edition. About fine but for some cracking to spine which has been taped to prevent further damage and minor corner bumping. Scarce. Joyce Record Club Publication Paperback
182012201Essen Duisburg: G.D. Baedeker 1820. Quarto. Contemporary marbled boards with portion of original printed wrappers laid down red paper label to spine with titling in ink. x 160 pp. <br /> <br /> Binding worn. Some foxing mostly marginal throughout; creasing to outer upper corners; occasional staining not affecting text. With contemporary ownership notations to front free endpaper dated 1820; ex-libris handstamps and some ink markings to title leaf. First Edition of the second part of this early influential work on instruction of singing for children. Scarce. The first part was published in 1813. Eitner v. 8 pp. 149-150. Fétis v. 6 pp. 283-284. <br /> <br /> Of interest to the evolution of music education in America further developed by 19th century theorists Lowell Mason and his contemporaries. G.D. Baedeker unknown
2010DADAX1165951606Kessinger Publishing 2010-09-10. paperback. New. 6.00x1.38x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1104615908.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165951606.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2009DADAX1104615908Kessinger Publishing 2009-06-13. paperback. New. 6.00x1.38x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
75-9970Kansas City MO: Music Hall 1950. 4to. Very good. Soft Cover. 20 pp B & W Plates. Kansas City, MO: Music Hall [1950] paperback
1886List3234Boston Massachusetts: G. Schirmer Jr. 1886. Forty page booklet measuring 4 ¼ x 6 ½ inches in paper wraps. A biography of German pianist Anna Clark-Steiniger by English writer and cremation proponent John Storer Cobb. The biography details Steiniger’s early years as a student of Theodor Kullak and Ludwig Deppe her rise to prominence and performances with friends including Etelka Gerster and her arrival in the United States with her American husband Frederick Clark. Though popular at the time Steiniger seems to be fairly unknown at present with Cobb’s book written shortly after her American debut the main source of biographical information. We find eight copies of the book in OCLC. G. Schirmer, Jr. unknown
196183800Philadelphia PA: Philip Trachtman Theatrical Publications 1961. Presumed First Edition First printing thus presumably for a Summer Stock tour. Wraps. Good. 12 pages plus covers. Illustrations some color inside. This production was staged and directed by Richard Barstow. A rare item of Phyllis McGuire stage and musical career. Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley 1860–1926 a sharpshooter who starred in Buffalo Bill's Wild West and her romance with sharpshooter Frank E. Butler 1847–1926. Songs that became hits include "There's No Business Like Show Business" "Doin' What Comes Natur'lly" "You Can't Get a Man with a Gun" "They Say It's Wonderful" and "Anything You Can Do I Can Do Better". The principal performers were:Phyllis McGuire Walter Farrell Lulu Bates Ned Wertimer Edgar Daniels Robert Bernard Cherry Davis Gene Foote and Daniel Keyes. This program includes The History of the Show. With narratives on the producers director choreographer musical director and production designer there is a synopsis of the show. The last page and inside the back cover are photographs of the General Manager Lighting Director and a large ensemble cast. This production toured: Valley Forge Music Fair Devon Pa; Camden County Music Fair Haddonfield NJ; Westbury Music Fair Westbury L.I.; Storrowton Music Fair West Springfield Mass.; and Painters Mill Music Fair Owings Mills Md. Ms. McGuire with her older sisters Christine and Dorothy shot to success overnight after winning the televised “Arthur Godfrey Talent Scouts†contest in 1952. Over the next 15 years they were one of the nation’s most popular vocal groups singing on the television variety shows of Ed Sullivan Milton Berle Andy Williams and Red Skelton on nightclub circuits across the country and on records that sold millions. The sisters epitomized a 1950s sensibility that held up a standard of unreal perfection wearing identical coifs dresses and smiles moving with synchronized precision and blending voices in wholesome songs for simpler times. Their music like that of Perry Como Patti Page and other stars who appealed to white middle-class audiences contrasted starkly with the rock ’n’ roll craze that was taking the world by storm in the mid-to-late ’50s. In 1965 as the trio’s popularity began to fade The McGuire Sisters retired from public appearances in 1968 Christine and Dorothy to raise families Phyllis to continue as a soloist. She appeared regularly in Las Vegas where she lived for the rest of her life in a mansion with a swan moat and a replica of the Eiffel Tower rising through the roof. In 1985 the sisters reunited for a comeback and performed for almost two decades at casinos and clubs in Las Vegas Atlantic City and elsewhere. They sang their own hits 1950s pop hits and Broadway show tunes and Phyllis did impersonations of Peggy Lee Judy Garland Pearl Bailey and Ethel Merman. Philip Trachtman, Theatrical Publications paperback
68-7169NY NY: Music Theater of Lincoln Center 1966. Theatre Program. Folio. Stapled Wraps. 16 pp. B&W Photos throughout. Very Good. Scarce. NY, NY: Music Theater of Lincoln Center, 1966. paperback
1911812H1295London: Alfred Oliver & Co. 1911. Sheet music. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 8 pages. Moderate wear. Pencil markings to contents. A sound vintage copy. Alfred Oliver & Co. Paperback