68 résultats
189529089Paris: Maquet B. et Cie. 12614 1895. 1f. recto title with first performance information named cast list and contents within decorative border verso copyright 1f. blank 56 pp. Named cast includes Berthelier Darcier and Schneide. Printed from Brandus plates. Browned. First performed to a libretto by Mestépès and Chevalet in Paris at the Bouffes-Parisiens Salle Marigny on August 31 1955.<br/><br/>Bound with:<br/>PLANQUETTE Robert 1848-1903<br/>Les Chevau-Légers Opérette en un acte. Piano-vocal score Paris: Ch. Egrot PN Ch. E. 1009 ca. 1881.1f. recto notes on first performance named cast list and contents verso blank 118 pp. Lithographed. Named cast includes Perrin Gaillard Antony Villé Chretienno d'Estrées Mazedier Briot Liovent Boulard and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on December 15 1881.<br/><br/>Large octavo. Quarter dark brown cloth with marbled boards spine in gilt-ruled compartments titling gilt. <br/><br/>Binding slightly worn rubbed and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper title and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Maquet [B. et Cie. 12614] unknown books
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br/><br/>Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br/><br/>Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. First performed in Paris at the Théâtre des Folies Dramatiques on the 28 December 1878.<br/><br/>Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on December 28 1878. <br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown books
18422076638Offenbach: Selbstverlag (gedruckt in der Buchdruckerei Fried. Krähe in Offenbach) 1842. XX, 508 Seiten. Frakturdruck. Ohne das Portrait-Frontispiz. Kl. 8° (17 x 12 cm). 32 fadengeheftete Lagen mit Resten des Interimseinbandes auf dem Rücken und gesprenkeltem Schnitt in schlichtem Papierumschlag.
1900018779, Ohne Erscheinungsjahr, ca. 1900. Pappe Sehr gut
189529089Paris: Maquet B. et Cie. 12614 1895. 1f. recto title with first performance information named cast list and contents within decorative border verso copyright 1f. blank 56 pp. Named cast includes Berthelier Darcier and Schneide. Printed from Brandus plates. Browned. First performed to a libretto by Mestépès and Chevalet in Paris at the Bouffes-Parisiens Salle Marigny on 31 August 1955.<br /> <br /> Bound with: Planquette Robert 1848-1903. Les Chevau-Légers Opérette en un acte. Piano-vocal score Paris: Ch. Egrot PN Ch. E. 1009 ca. 1881.1f. recto notes on first performance named cast list and contents verso blank 118 pp. Lithographed. Named cast includes Perrin Gaillard Antony Villé Chretienno d'Estrées Mazedier Briot Liovent Boulard and Lucy. Lacking title. First Edition. First performed in Paris at the Eldorado on 1December 1881.<br /> <br /> Large octavo. Quarter dark brown cloth with marbled boards spine in gilt-ruled compartments titling gilt. <br /> <br /> Binding slightly worn rubbed and bumped; annotation in blue crayon to upper margin of free front endpaper. Rectangular publisher's handstamp to lower margin of free front endpaper title and following blank leaf; minor to moderate foxing; occasional browning; former owner's signature to lower margin of title; free rear endpaper torn and mostly lacking. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Maquet [B. et Cie. 12614] unknown
189029223Paris: Choudens Fils PN A.C. 3825 1890. Large octavo. Quarter dark red calf with red textured blindstamped cloth boards spine in decorative compartments gilt titling gilt marbled endpapers. 1f. recto title within decorative border verso blank 1f. recto notes on first performance named cast list and contents verso blank 224 pp.<br /> <br /> Named cast includes J. Girard Gélabert Lepers Luco Simon Max Maugé Octave and Speck.<br /> <br /> Binding slightly worn rubbed and bumped. Occasional light foxing; some signatures split; light browning to edges of title; horizontal tear to pp. 35-38 with tape repairs; minor paper loss to blank upper margin of pp. 63/64 & 149/150 not affecting music. Madame Favart to a libretto by Chivot and Duru was first performed at the Folies-Dramatiques on 28 December 1878. <br /> <br /> "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written . Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. Choudens Fils [PN A.C. 3825] unknown
1862R320014753MICHEL LEVY FRERES. 1862. In-12. Broché. Etat passable, Plats abîmés, Dos abîmé, Mouillures. 139 pages - Ouvrage partiellement dessolidarisé - 1er plat déchiré sur le coin - Rousseurs a l'intérieur sans conséquence pour la lecture.. . . . Classification Dewey : 792-Théâtre
1876R150202253CALMANN LEVY. 1876. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur frais. 110 pages. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1869R150202266MICHEL LEVY FRERES. 1869. In-8. Broché. A restaurer, Livré sans Couverture, Dos abîmé, Intérieur frais. 87 pages- quelques annotations à l'encre et au crayon à papier sur la dernière page de garde- premières et dernières pages désolidarisées- dos manquant- couverture d'attente désolidarisée. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1874RO20167095TRESSE. 1874. In-8. Relié demi-cuir. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 53 + 32 + 103 + 66 pages - plats et contre-plats jaspés - 5 photos disponibles, page de titre de chaque partie.. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1868R150202272MICHEL LEVY FRERES. 1868. In-8. Broché. Etat passable, Plats abîmés, Dos abîmé, Intérieur frais. 84 + 16 pages catalogue Michel Lévy décembre 1867- dos manquant- plats désolidarisés. . . . Classification Dewey : 782.1-Théâtre musical, opéra
1879939Q22Not Stated: Not Stated 1879. First edition. Brochure/Pamphlet. Good. 9.5" by 7.5". None. A very scarce opera programme for a night at the Gaiety Theatre in London presenting three shows commencing on Monday December 15th 1879. A very scarce programme for a theatre performance in 1897. Presenting a series of three shows taking place at The Gaiety Theatre in London on Monday December 15th 1879. The first show commenced at 6.45pm the second following at 7.45 and the final concluding the night at 9.45. This series of shows are comprised of the following: 'Rose of Auvergne' one act of the operetta written by French composer Jacques Offenbach.'Uncle' a "New and Original Farcical Piece in Three Acts" by English dramatist Henry Jame Byron who had a number of plays performed at the Gaiety. 'Robbing Roy; Or Scotched and Kilt' a burlesque play written by English comic writer and prolific playwright F. C. Burnand. With a number of original advertisements including for other shows for opera glasses "on hire of the attendants" Vaseline Spence's Velveteens and a large advert for J. Grunebaum Cigarettes taking up the entirety of the front cover. Bound in the publisher's original wraps. Externally generally smart with light edge wear and the odd mark and crease. Internally firmly attached. Pages are a little age toned and generally clean. Good Not Stated unknown
1875101071875 Paris Librairie illustrée;F .Polo 1875 Grand in-8, demi basane rouge, 228 pages chacun+ gravures hors texte.éditions illustrées de costumes coloriés dessinés par Draner et A.Grévin de vignettes de P.Hadol des portraits des auteurs de la musique et des pièces accompagnées de la musique gravée des principaux airs et de notices des pièces
1867100095256Michel Lévy Frères 1867. couverture défraîchie frottements coins émoussés intérieur taché de rousseurs tranche ternie. in12. 1867. Relié. Michel Lévy Frères unknown
1867100095256Michel Lévy Frères 1867 in12. 1867. Relié.
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br/><br/>Binding slightly worn and soiled. Browned. First Edition. OCLC no. 19727866.<br/><br/>Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on December 28 1878. Performed nearly 200 times in Paris it was a wlecome success for Offenbach.<br/><br/>"A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown books
188726622Paris: Choudens A.C. 3825. 1887. Large octavo. Contemporary quarter dark red morocco with dark red paper boards spine with gilt rules and titling; marbled endpapers. 1f. title printed within pictorial border 1f. named cast list for the first performance and table of contents 224 pp. Lithographed. <br /> <br /> Binding slightly worn and soiled. Browned. First Edition. OCLC 19727866.<br /> <br /> Madame Favart to a libretto by Alfred Duru and Henri Charles Chivot premiered at the Folies-Dramatiques in Paris on 28 December 1878. Performed nearly 200 times in Paris it was a welcome success for Offenbach.<br /> <br /> "A satire on 18th-century manners and morals with a lively and varied score the work featured Juliette Simon-Girard as Madame Favart and her husband Simon-Max as the police official Hector de Boispréau tenor." Andrew Lamb in Grove Music Online. Choudens [A.C. 3825.] unknown
1893RO50014442G. Brandus & S. Dufour. 1893. In-8. Broché. Bon état, Couv. légèrement passée, Mors fendus, Quelques rousseurs. 114 pages. Ornements en couverture. Ornements de Barbizet en page titre. Envoi en page titre du 10 novembre 1893.. . . . Classification Dewey : 780.26-Partitions
186950519New York: Metropolitan Job Printing and Engraving Establishment 1869. wraps. fair. 19p octavo. A fair copy in original tan printed wraps. Moisture stain in lower right corner of pages throughout light soiling wear and tear throughout margins. This is Offenbach's first full length opera and is a lampoon of the ancient myth of Orpheus and Eurydice. <br/><br/> Metropolitan Job Printing and Engraving Establishment paperback
1879939Q23London: Letts Son & Co. 1879 . First edition. Brochure/Pamphlet. Very Good. 10" by 7.5". None. A very scarce programme for the Gaiety Theatre in the West End of London presenting a trio of shows taking place in 1879. A very scarce programme for a theatre performance in 1897. Presenting a series of three shows taking place at The Gaiety Theatre in London on Monday December 15th 1879. Located in the West End The Gaiety was known for its musical burlesque pantomime and operetta performances and is recognised as having an important influence on the progression of musical comedy. The first show on this programme commenced at 6.45pm the second following at 7.45 and the final concluding the night at 9.45. This series of shows are comprised of the following: 'Rose of Auvergne' one act of the operetta written by French composer Jacques Offenbach.'Uncle' a "New and Original Farcical Piece in Three Acts" by English dramatist Henry Jame Byron who had a number of plays performed at the Gaiety. 'Robbing Roy; Or Scotched and Kilt' a burlesque play written by English comic writer and prolific playwright F. C. Burnand. With a number of original advertisements on the inside and rear covers including for Schweppes Mineral Waters Swanbill Corsets Freeman's Chlorodyne and "Seal Paletots at Wholesale Prices" among others. In the publisher's original paper wraps. Externally very good with light creasing to the extremities and the odd mark. Small tears to the head and tail of the spine. Pages holding reasonably firm. Internally bright and clean. Very Good Letts, Son & Co. unknown
190028863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates.<br/><br/>Bound with:<br/>Offenbach.<br/>Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier. Répertoire des Bouffes Parisiens. Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition.<br/><br/>Bound with:<br/>Offenbach.<br/>Mesdames de la Halle. Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858.<br/><br/>Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. <br/><br/>Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown books
190028863Paris: C. Joubert & Cie. PN B. et Cie. 12542 1900. 1f. recto title illustrated by Buttiner-Thierry with images of guitarist and trombonist verso copyright statement 1f. notes on first performance named cast list and contents verso blank vi 22 pp. Named cast includes Pradeau and Berthelier. First performed to a libretto by Moinaux in Paris at the Bouffes-Parisiens on July 5 1855. A re-issue from Brandus plates.<br /> <br /> Bound with:<br /> Offenbach. Une Nuit Blanche Opéra comique en un acte Paroles de E. Plouvier . Répertoire des Bouffes Parisiens . Pr: 6: net. Piano-vocal score. Paris: G. Brandus Dufour et Cie. PN B. et Cie. 9579 ca. 1890. 1f. blank 1f. recto title verso blank 1f. recto named cast list and contents verso blank 56 pp. Named cast includes Darcier Berthelier and Macé. First performed to a libretto by Plouvier in Paris at the Bouffes-Parisiens Salle Marigny on July 5 1855. A re-issue of the first edition.<br /> <br /> Bound with:<br /> Offenbach.<br /> Mesdames de la Halle . Paroles de Lapointe. Piano-vocal score. Paris: Brandus & Dufour PN B. et. D. 9956 ca. 1890. 124 pp. Upper outer corner of title lacking just affecting text. First performed to a libretto by Lapointe in Paris at the Bouffes-Parisiens on March 3 1858.<br /> <br /> Large octavo. Quarter dark green leather with marbled boards spine with raised bands in decorative compartments gilt titling gilt marbled endpapers. <br /> <br /> Binding slightly worn rubbed and bumped. Annotations in pencil to verso of free front endpaper. Occasional signs of wear; some browning; some signatures split; mall circular publisher's handstamps to several titles. "Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. C. Joubert & Cie. [PN B. et Cie. 12542] unknown
1868R150202270MICHEL LEVY FRERES. 1868. In-8. Broché. A restaurer, Livré sans Couverture, Dos abîmé, Intérieur frais. 104 pages- couverture d attente. . . . Classification Dewey : 782.1-Théâtre musical, opéra
187556338Paris: Librairie Illustrée 1875. Octavo 27cm. Marbled paper over boards backed in green cloth titled in gilt on spine; iv viii 226 2pp; 6 full-page character illustrations colored in pochoir and numerous in-text wood engravings; with 7pp of printed music for songs by Offenbach. A straight sturdy copy externally rubbed corners exposed mildly foxed: just Very Good.<br /> <br /> La Vie Parisienne first produced in 1866 was one of Offenbach'st most popular operattas. This edition coincides with the 1875 revival production at the Théâtre de Variétés. Librairie Illustrée unknown
186429224Paris: G. Brandus et S. Dufour PN 11600 1864. Large octavo. Quarter black pebbled cloth with black pebbled cloth boards blank octagonal title label to upper. 1f. recto title within ruled border verso blank 1f. recto named cast list and contents verso blank 52 pp. Lithographed.<br/><br/>Named cast includes Zulma Bouffar and Désiré.<br/><br/>Spine reinforced with dark red tape with titling in black; Occasional minor foxing; small publisher's facsimile signature handstamp to lower margin of title; small tear to outer margin of pp. 41/42 with repaired. First Edition later issue.<br/><br/>Lischen et Fritzchen to a libretto by Dubois P. Boisselot was first performed in Bad Ems on July 21 1863 and in Paris at the Bouffes-Parisiens on January 5 1864.<br/><br/>"Offenbach was with Johann Strauss ii one of the two composers of outstanding significance in popular music of the 19th century and the composer of some of the most exhilaratingly gay and tuneful music ever written. Moreover it was through the success of Offenbach's works abroad that operetta became an established international genre producing outstanding national exponents in Strauss Sullivan and Lehár and evolving into the 20th-century musical." Andrew Lamb in Grove Music Online. G. Brandus et S. Dufour [PN 11,600] unknown books
