1 598 résultats
2012x-0415632579Routledge 2012. Hardcover. New. 1st edition. 208 pages. 9.49x6.26x0.63 inches. Routledge hardcover
2021x-1526460297Sage Pubns Ltd 2021. Hardcover. New. 337 pages. 9.75x7.00x1.00 inches. Sage Pubns Ltd hardcover
185440462Leipzig: Breitkopf & Härtel PNs 8871-76 9055 9149-50 9506-08 11060 11063 1854. 3 volumes. Large octavo. Uniformly bound in quarter light brown calf with marbled boards raised bands on spine in compartments with decorative blindstamped elements dark red leather labels gilt.<br /> <br /> Contains 14 symphonies in total.<br /> <br /> Vol. I: 1f. recto title verso blank 57 i blank; 1f. recto title verso blank 55 i blank; 1f. recto title verso blank 53 i blank; 1f. recto title verso blank 1f. recto publisher's note verso blank 69 i blank; 1f. recto title verso blank 49 i blank pp. <br /> <br /> Vol. II: 1f. recto title verso blank 52; 1f. recto title verso blank 59 i blank pp.; 1f. recto title verso blank 65 i blank; 1f. recto title verso blank 47 i blank; 1f. recto title verso blank 59 i blank pp.<br /> <br /> Vol. III: 1f. recto title verso blank 99 i blank; 1f. recto title verso blank 1f. recto publisher's note verso blank 60; 1f. recto title verso blank 48; 1f. recto title verso blank 48 pp. <br /> <br /> Engraved throughout except for numbers 1 Symphony 103 and 7 Symphony 97.<br /> <br /> With decorative bookplate of New York collector Dr. Andrew J. Werner to front pastedowns and "Tobin" in ink to fore-edges.<br /> <br /> Bindings slightly worn. Publisher's small circular handstamp to titles. Occasional wear and foxing. Very good overall. Coll.Sy.7abc. Breitkopf & Härtel [PNs 8871-76, 9055, 9149-50, 9506-08, 11060, 11063] unknown
179940463Bonn: N. Simrock PN 81 1799. Folio. Unbound as issued. Laid into early mid-blue stiff paper folder with olive green ties decorative cut-paper manuscript title label to upper and additional label to spine.<br /> <br /> Flute: i title 12-16 pp.<br /> Violin I: iblank 16-23 i blank pp.<br /> Violin II: i blank 14-19 i blank pp. <br /> Viola: i blank2 copies in 19th century manuscript<br /> Piano: 23-31 i blank pp. <br /> Engraved throughout. <br /> <br /> With small oval handstamp of the "Musikalische Gesellschaft in Worms" to each part; early signature in dark pink ink to blank upper outer corner of violin I part; identification in early manuscript to most parts; "58" in dark pink ink to most parts.<br /> <br /> Folder worn with portions of spine and ties lacking. Slightly worn soiled foxed browned and dampstained internally. Coll.Sy.17b-3. Hoboken Collection Vol. 6 439. Not in RISM but see H4085 for related edition.<br /> <br /> An arrangement of Symphony No. 94 in G major the "Surprise Symphony" the second of the twelve London symphonies composed in London in 1791 and first performed there at the Hanover Square Rooms on 23 March 1792 with Haydn conducting. N. Simrock [PN 81] unknown
182440450Offenbach: J. André PN 4768 1824. Oblong folio. Maroon leather-backed cloth boards with decorative cut paper label titled in manuscript in German to upper. <br /> <br /> 1f. recto title verso blank 1f. "Notice for the Singers" verso blank 3-115 i blank pp. Text in English and German. Lithographed. <br /> <br /> Slightly browned and foxed slightly heavier to first and last leaves; title and final leaf reinforced at inner margin with archival tape final leaf with additional tape to upper margin of recto and outer margin of verso. Constapel p. 270. Not in Hoboken Collection. RISM H4645.<br /> <br /> "There is hardly any doubt in the mind of the average music-lover that Haydn's oratorio The Creation is tutto sommato Haydn's greatest single accomplishment and certainly ranks as one of the greatest products of any eighteenth-century mind. It occupies a central position in choral literature and its composition and first performances were the dominant features of Haydn's life in the late 1790s." Robbins Landon: Haydn Chronicle and Works Vol. IV: Haydn: The Years of 'The Creation' 1796-1800 p. 12. J. André [PN 4768] unknown
2026x-103282302XRoutledge 2026. Hardcover. New. 194 pages. 9.18x6.12x9.45 inches. Routledge hardcover
18683372like new. unknown
2012DADAX041568837XRoutledge 2012-11-30. 1. hardcover. New. 7.00x0.75x9.75. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
18683372-nnew. unknown
2024Gyan-9788121274845Gyan Publishing House 2024. Hardcover. New. 22.59 x 28.94 x 15.03. English Gyan Publishing House hardcover
2024Gyan-9788121274845Gyan Publishing House 2024. Hardcover. New. 22.59 x 28.94 x 15.03. English Gyan Publishing House hardcover
2024Raj-97881212748452024. New. English unknown
2024Raj-97881212748452024. New. English unknown
2026x-0367553104Routledge 2026. Hardcover. New. 232 pages. 9.18x6.12x9.45 inches. Routledge hardcover
1138812684New. Brand new and still unused unknown
1808249281808 Paris: IMBAULT (vers [1808-1809]- A PARIS chez Imbault M.d de Musique de leurs Majestes JJ. et RR. et Musicien de leur Chapelle, Rue S.t Honore N.o 125. pres celle des Poulies. Et Peristyle du Theatre de l'Opera Comique Imperial, Rue Favart N.o 461.- Folio.reliure demi basane,dos lisse orne de filets dores, titre rouge 205 p.gravées Half , , with boards -Van Hoboken III, 19-24, 37-42 ?
1854YMX-1921Michel lévy Frères,libraires-éditeurs 1854,1ère édition in 12,truffée de gravures de paysages,de musiciens,peintres et sculpteurs.Relié en 1/2 maroquin marron à coins par Nardy-Mennig (chAl)
DADAX1138812684Routledge 2015-02-09. 1. hardcover. New. 6.25x0.75x9.25. Buy with confidence. Excellent Customer Service & Return policy. Routledge hardcover
40144Amsterdam: A. Kuntze PN 9 1800. Folio. Disbound. 1f. recto title verso blank 1 blank 2-16 pp. <br /> <br /> Publisher's facsimile handstamp to lower outer corner of title. <br /> <br /> Moderate browning; some soiling primarily to lower outer corners; title slightly soiled and foxed. OCLC 1461784514. Worldcat one copy only at the Staatsbibliothek zu Berlin. <br /> <br /> The last of Haydn's "London" symphonies. <br /> <br /> "Haydn's London symphonies nos. 93-104 crown his career as a symphonic composer. Not only do they outdo the Paris symphonies stylistically but he produced them in person for rapturous audiences; this interaction stimulated him to ever bolder and more original conceptions. . No. 104 begins with a massive dotted motif on the 5th D-A which some commentators describe as dominating the entire symphony; the first movement is one of Haydn's freest and the finale has greater relative weight than that in any other of the London symphonies." James Webster in Grove Music Online<br /> <br /> Johann Peter Salomon a German-born violinist impresario and composer "played a leading part in English musical life not only in London but in the provinces as well. Having made his name as a brilliant violinist he made progressively fewer solo appearances and turned his attention to conducting and especially promoting concerts. He mounted subscription concerts from 1783 featuring such international artists as the soprano Mme Mara and his greatest triumph was to secure Haydn's visits to London in 1790-91 and 1794-5 for which the two sets of six 'Salomon' or 'London' symphonies h I:93-104 were written. Haydn's esteem for his impresario and orchestral leader can sometimes be seen in the symphonies for example the phrase marked 'Salomon solo ma piano' in the trio of no.97 and the florid violin part of no.103 second movement; the Concertante in B♭ h I:105 was composed for Salomon who played the solo violin part; and the six string quartets opp.71 and 74 h III:69-74 written between the two London visits in 1793 though dedicated to Count Apponyi were clearly designed for the public performances that Salomon's quartet gave in London. Salomon is also said to have had a hand in providing Haydn with the original model for the text of The Creation." Hubert Unverricht in Grove Music Online. A. Kuntze [PN 9] unknown
182040449Offenbach a/m: Johann André PN 1640 1820. Andre Johann Anton 1775-1842. Oblong folio. 19th century light purple cloth with titling gilt to upper within gilt-ruled borders with decorative cornerpieces gilt decorative blindstamping to lower. 1f. recto title incorporating a horticultural vignette; verso "Personen" 3-166 pp. Lithographed.<br /> <br /> Binding slightly worn rubbed and bumped; slightly shaken; upper hinge slightly split. Occasional browning. HWV II p. 59.<br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online <br /> <br /> The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Johann André [PN 1640] unknown
2022x-1032036869Routledge 2022. Hardcover. New. 248 pages. 9.19x6.13x0.71 inches. Routledge hardcover
NOTE0598Leipzig Kistner o.J. 1895. 4°. 381; 304; 286; 265 S. priv. Lnbde. Deckel etwas fleckig Seiten teilweise leicht fleckig Kanten berieben ein Gelenk angeplatzt. Leipzig, Kistner o.J. [1895]. unknown
192121726AB1921. Vienna Universal-Edition 1921. 4°. 15 4 4 4 Seiten. Orig. Leinen mit Deckelprägung. Viennese collection of musical rarities. Book lovers editon compiled by Otto Erich Deutsch. Widmung auf fliegendem Blatt. unknown
192121726ABVienna, Universal-Edition, 1921. 4°. 15, 4, 4, 4 Seiten. Orig. Leinen mit Deckelprägung. Viennese collection of musical rarities. Book lovers editon compiled by Otto Erich Deutsch.
2024BIBHB0168397672024. Hardcover. New. About The Book: The Dictionary of Dates was crafted with the goal of creating an immensely informative single-volume reference work comparable in importance to a London Directory for a merchant. It encompasses over fifteen thousand alphabetically arranged articles sourcing information from respected historians and annalists thereby eliminating the need to navigate extensive volumes for specific historical details. This work's intrinsic utility rooted in the careful selection of materials from authoritative sources aims to cater to every individual in the British Empire regardless of their educational or professional background. Covering events from both ancient and modern kingdoms the volume offers a comprehensive overview of each country's annals. Notably the Dictionary of Dates delivers essential information on events that complement those associated with individuals. About The Author: Joseph Haydn 1788-1856 born in Lisbon Portugal was a renowned British journalist and compiler of dictionaries. He gained widespread recognition as the author of the Dictionary of Dates which underwent numerous editions starting in 1841. Additionally he was the author of the Book of Dignities first published in 1851 and later revised in its third edition in 1894. Benjamin Vincent 1818-1899 held the role of assistant secretary at the Royal Institution from 1848 to 1889 and served as the institution's librarian from 1849 to 1899. Before joining the Royal Institution Vincent garnered valuable experience as a translator and editor with the publishers Gilbert and Rivington. The Title 'Haydn's Dictionary of Dates And Universal Information Relating to all Ages and Nations written/authored/edited by Joseph Haydn Benjamin Vincent' published in the year 2024. The ISBN 9788121274845 is assigned to the Hardcover version of this title. This book has total of pp. 1503 Pages. The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is Chronology History Dictionaries. Size of the book is 22.59 x 28.94 cms Vol: hardcover
