La Fage (Juste-Adrien-Lenoir de) :Livre Rare Book
1 598 résultats
184414501Paris, Comptoir des Imprimeurs Unis, 1844 ; in-8 ; plein maroquin bleu-marine, dos à nerfs, titre doré, double filet doré sur les coupes, dentelle intérieure, toutes tranches dorées sur marbrure (Andrieux) ; (8), 526 pp.
18021148München: Gedruckt bey Franz Seraph Hübschmann 1802. Bond together by a blue paper band as published. Wormhole to the first leaves at the inner margin with no effect on the text. Foxing that effects the first and the last leaves more intensely. Very slightly chipped. Overall in fine condition. Bond together by a blue paper band as published. 31 1 p. <p><br /> A very early edition of the libretto of Haydn’s oratorio Die Jahreszeiten The Seasons which was premiered in Vienna in 1801.<br /> <p><p><br /> The libretto was prepared by Baron Gottfried van Swieten who was also responsible for the text of The Creation and it is based on passages taken from the long English poem under the same title by James Thomson. <br /> The composition had a dual premier both held in Vienna first in April 1801 exclusively for the aristocracy whose members had financed the work and in about a month for the broader public.<br /> <p><p><br /> The libretto was published with no credit for the translator first in Vienna in 1801 while the music score in Leipzig by Breitkopf & Härtel in 1802. This Munich edition of the libretto possibly accompanied the oratorio’s premiere in the city.<br /> <p><p><br /> Scarce we could trace only one copy of this edition in institutional holdings in Austria.<br /> <p>. Gedruckt bey Franz Seraph Hübschmann unknown
18003067France 1800. Manuscript score. Unbound. Oblong. N. Notated on 9-stave page in brown ink. Contains the music for the string quartet the score for the second violin is incomplete. Pages untrimmed. Light stains and dust to some of the edges otherwise in fine condition. Manuscript score. Unbound. Oblong. N. 24 p. An early manuscript copy of the string quartet for Haydn’s Keyboard Concerto in G major. <br /> Haydn composed this keyboard concerto during his time at the Esterházy court probably around 1770. It was premiered on 28th April 1784 in Paris and first published in the same year by Boyer also in Paris RISM A/I H 3305; HH 3305. <br /> The present manuscript score was copied around the turn of the 19th century and contains the score for two violins viola and “basse†basso violone unfortunately the third movement rondo presto of the second violin is missing. unknown
180940096London: Cianchettini & Sperati 1809. 4 volumes. Large octavo. Disbound. Engraved throughout. <br /> <br /> Contains 8 works each with identical title excepting work number.<br /> <br /> 1 Symphony in E-flat major. 1f. recto title No. I verso blank 42 pp. Hob. I:91. Robbins Landon p. 744.<br /> <br /> 2 Symphony in C major "Laudon." 1f. recto title No. II." verso blank 39 i blank pp. Hob. I:69. Robbins Landon p. 717.<br /> <br /> 3 Symphony in G minor "La Poule." 1f. recto title No. IV verso blank 36 pp. Hob. I:83. Robbins Landon p. 734.<br /> <br /> 4 Symphony in C major No. 41. 1f. recto title No. V verso blank 23 i blank pp. Hob. I:41. Robbins Landon p. 678.<br /> <br /> 5 Symphony in B-flat major "La Reine. 1f. recto title No. VI verso blank 37 i blank pp. Hob. I:85. Robbins Landon p. 736.<br /> <br /> 6 Symphony in D major "L'Impériale." 1f. recto title No. XXI verso blank 40 pp. First Edition. Hob. I:53. Robbins Landon p. 696.<br /> <br /> 7 Symphony in B-flat major. 1f. recto title No. XXIII verso blank 33 i blank pp. Hob. I:71. Robbins Landon p. 719<br /> <br /> 8 Symphony in D major. 1f. recto title No. XXIV verso blank 27 i blank pp. First Edition. Hob. I:75. Robbins Landon p. 724<br /> <br /> Foxing staining soiling and browning to numerous leaves; some small tears and losses to edges; several leaves detached including titles. "Although Haydn's sobriquet 'father of the symphony' is not literally true in a deeper sense it is apt: there is no other genre in Western music for which the output of a single composer is at once so vast in extent 107 works: hI:1-104 107-8 and one recently identified work K 18 not listed in Hoboken so historically important and of such high artistic quality." James Webster in Grove Music Online. Cianchettini & Sperati unknown
88521Leipzig C. F. Lehmann c. 1800. Oblong 4to. Engr. title blank engr. title blank 3-29 engr. pp. blank engr. title blank 3-11 engr. pp. blank engr. title blank 3-35 engr. pp. Together with separate parts; engr. title 2-11 engr. pp; engr. title 2-7 pp. Sewn as issued in slightly worn printed orange original wrapper spine partly defective the violin and violin cello parts uncut and sewn as issued. From the library of Eva Nordenfelt-Ã…berg with her bookplate. Hoboken collection 1266-1268 Hoboken lacks both the main title to cahier III and the separate violin- and violincell parts. C. F. Lehmann published four parts with together 11 works by Haydn. This third part contains with separate title leaves: â€Trois sonates pour le clavecin ou fortepiano no VII †Hoboken XV:38 39 20 â€Menuet favori avec douse variations pour le clavecin ou fortepiano no VIII†Hoboken XVII:3 â€Trois sonates pour le clavecin ou fortepiano avec accompagnement de violon et violoncelle no IX†Hoboken XV:11-13. unknown
1636Couverture rigide À Paris, chez Janet et Cotelle, sans date (circa 1820). Deux volumes in-4 (35 x 27 cm), reliure plein veau raciné de l'époque, dos lisse richement orné, encadrement de dentelle dorée sur les plats, tranche marbrée, titre doré frappé sur les plats, coins émoussés, petit manque de cuir aux coiffes, quelques frottements au dos et aux charnières. Volume Alto : feuillet de titre , 205 pages, 5 feuillets en 2ème partie (pages numérotées de 93 à 101) ; volume basso : feuillet de titre , 205 pages, 5 feuillets en 2ème partie (pages numérotées de 93 à 101). Titres et partition gravés, papier à la cuve aux contreplats du volume Alto, rousseurs éparses dans les marges. Cet ouvrage comprend 56 quatuors et une 2ème partie, "Quatuors sur les dernières paroles de Jésus-Christ sur la Croix, Opéra 51, de 7 quatuors". Les partitions des deux violons sont séparées, chacune dans un volume: la partie du violon alto dans un des volumes, la partie de la basse de violon (l'ancêtre du violoncelle) dans l’autre. Bon exemplaire de musique gravée, peu commun.
1791231801791 Paris : Chez Pleyel, [179-?]in folio broché,1 score (4 volumes) ; 33 cm [v. 1] Violino I.;19p--[v. 2] Violino II.;19p.--[v. 3] Violoncello.;13p. avec titre faux--[v. 4] Viola Alto ; 15p..- 4 parties. ; 37 cm. trés rare
180040069Italy 1800. 4 volumes. Small folio 218 x 291 mm. Early flexible dark orange marbled boards with manuscript title label to uppers within decorative printed border. Notated in a professional hand on fine quality l12-stave rastrum-ruled laid paper.<br /> <br /> Contents in order of appearance: 41no. 5 38 no. 2 37 no. 1 39 no. 3 42 no. 6 and 40 no. 4. <br /> <br /> Violino primo: i title 40 pp. <br /> Violino secondo: i title 38 pp. <br /> Viola: i title 36 pp. <br /> Violoncello: i title 36 pp.<br /> With several additional leaves of blank rastrum-ruled paper.<br /> <br /> Boards worn faded and abraded with very small portions of spine lacking. Occasional showthrough. <br /> <br /> In very good internal condition overall. "A decade or so after the Op. 20 set came the fateful Op. 33 again comprising six quartets. It wasn't so much Haydn's fate of which these works proved full as a Mozart's: they prompted him to return to the string quartet and write his own first six masterpieces in the medium - the set that bear a more affectionate and admiring dedication to Haydn than does any great composer's dedicated to any other great composer ." Hans Keller: The Great Haydn Quartets p. 64. unknown
180240133Leipzig: Breitkopf & Haertel 1802. Folio. Contemporary full dark brown suede with tooling in black to outer edges of boards. <br /> <br /> 1f. recto title with elaborate vignette engraved by W. Böhm after G.V. Kiminger incorporating allegories of the seasons floating on a bed of clouds with lyre and six-pointed stars verso blank 1f. recto secondary title "Erste Abtheilung" verso "Personen" 251 i blank. Typeset throughout.<br /> <br /> With occasional indications of instrumentation in pencil.<br /> <br /> R. Cocks & Co. handstamp to foot of secondary title. <br /> <br /> Binding worn rubbed and bumped with minor loss to lower outer corner of upper board and spine; upper partially detached. Some wear soiling staining foxing and browning; occasional minor loss to blank lower margins; worming to blank inner margin of first five leaves. First Edition issue with parallel text in German and English. Hoboken Katalog Vol. 9 1411. Hirsch IV 796. RISM H2542.<br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online <br /> <br /> The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. Breitkopf & Haertel unknown
1971mon0000019999The United Chapters of Phi Beta 1971. Paperback. Good. in x in x in. The United Chapters of Phi Beta paperback
179575760Beethoven's Trois Trios pour le Piano Forte Violin & Violoncelle Oeuvre 1r Paris: Pleyel circa 1800 3 62pp. engraved throughout bound with 26 contemporary engraved pieces of music including 7 pieces of music from Figaro Il Consiglio Imprudente Don Giovanni Cosi Fan Tutte by Mozart; Oh Magnify the Lord Angels Ever Bright & Fair Ye Sacred Priests by Handel; Music to A Midsummer Night's Dream and Two Gentlemen of Verona by Henry Bishop Published by Goulding D'Almaine, Potter & Co; Rt Birchall; G Shade; Pleyel hardcover
178930384Vienne: Hoffmeister PN 173 1789. Folio. Unbound. <br/><br/>Violin: 1 title 12-2 pp. <br/>Viola: 1 title 2-7 i blank pp. <br/>Cello: 1 title 2-7 i blank pp. <br/><br/>Manuscript price added to title of violin part. <br/><br/>Somewhat worn and soiled especially at edges; foxed primarily to margins; spine of violin part reinforced with paper tape. First Edition of the arrangement of the piano sonatas Hoboken XVI:40-42 first published in 1784. RISM H4184 no copies in the U.S. Hoffmeister [PN 173] unknown books
9071P., Vigot, sans date (fin XVIIIème-débutXIXème). Quatre partitions, petits in folio papier bleu de l'époque.
19634640like new. unknown
19634640-nnew. unknown
114200Stockholm Johan Imnelius 1819. 8:o. 4 88 s. litogr. tvÃ¥sidig musikbilaga. C. Müller. Lagerfläckig och med fuktrand mot slutet. Oskuren och delvis ouppsprättad i modernt svart hfrbd med guldornerad rygg och marmorerade pärmpapper. Ur Rolf Mallanders bibliotek. Davidsson 3151. Det första sällsynta verket om Haydn pÃ¥ svenska i översättning av musikhandlaren och pionjären i Sverige pÃ¥ litografiskt musiktryck Ulric Emanuel Mannerhjerta 1775-1849. Mannerhjerta fick samma Ã¥r 1819 tillstÃ¥nd att inrätta ett litografiskt nottryckeri i Stockholm men musikbilagan här är dock i stentryck av Carl Müller. Georg August von Griesinger 1769-1845 var diplomat i Wien och känd för sin vänskap med Haydn och Beethoven. Hans berömda biografi om Haydn â€Biographische Notizen über Joseph Haydn†utkom i Leipzig 1810. unknown
1601ovscd170Decca 2016-01-29. audioCD. New. 17x8x5. Brand New CD Set factory sealed in original shrink wrap. Decca unknown
180240453Leipzig: Breitkopf & Härtel 1802. Oblong quarto. Half green cloth with modern marbled boards decorative cut paper label with manuscript titling to upper. 174 pp. Typeset. Text in German and French. With first part of publisher's catalogue to foot of final page of music. <br /> <br /> With "Haydn's J.Z." printed to lower margin of some pages. <br /> <br /> Light uniform browning heavier to some leaves; some minor foxing and staining; very slightly trimmed at upper and lower margins not affecting text or notation but very occasionally just touching or cropping pagination. Somewhat tightly bound occasionally just slightly affecting ease of legibility at extreme inner margins. Lacking title leaf and one leaf containing continuation of publisher's catalogue at conclusion. HWV II p. 59. Hoboken Collection 9 1419. RISM H4691. <br /> <br /> One of Haydn's two masterful oratorios this secular work was written shortly after The Creation 1798 to a libretto by Baron Gottfried von Swieten 1733-1803 after the eponymous poem by James Thomson 1700-1748 published in 1730. The work was first performed on 24 April 1801 in a private première at the Schwarzenberg Palace in Vienna; the first public production took place on 29 May 1801. <br /> <br /> "Although the initial reception of The Seasons was favourable - Haydn wrote to Clementi that it had enjoyed 'unanimous approval' and that 'many prefer it to The Creation because of its greater variety' - critical opinion soon became mixed owing in part to its perceived 'lower' subject in part to a growing aesthetic resistance to its many pictorialisms. Haydn himself contributed to both strands of criticism: he supposedly said to Francis II 'In The Creation angels speak and tell of God but in The Seasons only Simon speaks' Dies; and he indiscreetly criticized Swieten's croaking frogs 'Frenchified trash' and the absurdity of a choral hymn to toil Fleiss. Nonetheless he maintained that it would join The Creation in assuring his lasting fame. For the publication he took the path of lesser resistance selling the rights to Breitkopf & Härtel. . <br /> <br /> Notwithstanding its less exalted subject The Seasons is compositionally more virtuoso than The Creation and offers greater variety of tone: Haydn's pastoral is one of the final glories of a tradition that is more than 'high' enough." Georg Feder and James Webster in Grove Music Online The music is "of wonderful freshness and unfailing originality." TNG Vol. 8 p. 347. [Breitkopf & Härtel] unknown
2013Manohar-9780415632577Routledge 2013. Hardcover. New. Routledge hardcover
2013Manohar-9780415632577Routledge 2013. Hardcover. New. Routledge hardcover
186625527Berlin u. Breslau: Ed. Bote & G. Bock PNs 181-192 1866. 12 volumes. Octavo. Uniformly bound in brown cloth-backed textured dark brown paper boards with initials "E.M." to lower right corner of upper gilt titling and ornaments to spines. Engraved.<br/><br/>No. 1 H. I:104: 118 pp. - No. 2 H. I:102: 106 pp. - No. 3 H. I:94: 108 pp. - No. 4 H. I:103: 116 pp. - No. 5 H. I:100: 122 pp. - No. 6 H. I:101: 132 pp. - No. 7 H. I:88: 94 pp. - No. 8 H. I:95: 91 pp. - No. 9 H. I:99: 126 pp. - No. 10 H. I:96: 106 pp. - No. 11 H. I:85: 102 pp. - No. 12 H. I:86: 127 pp.<br/><br/>Incipits of all 12 symphonies to title pages of vols. 2-3 5 and 8-12 with subscription prices in Reichsthaler. On title pages of vols. 1 4 6 and 7 incipit staves from no. 8 left blank; filled staves and prices next to them are the same as in vols. 2-3 5 and 8-12. Title pages are otherwise identical. Publisher's blindstamp to title of vols. 1 3 4 6-8 and 10. <br/><br/>Caption title "Symphonie" without number through vol. 7; no. 8 with arabic numeral; nos. 9-12 with roman numerals. Caption credits to "J. Haydn" to nos. 8 and 10-12. Publisher's note "Ed. Bote & G. Bock Berlin" printed at lower right corner of first page of music from vol. 9 on. Notational correction in pencil to p. 108 of no. 6. Bindings slightly worn rubbed and bumped; spines of vols. 1 3 and 12 lacking; small stains to vol. 6.<br/><br/>A complete set including first editions in full score of Hoboken I: 88 96 and 100 various issues. Hoboken Haydn catalogue III pp. 17-18 "Coll. Sy. 5" with title conforming to the latest of the three given by Hoboken; the imprint allows for dating between 1847 opening of the Breslau office and 1866 liquidation of Scharfenberg & Luis. Hoboken collection catalogue 6: 175 vol. 11 with mispagination dated "um 1853" 234 vol. 8 misdated "um 1839" 238 vol. 10 mislabeled "Erstdruck" and misdated "1839" 279 vol. 2 earlier issue with incipits for nos. 1-7 only misdated "1839" 294 vol. 1 later issue with incipits for all 12 numbers.<br/><br/>The first issues were announced in 1839 and the plate numbers reserved at the same time. Publication however seems to have stretched over many years: the first six volumes are listed in Hofmeister 1852 vol. 7 in Hofmeister 1860 and the final five in Hofmeister 1868. <br/><br/>The differences in printing quality suggests that vols. 7-12 are first or early issues and vols. 1-6 later issues; in vols. 2 3 and 5 the later issue is confirmed by the presence of all twelve incipits on the title page.<br/><br/>The monogram "E.M." cannot be identified but it is possible that it stands for Eusebius Mandyczewski 1857-1929 the initiator of the first complete edition of Haydn's works.<br/><br/>A well-preserved set.<br/><br/>Together with: <br/>Hoboken I:97. Symphonien von Joseph Haydn. Partitur. No. 7 C dur. Pr. 1 Thlr. 10 Ngr. Full score. Leipzig: Breitkopf & Härtel PN 9055 ca. 1855. Octavo. Black cloth-backed gray boards with blank label to spine and upper. 1f. title 59 i blank pp. Engraved. Handstamp of "Karl Schwager Musikalienhandlung u. Antiquariat Wien" to title. Binding quite worn rubbed and bumped with portions of cloth spine lacking; front endpaper detached. Somewhat browned; minor blue and graphite pencil markings to title; some pages guarded; pp. 5-16 lacking. <br/><br/>First Edition most probably first issue. Hoboken Haydn catalogue I p. 196 and III p. 19 Coll.Sy.7b; there date is given as "1855/58". Hoboken collection catalogue 6 243. Not in Hirsch or RISM.<br/><br/>The list of symphonies on the title page includes nine numbers. The first six scores Hoboken I: 93 94 99 101 203 104 were published in Haydn's lifetime and reissued in 1854. The present number was the first of another six symphonies Hoboken I: 86 95 98 100 and 102 completed by 1858. The fact that the list on the title ends with "no. 9" and not with "no. 12" allows the dating of the present copy to the short time before the new set was complete. Ed. Bote & G. Bock [PNs 181-192] unknown books
180040468Bonn: N. Simrock PN 125 1800. Folio. Unbound as issued. Laid into early mid-blue stiff paper folder with dark blue ties decorative cut-paper manuscript title label to upper and additional label to spine.<br /> <br /> Flute: 1f. recto title verso blank i blank 6-9 pp.<br /> Violin I: i blank 8-14 pp.<br /> Violin II: i blank 8-15 i blank pp.<br /> Viola: i blank 8-13 i blank pp. <br /> Violoncello: i blank 8-13 i blank pp.<br /> Engraved throughout.<br /> <br /> With small oval handstamp of the "Musikalische Gesellschaft in Worms" to folder and each part; early signature in dark pink ink to blank upper outer corner of flute part; identification in early manuscript to blank upper outer corner of all parts; "42" in dark pink ink to all parts except flute part.<br /> <br /> Folder worn with small portion of spine lacking. Slightly worn soiled foxed and browned internally. Coll. Sy.17b-3. Hoboken Collection Vol. 6 443. RISM H4089.<br /> <br /> An arrangement of Symphony No. 104 in D major the last of the twelve London symphonies composed in 1795 and first performed in London at the King's Theatre on 4 May 1795 in a concert devoted exclusively to Haydn's works directed by the composer. N. Simrock [PN 125] unknown
118261London Universal Edition & Rockliff 1955-61. 8vo. XVII 3 863 pp. 24 music pp. in pocket plates; 63 1 pp. plates. Publ. cloth. Two volumes. hardcover
88522Leipzig C. F. Lehmann 1800. Oblong 4to. Engr. title blank engr. title blank 3-26 engr. pp. 2 blanks engr. title blank 3-10 engr. pp. 2 blank engr. title 4-39 engr. pp. Minor paper repair on the first part title. Together with separate parts; 2- 11 engr. pp; engr. title 2-7 engr. pp. Some spotting. Sewn as issued in slightly worn printed orange original wrapper. The separate parts uncut and sewn as issued. From the library of Eva Nordenfelt-Ã…berg with her bookplate. The separate violin part lacks the engraved title. Hoboken collection 1257-1260. The main title with a portrait of Haydn engraved by Heinrich Schmidt. C. F. Lehmann published four parts with together 11 works by Haydn. This first part contains with separate title leaves: â€Trois sonates pour le clavecin ou fortepiano no I†Hoboken XVI:40-42 â€Fantasie pour le clavecin ou piano-forte no 2†Hoboken XVII:4 â€Trois sonates pour le clavecin ou fortepiano avec accompagnement de violon et violoncelle no III†Hoboken XV:3-5. The lacking title leaf to the violin part has a blank verso side so no music is missing. unknown
2012x-041568837XRoutledge 2012. Hardcover. New. 1st edition. 208 pages. 9.88x7.17x0.59 inches. Routledge hardcover
