Liszt, FranzBiblio.com
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3849192431.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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2008__1434687589Bibliobazaar 2008. Paperback. New. 140 pages. 8.00x5.00x0.34 inches. Bibliobazaar paperback
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200639724BBLaaber, Laaber Verlag, 2006. Gebundene Ausgabe. Sehr guter Zustand mit nur minimalen Gebrauchsspuren am Einband. Kein Besitzervermerk! Keine Anstreichungen! Kein Mängelexemplar! (Weimarer Liszt-Studien, Bd. 3).
9788501047755RECORD. new. O autor aborda neste livro com profundidade e compet�ncia os desafios trazidos pela globaliza��o em particular o papel das organiza��es da sociedade civil na promo��o da democracia na esfera global. Um trabalho oportuno e estimulante para todos os que RECORD unknown
20132508060007Scarecrow Press 2013. Hardback. Very Good. ISNM: M-0800-001000 - Universal Edition UE 13340ELike New Pictorial glossy covers with no dust jacket as issued. Appears unread. Fresh as if new. xv 293 pages : illustrations music ; 24 cm. . . . . . . Shortly after Chopin's death in 1849 Franz Liszt wrote the first full-length biography of his fellow composer. As one of Chopin's friends Liszt created a unique biography that allows the reader to experience the world of Chopin through the memories of one of his most adamant supporters. Liszt provides insight into Chopin's early childhood and musical development the cultural traditions and customs that inspired the polonaises and mazurkas and the final days and hours of the composer before he died. Liszt also offers the reader a psychological view of the composer that had not been seriously undertaken by anyone prior to Liszt. Although Liszt offered what some scholars regard as perhaps an idealized image of the composer readers will enjoy the personal anecdotes and memories that only one close to the late composer could have known. Liszt even takes on the sensitive topic of the love affair between Chopin and the great French woman writer George Sand much to the displeasure of the former's family. Scarecrow Press hardcover
192943963097841706Leningrad: Triton 1929. Paperback. Good. Лот из 5 редких нотных изданий Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾. Ленинград: Музыкальное издательÑтво «Тритон» 1929–1935. 1. И. С. Бах — БранденбургÑкие концерты: 1. Adagio из Концерта â„–1; 2. Andante из Концерта â„–2. / Переложение Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ в 2 руки Ю. Ð. Тюлина; под ред. Ðœ. Ð’. Юдиной. — 1932. 2. И. С. Бах — ПрелюдиÑ. / ÐšÐ¾Ð½Ñ†ÐµÑ€Ñ‚Ð½Ð°Ñ Ñ‚Ñ€Ð°Ð½ÑÐºÑ€Ð¸Ð¿Ñ†Ð¸Ñ Ð´Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ ÐлекÑандра Зилоти. — 1934. 3. И. С. Бах — Л. ГодовÑкий — Сарабанда. / Ð”Ð»Ñ Ñ„Ð¾Ñ€Ñ‚ÐµÐ¿Ð¸Ð°Ð½Ð¾ Ñоло. — 1935. 4. Л. ГодовÑкий — РенеÑÑÐ°Ð½Ñ Renaissance. Рамо. ÐÐ»ÐµÐ³Ð¸Ñ â€” Лолли. Жига. — 1935. 5. Ференц ЛиÑÑ‚ — Паганини-Ñтюд â„–2 ми-бемоль мажор. — 1929. . Lot of 5 rare piano editions. Leningrad: Triton Publishing House 1929–1935. 1. J. S. Bach — Brandenburg Concertos: 1. Adagio from Concerto No. 1; 2. Andante from Concerto No. 2. / Arrangement for piano for two hands by Yu. N. Tyulin; edited by M. V. Yudina. — 1932. 2. J. S. Bach — Prelude. / Concert transcription for piano by Alexander Siloti. — 1934. 3. J. S. Bach / Godowsky — Sarabande. / For piano solo. — 1935. 4. Godowsky — Renaissance. Rameau. Elegy — Lolli. Gigue. — 1935. 5. Franz Liszt — Étude de Paganini No. 2 in E-flat major. — 1929. This extraordinary collection of sheet music from the legendary Leningrad cooperative publishing house Triton represents the pinnacle of Soviet piano culture and avant-garde editorial practice during the 1920s and 30s. The text provides a deep dive into the internal logic of the "Leningrad school" of performance including the arrangement of Bach’s orchestral works for the keyboard by Yuri Tyulin under the meticulous editorship of the great Maria Yudina. These editions reflect a period of intense artistic refinement where the boundary between Baroque tradition and Modernist interpretation was actively explored. Notably the lot includes transcriptions by Alexander Siloti—Liszt’s pupil and Rachmaninoff’s cousin—and the hyper-virtuosic "Renaissance" arrangements by Leopold Godowsky which were highly sought after by the elite conservatory circles of the era. The physical identity of these scores is defined by the distinctive often minimalist cover designs characteristic of the Triton imprint which operated as a private-public cooperative before its absorption into State control. From the 1929 Liszt Étude to the mid-30s Godowsky transcriptions these editions document the persistence of world-class pianism and international repertoire in Leningrad. The presence of Maria Yudina’s editorial hand and Siloti’s transcriptions makes this lot a vital primary source for musicologists studying the history of Russian piano performance and the dissemination of Western virtuoso traditions within the early Soviet state. For bibliophiles and collectors of rare musicalia these imprints are a testament to the high aesthetic and technical standards of Leningrad’s pre-war musical publishing. Triton paperback
1918RO50045135A. DURAND ET FILS. 1918. In-4. Broché. Etat d'usage, Couv. défraîchie, Agraffes rouillées, Papier jauni. 32 pages de partitions. Tampon et inscription sur le premier plat et tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
