Satie, AlainBiblio.com
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28543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement.<br /> In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. Alan Satié unknown
1923145578Arcueil-Cachan: 21 February 1923. The composer writes in French to the editorial secretary of the avant-garde literary periodical Les Feuilles libres. He asks for feedback on an enclosed "chronicle" no longer present and enquires when "our dear Director" - Marcel Raval the editor-in-chief of the journal - is scheduled to return. This letter is apparently unpublished. Les Feuilles libres was published between 1918 and 1928. It was significant to the 1920s avant-garde movement in Paris contributors including Pablo Picasso and Jean Cocteau. Satie's contributions appeared between 1922 and 1924. The work he refers to in the letter is likely "The Expired" which appeared in the "Musical Chronicle" section of the accompanying March/April 1923 issue of the journal. Satie was a closer correspondent of Raval 1900-1956. In another letter dated 21 October 1924 he addresses him as "Mon cher Directeur & Ami" refers to "how kind you have always been to me" and describes Les Feuilles libres as "delightful" Volta pp. 196-7. He ends the present letter with a wish "that he come back quickly!" The letter is signed with Satie's distinctive monogram. "His signature was often replaced by a kind of logo: his initials harmoniously intertwined in the manner of the seals employed by the fin-de-siècle painters influenced by Japanese art" Volta p. 12. Bifolium leaf size: 182 x 137 mm of plain paper. Handwritten in black ink across one side totalling ten lines of text. Together with a typed English translation on yellow paper with the comment below "The reference to 'our dear Director' is Marcel Raval" annotated top left in pen identifying Satie as the writer. Creased along folds else fine. Ornella Volta Satie Seen Through His Letters 1989. unknown
DADAX1900565668Atlas Press 2014-07-31. hardcover. New. 6.90x0.70x9.20. Buy with confidence. Excellent Customer Service & Return policy. Atlas Press hardcover
20141-1900565668Atlas Pr 2014. Diary. New. 223 pages. 9.50x7.00x0.75 inches. Atlas Pr unknown
0947757929.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007Q-0739047566Alfred Music 2007-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Alfred Music paperback
1986Q-079352590XG. Schirmer Inc 1986-11-01. Paperback. New. In shrink wrap. Looks like an interesting title! G. Schirmer, Inc paperback
