- Badofski J. -Livre Rare Book
Partition de la chanson : Valse des musiciens (La) Dédiée à tous les musiciens
190027092Partitions sur les Instruments de musique Au Clavecin 1900 approx.
Le Temps des Chansons · Paris, France35,00 €
38 résultats
181535396New York: Bradford Inskeep & A. H. Inskeep 1815. 1st volume edition. BFTP. Red quarter leather binding with tan paper-wrapped boards. Gilt title lettering stamped to spine. Wear to extremities with some leather loss to head & foot of spine. POs' name written to inner front board. Withal an About VG copy. 2 blank 592 2 blank pp including index. Engraved title 5 inserted plates of 9. Cuts p. 363. 8-1/2" x 5-1/4" <br/><br/> Bradford, Inskeep & A. H. Inskeep hardcover books
190027092Partitions sur les Instruments de musique Au Clavecin 1900 approx.
186960236Portland OR: Himes & Daly Printers 1869. 12mo. 4 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders very faint offsetting on back from old glue mounting marks still NF copy. First edition of this exceedingly scarce original program for the eighth concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment with local Portland dentist Dr. James Henry Hatch 1839-1921 as conductor reprised the popular Civil War-era cantata The Storm King featuring words by Howard M. Ticknor and music by Benjamin Baker first performed in 1859 in Boston. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. Worldcat locates 2 copies U of O Yale; See: Belknap Oregon Imprints 1845-1870 1312. Himes & Daly, Printers, paperback
187160237Portland OR: Himes & Bachelder Steam Printers 1871. 12mo. 4 pp unpaginated. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders folded originally a little cocked still NF copy. First edition of this exceedingly scarce original program for the 11th concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s entertainment features the return of local merchant and music enthusiast James B. Wyatt as conductor while Dr. Hatch has replaced Prof. H. Guido Grob. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870 and after that point no longer appears in census records or local directories on the West Coast. No copies in Worldcat. Himes & Bachelder, Steam Printers, paperback
186860234Portland OR: Carter Printer 1868. 12mo. 3 4-7 1 pp. printed in blue-coloured ink self-printed decorative softcovers small woodcut engraved device of piano on front cover woodcut printer’s device on back cover couple very minor spots slight shelfwear NF copy. First edition of this exceedingly scarce original program for the fifth concert organized by the nascent Portland Philharmonic Society formed in 1866 which would operate until 1874. The evening’s offerings opened with the Society Anthem soprano solo duet & chorus followed by Double Quartette a piano solo by Prof. Grob solo by his daughter Miss O. Grob and violin solo as well. Wyatt 1828-1905 was an Oregon pioneer who first emigrated to the territory from Vermont in 1850 via steamship and was a longtime hardware merchant in Portland musical enthusiast and his wife Maggie Congle Wyatt 1847-1917 was a popular singer and daughter to local and successful liveryman John Congle who had brought his family over the Oregon Trail in 1847. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. No copies in Worldcat or Belknap Oregon Imprints 1845-1870. Carter, Printer, paperback
186960235Portland OR: Himes & Daly Printers 1869. 12mo. 4 pp. printed in lavender-coloured ink self-printed decorative softcovers small woodcut engraved fleurettes at corners of borders ever-so-slight fading to ink still NF copy. First edition of this exceedingly scarce original program for the seventh concert organized by the Portland Philharmonic Society formed in 1866 which would operate until 1874. This program reveals a change in the conducting duties with former conductor James Wyatt replaced with local Portland dentist Dr. James Henry Hatch 1839-1921 who would only live in Portland until 1875 before moving his successful practice to San Francisco CA. Maggie Congle Wyatt 1847-1917 continued in the Society and also performed in the concert. Prof. H. Guido Grob fl. 1865-1870 operated a music studio and school in downtown Portland OR at First & Alder from 1865-1870. No copies in Worldcat or Belknap Oregon Imprints 1845-1870. Himes & Daly, Printers, paperback
188241598Alton: Alton Choral Society 1882. Facsimile printing. White printed paper. Age-toning and modest wear to edges. Withal a VG example. Single sheet printed recto only. Decorative border. 11-1/4" x 8-1/4" Scant. <br/><br/>"Part I. - A Selection from Handel's Judas Maccabaeus Part 2.- A Miscellaneous Selection. Alton Choral Society unknown books
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm.
1809956AGLondon, Willhelm Daniel, 1809. Kupferdruck in Kreidemanier von W(illhelm) Daniell nach Geo. Dance. Bildgrösse: 24 x 16 cm. Blattgrösse: 40 x 32 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 956AG
19001218AGVerlag der Dürschen Buchh., o.J. (um 1900). Stahlstich von Weger in Leipzig nach einer Photographie (Brustbild). Bildgrösse: 7 x 6 cm. Blattgrösse: 30 x 22 cm.
19001218AGVerlag der Dürschen Buchh., o.J. (um 1900). Stahlstich von Weger in Leipzig nach einer Photographie (Brustbild). Bildgrösse: 7 x 6 cm. Blattgrösse: 30 x 22 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
186633982Eccleston St. S.W. London March 13th 1866. 1866. Good. - Over 39 words penned on a 7 inch high by 4-3/8 inch wide sheet of buff paper with an attached blank leaf. Michael Costa writes to arrange a meeting with the recipient: "On Thursday I am engaged in the morning but if you can come in the afternoon at 1/2 past three o'clock." He then closes with "Hoping your cold is better believe me truly yours" signed "M. Costa". Folded twice horizontally for mailing the letter is slightly soiled. Remnants of gray paper adhering to the right edge of the verso of the blank page would suggest that the letter was once mounted in an album. Good. <p>The Italian-born conductor and composer Michael Costa 1808-1884 studied in Naples with his father at the Real Collegia di Musica and later with Niccolo Antonio Zingarelli. Although most of his works disappeared into obscurity he composed a significant number of operas symphonies and cantatas. After a visit to Birmingham he settled in England. In 1830 working as a conductor at His Majesty's Theatre Costa was able to influence many changes there and subsequently at Covent Garden. He was admired by Meyerbeer and Verdi. Having conducted several orchestras he took on English citizenship and was subsequently knighted in 1869. Among those compositions which survived are his ballets "Kenilworth" "Une Heure a Naples" "Sir Huon" and "Alma". His operas "Malek Adhel" and "Don Carlos" were produced in Paris and London. Eccleston St. S.W. [London], March 13th, 1866. unknown
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm.
18801256AGNürnberg, Carl Mayer's Kunst-Anstalt, o.J. (um 1880). Stahlstich (halbe Figur, sitzend). Bildgrösse: 13,5 x 13 cm. Blattgrösse: 23,2 x 15,6 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
186496471August 1st 1864. 1864. Good. - A two-and-a-half page letter consisting of over 80 words penned on three sides of 8 inch high by 5-1/8 inch wide "The Opera Company" stationery. Hatton has crossed out the letterhead and penned his home address below. In his letter addressed to James Couper sp Hatton seeks to correct the assumption made in an article about the title of his forthcoming opera: "My dear Sir" he writes "There is an article in Saturday's Orchestra signed 'J.C." -- J.C. it is yours -- what put it in yr head that my opera is called 'Blue Beard' The story of my work is as unlike the career of that courageous individual as it well can be." He goes on to write that he's not yet decided on a name for his work "but I think it is likely to be 'Rose de mai-" and requests that J.C. correct the mistake. Signed "J.L. Hatton". The recipient has penciled "yes JC" in the left margin of the first page affirming that he was indeed the author of the article. Folded several times for mailing with a couple of short tears along the edges of the folds. The bottom third of the integral second leaf has been clipped without loss to the text. Apparently once mounted into an album with paper remnants along the top and inner edges of the verso of the second leaf. Good. <p>The English composer conductor pianist and singer John Liptrot Hatton 1809-1886 was a pupil of Michael Maybrick and also studied in the academy of Mr. Molyneux. An organist by the age of 16 he acted on the Liverpool stage and later performed in London in Macready's Drury Lane production of "Othello". A man of many talents he was making a name for himself as a musician and composer at the same time directing the choruses in the English Opera series at the Theatre Royal Drury Lane and composing his own works. His fist operetta "Queen of the Thames or The Anglers" was followed by a more ambitious work "Pascal Bruno". He composed numerous songs in the style of the German classics and performed as a pianist. Hatton toured in the U.S. from 1848 to 1850 performing several public and private concerts in New York City which included some of his own works. As a composer Hatton set to music various songs to poems by Robert Herrick perhaps the most famous of which was "To Anthea". Engaged as Director of Music at the Princess's Theatre in London he composed music for "Macbeth" "Sardanapalus King of Assyria" "Henry VIII" "Faust and Marguerite" and several of Shakespeare's plays. In 1864 his third opera "Rose or Love's Ransom" likely the work to which he refers in his letter was performed at the Royal English Opera Covent Garden. August 1st, 1864. unknown
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm.
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm.
1880189AGWien, Carl Wrabetz, (um 1880). Photographie (Portrait). Format: Carte de visite.
18601206AGO.J. (um 1860). Kupferstich (Brustbild). Bildgrösse: 10 x 11 cm. Blattgrösse: 28,2 x 19,4 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18501201AGO.J. (um 1850). Lithographie von Willing nach Raisky (Brustbild). Bildgrösse: 11,7 x 11 cm. Blattgrösse: 16 x 11 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1880189AGWien, Carl Wrabetz, (um 1880). Photographie (Portrait). Format: Carte de visite. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
18201214AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 30,8 x 20,6 cm.
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm.
18201210AGO.J. (um 1820). Kupferstich von François Pigeot (rundes Brustbild). Bildgrösse: 11 x 11 cm. Plattengrösse: 19 x 15 cm. Blattgrösse: 28,4 x 20,7 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
