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RO30302229Henry Lytholff's verlag. Non daté. In-4. Relié cuir dos-coins. Etat d'usage, 1er plat abîmé, Dos abîmé, Intérieur frais. 362 pages de partitions en noir et blanc. Compositeur, titre et filets dorés au dos. Quelques épidermures. 3 photos disponibles.. . . . Classification Dewey : 780.26-Partitions
RO50043217C. F. PETERS. NON DATE. In-4. Broché. Bon état, Tâchée, Dos abîmé, Intérieur acceptable. 205 pages de partitions pour piano et violon. Plats en couleur. Couverture plastique transparente de protection. Tampon sur la page de titre. + 73 pages de partitions pour violon.. . . . Classification Dewey : 780.26-Partitions
1915RO50043687A. DURAND ET FILS. 1915. In-4. Broché. Bon état, Couv. défraîchie, Dos abîmé, Intérieur acceptable. 91 pages de partitions pour piano et violon + 32 pages de partitions pour violon. Couverture en couleur. Tampon de l'éditeur sur le premier plat. Dos renforcé avec de l'adhésif. Révivion par Paul Dukas.. . . . Classification Dewey : 780.26-Partitions
RO50044801A. DURAND ET FILS. NON DATE. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Intérieur acceptable. 285 pages de partitions. Premier plat illustré en couleur. Tampon sur le premier plat ainsi que sur la table thématique. Dos renforcé avec de l'adhésif. Tampon et inscription sur la page de titre.. . . A l'italienne. Classification Dewey : 780.26-Partitions
RO50042808C.F PETERS. NON DATE. In-4. Broché. Bon état, Couv. partiel. décollorée, Dos satisfaisant, Papier jauni. 199 pages de partitions en espagnole. Concert 1 : OP. 15. -C dur - ut majeur - C major + Concert 2 : OP. 19. - B dur - Si b majeur - Bb major + Concert 3 : OP. 37 - C moll - ut mineur - C minor + Concert 4 : OP. 58. - G dur - Sol majeur - G major + Concert 5 : OP. 73. Esdur - Mi b majeur - Eb major + 6 : fantaisie - OP. 80 - C moll - Ut mineur - C minor. Pochette plastique transparente. Premier et second plat désolidarisés. Premier plat illustré en couleur.. . . . Classification Dewey : 780.26-Partitions
RO50043686PETERS. NON DATE. In-4. Broché. Etat d'usage, Tâchée, Dos abîmé, Papier jauni. 46 pages de partitions pour violoncello + 48 pages de partitions pour viola + 54 pages de partitions pour le 1° violon + 48 pages de partitions pour le 2° violon. Dos de la couverture renforcé avec de l'adhésif. Couverture en couleur. Edition n°195b.. . . . Classification Dewey : 780.26-Partitions
RO50044929ENOCH FRERES & COSTALLAT. NON DATE. In-4. Relié demi-cuir. Etat d'usage, Plats abîmés, Dos frotté, Intérieur frais. 175 pages de partitions. Page de titre illustrée en noir et blanc. Compositeur, instrument et filets dorés au dos de l'ouvrage. Coint frottés. Tampons sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
RO50045036J. HIELARD.. NON DATE. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos fané, Quelques rousseurs. En 5 paginations : 55 pages de partitions pour le n° 6 + 55 pages de partitions pour le n° 7 + 47 pages de partitions pour le n° 8 + 51 pages de partitions pour le n° 9 première partie + 33 pages de partitions pour le n° 9 deucième partie. Couverture de protection plastique transparente. Premier plat illustré en noir et blanc par J. Bourgeois.. . . . Classification Dewey : 780.26-Partitions
RO50044224C.F PETERS. NON DATE. In-4. Broché. Etat d'usage, Couv. défraîchie, Dos frotté, Intérieur acceptable. 254 pages de partitions. 9 symphonies. Plats marbrés. Auteur, titre et filets dorés.. . . . Classification Dewey : 780.26-Partitions
RO50065900Non lisible. Non daté. In-Folio. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 20 pages de partitions en noir et blanc.. . . . Classification Dewey : 780.26-Partitions
199122-10-06-di-18021-tsG. Henle Verlag 1991-01-01. Paperback. Used - Acceptable. Book shows wear. Water damage. Still readable copy. G. Henle Verlag paperback
1989055389London: Tecla Editions 1989. With prefaces by Dr. Brian Jeffery. 5 vols. complete music in full b/w facsimiles with their original pagination near fine in the original grey cloth with the dustjackets oblong folio format the final volume in upright format. Contents: v. 1 Piano sonatas opus numbers 2 nos. 12 and 3 7 10 nos. 12 and 3 13 14 nos. 1 and 2. v. 2 Piano sonatas opus numbers 22 26 27 nos. 1 and 2 28 31 nos. 1 2 and 3 Zürich Nägeli. v. 3 Piano sonatas pus numbers 31 nos. 1 2 and 3 BonnSimrock 49 nos. 1 and 2 53 54. v. 4 Piano sonatas opus numbers 57 78 79 81a 90 101 109. v. 5 Piano sonatas opus numbers 106 110 111 London Clementi 111 Berlin Schlesinger. Tecla Editions unknown
151823Prints of Beethoven's belles. Three reproduction prints of Beethoven's belles two in color framed together as one. Matted and framed with gilt to the cut edges of the mat. In near fine condition. The entire piece measures 19.75 inches by 14.75 inches. Ludwig van Beethoven 1770–1827 stands among the most consequential figures in the history of Western music a composer whose work bridged the Classical and Romantic eras and fundamentally reshaped the expressive possibilities of nearly every genre he undertook. Born in Bonn and trained in the traditions of Haydn and Mozart Beethoven settled in Vienna in 1792 where he established himself first as a virtuoso pianist and subsequently as a composer of unprecedented ambition and individuality. His nine symphonies sixteen string quartets thirty-two piano sonatas and the opera Fidelio transformed the formal and emotional scope of instrumental and vocal music alike while his late works—the Missa Solemnis the Ninth Symphony and the final quartets among them—pressed beyond the conventions of his time and anticipated the harmonic and structural innovations of the century to follow. The progressive deafness that afflicted him from his late twenties and which had rendered him almost wholly deaf by the final decade of his life lent his biography a tragic dimension that has shaped his reception ever since casting him in the popular imagination as the archetypal Romantic artist whose creative vision triumphed over personal suffering. unknown
1933219052Breitkopf & Härtel Leipzig B. 6 Orch. B. 11 a/b. 1933. Softcover Die Jahresangabe ist ungefähr. Zustand: mit Kennungen einer Privatbibliothek. Rücken Ecken Kanten berieben die Partitur am Rücken verletzt die Hefte sind tadellos gut. Breitkopf & Härtel, Leipzig B. 6 + Orch. B. 11 a/b., paperback
126690London: Schloss Albert 1838. Hardcover 64pp. Poor. Unfortunately this tiny book is lacking its covers the front endpaper and the internal six leaves of the first signature being the title page and portraits of the Duke of Wellington and the Duchess of Kent with the accompanying poems of tribute. Included are portraits of Thomas Lawrence Beethoven Lady Blessington and singer Judith Pasta a calendar for 1839 the birth dates of the royal family lists of the sovereigns of Europe the Queen's ministers and ladies of the court. This is one of a series of almanacs published by Schloss between 1836 and 1843. Bondy says of the Schloss's Almanacs: They are true miracles of engraving illustration binding and presentation. Each of them has six charming plates accompanied by poems of praise not infrequently their first appearance in print. Engraving by Benjamin Rees Davies. Portrait of Ludwig Van Beethoven Marguerite Blessington Thomas Lawrence & Judith Pasta. Miniature Books Almanacs Miniature Books. Schloss Albert Hardcover
19901961160801019Decca 1990-10-25. Audio CD. Like New. CD looks new. No scratches. Original artwork on CD and literature in case. Decca unknown
18356933London York: G Walker; Goulding D'Almaine Potter & Co; Knapton 1835. Very Good. Sheet music large folio: a collection of engraved music dating from the first half of the 19th century bound together in one volume. Bound in half leather over marbled boards the condition is very good; the covers are rubbed the leather nicked and worn with one small hole to the spine; the binding is firm the pages are bright with only occasional spotting and neat tape repairs. There is a modern bookplate to the front pastedown of E A and M Richardson and many of the titles are inscribed Richardson 1835. There are pieces by famous composers such as the Finale to Rossini's Cenerentola a Grand Duet for Two Performers on One Piano Forte by Mozart and The Queen of Prussia's Waltz by Beethoven. Less well known pieces include several by G Kiallmark Pleyell's German Hymn published by Knapton of York the Laura and Lenza Duet composed by M Holst and The Saxe Cobourg Waltz by J Monro. The Richardson family show their fondness for dancing with a Leeds imprint of Royal Galopades as danced at Almacks and the Nobility's Balls by Edw Willis. The younger generation were encourage with Popular Airs Arranged as Duets for Juvenile Performers on the Piano Forte by D Bruguier. A fascinating collection of 19th century music for which extra shipping charges may apply. Very Good 1835 G Walker; Goulding, D'Almaine, Potter & Co; Knapton hardcover
1908251531Berlin: Schuster & Loeffler 1907/1908. zus. ca. 1800 Seiten. Ln.
2012__3598242700K G Saur Verlag Gmbh & Co 2012. Hardcover. New. rep fac edition. 47 pages. German language. 9.06x6.10x9.21 inches. K G Saur Verlag Gmbh & Co hardcover
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2007DADAX1860968902ABRSM 2007-12-12. sheet_music. New. 9.21x2.98x12.36. Buy with confidence. Excellent Customer Service & Return policy. ABRSM unknown
188017483ALeipzig, Verlag von Breitkopf und Härtel, ohne Jahr (1865) bzw., 1880. Ca. 27,2 x 18,8 cm. 43 Seiten, mit Notenbeispielen; 80 Seiten, mit Notenbeispielen. Halbleinenband der Zeit.
