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151907Rare first edition of the first biography of Beethoven printed months after his death. Octavo original printed pictorial wrappers frontispiece portrait of Beethoven and a lithograph facsimile of a letter from Beethoven to Abbe Maximilian Stadler. The scarce first biography of Beethoven published only months after the composer's death. Though frequently maligned by later biographers Schlosser's account remained the sole separate biography of Beethoven available until 1838. While certain of Schlosser's claims have not withstood subsequent scholarly scrutiny Barry Cooper observes that the work retains interest as "a reflection of what was generally known and believed about Beethoven at the time of his death." Schlosser published this edition to raise funds for a monument to Haydn a project that ultimately never came to fruition. See Barry Cooper editor Beethoven: The First Biography Portland: Amadeus Press 1996. In very good condition early owner's signature on the front cover old bookseller's mark on the rear cover. Housed in a custom clamshell box. Ludwig van Beethoven 1770–1827 stands among the most consequential figures in the history of Western music a composer whose work bridged the Classical and Romantic eras and fundamentally reshaped the expressive possibilities of nearly every genre he undertook. Born in Bonn and trained in the traditions of Haydn and Mozart Beethoven settled in Vienna in 1792 where he established himself first as a virtuoso pianist and subsequently as a composer of unprecedented ambition and individuality. His nine symphonies sixteen string quartets thirty-two piano sonatas and the opera Fidelio transformed the formal and emotional scope of instrumental and vocal music alike while his late works—the Missa Solemnis the Ninth Symphony and the final quartets among them—pressed beyond the conventions of his time and anticipated the harmonic and structural innovations of the century to follow. The progressive deafness that afflicted him from his late twenties and which had rendered him almost wholly deaf by the final decade of his life lent his biography a tragic dimension that has shaped his reception ever since casting him in the popular imagination as the archetypal Romantic artist whose creative vision triumphed over personal suffering. unknown
1924b1789xxlFr. Kistner & C.F.W. Siegel, Leipzig, 1924. Die Original Handschrift Beethovens, die in Berlin aufbewahrt wird, besteht aus einem gebundenen Band sowie einer größeren Anzahl von Einzelblättern verschiedenen Formates. Die vorliegende Faksimile-Ausgabe, die alle Einzelteile in Originalgrösse zusammenfasst, wurde mit Bewilligung der Preussischen Staatsbibliothek im Jahre 1924 von der Firma C.G.Röder GmbH, Leipzig für den Fr. Kistner & C.F. Siegel Verlag, Leipzig hergestellt. ca. 300 S. Grüner Leineneinband. Einband und Rücken kaum angeschmutzt, Rücken sehr leicht beschädigt (ohne Fehlstelle), Schnitt etwas angebräunt, kaum angeschmutzt, Seiten sehr wenig angebräunt, sauber, vier lose oder lockere Doppelseiten wurden fachmännisch am Buchsteg eingeklebt. Ausgesprochen guter Zustand. / The original manuscript of Beethoven, stored in Berlin, consists of a bound volume and more loose sheets in different formats. The facsimile edition at hand combines all individual parts in one format. It was printed by Firma C.G.Röder GmbH, Leipzig, on behalf of Fr. Kistner & C.F. Siegel Verlag, Leipzig under permit of the Prussian State Library. Approx. 300 pages with green cloth binding. Binding and spine scarcely worn, spine slightly damaged but no surface defect, edge somewhat browned, pages slightly browned, four loose double pages expertly glued into place. Extremely good condition. Kistner & Siegel ist ein Musikverlag, der 1923 durch die Verschmelzung der Verlage C. F. W. Siegel und Fr. Kistner in Leipzig entstand. Diese einmalige Faksimile-Ausgabe wurde in einer Auflage von max. 200 Stück hergestellt. Die Mehrzahl der Exemplare gelangte gar nicht in den Handel - sie wurden nämlich vom Verlag für repräsentative Zwecke verwendet, bzw. sie wurden im Dezember 1943 bei einem Bombenangriff auf die Stadt vernichtet. / Kistner & Siegel is a music publisher created from the 1923 merger of publishers C. F. W. Siegel and Fr. Kistner in Leipzig. This one-of-a-kind facsimile edition was produced with max. 200 issues. Most copies were never sold on the market as they were of representative use to the publisher or were destroyed in the 1943 bombing of the city. Folio [11 Warenabbildungen] Leinen
181740804Wien: S.A. Steiner und Comp. PN C.D.S. 2361 1817. Oblong folio. Unbound as issued. 1f. illustrated title depicting General Wellington leading his troops into battle i advertisement 2-29 i blank pp. Engraved throughout. <br /> <br /> Publisher's advertisement "Pränumerations-Anzeige" to page 1 soliciting subscriptions to first editions of Beethoven's symphonies no. 7 and 8 and announcing full scores parts and various arrangements. <br /> <br /> Occasional minor wear soiling and foxing mainly to first and last leaves. First Viennese edition second issue. LvBWV I p. 583. Hoboken 2 391 first issue. Hirsch IV 344.<br /> <br /> The arrangement of this orchestral work is by Beethoven himself. It was first published by Birchall in London in January of 1816. The Viennese edition by Steiner was first published in the following month. <br /> <br /> "Beethoven's 'Battle Symphony' more correctly entitled Wellington's Victory of the Battle of Victoria op. 91 came into being as the result of an idea by Maelzel that Beethoven should write a work for his latest invention the panharmonicon a sort of mechanical orchestra. The timing coincided with Wellington's defeat of Napoleon in 1813. . It is a programmatic piece for a large orchestra with a battery of military and Turkish percussion instruments including cannons and muskets. The first section opens with an English bugle call followed by the patriotic tune Rule Britannia answered by a French bugle call and marching tune known in Britain as For he's a jolly good fellow. Then comes a depiction of the battle. Part 2 called 'Victory Symphony' begins and ends with martial music but is otherwise based largely on the British national anthem which is treated fugally." Cooper: The Beethoven Compendium p. 220. S.A. Steiner und Comp. [PN C.D.S. 2361] unknown
1803500025622London: Monzani & Cimador 1803. First Edition. . Paperback. Good. 8pp disbound Folio. Monzani & Cimador began in 1800 and were at 2 Pall Mall between 1800 and 1803. Therefore published in Beethoven's Lifetime. Beethoven 1770 - 1827 so this is early period. Reputedly the12 Waltzes are "seldom heard". British Library & National Library of Australia have copies but noone else apparently so rare. <br/> <br/> Monzani & Cimador paperback
182823013Vienna: Ant. Diabelli e Co. PN D. et C. No. 2819 1828. Oblong folio. Marbled wrappers. i title 2-11 i blank pp. Title lithographed music engraved. Price: "45 x C M." Printed note to foot of page 2: "Diese! unter L. v. Beethovens Nachlasse vollendet vorgefundene Capriccio ist im Manuscripte folgender Massen betitelt: Die Wuth über den verlornen Groschen ausgetobt in einer Caprice." <br/><br/>Spine of outer bifolium reinforced with marbled paper; spine of wrappers reinforced with matching dark green tape. Title browned; lower margin imperfectly trimmed; final leaf creased at upper right outer corner with very slight loss to lower right blank corner; one signature loose. First Edition. LvBWV v. 1 p. 851. Hoboken 2 514. Hirsch IV 401. Ant. Diabelli e Co., [PN] D. et C. No. 2819 unknown books
0486401480New. Brand new and still unused unknown
048625125XNew. Brand new and still unused unknown
16-3933Paris: Chez Naderman circa early 19th Century. Engraved sheet music. 35 x 27 cm. Printed on laid rag paper. 62 pages. First page defective with losses in lower right quadrant.Light to moderate stains. Stamp with text: Editeur du Musique du Roi.Expertise by Thierry BODIN - 01 45 48 25 31Syndicat Français des experts Professionnels en Oeuvre d'ArtLudwig van Beethoven's Opus 1 is a set of three piano trios written for piano violin and cello first performed in 1795 in the house of Prince Lichnowsky to whom they are dedicated.The trios were published in 1795.François-Joseph Naderman est un compositeur harpiste facteur éditeur de musique et professeur de harpe né le 5 août 1781 à Paris où il est mort le 2 avril 1835.The first of the composer's published works which the composer thought to be important enough to be given an opus number. The trios were composed in 1794 and 1795 possibly with older precursors for the first trio from Beethoven's first years in Vienna in 1792/93. First performed at a private concert in the home of his patron Prince Lichnowsky at which Beethoven's former teacher Joseph Haydn was present. Ferdinand Ries writes about the evening in his "Biographischen Notizen über Ludwig van Beethoven" from 1838 "The three trios by Beethoven Opus 1 were to be played to the artistic world for the first time at a soirée held at Prince Lichnowksy's. Most artists and music lovers had been invited in particular Haydn whose pronouncement was eagerly awaited by all. The trios were played and caused a great stir. Even Haydn said many nice things about them but advised Beethoven not to publish the third one in C minor. This greatly surprised Beethoven as he considered it to be the best one and today it is still the one that is most popular and which is the most effective. So Haydn's remark angered Beethoven and made him think that Haydn was envious jealous and wanted to do him an injustice. I must admit that when Beethoven told me this I did not believe him. I therefore took the opportunity to ask Haydn himself. His answer did however confirm what Beethoven had mentioned as he said he did not think that this trio would be understood very quickly or easily and that the public would not take to it very well." Paris: Chez Naderman, circa early 19th Century. unknown
182222957Bonn et Cologne: N. Simrock PN 1959 1822. Octavo. Original publisher's printed wrappers. 1f. title ii blank 162 pp. Engraved. Price: "14 Frs." <br/><br/>Wrappers slightly defective spine mostly lacking upper laid down. Slight offsetting; staining to edges of outer margins; some paper imperfections. Some edges untrimmed. First German edition. LvBWV v. 1 p. 211. Hoboken 2 195. The full score was first published in an unauthorized edition by Cianchettini and Sperati in London in 1808. N. Simrock [PN] 1959 unknown books
1802CLL-353Leipzig, Bretitkopf & Härtel [1802] Grand in-4 de 13, 9, 8, 8, 8 pp., entièrement gravé, broché.
190765697[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765694[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765692[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765691[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765699[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765693[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765698[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765696[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
190765695[Wien, Wiener Werkstätte, 1907]. Orig.-Farbholzschnitt auf Japan (Darstellung ca. 21 x 21 cm), unter Passepartout (ca. 30 x 30 cm) montiert.
2019__3761824718Bärenreiter Verlag 2019. Hardcover. New. 476 pages. Japanese language. 14.88x2.09x15.79 inches. Bärenreiter Verlag hardcover
19241411290Leipzig: Fr. Kistner & C. F. W. Siegel 1924. First Thus. Hardcover. Oblong Folio 402 pages. In Very Good minus condition. In full green cloth binding with gilt decorative borders to boards and gilt decoration to spine; front cover with gilt facsimile of Beethoven's handwriting; spine with gilt titling. Moderate wear to boards with faint scuffs and scrapes to covers mild rubbing along edges and at fore corners and fraying at the head and tail of spine. Text block shows moderate toning and faint scuffs on edges. Lighter age toning throughout. Faint smudges on front free endpapers. Interior otherwise clean. Shelved in Room A Elephant Overflow<br /> <br> <br> . This full-color original size facsimile edition of Beethoven's ninth symphony is based on the original manuscript currently housed in Berlin. 1411290. Special Collections - Upstairs. Fr. Kistner & C. F. W. Siegel hardcover
1810538521 vol. grand in-4 reliure de l'époque demi-vélin blanc, supra libris au nom de "Malvina Balaresque", s.d. (circa 1805-1825), Deuxième Grand Concerto dit le Militaire, Pour la Harpe avec Accompagnement de Grand Orchestre, Composé et dédié au Duc de Wellington par N. Ch. Bochsa fils et exécuté par l'Auteur à Londres, Veuve Dufaud & Dubois (avec signature manuscrite), avec étiquette rajoutée Augn Filliatre et Neveu, 31 pp. [ Avec : ] Grand Quintetto pour Forté-Piano Avec Violon, Alto et Violoncelle Obligés, Contre-Basse Adlibi Composé par J. L. Dussek Op 41 ou 47 , Chez Sieber Père, Paris (avec signature manuscrite), avec étiquette rajoutée Augn Filliatre et Neveu, 21 pp. [ Avec : ] Grand Trio pour le Piano-Forte, Violon et Violoncelle, Composé par J. N. Hummel, Chez Sieber Père, Paris (avec signature manuscrite), avec étiquette rajoutée Augn Filliatre et Neveu, 21 pp. [ Avec : ] Trois Trios pour le Piano-Forte, Violon et Violncelle Composés et dédiés A S. A. Mgr Le Prince Charles Lichnowsky par L. Van Beethoven Oeuvre 1 N°1, Chez Sieber Père, Paris (avec signature manuscrite), avec étiquette rajoutée Augn Filliatre et Neveu, 17 pp.[ Avec : ] Grand Trio pour Piano Forte, Clarinette ou Violon et Violoncelle par L. Van Beethoven Op. 11, Chez Pleyel Père et Fils, Paris, 19 pp. [ Avec : ] Sonate pour Forte-Piano avec un Cor ou Violoncelle Composée ou dédiée A Madame la Baronne de Braun par Louis van Beethoven Op. 17 et dédiés A S. A. Mgr Le Prince Charles Lichnowsky par L. Van Beethoven Oeuvre 1 N°1, Chez Sieber Père, Paris (avec signature manuscrite), avec étiquette rajoutée Augn Filliatre et Neveu, 13 pp. [ Avec : ] Variations pour le Piano-Forte avec Violoncelle obligé sur le thème Je vais Revoir l'Amant que j'Aime dans l'Opéra des Mystères d'Isis de Mozart, composées et dédiées A Son Excellence Monsieur Le Comte de Browne, Brigadier au Service de l'Empereur de S. M. l'Empereur de Russie, par Louis van Beethoven, Chez Embault, , avec étiquette rajoutée Augn Filliatre et Neveu, 11 pp. [ Avec : ] Variations sur l'Air des Mystères d'Isis par Mozart La Vie est un Voyage pour Le Piano Forte Avec un Violoncelle obligé Composée par Louis Van Beethoven, Chez Embault, , avec étiquette rajoutée Augn Filliatre et Neveu, 11 pp. [ Avec : ] Trois Sonates pour Piano-Forte Violon & Violoncelle tirées des nouveaux Quintetti de Boccherini par Ignace Pleyel, Oeuvre 1ère Première et deuxième Sonates, Chez Ignace Pleyel, Paris, 43 et 43 pp. [ Avec : ] Ouverture della Gazza Ladra pour le Piano Forte Musique de Rossini, Chez Pacini, Paris, avec étiquette rajoutée Augn Filliatre et Neveu, 11 pp.
2008DADAX020184172XHENLE 2008-10-01. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. HENLE hardcover
182222957Bonn et Cologne: N. Simrock PN 1959 1822. Octavo. Original publisher's printed pink wrappers. 1f. title ii blank 162 pp. Engraved. Price: "14 Frs." <br /> <br /> Wrappers slightly defective spine mostly lacking upper laid down. Slight offsetting; staining to edges of outer margins; some paper imperfections. Some edges untrimmed. Uniform light browning throughout more noticeably to title. First German edition with metronome indications present. Scarce in original wrappers. LvBWV v. 1 p. 211. Hoboken 2 195. Del Mar p. 10 Source E. The score was previously published in an unauthorized edition by Cianchettini and Sperati in London in 1808. <br /> <br /> One of the last works of Beethoven's so-called "early period" the Second Symphony was premiered at the Theater an der Wien in Vienna on 5 April 1803 conducted by the composer. It was largely composed during Beethoven's stay at Heiligenstadt in 1802 when he began to realize that his deafness might be incurable. <br /> <br /> "Completed in 1802 during a turbulent period in Beethoven's life the Second Symphony in D major op. 36 is already the work of a mature master who is settling accounts - or making peace - with the high-Classic symphonic tradition before embarking on an unprecedented musical voyage. It is a work which has both retrospective and prospective characteristics: it is firmly rooted in Mozart's and Haydn's last symphonies while anticipating Beethoven's later development by its dynamic contrasts unexpected modulations and propulsive movement all of which are controlled by a confident and flowing Classicism." Solomon: Beethoven pp. 103-104. N. Simrock [PN 1959] unknown
ABE-1657033861041AP Manuscripts USA HISTORY/DESCRIPTION: NO OTHER SYMPHONIC COMPOSITION HAS MET WITH SUCH A BROAD AND COMPLEX RECEPTION AS LUDWIG VAN BEETHOVENS SYMPHONY NUMBER 9 IN D MINOR OPUS 125 POPULARLY KNOWN AS THE CHORAL SYMPHONY. THE WORK MARKED AN IMPORTANT DEVELOPMENT IN 19TH CENTURY MUSIC. IN THE FINALE BEETHOVEN SET THE MUSIC TO THE GERMAN POET FRIEDRICH VON SCHILLERS AN DIE FREUDE ODE TO JOY THE FIRST TIME THE HUMAN VOICE WAS INCLUDED IN A SYMPHONIC WORK. THE SYMPHONY WAS FIRST PERFORMED IN VIENNA ON MAY 7 1824. ITS INFLUENCE HAS SINCE EXTENDED FAR BEYOND THE FIELD OF MUSIC. THE WORK HAS INSPIRED POETS WRITERS AND VISUAL ARTISTS; IT HAS PROVOKED AESTHETIC AND PHILOSOPHICAL ARGUMENT AND DISCUSSION. ABOVE ALL SYMPHONY HAS AT ALL TIMES PROCLAIMED TO PEOPLE OF GOODWILL ITS MESSAGE OF JOY AND THE GLOBAL BROTHERHOOD OF HUMANITY. COMPOSERS INFLUENCED BY THE WORK HAVE INCLUDED SCHUBERT BERLIOZ BRAHMS WAGNER BRUCKNER MAHLER AND MANY OTHERS. THE AUTOGRAPH SCORE OF BEETHOVENS NINTH IS HELD ALMOST IN ITS ENTIRETY IN THE MUSIC DEPARTMENT OF THE BERLIN STATE LIBRARY PRUSSIAN CULTURAL HERITAGE FOUNDATION. SOME SHEETS FROM THE SCORE THAT WERE REMOVED IN THE 19TH CENTURY ARE HELD AT THE BEETHOVEN-HAUS IN BONN AND IN THE NATIONAL LIBRARY OF FRANCE IN PARIS. THE ORIGINAL SCORE OF THE SYMPHONY WAS ADDED TO THE UNESCO MEMORY OF THE WORLD REGISTER IN 2001 WHERE IT JOINS OTHER OUTSTANDING MONUMENTS TO THE SPIRITUAL HERITAGE OF MANKIND. REPRODUCTION DETAILS: OUR HARDCOVER BOOKS ARE MADE WITH REAL WOOD FOR THE INTERIOR OF THE FRONT AND BACK COVERS AS WELL AS THE SPINE. THE LEATHER IS A 4 OZ COWHIDE FROM A SMALL SUPPLIER IN NORTH CAROLINA. THE LEATHER IS ADHERED TO THE COVERS WITH GLUE AND MOLDED INTO THE SHAPE AT THE HAND OF OUR LOCAL ARTISANS. THE SIGNATURES/PAGES ARE HANDSEWN USING A LIBRARY BINDING METHOD. THE SEWN BOOK IS BOUND WITH A STRONG ADHESIVE GLUE THAT MAKES THE BINDINGS LAST ESPECIALLY FOR THE LARGER BOOKS. WE ALSO ADD A THICK MULL CLOTH TO THE OUTSIDE OF THE BINDING DRYING IN BETWEEN EACH LAYER A TRADITIONAL WAY TO MAKE THE BINDING STIFF STRONG AND RESILIENT FOR GENERATIONS TO COME. Limited Edition. Hardcover. New. AP Manuscripts USA hardcover